A Sunday Spectacle


11.1.09 (Photo:Wendy Rogell)

After Phish unleashed a full weekend of music, and a Halloween show for the ages, they still had Sunday night left on their plate. With the highly-anticipated Halloween and acoustic sets behind them, the band had two more to let loose with their own brand of celebration. Daylight “savings” time provided us with a two-set show in the dark, despite its early 5:30 start time. A feeling of relaxation swept through the air, as everyone prepared for an all-Phish throwdown; and that is exactly what we got. With a second set comprised, almost exclusively, of the band’s darkest dance grooves, Phish concluded the Halloween weekend with the desert dance party that had loomed over the festival.  The 30th brought segued experimentation, the 31st brought soulful rock and roll, and the the 1st brought heavy, crunching rhythms. Squeezing “Tweezer,” “Free,” “Mikes” and “2001” all within one frame of Phish, the band left no doubt of their direction for the weekends final chapter.

11.1.09 (G. Lucas)

11.1.09 (G. Lucas)

The Indio “Tweezer” waited in the wings as the band took the stage for the eighth time at Festival 8. We knew it was coming soon, but when opening licks rumbled from the speakers to open the set, everyone strapped in for blastoff. Phish’s signature exploration followed the edenic path of the weekend, passing through a series of laid-back rock grooves before taking a turn for the spiritual. Playing off the festival setting, the band created a slowed down soundscape that matched their expansive surroundings, before collectively building out of the structured “Tweezer” jam. Trey and Page favored patient and sublime melody and harmony over rhythmic funk, forming an uplifting jam that peaked with blissful intent. Trey took the lead, gushing with heart-tugging lines that sailed atop with his bandmates’ backdrop.

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

Following this emotive peak, Phish dropped into a funkified section that saw Trey chop away some patented rhythmic patterns. But before long, the band moved beyond these grooves, landing in some spacey psychedelia that slowly spun its way down into “Maze.” This rare combination of songs kept the energy of the show at the highest level as Phish crushed their maniacal classic under the second’s set white-hot spotlight. The meticulous quality of the ordered chaos formed a mind-bending whole that hearkened back to the band’s earlier, more blast-your-head-off years. The juxtaposition of “Tweezer’s” triumphant swamp adventure and “Maze’s deliberate insanity showcased the sparkling polish that gleamed from Phish’s diverse skill sets. Stylistically opposite, both songs possessed a rabid cohesion that merged to form one of Festival 8’s most significant highlights. And just when it seemed like time for a breather, the band cranked up “Free.”

A perfect choice to follow the pent up tension of “Maze,” “Free” provided musical resolution without lessening the energy of the set one iota. The verses and chorus gave a short break from the bombast, but the drop into the jam threw us right back in. Still refusing to go all-0ut on “Free,” the band nonetheless got into some heavy, festival-sized grooves before setting their course for the songs conclusion. Strong versions of  “Sugar Shack,” “Limb By Limb” and “Theme” followed, but the set seemed at risk of  transforming into a series of standalone songs. But just as “Theme” came to an end, the opening riff of “Mike’s Song” obliterated any such possibility, opening the door to a menacing musical suite.

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

As Phish dropped into the apocalyptic “Mike’s” jam, the gigantic torches encircling the field rhythmically spat fire in the greatest use of the props all weekend. The music and fire converged perfectly for the first time, providing the palpable feeling of descending into the underworld. The massive sound enveloped the audience, as Trey set a fire of his own with a sinister solo. As the band annihilated the bass-driven patterns in a spectacle of epic proportions, the entire moment took on a life of its own. The jam absorbed the overwhelming energy of the masses, pumping the intensity back into the music, and up through the stratosphere. As Phish peaked their evil romp, one could already feel the segue into “Hydrogen,” but in the most exciting moment of the weekend, Phish kicked into the sloooow funk of “2001.” “Mikes > 2001” – the first time ever – 16 years after incorporating the funk-cover into their catalog. Gordon’s forged the crack-like space-funk with precise, booming bass lines that guided the crowd through one of the frozen moments from Festival 8 that will live eternally. Talk about adrenaline – this was another level!

