A Sunday Spectacle


11.1.09 (Photo:Wendy Rogell)

After Phish unleashed a full weekend of music, and a Halloween show for the ages, they still had Sunday night left on their plate. With the highly-anticipated Halloween and acoustic sets behind them, the band had two more to let loose with their own brand of celebration. Daylight “savings” time provided us with a two-set show in the dark, despite its early 5:30 start time. A feeling of relaxation swept through the air, as everyone prepared for an all-Phish throwdown; and that is exactly what we got. With a second set comprised, almost exclusively, of the band’s darkest dance grooves, Phish concluded the Halloween weekend with the desert dance party that had loomed over the festival.  The 30th brought segued experimentation, the 31st brought soulful rock and roll, and the the 1st brought heavy, crunching rhythms. Squeezing “Tweezer,” “Free,” “Mikes” and “2001” all within one frame of Phish, the band left no doubt of their direction for the weekends final chapter.

11.1.09 (G. Lucas)

11.1.09 (G. Lucas)

The Indio “Tweezer” waited in the wings as the band took the stage for the eighth time at Festival 8. We knew it was coming soon, but when opening licks rumbled from the speakers to open the set, everyone strapped in for blastoff. Phish’s signature exploration followed the edenic path of the weekend, passing through a series of laid-back rock grooves before taking a turn for the spiritual. Playing off the festival setting, the band created a slowed down soundscape that matched their expansive surroundings, before collectively building out of the structured “Tweezer” jam. Trey and Page favored patient and sublime melody and harmony over rhythmic funk, forming an uplifting jam that peaked with blissful intent. Trey took the lead, gushing with heart-tugging lines that sailed atop with his bandmates’ backdrop.

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

Following this emotive peak, Phish dropped into a funkified section that saw Trey chop away some patented rhythmic patterns. But before long, the band moved beyond these grooves, landing in some spacey psychedelia that slowly spun its way down into “Maze.” This rare combination of songs kept the energy of the show at the highest level as Phish crushed their maniacal classic under the second’s set white-hot spotlight. The meticulous quality of the ordered chaos formed a mind-bending whole that hearkened back to the band’s earlier, more blast-your-head-off years. The juxtaposition of “Tweezer’s” triumphant swamp adventure and “Maze’s deliberate insanity showcased the sparkling polish that gleamed from Phish’s diverse skill sets. Stylistically opposite, both songs possessed a rabid cohesion that merged to form one of Festival 8’s most significant highlights. And just when it seemed like time for a breather, the band cranked up “Free.”

A perfect choice to follow the pent up tension of “Maze,” “Free” provided musical resolution without lessening the energy of the set one iota. The verses and chorus gave a short break from the bombast, but the drop into the jam threw us right back in. Still refusing to go all-0ut on “Free,” the band nonetheless got into some heavy, festival-sized grooves before setting their course for the songs conclusion. Strong versions of  “Sugar Shack,” “Limb By Limb” and “Theme” followed, but the set seemed at risk of  transforming into a series of standalone songs. But just as “Theme” came to an end, the opening riff of “Mike’s Song” obliterated any such possibility, opening the door to a menacing musical suite.

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

As Phish dropped into the apocalyptic “Mike’s” jam, the gigantic torches encircling the field rhythmically spat fire in the greatest use of the props all weekend. The music and fire converged perfectly for the first time, providing the palpable feeling of descending into the underworld. The massive sound enveloped the audience, as Trey set a fire of his own with a sinister solo. As the band annihilated the bass-driven patterns in a spectacle of epic proportions, the entire moment took on a life of its own. The jam absorbed the overwhelming energy of the masses, pumping the intensity back into the music, and up through the stratosphere. As Phish peaked their evil romp, one could already feel the segue into “Hydrogen,” but in the most exciting moment of the weekend, Phish kicked into the sloooow funk of “2001.” “Mikes > 2001” – the first time ever – 16 years after incorporating the funk-cover into their catalog. Gordon’s forged the crack-like space-funk with precise, booming bass lines that guided the crowd through one of the frozen moments from Festival 8 that will live eternally. Talk about adrenaline – this was another level!

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

As everyone and their mom expected the band to come tearing out of “2001” with “Weekapaug,” Phish delivered another left hook as they blended the sustained peak with the opening of “Light!” Unsure of where the music was headed, one thing I knew for sure – the band was flying through uncharted territory with an unconscious determination. As lyrics gave way to improv, they took off on a high-speed chase through some inspiring jamming that took on that sense that the instruments were playing the band. The energy flowed like a river through the entire festival as Phish explored one of their new-found excursions.

'Burble' During "Light"

'Burble' During "Light"

As the climbing jam reached a plateau, Page infused an ambient feel into the mix. The rest of the band latched on to this idea, forming an abstract spacescape behind Trey’s fading melodies. The entire band congealed into an amoeba-like ambient jam during which another Burble structure reached into the sky above. All props aside, however, the actual soundscape the band molded carried an ominous tone that continually delved deeper. Fish’s cymbal work gave way to a singular, drone beat that added to the eerie quality of the music. The balloon structure morphed to the side of the stage, attracting hypnotic stares. Minutes into the cosmic soup, Trey suggested a melody that subtly tipped off the jam’s destination. Softly oozing into the opening of “Slave,” another indelible memory had just unfolded.

