Halloween ’94: The Beginning


Phish & Halloween

A beloved tradition started fifteen years ago in Glens Falls, NY. Phish hadn’t played a Halloween show since 1991, having been in the studio the previous two autumns recording Rift (1992) and Hoist (1993). But in 1994, the band upped the ante. Via Doniac Schvice, their newsletter, Phish announced that the show would contain three sets, but that wasn’t all. Along with an audience costume contest, Phish would don a “musical costume” of their own, covering an entire album of another band. And there was yet another twist- they were leaving to the fans to vote on the album, and they would play the most popular choice. Many have since debated whether or not Phish went with the actual winner or selected between the most popular, but nonetheless, it brought the entire community into the process.

During the weeks leading up to the show, fans drooled with anticipation, constantly hypothesizing on which album would be selected. The leading contenders were thought to be Pink Floyd’s Dark Side of the Moon, Frank Zappa’s Joe’s Garage, and The Beatles’ self-titled record known as “The White Album.” The other mystery hovering around the 8,000 person show was that no one knew when the album would be played; there was no precedent and nothing had been announced. So when Phish took the stage at 10:15 for their first set, everyone was on the edge of their seats.

1994-10-31gnRipping into the holiday-appropriate “Frankenstein,” the game began.  An extended “Simple” and a poignant “Divided Sky” anchored the beginning of the set, when unsuspectingly, the band dropped into “Harpua!”  With the opening “Oom Pah Pahs” many thought that the forthcoming narration would bring out the cover album. As the Halloween story progressed, encompassing the “Vibration of Life” and the “Vibration of Death,” Jimmy stepped to his record player. Seemingly on the brink of history, the story took a left turn as Jimmy put on a Barney album- but accidentally had placed the record on backwards.  And as the record spun in reverse, Phish played what Jimmy heard- twenty second of Black Sabbath’s “War Pigs.” A classic moment in its own right, the cover would have to wait.  But before ending the set, Phish carved out room for one of the thickest, most emotional “Rebas” ever played.  In 1994, the year that “Reba” shone the brightest, this version is one of my favorites.

beatles-white-album-1During setbreak, the obvious conversation piece was the album.  Would it come in the second or third set?  Which one would it be?!  The answer came soon enough.  At midnight, the band took the stage, and through the PA the audience heard the opening heartbeats of Dark Side of the Moon, drawing howls and cheers from much of the crowd. But suddenly the heartbeat stopped, and the voice of Ed Sullivan came from nowhere introducing The Beatles.  Over the recorded squeals and screams of teeny boppers thirty years ago, Phish broke into “Back in the U.S.S.R.” It took a minute to hit everyone that they were about to cover the entire double-album, but one song at a time, over the next 90 minutes, that is exactly what they did.

Glens Falls Civic Center

Glens Falls Civic Center

While the band played most of “The White Album’s” songs  earnestly and accurately, they wouldn’t have been Phish if they didn’t add a little of their own flavor. By modifying the end of “Helter Skelter” with a barbershop quartet ending, changing the “fool on the hill” in “Glass Onion” to “Guyute the pig,” and adding some Electrolux to “Why Don’t We Do It in the Road?,” Phish dappled the album with spots of Phishiness. Other interpretive moments included Mike’s bluegrass take of “Don’t Pass Me By” and a now-classic rendition of “Revolution 9”, when upon the concluding line, “You become naked,” Fishman lifted his frock over his head and pranced around nude while Page, Mike, and Trey blew bubbles and chanted behind him. This bizarre moment was forever immortalized in the booklet of liner notes for “A Live One”- page 11.

