A Phish Show at Cobo

Posted in Uncategorized with the tags , on November 19th, 2009 by Mr.Miner
3.6.09 (C.Taylor Crothers)

3.6.09 (C.Taylor Crothers)

In a relatively safe opening night, Phish kicked off their Fall ’09 tour with noteably few musical risks, a choppy setlist, and a couple of treats. With a half-empty floor and a laid-back, old-school vibe, Cobo Arena provided an intimate experience, but when the dust settles, this show will be remembered for its sublime second-set “Down With Disease > Free” and a fierce “Mike’s Groove” to end the evening. But in between – and there was a lot of in between – Phish filled the show with straight-forward pieces that amounted standard fare, and far less grit than suggested by Detroit’s urban landscape.

The first, and only, time Phish broke form from one of their jams, they did it in a big way during “Down With Disease.” Following a succinct “Runaway Jim” to open the second set, Phish launched from a blistering run through the composed “Disease” jam into an exploratory segment of music that reached deep into Phish sorcery. Crafting a stunning piece of patient and melodic improv, the band dove into collective communication that hypnotized the audience. Truly allowing the jam to fully develop in a way they haven’t often done lately, the music came to a natural conclusion before Trey began to tease the oncoming “Free.”

(Unk)

Arena Phish (G.Abriel)

The magnitude of indoor Phish came crashing down for the first time with this bombastic “Free.” Featuring raunchier guitar work than most modern versions, Trey seemed to get an extra kick from Cobo’s indoor environs. An experiential highlight of the set, the entire venue seemed to finally catch the same groove, and the audience exploded with that collective energy you just don’t get outside. A perfect landing point for the awesome improv that preceded, the slow-motion groove evolved into a monstrous slate for Trey to rip off lick after lick.

The Fox (B.Kisida)

The Fox (B.Kisida)

A similar phenomenon came in the late set “Mike’s Groove,” when the entire band sat into a slower pattern than we’ve come to accustomed to this summer. The indoor sound increased the dirtiness of the band’s intent, as they truly connected with the essence of the “Mike’s” jam. The entire band offered far more aggressive textures as they built, arguably, the most patient and dirtiest 3.0 version. Just hearing the opening licks of “Mike’s” in an indoor arena injected a colossal shot of intensity to a show that desperately needed it after the slower segment of “Waste,” “Taste,” “Bug,” “Velvet Sea.” A classic late set “Groove” segued into a “Hydrogen” interlude before tearing into an shredding “Weekapaug;” and indoor treat, no doubt.

A quick “Cavern,” and a crunchy “Zero” encore put an exclamation point on a well-played show that was a building block for bigger things to come. That “Disease” jam really seemed like a foreshadowing of a new direction, a lead-less, collaborative jamming that saw the band members check their ego at the door for something far greater. Although the show was certainly a warm up for things to come over the next couple of weeks, their were a few moments that proved indelible.

1st Set Notes:

In a well-played but underwhelming frame, Phish featured a tighter than usual “Foam,” and an out of character, slowly funked out “46 Days.” Though it came a bit out of context and after a long set of standards, this version of “46 Days” got into some engaging arena molasses. Thick as all get out, this standout piece moved from deep groove into an ambient segment that brought a clear shining moment to the set. A “Bowie” carried this momentum to the sets close, setting up a seemingly huge second set that never truly came to fruition.

I: AC/DC Bag, Foam, Stealing Time From The Faulty Plan, Bouncing Around The Room, Sample In A Jar, Kill Devil Falls, It’s Ice, Horn. Mountains In The Mist, Poor Heart, 46 Days, David Bowie

II: Runaway Jim, Down With Disease > Free, Waste, Taste, Bug, Wading In A Velvet Sea, Mike’s Song > I Am Hydrogen > Weekapaug Groove, Cavern

E: Character Zero

Tags: ,

Detroit Rock City

Posted in Uncategorized with the tags , on November 18th, 2009 by Mr.Miner

Just arrived in Detroit – 1 mile from Cobo Arena, and all is well. The fire starts tonight! See you in a bit.

NO SPOILERS – Fall Tour Schedule

Cobo Arena - Detroit, MI

Cobo Arena - Detroit, MI

Welcome back! Phish’s fall tour sits mere hours away from reality as people funnel into to Motown. Much like Indio, we plan to have No Spoilers links up for each show the following day by about noon. The technique here is to just live your virtual tour a day behind – you will listen to the first show on the 19th vs the 18th, and then you can just keep on keepin’ on, following the tour all the way through Charlottesville. With many of our tapers-in-alliance hitting sporadic shows, this will be a far easier and stress-free way to run No Spoilers. If there are situations that we can get the links up the same night, we will certainly make all attempts to do so, but in terms of expectations, we are going to say high noon, give or take.

If there are tapers hitting up specific shows and would like to help get mp3 torrents posted that night, shoot me an email at mrminer@phishthoughts.com to discuss. Talk to you from the road.

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Jam of the Day:

Piper > 2001 > Chalkdust” 11.4.98 II

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Tags: ,

Party Time!?

