The Moments Before

Hampton (A.Kuroda)

Hampton (A.Kuroda)

Beyond sets, songs, and jams, Phish shows are made up of a series of moments.  Some of these moments seem frozen in time, allowing us to soak in the energy before moving on.  One of the special aspects of a Phish show is that everyone holds different moments in their hearts.  The band’s musical snippets and licks speak to everyone differently, personalizing the communal experience of a show.

These Phishy moments are those split seconds where you think you might explode from being so happy, so excited, so pumped and “in the now;”  those times where your thoughts transform into physical sensations and shoot through your soul, reminding you of just how real your experience is.  Often, these are the moments directly preceding colossal improv, readying you for what is about to erupt.

While improvisational triumphs are the fabric of our Phish addiction, there are plenty of these composed moments within a show that speak to us in a similarly inspiring way.  Precursors to the most serious improvisation, they are signposts along the road that read, “Danger! Phish Bombs Ahead!”  While all of these soundbites are meaningless on their own, placed in the context of their respective songs, they are the gateways to the heavens.  Here are some of my favorites:

The Drop Into the “Mike’s” Jam

Hampton (R.Siegal)

Hampton (R.Siegel)

Few moments carry more bombastic anticipation than the back and forth guitar licks immediately preceding the drop into “Mike’s.”  Preparing for a dark and sinister adventure, when this ultimate bomb drops, my head verges on bursting every single time.  Clutching my heart with the grips of their music, Gordon pounds away his initial pattern, leading the evil march.  These initial seconds of a “Mike’s” jam comprise one of the most powerful Phish moments, as the band prepares to take us on a ride to the center of the earth.

The Antelope “Jump” Guitar Lick

Hampton (R.Siegal)

Hampton (R.Siegel)

As Phish busts into the onset of an “Antelope” jam, they always hit a composed groove, directing them into the thick of it all.  Yet before they make the final plunge, Trey’s signature lick to me has always represented a sprinting Antelope leaping high into the air amidst a hurried escape.  This lick, composed of few notes, is the last signal before the band descends into the depths of an “Antelope” jam.  This metaphorical lick represents the band’s launching point, while conjuring a vivid mental image.

“Thank You Mr. Hood”

Hampton (R.Siegal)

Hampton (R.Siegel)

This moment, in one of the band’s earliest and most defining songs, exists as a sacred point in the Phish canon.  Following a gorgeous composition and a heavy musical interlude, these lyrics, sung in harmony by the band, are the last words we hear before Phish enters one of their most uplifting pieces of improvisation.  Used as a melodic device, this lyric dissolves into the ethereal textures of the “Hood” jam.  Like magic carpet rides through divine musical atmospheres, “Hood” jams are the stuff of dreams and catharsis.  With sublime interlaced melodies that seem to derive from another plane, it is here that Phish channels the higher powers – and it all happens after thanking Mr. Hood.

The Climax of the First Half of “You Enjoy Myself”

1998 (B.Brecheisen)

Fall '98 (B.Brecheisen)

An opus that combines the band’s eclectic composition with their loosest improvisation, “YEM” is the best of both worlds.  Often cited as the definitive piece of Phish music, “YEM” has been a staple for decades.  Connecting the divergent halves of the song is Phish’s most high-energy composed climax.  Following almost ten minutes of tight playing, Phish revs it up, not once but twice, before crashing into the colorful Jello funk with a resounding “Boy!”  Few moments in any show approach the point when Trey holds that note, staring at the sky, white beams blazing, as the band chugs beneath him.  Then comes the build- then BAM!- in a split-second the funk hits like you’ve splash landed in a pool of crystalline water.

The “Reba” Drop

Hampton (J.DiGiuseppe)

Hampton (J.DiGiuseppe)

Much like “YEM,” “Reba” features a ridiculously intricate opening section before loosening into a groove.  “Reba” contains some of the most complex playing in any Phish song and juxtaposed against its laid-back bass heavy jam, the composition seems even more tightly wound.  Following the fugue in the song, the band enters a pattern of collective hits that lead into the most blissful drop in all of Phishland.  As the gates to the flowing river of “Reba” are opened, you are guaranteed some of the most gorgeous music of the night.  Sailing away into a sea of euphoric grooves, paradise awaits.

