A Sunday Spectacle


11.1.09 (Photo:Wendy Rogell)

After Phish unleashed a full weekend of music, and a Halloween show for the ages, they still had Sunday night left on their plate. With the highly-anticipated Halloween and acoustic sets behind them, the band had two more to let loose with their own brand of celebration. Daylight “savings” time provided us with a two-set show in the dark, despite its early 5:30 start time. A feeling of relaxation swept through the air, as everyone prepared for an all-Phish throwdown; and that is exactly what we got. With a second set comprised, almost exclusively, of the band’s darkest dance grooves, Phish concluded the Halloween weekend with the desert dance party that had loomed over the festival.  The 30th brought segued experimentation, the 31st brought soulful rock and roll, and the the 1st brought heavy, crunching rhythms. Squeezing “Tweezer,” “Free,” “Mikes” and “2001” all within one frame of Phish, the band left no doubt of their direction for the weekends final chapter.

11.1.09 (G. Lucas)

11.1.09 (G. Lucas)

The Indio “Tweezer” waited in the wings as the band took the stage for the eighth time at Festival 8. We knew it was coming soon, but when opening licks rumbled from the speakers to open the set, everyone strapped in for blastoff. Phish’s signature exploration followed the edenic path of the weekend, passing through a series of laid-back rock grooves before taking a turn for the spiritual. Playing off the festival setting, the band created a slowed down soundscape that matched their expansive surroundings, before collectively building out of the structured “Tweezer” jam. Trey and Page favored patient and sublime melody and harmony over rhythmic funk, forming an uplifting jam that peaked with blissful intent. Trey took the lead, gushing with heart-tugging lines that sailed atop with his bandmates’ backdrop.

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

Following this emotive peak, Phish dropped into a funkified section that saw Trey chop away some patented rhythmic patterns. But before long, the band moved beyond these grooves, landing in some spacey psychedelia that slowly spun its way down into “Maze.” This rare combination of songs kept the energy of the show at the highest level as Phish crushed their maniacal classic under the second’s set white-hot spotlight. The meticulous quality of the ordered chaos formed a mind-bending whole that hearkened back to the band’s earlier, more blast-your-head-off years. The juxtaposition of “Tweezer’s” triumphant swamp adventure and “Maze’s deliberate insanity showcased the sparkling polish that gleamed from Phish’s diverse skill sets. Stylistically opposite, both songs possessed a rabid cohesion that merged to form one of Festival 8’s most significant highlights. And just when it seemed like time for a breather, the band cranked up “Free.”

A perfect choice to follow the pent up tension of “Maze,” “Free” provided musical resolution without lessening the energy of the set one iota. The verses and chorus gave a short break from the bombast, but the drop into the jam threw us right back in. Still refusing to go all-0ut on “Free,” the band nonetheless got into some heavy, festival-sized grooves before setting their course for the songs conclusion. Strong versions of  “Sugar Shack,” “Limb By Limb” and “Theme” followed, but the set seemed at risk of  transforming into a series of standalone songs. But just as “Theme” came to an end, the opening riff of “Mike’s Song” obliterated any such possibility, opening the door to a menacing musical suite.

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

As Phish dropped into the apocalyptic “Mike’s” jam, the gigantic torches encircling the field rhythmically spat fire in the greatest use of the props all weekend. The music and fire converged perfectly for the first time, providing the palpable feeling of descending into the underworld. The massive sound enveloped the audience, as Trey set a fire of his own with a sinister solo. As the band annihilated the bass-driven patterns in a spectacle of epic proportions, the entire moment took on a life of its own. The jam absorbed the overwhelming energy of the masses, pumping the intensity back into the music, and up through the stratosphere. As Phish peaked their evil romp, one could already feel the segue into “Hydrogen,” but in the most exciting moment of the weekend, Phish kicked into the sloooow funk of “2001.” “Mikes > 2001” – the first time ever – 16 years after incorporating the funk-cover into their catalog. Gordon’s forged the crack-like space-funk with precise, booming bass lines that guided the crowd through one of the frozen moments from Festival 8 that will live eternally. Talk about adrenaline – this was another level!

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

As everyone and their mom expected the band to come tearing out of “2001” with “Weekapaug,” Phish delivered another left hook as they blended the sustained peak with the opening of “Light!” Unsure of where the music was headed, one thing I knew for sure – the band was flying through uncharted territory with an unconscious determination. As lyrics gave way to improv, they took off on a high-speed chase through some inspiring jamming that took on that sense that the instruments were playing the band. The energy flowed like a river through the entire festival as Phish explored one of their new-found excursions.