Posted in Uncategorized with the on November 17th, 2009 by Mr.Miner
Red Rocks 7.30 (G.Lucas)

Red Rocks 7.30 (G.Lucas)

If this summer’s tour was defined by Joy and its Americana blues-rock, the question on my mind is, “Will fall be anchored by the musical intrigue of Party Time?” A far more engaging album for many fans, the tracks that have yet to appear live carry a plethora of new sounds for Phish. Forging a unique musical path, much of Party Time evokes the sounds of psychedelic-era The Beatles, Pink Floyd spliced with contemporary influences. Armed with a set of unplayed songs that may push them to new musical planes, Phish starts a fall tour tomorrow that has become even more enticing with Party Time’s possibilities.

“In A Misty Glade” likens a liquid fantasy that creates a mysterious, drone vibe. With acoustic guitar amidst a spacey backdrop, and laced with tripped-out lyrics, this song could be a potential vehicle for deeply layered ambient explorations. With a mellow entry point, this song could easily provide a landing point for darker improvisation.

The Fox (B.Kisida)

The Fox 6.16 (B.Kisida)

“Gone,” which Trey debuted in stripped down fashion back in Brooklyn during August of ’08, appears on Party Time in a much-enhanced version that sounds like a fully-realized Phish song. Another one of Trey’s solo efforts that reflects upon the turmoil he has now overcome, “Gone” features a series of heartfelt lyrics that will no doubt draw flak from the scene’s cynics. With lush vocal harmonies the behind the main verses, this song illustrates the band’s vocal strength these days. With a shuffle beat that pushes the song along, this could easily develop into melodic vehicle for something more than a guitar solo in the vein of “Number Line.”

“Only A Dream” is an outright Mike Gordon rock song that one might expect to hear on a solo album rather than a Phish record. With heavy bass patterns and an odd cadence, it will be interesting to see what the band makes of this in their live setting. Comprised of interesting rhythms and a completely different sound, this could be one path towards unique 3.0 rock jams.

Festival 8 (S.Walters)

Festival 8 10.31 (S.Walters)

“If I Told You,” a song written by Page, introduces the most unique sound on Party Time – an earnest entry into Phishtronica! If the band chooses to jam in and out of this song during their sets, the results could be mind-boggling. Hinting at the modern genre of indie-electronica, this song represents the most divergent recorded Phish to date. With a glitchy beat and synthesized lasers of sound, this could drive Phish into completely new psychedelic realms.

Following up the most futuristic Phish on the album is a throw back to the folk era in the gorgeous piece, “Splinters of Hail.” With this delicate, acoustic track that could be easily mistaken for Simon and Garfunkel, Phish again presents a totally new musical concept. Easily adaptable to their electric set, “Splinters of Hail” is a prime candidate for a late-second set slot. Blossoming with layered vocals and a refrain of “Turn Around,” this song will be mesmerizing live.

(Unk.)

(Photo: Unk.)

“Can’t Come Back” sounds like it could be a different band altogether. Another Gordon original, this track carries a melancholy feel that merges the psych-pop of The Beatles with the “beautiful gloom” of Radiohead, while polished with a Phishy twist. “Can’t Come Back” could really open up new musical doors for the band should they choose to explore it, and odds are they will. “Shrine,” a playful Anastasio-Marshall tune with an island vibe, could lead the band into percussive quasi-reggae grooves; but it could just as easily be left unplayed.

The album’s final track, “Liquid Time” follows in line with the Trey’ recent topic of musical reflection – the passage of time. Sounding like a Dire Straits piece through the beginning verses, we have already heard the band’s willingness to explore this tale during its ten-plus minute rendition during Festival 8’s soundcheck. A seeming confirmation that we will be hearing “Liquid Time” before the week is out, this one will certainly lead into brand new Phish jams out of its layered vocal round.

The Elusive "Joy Box"

The Elusive "Joy Box"

Characterized my a more mature, mellow, and layered psychedelia, these tracks off Party Time could be indicative of Phish’s next musical direction. With songs that offer original and mystical music coupled with amazing vocals, the band’s next turn may be one away from bombast but towards greater musical depth. Boasting a plethora of unique material, Party Time represents a distinct departure from the straight-forward rock and roll of Joy. With new ground waiting to be broken, and new vehicles with which to get there, Phish embarks on fall tour with the limitless potential for musical adventure. And it will begin to unfold tomorrow night!

Winged-music-note=====

Jam of the Day:

You Enjoy Myself” 12.29.98

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A classic version with nary a wasted note.

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DOWNLOAD OF THE DAY:

10.24.95 Dane County Coliseum, Madison, WI < Torrent

10.24.95 Dane County Coliseum, Madison, WI < Megaupload

Coming at you via reader request, this will be the last download before Fall Tour. Enjoy!