But aside from these moments, Phish’s performance was incredibly reverent, playing each song true to form. The only onstage flirtation Phish had with The White Alum was an “Ob-La-Di, Ob-La-Da” jam- not even the whole song- hence the band learned each and every one of the albums 30 songs. Several appeared sporadically throughout the years, but “While My Guitar Gently Weeps”- the song that stood out at Glens Falls- was adopted into the band ever-expanding catalog of covers.  The band stepped offstage at 1:30 am, to the recorded version of “Good Night.” But the night was hardly over.

ph941031_01About a half -hour later, Phish reemerged to a venue of mind-blown fans, some who had dozed off during the break. The band could have come out and played a five minute encore and the show would still be talked about in the annals of Phish history. But instead, they opened set three with an extended journey through a menacing “David Bowie”- this was Halloween after all! And after a “Bouncin” interlude, the band resolved the immense darkness of “Bowie” with a magnificent mid-set “Slave.” Bordering on absurdity, especially with the timing of everything, Phish raged on. The band closed the set with a smoking “Antelope” only to start the audience costume contest during the encore!  After a “Mound” Bar won the competition, the band chose “Squirming Coil” to end one of the most epic nights of their career. There would be many more, but this one was special.

And there started the Halloween tradition that we will rekindle so soon in Indio. Following up the White Album with The Who’s Quadrophenia in 1995 (another double album),Talking Head’s Remain In Light in 1996, and Velvet Underground’s Loaded in 1998- Phish firmly established the musical costume as one of their most loved annual rites. Halloween became a big as New Years Eve on the Phish calender, though the band never found their way back to October 31st after ’98’s Vegas escapade. But in2009, the year everything is coming back together- Halloween returns!


“Reba” jam 10.31.94 I

“While My Guitar Gently Weeps” 10.31.94 II

Winged music note=====

Jam of the Day:

Bathtub Gin” 9.12.99 I


A perfect piece to take us into the weekend, this gorgeous jam came in a forgotten first set at Portland Meadows in ’99. An ideal tempo, the open-air sound, and some heart-tugging playing by Trey will have you grooving at your desk, cubicle, or wherever you may be. Some feel good Phish took for a Friday, this one will make you smile.



9.12.99 Portland Meadows, Portland, OR < Torrent

9.12.99 Portland Meadows, Portland, OR < Megaupload

Portland Meadows - Portland, OR

Portland Meadows - Portland, OR

This show has always lived in the shadow of The Gorge’s two-night stand that came directly before.  But with the “Gin” posted above and a monster second set, this show has plenty to offer. One of the most psychedelic “Ghosts” of the year kicked off this five song second set to the tune of 20 plus minutes. After this night we walked away with more than a few memories too go along with our black boogers.

I: First Tube, Poor Heart, Mozambique, Bathtub Gin, Get Back on the Train, My Mind’s Got a Mind of its Own, Frankie Says, Birds of a Feather, Lawn Boy, Possum

II: Ghost > Runaway Jim , Roggae, Also Sprach Zarathustra > You Enjoy Myself

E: Theme from the Bottom

Source: Unknown

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358 Responses to “Halloween ’94: The Beginning”

  1. BTB Says:

    Speaking of Jay Leno (don’t we say that all the time on this board?!?!)

    That is a good time slot for NBC to play some solid music (10:45 pm). It would be sweet if they gave some good bands time for 1 or 2 songs.

    PHISH on Leno: Ocelot>Faulty Plan

  2. kenny powers Says:

    ^ whoa, my old username of “dagnabits” showed up under my last post because the work computer i’m on at the moment recalled it from God knows how long ago…

  3. Mitch Says:

    I have been into Umphrey’s for quite a few years now since they were in the midwest when I was. They filled the void for me while Phish was gone. What’s gotten to me over the years is how structured they are and dont allow free flow jams. The whole setlist is setup before the show and they just play song into other song because it’s planned.

    I still like them a lot but the shows about people contributing to the spontaneity might make them jam a little better. Make it more organic so to speak. They might fall on their faces too but at least they are trying something different. I also really like how much they hookup the fans. The mantis preorder was genius, giving away more stuff for more people that bought the presale.

  4. Mr. Completely Says:

    Bruce has seemed pretty straight the last many, many times I have seen him. Unless you have personally done blow with him recently, I’m skeptical that’s a current issue. We have mutual friends with zero tolerance for blowhounds.