'Burble' During "Light"

'Burble' During "Light"

As the climbing jam reached a plateau, Page infused an ambient feel into the mix. The rest of the band latched on to this idea, forming an abstract spacescape behind Trey’s fading melodies. The entire band congealed into an amoeba-like ambient jam during which another Burble structure reached into the sky above. All props aside, however, the actual soundscape the band molded carried an ominous tone that continually delved deeper. Fish’s cymbal work gave way to a singular, drone beat that added to the eerie quality of the music. The balloon structure morphed to the side of the stage, attracting hypnotic stares. Minutes into the cosmic soup, Trey suggested a melody that subtly tipped off the jam’s destination. Softly oozing into the opening of “Slave,” another indelible memory had just unfolded.

Bringing a gorgeous resolution to the darkness, the composition sounded pristine, soon giving way to the band’s delicate creativity. Starting at silence, Phish sculpted the climactic bookend to the set-opening “Tweezer.” Phenomenally patient, the music seemed to unroll at a pre-destined pace amidst the near-silent crowed of over 30,000 people. Laced with majestic interplay between Trey and Mike, the band crafted a well-phrased, emotional exclamation point on an unforgettable weekend. Flowing with IT from the beginning of the set, Phish nailed their triumphant finale, leaving everyone drooling for more.

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

As the band came out for the encore, everyone expected them to follow “Grind” with “Weekapaug,” but in a far cooler move, the band began the site-appropriate carnival tale of “Esther.” Finalizing the weekend with a fire-driven “Reprise,” “Weekapaug” would wait for another day, leaving the otherworldly second-set sequence reading “Mike’s > 2001 > Light > Slave!” Coupled with the strongest first set of the weekend, Indio’s final offering quickly leapt into the upper-echelon of  2009. There’s nothing like ending on an high note, and the band concluded Festival 8 with, easily, their strongest set of Phish. With only weeks separating the band from the concrete confines of Fall Tour, things couldn’t have been better out west after a peak Phish experience.

Set 1 Notes:

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

The most significant first set of the weekend started with the tightly wound combo of “AC/DC Bag” and “Rift” before opening up with a standout “Jibboo.” Ever since Phish’s return, and from Red Rocks in earnest, “Jibboo” has been a constant show highlight whenever it appears. A well-played, drawn out “Heavy Things” set the table for the arguably the best “Reba” of 3.0, with Jones Beach providing the only competition. The band absolutely nailed every note of the composed section until their infamous brainfart entering the jam. But nobody was left thinking of imperfections after the band slaughtered the sensual improv. “Undermind” saw Trey experiment with new textures amidst the chunky groove, also providing a highpoint of the set. Fitting nicely in its 3.0 slot, a dense, quasi-abstract “Split” punctuated the opening frame a with scorching version that certainly holds up on tape. All in all, this strong opening round foreshadowed what lurked around the corner.

I: AC/DC Bag, Rift, Gotta Jibboo, Heavy Things, Reba, The Wedge, Guelah Papyrus, Undermind, Sparkle, Split Open and Melt

II: Tweezer > Maze, Free, Sugar Shack, Limb By Limb, Theme From the Bottom, Mike’s Song > 2001 > Light > Slave to the Traffic Light

E: Grind, Esther, Tweezer Reprise


Jam of the Day:

Tweezer > Maze” 11.01 II




California Love - 11/1/09 (Photo:Graham Lucas)



11.10.90 Earlham College, Richmond, IN SBD < Torrent

11.10.90 Earlham College, Richmond, IN SBD < Megaupload


19 Years Ago Today

This is the only November 10th show, other than The Fox in 1995, over the span of the last twenty years. Happy anniversary to Earlham College! Enjoy the early-school SBD.

I: Reba, The Landlady, Bouncing Around the Room, Runaway Jim, Cavern, My Sweet One, Buried Alive > The Lizards, Mike’s Song > I Am Hydrogen > Weekapaug Groove

II: Suzy Greenberg, You Enjoy Myself, The Asse Festival, Fee, Llama, The Divided Sky, Bike, Possum

Source: SBD

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272 Responses to “A Sunday Spectacle”

  1. yematt Says:

    there’s no way I can keep track of 4 separate tickets while i’m down there.. i’m gonna need a 4 day pass for miami..

  2. Danny B Says:

    Ahhhhhhh!!!!! and they finally give the official announcement. about time

  3. SOAM Says:

    I can’t believe someone would leave during Free-fucking love that song

    I seeeeeeeee the path ahead of me…..