I: My Friend, My Friend, Paul and Silas, Taste That Surrounds*, Fee > Llama, The Horse > Silent in the Morning, Demand > Maze, Wolfman’s, Brother, Acoustic Army, Prince Caspian, Split Open and Melt

II: Julius, Theme From the Bottom, Bouncing Around the Room, You Enjoy Myself > Sleeping Monkey*, Run Like an Antelope, Contact, Cavern

E: A Day in the Life

*debut of this arrangement, ** Started a cappella out of vocal jam

Source: Neumann KM140 > Beyer MV100 > Sony D7

Phish Thoughts Audio Archive

Posted in Uncategorized with the tags on November 16th, 2009 by Mr.Miner
Picture 3

Audio Archive's Main Page

At long last I present to you Phish Thoughts’ Audio Archive! Now everyone has one destination to find any and all of the shows that have been posted on this site. No more using the search bar for dates, no more scrolling through posts to find that one show you missed, just head over to the archive for free unlimited downloads! When you arrive, you will find the archive organized by year. While there is a tab for each year of Phish’s career the bulk of the 325+ currently hosted shows can be found between 1991 and 2000, plus 2009. When you click on a year, you will be brought to “Year Page” that is organized by tours during that calendar year. Each show will be listed by Date, Venue, and Location. If you know what show you are looking for, go no further – there is a “DL” tab on the right side of every entry that will bring you directly to the download page. However, if you want some more information about a given show, click on the actual show title, and you will be brought to a “Show Page” with a short write-up about the show, a complete setlist with source information, and a relevant image. In many entries – particularly for the recent shows – there will be a link to my full show review and/or article about that night. At the bottom of each “Show Page,” there will be similar “DL” download button that will bring you to the download page.

"Year Page" Example

"Year Page" Example

All of the shows in the archive are hosted on MegaUpload as .rar files; the same as each “Download of the Day.” Once you decompress the .rar file, you should have a folder of 320 kbps mp3s to simply drag and drop wherever you’d like. Each “Download of the Day” will be entered into the archive as it posted on the site, so you will never need to scour the main site for download links again. Henceforth, the archive will clearly grow in time, and there are still a few shows that have yet to migrate over. This is not meant to be a comprehensive place to download every Phish show ever played; simply the ones featured on Phish Thoughts. Therefore, I can almost assure you that there are no duds in the archive, and all virtually all shows have excellent audience sources. In addition, most every show is sampled at 320 kbps, assuring the best in quality and convenience.

While browsing the archive, you will notice that I have no shows featured from 2003 and 2004. This is only because I, personally, only have official SBD sources of Phish’s second chapter. These years will populate in time as I accumulate audience sources for these years. Here’s where you can help. If you have high quality 320 kbps audience sources for any post-hiatus shows, shoot me an email at mrminer@phishthoughts.com, and we can get them up there even quicker! For the time being, these years represent place holders for what is to come. In addition, the ’80s have some scattered shows, but will also be populated as shows are posted to the site.

"Show Page Example"

"Show Page" Example

Today marks the public debut of the archive, so there may be a few entries that lack a photo or a write-up, or in some cases – gasp –  there may even be some mistakes! If you come across anything that looks fishy, again, shoot me an email an let me know what’s you’ve found. Please do this only in the case of errors, as I will get to filling in write-ups and images in time!

I’d like to take a minute to thank some people whose efforts have helped make the Phish Thoughts Audio Archive come to fruition. First, I want to thank web designer Alexander K with whom this wouldn’t have been possible – or nearly as slick! I’d also like to thank Paul S., Marshall C., Jason C, and Steve M., for volunteering to divide and conquer all of the work in centralizing every show on MegaUpload. Their hours of uploading service to the community was invaluable in getting this entire process rolling months ago.

Head on over to the archive, check it out, and download away!

(Note: This entire project adheres to the band’s audio/web gudelines.)

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Winged-music-noteJam of the Day:

Timber Ho! > David Bowie” 7.26.97

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A devastating segment of summer darkness from Austin ’97, and the now-defunct South Park Meadows starring guest drummer Bob Gulotti.

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DOWNLOAD OF THE DAY:

11.19.98 LJVM Coliseum Winston-Salem, NC < Torrent

11.19.98 LJVM Coliseum Winston-Salem, NC < Megaupload

1998-11-19gnA year after blowing up Lawrence-Joel Coliseum after Hampton, during Fall ’98 Phish hit up Winston-Salem right before Hampton came alive. Though not quite as out there as ’97’s offering, “Cities,” “Curtain > Sample” provided an energetic start to the first frame which also included a dark-horse, late-set “Ghost.” “2001 > Rock and Roll > Taste” and a thick “Gumbo” held down the second, while the band dropped a “YEM” encore.”

I. Cities, The Curtain > Sample in a Jar, Ginseng Sullivan, Bouncing Around the Room, Maze, Something, Ghost, Golgi Apparatus

II: 2001 > Rock and Roll > Taste, Frankie Says, Gumbo > Chalk Dust Torture, Frankenstein, Been Caught Stealin’

E: You Enjoy Myself*

* w/ Heloise Willams on vocal jam

Source: (FOB) Schoeps MK4V > KC5 > CMC6 > Oade M118 > HHB PDR-1000

Tags:

Weekend Nuggets: Fall Tour Openers

Posted in Uncategorized with the tags , on November 14th, 2009 by Mr.Miner

DOWNLOADS OF THE WEEKEND:

9.8.00 Albany Tour Opener

9.8.00 Albany Tour Opener

As Wednesday’s Fall Tour opener stares us down, this weekend we will take a trip back to some other indoor Fall Tour openers. Albany’s 2000 kickoff is new to the site, featuring standout versions of “Ghost” and “Bathtub Gin,” while the others are re-posts to grab if you missed ’em!