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

As everyone and their mom expected the band to come tearing out of “2001” with “Weekapaug,” Phish delivered another left hook as they blended the sustained peak with the opening of “Light!” Unsure of where the music was headed, one thing I knew for sure – the band was flying through uncharted territory with an unconscious determination. As lyrics gave way to improv, they took off on a high-speed chase through some inspiring jamming that took on that sense that the instruments were playing the band. The energy flowed like a river through the entire festival as Phish explored one of their new-found excursions.

'Burble' During "Light"

'Burble' During "Light"

As the climbing jam reached a plateau, Page infused an ambient feel into the mix. The rest of the band latched on to this idea, forming an abstract spacescape behind Trey’s fading melodies. The entire band congealed into an amoeba-like ambient jam during which another Burble structure reached into the sky above. All props aside, however, the actual soundscape the band molded carried an ominous tone that continually delved deeper. Fish’s cymbal work gave way to a singular, drone beat that added to the eerie quality of the music. The balloon structure morphed to the side of the stage, attracting hypnotic stares. Minutes into the cosmic soup, Trey suggested a melody that subtly tipped off the jam’s destination. Softly oozing into the opening of “Slave,” another indelible memory had just unfolded.

Bringing a gorgeous resolution to the darkness, the composition sounded pristine, soon giving way to the band’s delicate creativity. Starting at silence, Phish sculpted the climactic bookend to the set-opening “Tweezer.” Phenomenally patient, the music seemed to unroll at a pre-destined pace amidst the near-silent crowed of over 30,000 people. Laced with majestic interplay between Trey and Mike, the band crafted a well-phrased, emotional exclamation point on an unforgettable weekend. Flowing with IT from the beginning of the set, Phish nailed their triumphant finale, leaving everyone drooling for more.

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

As the band came out for the encore, everyone expected them to follow “Grind” with “Weekapaug,” but in a far cooler move, the band began the site-appropriate carnival tale of “Esther.” Finalizing the weekend with a fire-driven “Reprise,” “Weekapaug” would wait for another day, leaving the otherworldly second-set sequence reading “Mike’s > 2001 > Light > Slave!” Coupled with the strongest first set of the weekend, Indio’s final offering quickly leapt into the upper-echelon of  2009. There’s nothing like ending on an high note, and the band concluded Festival 8 with, easily, their strongest set of Phish. With only weeks separating the band from the concrete confines of Fall Tour, things couldn’t have been better out west after a peak Phish experience.

Set 1 Notes:

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

The most significant first set of the weekend started with the tightly wound combo of “AC/DC Bag” and “Rift” before opening up with a standout “Jibboo.” Ever since Phish’s return, and from Red Rocks in earnest, “Jibboo” has been a constant show highlight whenever it appears. A well-played, drawn out “Heavy Things” set the table for the arguably the best “Reba” of 3.0, with Jones Beach providing the only competition. The band absolutely nailed every note of the composed section until their infamous brainfart entering the jam. But nobody was left thinking of imperfections after the band slaughtered the sensual improv. “Undermind” saw Trey experiment with new textures amidst the chunky groove, also providing a highpoint of the set. Fitting nicely in its 3.0 slot, a dense, quasi-abstract “Split” punctuated the opening frame a with scorching version that certainly holds up on tape. All in all, this strong opening round foreshadowed what lurked around the corner.

I: AC/DC Bag, Rift, Gotta Jibboo, Heavy Things, Reba, The Wedge, Guelah Papyrus, Undermind, Sparkle, Split Open and Melt

II: Tweezer > Maze, Free, Sugar Shack, Limb By Limb, Theme From the Bottom, Mike’s Song > 2001 > Light > Slave to the Traffic Light

E: Grind, Esther, Tweezer Reprise


Jam of the Day:

Tweezer > Maze” 11.01 II




California Love - 11/1/09 (Photo:Graham Lucas)



11.10.90 Earlham College, Richmond, IN SBD < Torrent

11.10.90 Earlham College, Richmond, IN SBD < Megaupload


19 Years Ago Today

This is the only November 10th show, other than The Fox in 1995, over the span of the last twenty years. Happy anniversary to Earlham College! Enjoy the early-school SBD.