Bringing a gorgeous resolution to the darkness, the composition sounded pristine, soon giving way to the band’s delicate creativity. Starting at silence, Phish sculpted the climactic bookend to the set-opening “Tweezer.” Phenomenally patient, the music seemed to unroll at a pre-destined pace amidst the near-silent crowed of over 30,000 people. Laced with majestic interplay between Trey and Mike, the band crafted a well-phrased, emotional exclamation point on an unforgettable weekend. Flowing with IT from the beginning of the set, Phish nailed their triumphant finale, leaving everyone drooling for more.

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

As the band came out for the encore, everyone expected them to follow “Grind” with “Weekapaug,” but in a far cooler move, the band began the site-appropriate carnival tale of “Esther.” Finalizing the weekend with a fire-driven “Reprise,” “Weekapaug” would wait for another day, leaving the otherworldly second-set sequence reading “Mike’s > 2001 > Light > Slave!” Coupled with the strongest first set of the weekend, Indio’s final offering quickly leapt into the upper-echelon of  2009. There’s nothing like ending on an high note, and the band concluded Festival 8 with, easily, their strongest set of Phish. With only weeks separating the band from the concrete confines of Fall Tour, things couldn’t have been better out west after a peak Phish experience.

Set 1 Notes:

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

The most significant first set of the weekend started with the tightly wound combo of “AC/DC Bag” and “Rift” before opening up with a standout “Jibboo.” Ever since Phish’s return, and from Red Rocks in earnest, “Jibboo” has been a constant show highlight whenever it appears. A well-played, drawn out “Heavy Things” set the table for the arguably the best “Reba” of 3.0, with Jones Beach providing the only competition. The band absolutely nailed every note of the composed section until their infamous brainfart entering the jam. But nobody was left thinking of imperfections after the band slaughtered the sensual improv. “Undermind” saw Trey experiment with new textures amidst the chunky groove, also providing a highpoint of the set. Fitting nicely in its 3.0 slot, a dense, quasi-abstract “Split” punctuated the opening frame a with scorching version that certainly holds up on tape. All in all, this strong opening round foreshadowed what lurked around the corner.

I: AC/DC Bag, Rift, Gotta Jibboo, Heavy Things, Reba, The Wedge, Guelah Papyrus, Undermind, Sparkle, Split Open and Melt

II: Tweezer > Maze, Free, Sugar Shack, Limb By Limb, Theme From the Bottom, Mike’s Song > 2001 > Light > Slave to the Traffic Light

E: Grind, Esther, Tweezer Reprise


Jam of the Day:

Tweezer > Maze” 11.01 II




California Love - 11/1/09 (Photo:Graham Lucas)



11.10.90 Earlham College, Richmond, IN SBD < Torrent

11.10.90 Earlham College, Richmond, IN SBD < Megaupload


19 Years Ago Today

This is the only November 10th show, other than The Fox in 1995, over the span of the last twenty years. Happy anniversary to Earlham College! Enjoy the early-school SBD.

I: Reba, The Landlady, Bouncing Around the Room, Runaway Jim, Cavern, My Sweet One, Buried Alive > The Lizards, Mike’s Song > I Am Hydrogen > Weekapaug Groove

II: Suzy Greenberg, You Enjoy Myself, The Asse Festival, Fee, Llama, The Divided Sky, Bike, Possum

Source: SBD

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272 Responses to “A Sunday Spectacle”

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  1. Baxter Says:

    Great review Mr. Miner. And thanks for all the Phish!

  2. Matthew Schwarz Says:

    I’ve just been reading about Warren Haynes’s Ritz Power Jam on 2.5.93. It sounds very intriguing. Does anyone know where its available for download, besides torrents?

    Miner — thank you for my daily good read while underway in the Asia-Pacific. I don’t feel too bad for missing Indio — I’ve just been to Vietnam, Singapore, Malaysia, Australia, New Caledonia and Guam.

    FINALLY heading home to my wife and kids.

    You can read some of my Navy news at my web site: http://www.c7f.navy.mil.

  3. Marshall Says:

    “Mikes, 2001>Light” was my favorite segment of the weekend. Thanks for reminding me when it was that the torches were full-blown in-synch with the music. It was rather under-wordly. Also glad you’ve renamed the sets appropriately as sets 1 and 2, leaving the acoustic set to stand on its own, as it should for posterity.

  4. halcyon Says:

    Happy Upcoming Veterans Day Matthew….as for the 2-5-93 I have the Ritz Power Jam on Cd somewhere. Awesome show. Maybe I can upload it for you, or do a B&P somewhere.