***

9.8.00 “Knickerbocker Arena” Albany, NY < Torrent

9.8.00 “Knickerbocker Arena” Albany, NY < Megaupload

2000-09-08moI: Mellow Mood*, Limb By Limb, Ghost, Bouncing Around the Room, The Horse > Silent in the Morning, Saw It Again, NICU, Glide, Axilla, Taste, Golgi Apparatus

II: Birds of a Feather, Windora Bug*, David Bowie, Back at the Chicken Shack, Bathtub Gin** > Jam > Character Zero

E: Fire

*Debut / **The jam out of the end of Gin featured Fishman on vacuum and Trey on drums.

Source: B&K 4011’s > Lunatec V2 > Apogee AD-500 > Tascam DA-P1 (@48kHz)

***

9.9.99 GM Place, Vancouver, BC < Torrent

9.9.99 GM Place, Vancouver, BC < Megaupload

gm_logoI. Mozambique*, Axilla > Limb By Limb, Horn, Guyute, Chalk Dust Torture, Back at the Chicken Shack, Stash, I Didn’t Know, Character Zero

II: Birds of a Feather, Ha Ha Ha > Ghost, The Inlaw Josie Wales*, First Tube*, Tweezer > Bug, You Enjoy Myself, Hello My Baby

E: Sample in a Jar, Golgi Apparatus, Tweezer Reprise

*Debut

Source: Unknown

***

11.13.97 Thomas & Mack Center, Las Vegas, NV < Torrent

11.13.97 Thomas & Mack Center, Las Vegas, NV < Megaupload

Thomas & Mack Center

Thomas & Mack Center

I: Chalk Dust Torture, Black-Eyed Katy*, Theme From the Bottom, Train Song, Split Open and Melt, Beauty of My Dreams, My Soul, You Enjoy Myself, Character Zero

II. Stash, Punch You In the Eye, Prince Caspian, Bouncing Around the Room, Mike’s Song > I Am Hydrogen > Weekapaug Groove

E Loving Cup

*Debut

Source: Unknown

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Winged-music-noteJam of the Weekend: 9.8.00

Ghost” I

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Bathtub Gin > jam > Character Zero” II

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The most compelling segments of Fall 2000’s tour opener.

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VIDEOS OF THE WEEKEND: Festival 8

“Harry Hood” jam 10.30.09 (by RadioStarKilla)

***

“Mike’s Song” 11.1.09 (by glump1)

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“Tweezer” 11.1.09 – partial (by Tyler Penn)

***

Festival 8 Slideshow (by S.Colfax)

Tags: ,

Step Inside

Posted in Uncategorized with the tags , on November 13th, 2009 by Mr.Miner
3.1.03 (Unknown)

3.1.03 (Unknown)

While daydreams of Indio’s idyllic pastures still dance in our heads, and we have barely digested the festival’s eight sets of music, next week Phish will take their show inside the cement confines of fall tour – the moment many have awaited since this comeback materialized. Summer shows are irreplaceable, but as days get shorter and nights grow longer and colder, Phish’s music has traditionally changed as well. Darkening with the season, Phish’s most cerebral and ominous music has sprung from these concrete battlefields of the mind. Thus far, aside from the Hampton comeback and the specialty shows in Asheville, Knoxville, and The F0x, Phish 3.o has been an outdoor affair. As we step inside this week, it will be quite interesting to see if the new joy-infused Phish will follow their old patterns of nature. My guess is that they most certainly will.

12.28.03 (J.Pinsky)

12.28.03 (J.Pinsky)

Throughout their career, the band has proven to be masters of infusing the vibe of their surrounding directly into their music. We have experienced this already in this era. Just recently at Festival 8, but also at Red Rocks and The Gorge. Wide open, slowed-down explorations defined the vast surroundings of these three venues. The band’s festival playing became more relaxed and bass driven, but perhaps the greatest modern illustration of this mood-matching phenomenon was the first show at The Gorge. The majesty of that evening’s music was summoned directly from the spirit of the Columbia River. But when Phish brings there show inside, another type of story will most likely be written.

Entering an arena is like entering the jaws of Phish – there is no escape. No running to the lawn to chill out if things get hectic, just concrete walls and and metal railings. When the almighty power of Phish’s is contained within four walls and a ceiling, things can get crazy. The sheer amount of energy bouncing around the room makes fall shows so much more concentrated and powerful than anything on the summer circuit. Richer in hue, even the lights seem more magical as they beams into every corner of the room rather, creating a more inclusive experience.