The Opening Lick Of “Tweezer”

Hampton (P.)

Hampton (P.McGuire)

“Tweezers” routinely brings such adventure, adrenaline, and everything I am looking for in a Phish jam, that it takes nothing more than the opening guitar lick to bring me to the brink.  Especially when taken by surprise by this lick, like at Hampton’s comeback show, my heart virtually skips a beat as soon as the first note emanates from Trey’s guitar.  This level of adrenaline generally continues until the jam drops when all thought processes cease.  But that first lick of the song has been known to cause extreme reactions from me.

“An Asteroid Crashed…”

Similar to “Tweezer’s” dynamic, but not nearly on the same level, when Phish cannonballs into “Tube” with this lyric, all one can think about is the deep, layered funk that will surround them in a minute or two.  This moment was even more potent some years ago when “Tube” didn’t appear as much, and then took on new meaning as the song began to emerge as a jam vehicle.  Few moments are as universally exciting as the opening of “Tube.”

There are plenty of other moments that get all of us emotionally fired up for what is ahead, but when sifting through them all, these came out as my favorites.  Anticipation is one of the greatest emotions involved in the Phish experience.  The anticipation of waiting for shows to come, the anticipation that engulfs you all day before the show; the anticipation once you get inside the venue, waiting for the lights to go out- but none of these emotions approach the immediate anticipation of an impending Phish jam on the threshold of explosion.

What are your favorite pre-jam moments of Phish?  Share in Comments below!

01-phish-preview

Hampton – Photo: Unknown

=====

DOWNLOAD OF THE DAY:

10.22.96 MSG, NYC < LINK

10.22.96 MSG, NYC < TORRENT LINK

MSG, NYC

MSG, NYC

Here is the second show of a two-night stand in early in Fall ’96.  With great playing all the way through and a killer setlist, this is one of the few shows that really stood out during the pre-Halloween east coast run of 1996.  Featured are great performances of “YEM” and “Mike’s Groove” and “Disease.”

I: The Curtain > Runaway Jim, Bouncing Around the Room, It’s Ice, Talk, Split Open and Melt, Sparkle, Free, You Enjoy Myself

II: Also Sprach Zarathustra > Down With Disease, Taste, The Mango Song, Lawn Boy, Scent of a Mule, Mike’s Song > Swept Away > Steep > Weekapaug Groove*

E: All Along the Watchtower**

*With The Madison Scare Garden dancers towards the end. **With Buddy Miles on drums, Merl Saunders on keyboards, and Fish on Trey’s mini-drum kit.

Source: B&K 4021s > EAA PSP-2 > DA-P1 > D(1) – ORTF / OTS (10F10 row 5)

Tags: ,

185 Responses to “The Moments Before”

  1. gphisher62 Says:

    Piano solo at the end of squirming coil. And even though it’s predictable, the arm/hand waving during contact.

  2. shpongleyez Says:

    @hawk…Good call on Theme.

    My favorite moment is when the lights go out in the middle of whatever pre-show music is playing, and there is an audible gasp, pause, roar. Can’t wait to hear/feel/taste that again…

  3. mr. icclus Says:

    My favorite is defiently the MIke Song Drop. It usually means some real bombs from mike setting the pace for a funky grove to follow. And the start of Tube oh yea mr. miner those are some of the most exciting moments An Astroid Crashed…. and I’m about to explode!!!!!!!!! Can anyone help me with a camping reservation to Alpine i have an extra ticket to both nights, but i really need a place to throw a tent. Everthihg is bo0ked. Will someone please let me crash there camp site. Just may get my extras.

  4. mr. icclus Says:

    email me bniemanater@aol.com

  5. mr. icclus Says:

    And Mr. Miner did the forget about the split open and Melt drop i love that one!!!!!!

  6. Dividedsky Says:

    Bada chu BaBa Ba chu do

  7. old dude Says:

    down…..down…..down…..down

  8. Evan Says:

    I’m shocked no one mentioned Runaway Jim — the part right in the middle when it gets real quiet and then comes back really strong….love that part.

