Phish’s Last Stand

Something was in the air at SPAC on those June nights five years ago.  In the woods of upstate New York, Phish would throw down the gauntlet one more time before calling it quits.  Sure, Coney Island was a great time with the huge movie broadcast, the baseball field, and Jay-Z’s appearance, but musically, nothing from ’04 can compare to SPAC.  Deer Creek and Alpine would go on to provide us with fabulous music and moments, but it was in the intimacy the New York forest where the band last dipped their golden ladle.  On June 19th and 20th, Phish delivered the last opuses of their career.

6.19.04 (Mark Terry)

6.19.04 SPAC (Mark Terry)

The 2004 summer run was surrounded by a bittersweet aura.  Knowing this was gonna be it, we wanted to savor every last drop, but that unspoken feeling of imminent loss lingered.  We didn’t want to mourn something that we still had, but the knowledge that this would be the end of the road wouldn’t disappear.  After two exciting nights in Coney Island, the caravan headed north to Saratoga Springs for the first time since Summer ’95.  Following issues with management, the band was not invited back after until nine years later under new ownership.  The whole community knew that these shows would be special, but we didn’t know the half of it.  Once Phish hopped onstage in the beautiful northern setting, the magic hose would be turned on, and left on full blast for two straight days.  Phish would tap into the universal spirit more coherently than any other time in 2004, providing the audience with two final nights of cosmic communication to hold in our hearts.

While all four sets of this weekend were out of hand, this is a story about the second sets of 6.19 and 6.20, two of the greatest, if not the greatest, post-hiatus frames of music created by the band.  Whether it was the light at the end of the tunnel or just the the inspiration of performing their final run, Phish dug in and played their souls out.

"A Song I Heard The Ocean Sing"

"A Song I Heard The Ocean Sing"

As the lights dropped signifying the start of the second set, we assumed our places.  After a stellar first half, highlighted by an opening “Reba” and a sublime ambient jam bringing “Walls of the Cave” into “David Bowie,” we knew that what was about to drop would be special, yet how special, we didn’t know.  Launching the set with the opening drum beats of Undermind‘s “A Song I Heard the Ocean Sing,” Phish chose one of their most sought after new songs to sculpt into a masterpiece.  As soon as the song started, everyone knew the jam would be huge, but the sheer perfection of it would be uncovered slowly.  After an abbreviated first-set “album version” at Coney Island, this second-set opener would clearly take a different course.

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SPAC '04

Following Trey’s Hendrix-esque guitar solo, the jam began in earnest, and one could tell it was on.  The twisting and sinister music soon settled into a space where the whole band hopped into a collective jam rather than merely supporting Trey.  This is where the shit began to go down.  Improvising on the future epic for the first and only time, Phish created a menacing, yet uplifting, jam that would immediately vault into the annals of Phish history.  The exuberance of hearing the band absolutely slaughter this new favorite, combined with their absolutely locked and flawless playing, resulted in one of my top Phish experiences ever.

14071878106_0_albThe band connected several directed sections of improv, building a monstrosity.  By merging hard groove with searing evil psychedelia, Phish created a beast we had never seen before.  About half-way through the jam, the band snapped into some collaborative playing that set the table for the unbelievably spiritual jamming that would follow. This is where the magic began to blossom at an alarming rate, infusing the menacing piece with a sense of redemption and hope.  The band garnished a serious Pink Floyd vibe at this point, creating a beautifully  intense soundscape that was led to a cathartic release by Trey’s surreal and triumphant melodic licks.  This jam defines epic; for those looking to start listening to post-hiatus, start here.  As the only improvisational version of the song, Phish went all out and created a masterpiece.

6.19.04

6.19.04

As the twenty-minute jam closed, Phish moved directly into the opening of a superbly unique 32-minute “Piper.”  Using the popular jam vehicle to blow out any of the song’s conventions, the band took the momentum from their opening jam and kept it rolling.  As “Piper’s” scorching path left a wake of fire in its trail, it wasn’t long before the band broke down the jam into a more percussive place, stirring more musical creativity and diversity into the mix.  Bass-led grooves began to boom as Trey initiated some highly-addictive rhythm licks; where were we headed?  The pace slowed a bit, allowing for more spacious improv from all band members.  Following minutes of this polyrhythmic playing, Phish settled the music down again, creating an ominous tone before dropping into an “Tweezer Reprise” themed jam.  Starting with slow infectious patterns, the band built a completely unique jam into a straight dance-a-thon.  Gripping us with their imagination, the entire venue was soon bumping to the otherworldly rhythms.  Infusing an edgier tone to the music, the band built towards the Tweezer-laced peak.  This was heaven; one of those times where you danced so hard you knew not where you were, and you smiled so hard that your face muscles began to cramp.  This was IT, plain and simple, and everyone knew it.  IT was unmistakable.  With Trey wailing with the enjoyment of 1995, we all seemed to jump into a time warp to a place where things were firing on all cylinders again.  Were they really stopping in a month?  That didn’t make any sense now.