    @BTB – Of the 4 songs I mentioned off the top of my head above, only Mean Ole Frisco is really the blues. Lots of great stuff on Derek and the Dominos that isn’t blues too….Keep On Growin’…etc etc

  5. BTB Says:

    Yeah, I’ve got to get some more diversity in my Clapton collections.

  6. EL Duderino Says:

    Your probably right Mr. C. a buddy just told me that it was Bruce who would get in Garcia’s face and say shit like “Why do you even show up?”

  7. wvbrdr Says:

    I loved how Bruce would push Jerry. That Scarlet > Victim > Fire from 8.16.91 is face melting.

  8. VTsnowboarder802 Says:

    I just figured out the JotD feature (sometime’s i can be a dumb computer geek). Loving this feature and today’s Gin. Guess I’ve figured out how I’m spending the remainder of my friday afternoon.

  9. Mr. Completely Says:

    @wvbrdr – Bruce triggers the transition to Victim – one of the greatest simple improvisational moves of all time, he simply plays a riff they’re already fooling with, part of the normal Scarlet > Fire transition, but (I think) does it in a minor key – and BOOM there you are in Victim, Jerry jumps on it and they’re off, and it’s great

    then Phil remembers they should wrap it back into Fire, which was great

    That and the Omni Terrapin > Stir It Up jam, last two really amazing improvisational moments I saw them do – both based on musical conversation between Jerry and Bruce


    Bruce loved Jerry, adored him…but would not put up with his bullshit

  10. Mr. Completely Says:

    posted this before, but awhile ago, and many here are new and may have missed it:


    Bruce and Trey performing Standing on the Moon at the “Comes a Time” Jerry memorial – bruce owns this song and trey adds nice fills

    utterly sublime

  11. albert walker Says:

    The keyboard seat from Brent to Bruce really invigorated Jerry’s playing
    That is the shame about Vince coming on
    That new member with real deal lics (no offesnse to other members of the Dead) would spark some new interest in Jerry and push him forward for a while
    Being so more developed musically then the rest of his band I can understand his positive reaction to bringing them in
    I know Jerry wanted more synths, and I hate to state the obvious but what was Vince doing in this band?

  12. EL Duderino Says:

    Taking up space AW

  13. albert walker Says:

    Let’s get down and dirty!

  14. wvbrdr Says:

    Mr C, you were at those shows? That Scarlet jam just gets darker and scarier till you hear that drop into Victim. Can’t imagine what it must have been like to be there. Bruce really brought a lot to the band. You just gotta wonder….

    Thanks for that link, absolutely beautiful.

  15. EL Duderino Says:

    Samba Samba Samba

  16. EL Duderino Says:

    What Beatles tune did Vince bring to the band in ’94? It’s on the tipof my tongue

  17. albert walker Says:


  18. EL Duderino Says:

    I Want To Tell You a George Harrison tune

  19. EL Duderino Says:

    Sung in very high (and not in a good way) harmony

  20. albert walker Says:

    How about the fatty
    Tomorrow Never Knows
    Baba Oriley’s

  21. EL Duderino Says:

    Baba was done before Vince though. Not sure on the TNK

  22. SOAM Says:

    Vinny had a steady supply of Horsephine-that is Morphine for horses.

    I can’t believe Horndog is on dope…he had a major arguement with Jerry at MSG at 91 during setbreak and told him-your too fucked up-all over the road and don’t seem to care so to speak-Jerry replied-that’s what 20 years on the road will do for you.”

    “but-no matter how hard I fight it, baby I ‘m still in love with you”-I been listening to the Keane NJ-JGB disc lately and it’s great..

  23. SOAM Says:

    Vince got jerry to play Here comes Sunshine-Long Way to the bathroom-samba in your brain-Baba O-Lucy-

  24. SOAM Says:

    I still miss that fat fucker……boy his slow songs were great

  25. EL Duderino Says:

    Your a funny dude SOAM

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