12.30.03 (Unknown)

12.30.03 (Unknown)

Space becomes more limited, making finding your happy place a bit more difficult; adding yet another step to your mission. Suddenly, mid-sentence the lights go off. And inside, it actually gets dark! The experience begins. Mike’s thumping bass lines envelop the room while swallowing your brain, as opposed to the summer, when they drift off into the evening air. Trey’s tales of darkness and beauty sound far more crystalline when captured indoors. Fish’s drumbeat pulsates at the heart of it all, instinctively driving the four-man symphony, while Page’s melodies and effects enrapture your ears. No cool breezes waft in from the side of the pavilion when things get hot – this atmosphere can turn more frightful than carefree summer nights – and Phish’s playing has always followed.

12.30.03 (Unknown)

12.30.03 (Unknown)

Phish would never play 12.28.98’s “Carini > Wolfman’s” at Deer Creek. One could not conceive of 12.29.94’s “Bowie” popping up on a sunny evening at Shoreline. The madness of 11.23.97’s “Bathtub Gin” doesn’t happen at Vernon Downs, and the Vegas ’98 “Wolfman’s” certainly could never make an appearance at any Verizon Amphitheatre in any state across the nation. Hampton ‘97 wouldn’t jive with The Gorge, and The Island Run didn’t carry the a tropical vibe; that mythical energy was born into two classic super-structures in Nassau and Providence. Needless to say, Phish has always played differently indoors. With more of an urgency and an intensity; their music has often approached a deranged underworld rather than the lucid dream states of summer tour. Following the course of nature, their music adopts a different feeling when escaping the biting Northeast November air and stepping into Phish’s lair; shedding layers of clothing into a big pile, preparing for the fire.

A proverbial sixth element, Phish’s music adheres to the earth’s rhythms. As each season has its place in the calendar, as does each style of Phish. As we careen towards our first New Years Run in six years, fall tour will provide the launching pad for Phish’s newest celestial excursions. By Charlottesville, we should have a much better sense of where the band is musically heading, as this tour will be the first with no pressure. Throughout 2009, Phish has returned to prominence and reached a comfort level unseen in ages. With these conditions in place and without any monkeys on their backs, their creativity is bound to blossom. These mysteries will begin to unfold in a matter of days, as fall tour has finally arrived. Step inside!

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Winged-music-noteJam of the Day:

Stash > Free” 11.30.97

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A distinctly “fall tour” segment of improv from Worcester ’97.

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DOWNLOAD OF THE DAY:

11.7.96 Rupp Arena, Lexington, KY < Torrent

11.7.96 Rupp Arena, Lexington, KY < Megaupload

Fall 1996 (Unknown)

Fall 1996 (Unknown)

A quintessential show from Fall ’96, this Midwest run was the time the tour really began to heat up. With the momentum of their Halloween run with Karl Perazzo behind them, the band headed west to forge grooves on their own. The “Bathtub Gin” is one of the jams of the tour, and anchors the entire show. This one is a keeper!

I: Chalk Dust Torture, Weigh, Rift,  Guelah Papyrus, Stash, Waste, Guyute, Free, Tela, Character Zero

II: Suzy Greenberg, Bathtub Gin > Hold Your Head Up > Bike > Hold Your Head Up, You Enjoy Myself

E: Frankenstein

Source: Unknown

Tags: ,

Where Palm Trees Dipped and Seagulls Swerved

Posted in Uncategorized with the tags , on November 12th, 2009 by Mr.Miner
Festival 8 (R.Schloffel)

Festival 8 (R.Schloffel)

If Coventry embodied the dark debacle that Phish and their scene had become by 2004, Festival 8 represented all that is right in the current world of Phish. The most accurate word I can use to describe Festival 8 is “paradise.” We had arrived at a tropical site of dreams, and the entire place was set up for our ease and comfort. When contrasting Coventry’s mud-covered clusterfuck with Indio’s days of delight, things couldn’t have felt more different.

To begin with, as we approached the gate with a caravan of five RVs, we expected to wait in some traffic. After sitting on roadways for anywhere between 12 and 24 hours to enter previous festivals, this obstacle seemed like a given. But to our shock, we didn’t wait for one minute. After the thorough search for glass bottles and pounds of weed, the security let everyone through free of hassle. The only thing seized from any of our RVs were two glass-bottled Starbucks drinks. Onward and Upward!

Festival 8 (R.Gibbs)

Festival 8 (R.Gibbs)

After our team captain convinced the attendants to allow us to park in formation, we set up our home base within 45 minutes of approaching the main gates. Given maps upon entering, some exploration was in order. Prepared to walk a couple miles, everyone was pleasantly surprised to discover the concert field just around the corner from our campsite, about 100 times shorter than any festival walk in memory. The vibe of the Eight remained incredibly laid-back throughout the weekend, with well-behaved fans who appreciated the blissful setting. The entire event seemed like a Phish festival all grown-up. With amenities at every turn, shuttles to and from the lavish, nearby resorts, we certainly weren’t in Limestone anymore. Conducive to the band’s family-oriented atmosphere, the guys could hop back and forth between their loved ones and the festival in minutes.