  5. Type III Jamming Personality Disorder Says:

    Another gem, Miner. This write-up evokes a lot of great memories from that night. Spot on!

    Ritz Power Jam is freaking sweet. I can’t download it here from my work computer, but a simple google search reveals a couple of torrent feeds for it. Somebody hook the sailor up! Would make a good Veteran’s Day gift…

  6. lambo Says:

    and the light is growing brighter!

  7. bhizzle Says:

    Not knowing the Exile album, but knowing Jagger plays the harp, are some of the horns in the set acting as harp?

  8. Mike Says:

    *2nd and 3rd set.

  9. Type III Jamming Personality Disorder Says:

    Sweet Virginia has a harmonica part at the beginning which Page played on the organ but I believe most of the horn arrangements are similar to what is on the album. I’d need to re-listen to the album and right now I can’t get myself to not listen to the Phish version! 8)

  10. Birddog Says:

    Anyone know of a source for the “From the Archives” segments of Bunny radio from the weekend?

    Also – anyone want to trade a Friday MSG for a Thursday?

    Time to que set 3 of 11/1

  11. Mr. Palmer Says:

    @Birddog- try this


  12. c0wfunk Says:

    great show for sure ..

    one comment – the undermind features trey teasing some jazz riff, I believe a tune they used to cover. I can’t place it now and don’t have time to go back and listen but it’s there – anyone else hear it?

  13. Mdawg Says:

    Mike’s > 2001 > Light > Slave To The Traffic Light

    was the exclamation point to a wonderful weekend.

  14. Pencilneck Says:

    Morning all! Great write up this morning Miner.
    I got my cincy ptbm tix in the mail last nite, fyi.

  15. Birddog Says:

    Thanks Palmer – I’ll take a listen

  16. Mitch Says:

    “As lyrics gave way to improv, they took off on a high-speed chase through some inspiring jamming that took on that sense that the instruments were playing the band. The energy flowed like a river through the entire festival as Phish explored one of their new-found excursions.”


    Way to go Miner! This is the post we’ve all been waiting for (well I have anyway) and you really captured the energy in your writing today. I was on the subway reading this and was feeling the rush! Mikes > 2001 > Light > Slave WAWAWEEWOW!

    I still don’t dig Light’s lyrical section but damn that jam is hot! Gorge too.

    Also, kudos for getting George Lucas to take photos for you!

  17. bhizzle Says:

    Thanks Type III

    Anyone have the spread on the arrival of the Joy Boxes vs start of Fall Tour?

  18. playitleo Says:

    Is nobody going to the detroit show, I scored 4 tickets of ebay yesterday for $2.25 Unheard of for a phish show nowdays.

  19. SOAM Says:

    it;s not phish-it’s Rock City-the place is a ghetto….might have phun but you could get shot..

  20. nonoyolker Says:

    Nice write-up miner. That Mike’s, 2001 > Light segment was a perfect way to cap the weekend. Great stuff.

    @Matthew Schwarz – did a quick search and think i found that Ritz Power Jam: http://hotfile.com/dl/13763009/1f060e2/ … m.rar.html

  21. Robear Says:

    ‘Mike’s from F8 = the hottest 9 minutes of music anywhere

    I know there has been talk of stretching out ‘Mike’s’ song, but in the meantime, the version from Shoreline and F8 are simply scorching electricity!

  22. Robear Says:

    playitleo, I got a plane ticket yesterday to hit Cobo > Cinncy. It’s 50/50 for me, depending on my ex.

    Low ticket sales plus a Red Wings game next door, and the first show in downtown Detroit since 1992 has me filled with intrigue!

  23. SOAM Says:

    More Mound, Wedge, Pebbles and Marbles, Waves, Alaska, even Walls of the Cave, bring back the ditties like Old Home Place, Nellie Cane, Rocky Top-play Timber Ho regularly-Curtis Lowe more, Been Caught Stealing once in a while maybe-and introduce some of those Exile tunes-don’t forget Bug and Dirt (played but sparingly) maybe a little less of Tweezer, Bowie (please play Maze more than Bowie), Suzy, Golgi and yes -even Stash-I know Jibboo is hot but it could take a seat for DST’S or Vultures. I know they are still trying to perfect these staples but I feel that they have a huge songbook to draw from and I’d like to get some variety.

    This is what I would like-those great power house songs will have more meaning if they are played less often-in my humble-grateful opinion.

    Set that gearshift…it’s coming, coming, coming around-comin a raahoound

  24. Robear Says:

    SOAM, I was thinking along those lines yesterday, and noticed the band didn’t dust many songs off between SpAC and F8. Then I realized it’s b’cuz they spent so much time on the acoustic and ‘Exile’ sets. I’m with you, hoping to see some more songs enter the rotation come Fall Tour. My guess, they are heavily practicing the missing tunes from their own catalog.

  25. playitleo Says:

    Yeah I am driving from Chicago to Detroit for the show low ticket prices will defintely help pay for gas, hotel, and other goodies

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