I: Reba, The Landlady, Bouncing Around the Room, Runaway Jim, Cavern, My Sweet One, Buried Alive > The Lizards, Mike’s Song > I Am Hydrogen > Weekapaug Groove

II: Suzy Greenberg, You Enjoy Myself, The Asse Festival, Fee, Llama, The Divided Sky, Bike, Possum

Source: SBD

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272 Responses to “A Sunday Spectacle”

  1. Marshall Says:

    $2.25 per … sort of like picking one up off the asphalt.

  2. playitleo Says:

    $2.25 total for 4 tickets

  3. GuitarPicker420! Says:

    @playitleo – you get the bargain hunter award for the day.

  4. Type III Jamming Personality Disorder Says:

    that’s just readicculus! that’s less than the service charge for one ticket off of PTBM!

  5. playitleo Says:

    Nice, does that come with a Kanye West speach

  6. Robear Says:

    leo, keep it quiet! Don’t tell the cats that are buying my tickets!!! 😉

  7. Type III Jamming Personality Disorder Says:


    maybe I’m just not hearing it, but where in Undermind are you hearing this jazz riff? It sounds like all is within the structure of the jam for this tune to me but I could have missed it completely.

  8. SOAM Says:

    20 years later..I’m still upside down

  9. cwc Says:

    anybody have one extra Thurs. MSG? Just need in the building. Found out I need to be there for business anyway. Timing couldn’t be better.

    I have C’ville PTBM tickets to trade or cash. Email me at ccammack at triad dot rr dot com

  10. c0wfunk Says:

    type 3 I think it is just a brief quote and near the end .. starting it now let me see if I hear it again.

  11. Lycanthropist Says:

    thinking Cincy might be a possibility for me guys!

    keep fingers crossed!

    right now got tix for friday

    looking for tix for saturday

  12. whole tour! Says:

    flava flav’s quote of the day for november 10th:


  13. GuitarPicker420! Says:

    @lycan – I have one extra for Cincy

  14. Type III Jamming Personality Disorder Says:

    go get it, Lycan! make it happen

  15. c0wfunk Says:

    OK .. just after 5 minutes in, near the end of trey’s solo..

    it’s really just about 6 notes, one riff from some jazz tune, just before he gets double time and then starts the trill and the peak..

    still can’t place it.

  16. whole tour! Says:

    i’m calling old home place opener for c-ville. I won’t be there since i refuse to step foot in a police state…especially after the hampton debacle. Nope…i refuse to be a statistic.

  17. albert walker Says:

    Trying to get Cinci plans going on late notice

    Looking for 100 level tix near stage or 1st half of floor

    My girl will be stuck home watching the dog and can’t find any old crew members able to get away from the wives and kids.
    Anyone possibly interested in driving up from Chicago or has extra room I would be interested
    Could be doing my first solo show

  18. SOAM Says:

    solo shows are the balls….you always-always-make new buds and smoke em…

  19. whole tour! Says:

    solo shows are the best. no extra weight on your shoulders. Pure freedom. In fact, i’m telling lotsw of people i won’t be at miami for precisely this reason. So i won’t have to babysit the guy who wants to share a room, but passes out anywhere and everywhere. lol. He can get his own room to pass out in before the show.

  20. GuitarPicker420! Says:

    @aw – we might have space from Indy, but not from Chicago.

  21. Lycanthropist Says:

    @gp420 –

    how much and what section?

  22. GuitarPicker420! Says:

    @lycan – i’d like to get face, and they are crap seats behind the stage.

  23. whole tour! Says:

    case in point…i had this one guy i used to be old friends with over to my crib for some poker last week. The guy decides to pass out in the middle of our game…basically fucking shit up. And this guy wants to got to miami with me? nope. not happening. not in a million years.

    Someone needs to come up with an adult babysitting service for phish shows, so you can leave people who like to pass out with them…leaving one to enjoy a show without having some wasted passed out dude you have to watch out for.

  24. Lycanthropist Says:

    it all depends if i can talk my buddy into going.. hes the one that has the tix.. and the ride up there.

  25. GuitarPicker420! Says:

    @lycan – actually I take that back, its not totally crappy. I sat there in ’98 and had a blast, could really see what the band was doing, and the sound was pretty damn good too.

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