10.31.09 (W.Rogell)

10.31.09 (W.Rogell)

The ease of Festival 8 seems to be the evolution of the Phish festival – easy access and hassle free. Providing a different feel from the absolute isolation of Limestone, this new model is quite  logical for the band’s place in time; just as Limestone defined the late ’90s. Virtually incomparable, Limestone possessed a Phishy magic that Indio could not. Just knowing what everyone had to do to reach the tip of America made those ritualistic weekends irreplaceable. The entire events were bigger, vaster, and more adventurous. We had our own city on the edge of the earth, and no one even knew. The unique majesty of those experiences will live inside us forever. But again, that was then and this is now. I’m not sure anyone who attended Festival 8 would have traded Indio for Limestone in a million years. Just as Phish and their fans continue to mature, and their music evolves, so will their signature events.

10.31 III (G.Lucas)

10.31 III (G.Lucas)

On top of everything else, the choice of locale – the Palm Springs desert – made the weekend flawless. With sunny days and cool evenings, the weather never intruded on our good times – something that can’t be said for virtually any other Phish festival. In addition, the site’s proximity to the highway provided easy access for the sundry artists, vendors and attractions. An amalgam of the Phishy spirit and the over-the-top west coast creativity of Burning Man, the art installations at Eight upped the ante from previous festivals, creating the feel of a psychedelic carnival. Throw in multiple bars, shade tents, countless couches, a jumbo-tron showing sporting events and movies, and golf cart taxis to get around the grounds, and this was most definitely not your father’s Phish festival!

4075629370_45205d109f_o

Festival 8 (R.Gibbs)

Perhaps the biggest difference between Indio and Coventry is the utter joy engulfing the entire community these days. Back in ’04, we were there to celebrate a legacy – an irreplaceable time in our lives that was coming to a pre-mature end. And regardless of how much fun we had, the weekend possessed an irrefutable sadness.  Indio could not have been more opposite. With Phish back in 2009 – happy and on the rise again – everyone wore ear to ear smiles, and the positivity was absolutely infectious all weekend long. I never saw one incident, argument or bit of beligerence from anyone all weekend long, just people rejoicing to be back in the promised land.

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Winged-music-noteJam of the Day:

2001 > Curtain > Tweezer” 11.19.95

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A standout sequence that kicked-off Charlotte’s second set along the road of Fall ’95.

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4074873093_1466af3579_o

Festival 8 (Photo: Russell Gibbs)

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DOWNLOAD OF THE DAY:

11.15.95 Sun Dome, USF, Tampa, FL < Torrent

11.15.95 Sun Dome, USF, Tampa, FL < Megaupload

Sun Dome - U of South Florida

Sun Dome - U of South Florida

Making their tour of Florida universities, the band stopped at The University of South Florida a day after playing their legendary Orlando show the night before at The University of Central Florida, and three days after playing Gainesville. Amidst a tremendous run in the Sunshine State, a fierce “Mike’s Groove” holds down the second set of this show.

I: Poor Heart, AC/DC Bag, Fast Enough for You, Rift, Prince Caspian, Sparkle, Split Open and Melt, Sweet Adeline, The Squirming Coil

II: Wilson, Theme From the Bottom, Scent of a Mule, Mike’s Song > Life on Mars? > Weekapaug Groove, Fee, While My Guitar Gently Weeps

E: Suzy Greenberg

Notes: The band won the first chess game with the audience.

Source: Unknown

Tags: ,

The Power of Songs

Posted in Uncategorized with the tags , on November 11th, 2009 by Mr.Miner

The Acoustic Set (G. Lucas)

The Acoustic Set (G. Lucas)

Take away the psychedelic improv, monstrous dance grooves, countless effect pedals, digital delay loops, multiple keyboards, envelope filters, and all of the accoutrements of a full-on Phish show, and the songs remain. Lyrics, melodies, and rhythms, stripped down to their naked core; vulnerable souls of their electric kin. Phish has never been known for their pure songwriting prowess, and they have rarely tapped into this energy in their career. Hence, the band surprised everyone when they announced the inclusion of a full-length acoustic set at Festival 8. It would be a first at a Phish festival, and showed a willingness explore a new side of their music.

As we walked to sun-drenched concert field at the crack of noon, few knew what to expect from the band who had played exactly two full acoustic sets in their career. Would they play songs we had never heard before? Would they eliminate favorites from the night time festivities by playing acoustic versions? Would they play Gamehendge like it was story time? It was anyone’s guess. With an iced coffee in one hand and a spliff in the other, I sat down on a blanket to enjoy the show. Having never sat for a moment of Phish in memory – less one “Scent of a Mule” (when I was wholly overwhelmed by the speedy bluegrass and had to sit right there on the arena floor amidst knee-slapping dancers) – I actually looked forward to kicking back and listening to what the band had in store. Certainly the peak of the Festival 8’s mellow vibe, many would return to camp unexpectedly touched by their afternoon experience.