SPAC '04 (Mike Piera)

SPAC '04 (Mike Piera)

As if the “Reprise” peak wasn’t high enough, the band eventually morphed into the third section of this “Piper.”  Peeling away some of the layers of sonic residue, the band stripped the music down to some heavy drum and bass patterns.  Soon Trey and Page jumped into the mix and the band was locked into another infectious piece of improv, this time a down-tempo bulbous groove.  At this point, everyone’s minds were shattered to smithereens.  We were 40 minutes into the set and the entire time had been filled with some of the best Phish improvisation ever.  Before we knew it, we were coaxed into a funky and accented rhythm that delivered us right into the bouncing beginning of “Jibboo.”

3176382207_0d3c0e8ddaAt this point, we all knew we were in the grips of the Phish on an incredibly special night of music.  The jam stemming from “Jibboo” provided the us with the tight and uplifting candy-grooving that was much-needed after such a long and ominous period of improv.  Returning our brains to some sense of normalcy, this “Jibboo” was placed at the perfect point in the set, bridging the dark and the light.  With none of their impeccable tightness lost, Phish lept from their melodic relief into a late-set “Limb By Limb” that turned into yet another indelible 6.19 memory.  Transcending the general path of Limb jams, this version blossomed with patience and beauty into some truly delicate Phish.  As the jam reached its midpoint, the music gained some swing and built into something far greater than an average Limb peak.  In a geyser-like eruption of melody, Trey led the band towards spiritual apex that echoed of The Grateful Dead’s rolling melodic peak of “The Eleven.”  This was pure hose, and it was good. Perfection, beauty, and symmetry are all words that could describe this musical arrival, putting an exclamation point to this set of utter insanity.

With the classic set closer of “Cavern,” everyone’s brains came back to earth and realized the enormity of the Phish they had just experienced.  This was a perfect set; the type that didn’t come around all that often in the post-hiatus period.  As the set ended and Phish came back for an encore, there was nothing they could do to upstage what had just happened. Fully cognizant of this, they elected for one of the classiest encores in their repertoire, “Wading In the Velvet Sea.”  Reserved for post-epic situations just like this one, Velvet Sea provided the perfect reflective denouement to a show that no one would ever forget.

And this was only night one.  To be continued…

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ironmountain_archive2ARCHIVE REMINDER: I know there are a lot of new readers lately, and I wanted to remind everyone that there is over 150 articles archived on Phish Thoughts.  You can use the orange “tag cloud” on the bottom right of the page to search by category (right above this paragraph), or you can search for any term using the search bar on the top of the page.  The search bar is especially useful when looking for particular show downloads.  You can always just click on a particular month of the archive, and all the articles should appear chronologically.  Also, the entire “Miner’s Picks” series is linked at the right side of the page as well, for quick access to the goods.  All links are always active.  If you find a broken link, please let me know via email.  Thanks so much, and enjoy!

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DOWNLOAD OF THE DAY:

Markthalle - Hamburg, GR

Markthalle - Hamburg, GR

7.23.96 Markthalle, Hamburg, GR < LINK

Dipping back into Phish’s oft-overlooked Europe ’96 tour, this show was their last headlining gig, and a fan favorite from the tour,  A standout show from start to finish, this should fill in a gap in many collections.

I: AC/DC Bag > Foam, Theme From the Bottom, Gumbo, Scent of a Mule* > Down With Disease > McGrupp and the Watchful Hosemasters > Stash, Hello My Baby

II: Also Sprach Zarathustra > Runaway Jim, Loving Cup, Sparkle, Mike’s Song > I Am Hydrogen > Weekapaug Groove, Bike, Slave to the Traffic Light

E: Rocky Top

*Contained an a capella solo by Trey.