  4. snowbank Says:

    looking for tickets sucks. This is first time I have had to do this since alpine valley in 99 or 2000 or something. I hate buying them on ebay cause I am just paying some stupid scalper to buy more tickets. stubhub is expensive. I have nothing to trade on the tix exchange.

    I am thinking about going in on Miami ticekts, so I can sell or trade them for MSG tix. Is that morally wrong? It just seems like I should go in on tix for every show, so I can make up the money I lose buying them from scalpers/ so frustrating.

  5. jay Says:

    Mike will wear the knickerbockers in Albany of course.

  6. sumodie Says:

    The Valley Music Travel NYE Hotel packages are back up, and they NO LONGER include tickets (kinda glad too).


  7. snowbank Says:

    this is one of those moral questions that messes with me. On one hand, I don’t want to be a part of the scalping problem. On the other hand, isn’t it just inevitable? The band has not done anything meaningful to address the problem. The fact that it occurs means that my actions only add to it – they don’t make it happen. So shouldn’t I just play the game like anyone else? Has anyone heard of phish canceling tickets after they show up on ebay? it seems like the key is to avoid reveling the exact seat except to the buyer.

  8. Mr.Miner Says:

    got your a announcement


  9. Mr.Miner Says:

    @ snow. get your ticket and don’t worry about anything else.

  10. Pence Says:

    no word of david bowie…weird

  11. Mr.Miner Says:

    Art Deco Phish….

  12. bearito Says:

    ^^^YES! It’s ON!!!

  13. snowbank Says:

    thanks Miner.

  14. jay Says:

    re: scalping – Holding onto your principles during un-challenging times is easy. It is only during hardship does it really matter. This goes for everything that matters like our constitution and our liberties and freedoms. The fact that everybody else is doing it and you are not shows integrity and principle. At a personal level, nothing is inevitable.

  15. jay Says:

    that being said, I have dropped these principles in the face of epic shows on the horizon. Not my proudest moment and not sure what I would do in the same situation again. Not easy.

  16. albert walker Says:

    First hard Phish tix 12/31/94

    Drove out for the New Year’s run and could not believe how hard a ticket it was.
    Never had trouble getting in to any Phish show under face.
    Ended up getting in on a fake, along with about 50 others.
    We were all standing around with the same seat once we got in.
    Happened to be right under the hot dog launch area.

    It has been all down hill since then.
    I always look at these new years shows two ways.
    Either you get lucky (lottery, on sale) or you can afford it (scalpers)

    I saw 94-96. Fakes in 94. Got lucky in 95 and paid for 96

  17. Type III Jamming Personality Disorder Says:

    So am I right that the music with the flash video on phish.com is the intro to the Bowie (which opened the run) from the last NYE stand in Miami?

  18. daveg92656 Says:

    At Festival 8, parking lot KidA, a late-night band was jamming, totally rocking tunes!! Does anyone know the name of the band or where they are from? I want to get some of their music!! thanks…

  19. butter Says:

    good ole ‘effin lottery

    hope i didn’t just spend a grand on nosebleeds, oh woops we’ll get those either way in Miami

  20. fromthetub Says:

    New Years… I said that there’s no way I’m going, that we’ll hit up MSG and Cincy on Fall tour and that will be fine… then you see the announcement and the wheels start spinning. ARGH! Phish + being self employed during a recession + “real life bills” = scary broke!!!

  21. Mr.Miner Says:

    dont they have a GA only option?

  22. bearito Says:

    American Airlines Arena capacity: 19600

  23. snowbank Says:

    I walked around the Alpine Valley lot shirtless with body paint (gratis by a guy who was all meth’d up). I finally got one right in the churn before they check your tickets. This couple was hoping their friend was going to make it and finally gave up right before they went in. They didn’t want any cash. In fact, they were mildly offended when I offered it. So I traded them something from my stash. Oh well. I am too old for that BS now. not sure I can stand flying across the country sans ticket.

  24. Kenny Powers Says:

    @ beep, whoa nice memory on the “dabbling” thing. nope, nothing too freaky, mostly just beers and ganj, and a little pinky dips of molly. not even enough to really roll, just woke me up and gave me a much needed energy boost for the final two sets of the weekend. kinda wish i did more but really didn’t want a depressing molly-hangover the next day. anyhoo.

  25. butter Says:

    oh shit, thanks Miner, i’ll have my buddy make sure and do the GA only, turbo blond moment

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