The Acoustic Set (W.Rogell)

The Acoustic Set (W.Rogell)

For the first time in my life, I didn’t stand up when the band hit the stage. Others did, but I decided to fully embrace the experience. The show started with a whisper, opening Sunday morning with a gentle rendition of “Water In the Sky.” As the band meticulously played through many of their mellower songs, it became abundantly clear that the band – and particularly Trey – had practiced unplugged. Not known for his acoustic playing, Trey sounded crisper than any other time in his career; a far cry from his sing-alongs on his solo tours. The band’s vocals, which sounded so strong all weekend long, was another key facet to this set’s success. An obvious reflection of their healthier lifestyle, Trey and Page, especially, sounded more dynamic – and controlled – than ever before.

Between the heartfelt playing and poignant vocals, the power of Phish’s songs emerged. There was no jamming, there were no antics or trickery, just the aural fabric of Phish music. The patience and soul that Phish showcased on this afternoon (and in The Exile Set) illustrated a musical maturity that many never imagined from Phish; an ability to access our deepest emotions not by blowing our minds, but by warming our hearts. Over the course of two hours, the band melted their audience with ballads – “Strange Design,” Mountains In the Mist,” “Let Me Lie,” and “Talk;” Phish favorites – “Bouncin’,” “Curtain (With), “Wilson,” and “McGrupp;” and a couple debuts – “Invisible” and “Sleep Again.”

The Acoustic Set (G. Lucas)

The Acoustic Set (G. Lucas)

But the most powerful moment of the set may have been the last. As the third song of their encore, the band played the post-hiatus ballad, “Secret Smile.” This ardent composition appeared only six times in Phish’s second chapter, and never more bittersweet than in Vegas ’04. Appearing late in the first of three shows that allowed everyone to see the band unraveling, Trey’s voice sounded more strained as ever, as his guitar seemed to cry in desperation through his dripping solo. A month later, Phish announced their retirement. So when Phish brought out “Secret Smile” for the first time since Vegas ’04, it carried a profound emotional weight. Translating differently than before, the song likened hymn of happiness and redemption. As the band extended its delicate ending, one could hear a pin drop on the grass field as the eloquent energy captivated everyone. Many of us became flooded with emotion – an appreciation of being back where we belonged. No funk licks, triumphant jams, or psychedelic experiments were necessary to deliver this message. As we sat there, immersed in the soul of Phish, we could feel it undeniably. And it was good.

Water in the Sky, Back on the Train, Brian and Robert, Invisible*,Strange Design, Mountains in the Mist The Curtain (With), Army of One, Sleep Again*, My Sweet One, Let Me Lie, Bouncing Around the Room, Train Song, Wilson, McGrupp and the Watchful Hosemasters

E: Driver, Talk, Secret Smile

*debut

Winged-music-note=====

Jams of the Day:  11.1 – The Acoustic Set

Secret Smile

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Mountains In the Mist

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The Curtain (With)

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IT’S OFFICIAL! : NEW YEARS IN MIAMI

header-miami-2009Yesterday, with an announcement that amounted to a mere formality, Phish unveiled their four-night New Years Run at American Airline Arena in Miami, FL. Though the community has known this for months, and it was confirmed, in jest, in Festival 8’s Phishbill, it’s always fun to get the official word. This will be the band’s first New Years Run since Miami 2003. Anyone who was there in ’03 can tell you there is nary a better place to spend New Years than on the beach with the Phish. Sunshine by day and psychedelia by night – the situation can not be beat!

The ticket lottery is currently underway and ends this Sunday, November 15th at 11.59 pm. See you there!

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DOWNLOAD OF THE DAY:

11.12.95 O’Connell Center, Gainesville, FL < Torrent

11.12.95 O’Connell Center, Gainesville, FL < Megaupload

Fall Tour '95 T-Shirt

Fall Tour '95 T-Shirt

This is the next show after Atlanta’s Fox Theatre run that kicked off the second half of Fall ’95. The first of four consecutive Florida shows, Phish continued to fire on all cylinders during their 54-show romp, building historic momentum throughout November and December, peaking their style of play.

I: My Friend, My Friend, Llama, Bouncing Around the Room, Guelah Papyrus, Reba, I Didn’t Know, Taste That Surrounds, If I Could, Split Open and Melt, Hello My Baby

II: The Curtain > Tweezer > Keyboard Army, Sample in a Jar, Slave to the Traffic Light, Hold Your Head Up > Cracklin’ Rosie > Hold Your Head Up, Possum, Tweezer Reprise

E: Fire

Source: Unknown

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A Sunday Spectacle

Posted in Uncategorized with the tags , on November 9th, 2009 by Mr.Miner
Rogell_indio3_3

11.1.09 (Photo:Wendy Rogell)

After Phish unleashed a full weekend of music, and a Halloween show for the ages, they still had Sunday night left on their plate. With the highly-anticipated Halloween and acoustic sets behind them, the band had two more to let loose with their own brand of celebration. Daylight “savings” time provided us with a two-set show in the dark, despite its early 5:30 start time. A feeling of relaxation swept through the air, as everyone prepared for an all-Phish throwdown; and that is exactly what we got. With a second set comprised, almost exclusively, of the band’s darkest dance grooves, Phish concluded the Halloween weekend with the desert dance party that had loomed over the festival.  The 30th brought segued experimentation, the 31st brought soulful rock and roll, and the the 1st brought heavy, crunching rhythms. Squeezing “Tweezer,” “Free,” “Mikes” and “2001” all within one frame of Phish, the band left no doubt of their direction for the weekends final chapter.