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120 Responses to “Phish’s Last Stand”

  1. SOAM Says:

    If your crying you need to get a life-dude

  2. camman Says:

    spider guy, check out teh curtain from the clifford ball… its amazing a great start to a phunking amazing set

  3. camman Says:

    theres nothing wrong with addmitting to crying man…

  4. themanatee Says:

    few things can touch the impeccable peaks and deep deep terrian that echoed through SPAC that weekend. I had the time of my life. Miner, your point about dancing so hard you forgot where you were was the theme of this weekend…and I had sooo much room – somehow. It was spent with great friends and brothers dancing our collective spirits off.

    few things compare to that SIHTOS as well as the Twist from the next night…the coy little rhytmn licks starts to play …oooo….i know they will be written about tomorrow!

    onward soliders…

  5. guyforget Says:

    i wouldn’t be surpised to see it as the Friday opener. The Curtain closes and opens on things, last time i checked, and it already closed one chapter….it would give a nod to the fans also, recognizing how badly they fucked up and disrespected us in that mud bog. that being said, i wouldn’t have chosed to be anywhere else on the planet at that moment…

  6. camman Says:

    im feeling that th curtain might be the encore on firday.. with the band opening up witha tune we havent heard yet, say “Backwards down the Number Line”

  7. bhizzle Says:

    People keep on saying that about Backwards Down the Number Line, but I don’t think so. They will play a fan fav.

  8. camman Says:

    who knows, i guess that what makes the guessing game so fun, we have no clue. i mean who would have though the would of opened nye 2002 with piper?

    A Full Mike’s Groove encore would be nice for Saturday night too

  9. camman Says:

    also, how many YEM do you think we’ll see? i’m hoping for 2 but ive got a feeling we may just get one

  10. spideyguy0 Says:

    What would be amazing would be opening on Friday with Mike’s, playing Hydrogen at some point on Saturday and then having a Sunday Weekapaug encore.

  11. spideyguy0 Says:

    There’s no way they play a song (even YEM) twice during 1 run. Dunno if they ever done that before (they probably have but there was also probably some reason for it.)

  12. bhizzle Says:

    my requests (in no particular order):
    Ghost
    Maze
    When the Circus Comes to Town
    Loving Cup
    Crosseyed & Painless
    Tweezer
    Tweezer Reprise
    Song I heard the Ocean Sign
    Army of One
    Reba
    Bathtub Gin
    Antelope
    Dog Stole Things

    fuck…the list could go on and on

  13. camman Says:

    idk, for my first shows, and for my firs mikes groove… i’d like to see it in one fluent jam From Mike’s> Simple > Hydrogen > Weekapaug

    Yes Sir, Yes Sir!!!!

    i figure they wouldn’t play it twice, but as always we can dream…

  14. bhizzle Says:

    @ Spidey – prolly following the release of a new album – limb by limb ring a bell

  15. camman Says:

    Nice List Bhizzle.

    Mine Would Have to be (in a general order of most wanted to less wanted)

    Pebbles and Marbles
    You Enjoy Myself
    Weekapaug Groove
    Walls of The Cave
    Down With Disease
    Piper
    2001
    Silent In The Morning
    Destiny Unbound
    Slave To The Traffic Light
    and

    FLUFFHEAD!!!!

  16. guyforget Says:

    somebody mentioned earlier, maybe last week, no way a new tune will open. it will be so raucuos in there when the lights go down, they won’t debut anything during that craziness since nobody will be able to hear a thing (piper, msg 12/31/02). Buried alive was a great call earlier…

  17. camman Says:

    then does that mean maybe they’ll open with something more like a Disease? How are the acoustics in the colliseum?

  18. guyforget Says:

    best acoustics in the country, that’s why they’re there..

  19. bhizzle Says:

    I had the fortune of being at Nassau for that last Destiny. I had no idea what it was and thought nothing special, but after listening to the livephish of it it grew on me.

    my money on a dwd opener

  20. camman Says:

    i wasn sure about the acoustics becuase my copy of 11/22/97 isn’t the best, but i alos figured that was just the recording as well…. DWD would be great opener… thats in my top 3 of songs i just gotta hear

  21. camman Says:

    Harry Hood is my number one song… and i can’t believe i forgot it from the list…

  22. bhizzle Says:

    I’m no fan of the fans filling in between the “Harry!” yell with “Hood!” yell. my .02

  23. Pence Says:

    Once they start, I think all that happened with the curtain that was played at coventry will be forgotten. If they do play it at hampton, its not going to be cause they f’d it up a little at coventry, and want to redeem themselves, it will be cause its bad ass. If it is played at hampton it will probably be played day three second set, deep, and the crowd wont go any wilder than they did for the previous song in that set. Its fun to attach meaning to songs that they play, and attach “they are playing this song because……” but I dont think thats how they roll. Its all about the moment.

  24. guyforget Says:

    Pence, absolutely right, but i also think they are very proud dudes who respect the fans alike and would like nothing more than to hammer a flawless curtain, for them and us…agree?

  25. guyforget Says:

    cman, did you get the remaster miner posted of 11/22/97?

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