  9. JerZ Says:

    Oom pa pa, oom pa paaaaaaa….

  10. HSV 007 (CW Gang) Says:

    Great topic Mr. Miner….so many to choose from: Mike’s, YEM, Split, Tweezer, Haley’s, Tube, etc……one thats sticking in my head today:

    “Yes, I’m fumbling….and I know I play a bad guitar….”

  11. msbjivein Says:

    The first measure of Moma! Mike’s opening down beat into a composed measure of funkyness. At that point you know your about to get the funk down!! Just like @ Hampton last month coming out of 2001 w/ that opening measure of moma! I about fell the fuck down!

    Nothing else matters!!!!!!!!!

  12. Jay Says:

    The drop out of The Curtain into With – a pool of sweetness that builds into a raging waterfall of jamminess

    Really, it’s true – Nothing else matters!

  13. glideoff Says:

    I love the beginning of PYITE before the lyrics. The band goes through that chord progression and then BAM! they drop right into the fast paced lyrics. That song is the ultimate show opener, hands down.

    Well, it is a classic show opener, probably not my absolute favorite but definitely a good one.

  14. broonum Says:

    “….during the PYITE at Hampton, about 2.5 -3 minutes in, when transitioning fronm lyrics to jam, the band stretches the music back then realeases it just like a rubber band. It is incredible.”

    Read Icculus, I think you might be talking about the major flub in the Hampton PYITE?

  15. AlexanderK Says:

    Not one person is seeding today’s download of the day? Use the torrents! 🙂

  16. Dr SF Jones Says:

    @Alexander
    not exactly sure how it works, but mine has been open all day and no one is taking it. It is open right now if that helps you at all.

  17. AlexanderK Says:

    Could be firewall configs… could be mine at work! figures 🙂 Thanks anyway

  18. Mr.Miner Says:

    Folks, we will be phasing out regular downloads soon, so please start using the torrents- and leave your windows open!!! I don’t want to do trial by fire, so learn now!

  19. Dr SF Jones Says:

    Should maybe clarify, my torrent has a 0.03 Ratio, so someone took it, just not now. maybe everyone grabbed it already?

  20. snigglebeach Says:

    it may have been said already..

    But the the 2 combell notes marking the transition in YEM.

    Love it musically, Plus it always makes me think…..

    “Need a little more cowbell” (they need get Christopher Walken on stage some night.)

  21. Bandnana Says:

    I GOT A FEVER! AND THE ONLY PRESCRIPTION, is Phish summer tour!

  22. Jay Says:

    The intro note to YEM. Gives me a squeeze in the pit of my stomach as I think “Is Trey going to flub this again and have to start over?” 🙂

  23. voopa Says:

    While anticipating what’s coming up in a song is thrilling, one of the most exhilarating moments I’ve experienced at a show was at 7/31/97 when they started Limb…never having heard it before, Those 3 chords made me think, “Uh oh, here comes a big jam!” And of course, they delivered. Funny that Hendrix was mentioned earlier, I totally thought of Jimi when that Limb started.

    A similar moment occurred on 5/27/94 when Mike’s Song went into this weird new song (“What are they singing? Why is Fishman yelling ‘saxophone’?”), then that wound down, and all of sudden there was some woman on stage singing an operatic aria! THEN the Warfield staff passed out Mac & Cheese boxes to everyone. WTF? “Oh, cool, we’re in the band now!” Man, what a night.

  24. Bapslap Says:

    The opening of Maze.

    You have the fast drum beat, and then when Gordo starts playing the line you can’t help but get into it and think about the sick jam approaching.

  25. Al Says:

    Stupid question from overseas.
    Installing a Torrent program and using torrents in the future will open up my pc – so when bugs, trojans etc. are on my drives they will be everywhere??? And also, isn’t it dangerous/illegal to use shareware? Can’t it be tracked down by people, so if there is ANYTHING copyrighted on my PC, I will be fined?? I am just VERY hesitative concearning shareware, ’cause a friend of mine had to pay 5000 Euro fine for using shareware > left his PC open with copywrited stuff…

Leave a Reply