11.1.09 (G. Lucas)

11.1.09 (G. Lucas)

The Indio “Tweezer” waited in the wings as the band took the stage for the eighth time at Festival 8. We knew it was coming soon, but when opening licks rumbled from the speakers to open the set, everyone strapped in for blastoff. Phish’s signature exploration followed the edenic path of the weekend, passing through a series of laid-back rock grooves before taking a turn for the spiritual. Playing off the festival setting, the band created a slowed down soundscape that matched their expansive surroundings, before collectively building out of the structured “Tweezer” jam. Trey and Page favored patient and sublime melody and harmony over rhythmic funk, forming an uplifting jam that peaked with blissful intent. Trey took the lead, gushing with heart-tugging lines that sailed atop with his bandmates’ backdrop.

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

Following this emotive peak, Phish dropped into a funkified section that saw Trey chop away some patented rhythmic patterns. But before long, the band moved beyond these grooves, landing in some spacey psychedelia that slowly spun its way down into “Maze.” This rare combination of songs kept the energy of the show at the highest level as Phish crushed their maniacal classic under the second’s set white-hot spotlight. The meticulous quality of the ordered chaos formed a mind-bending whole that hearkened back to the band’s earlier, more blast-your-head-off years. The juxtaposition of “Tweezer’s” triumphant swamp adventure and “Maze’s deliberate insanity showcased the sparkling polish that gleamed from Phish’s diverse skill sets. Stylistically opposite, both songs possessed a rabid cohesion that merged to form one of Festival 8’s most significant highlights. And just when it seemed like time for a breather, the band cranked up “Free.”

A perfect choice to follow the pent up tension of “Maze,” “Free” provided musical resolution without lessening the energy of the set one iota. The verses and chorus gave a short break from the bombast, but the drop into the jam threw us right back in. Still refusing to go all-0ut on “Free,” the band nonetheless got into some heavy, festival-sized grooves before setting their course for the songs conclusion. Strong versions of  “Sugar Shack,” “Limb By Limb” and “Theme” followed, but the set seemed at risk of  transforming into a series of standalone songs. But just as “Theme” came to an end, the opening riff of “Mike’s Song” obliterated any such possibility, opening the door to a menacing musical suite.

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

As Phish dropped into the apocalyptic “Mike’s” jam, the gigantic torches encircling the field rhythmically spat fire in the greatest use of the props all weekend. The music and fire converged perfectly for the first time, providing the palpable feeling of descending into the underworld. The massive sound enveloped the audience, as Trey set a fire of his own with a sinister solo. As the band annihilated the bass-driven patterns in a spectacle of epic proportions, the entire moment took on a life of its own. The jam absorbed the overwhelming energy of the masses, pumping the intensity back into the music, and up through the stratosphere. As Phish peaked their evil romp, one could already feel the segue into “Hydrogen,” but in the most exciting moment of the weekend, Phish kicked into the sloooow funk of “2001.” “Mikes > 2001” – the first time ever – 16 years after incorporating the funk-cover into their catalog. Gordon’s forged the crack-like space-funk with precise, booming bass lines that guided the crowd through one of the frozen moments from Festival 8 that will live eternally. Talk about adrenaline – this was another level!

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

As everyone and their mom expected the band to come tearing out of “2001” with “Weekapaug,” Phish delivered another left hook as they blended the sustained peak with the opening of “Light!” Unsure of where the music was headed, one thing I knew for sure – the band was flying through uncharted territory with an unconscious determination. As lyrics gave way to improv, they took off on a high-speed chase through some inspiring jamming that took on that sense that the instruments were playing the band. The energy flowed like a river through the entire festival as Phish explored one of their new-found excursions.

'Burble' During "Light"

'Burble' During "Light"

As the climbing jam reached a plateau, Page infused an ambient feel into the mix. The rest of the band latched on to this idea, forming an abstract spacescape behind Trey’s fading melodies. The entire band congealed into an amoeba-like ambient jam during which another Burble structure reached into the sky above. All props aside, however, the actual soundscape the band molded carried an ominous tone that continually delved deeper. Fish’s cymbal work gave way to a singular, drone beat that added to the eerie quality of the music. The balloon structure morphed to the side of the stage, attracting hypnotic stares. Minutes into the cosmic soup, Trey suggested a melody that subtly tipped off the jam’s destination. Softly oozing into the opening of “Slave,” another indelible memory had just unfolded.

Bringing a gorgeous resolution to the darkness, the composition sounded pristine, soon giving way to the band’s delicate creativity. Starting at silence, Phish sculpted the climactic bookend to the set-opening “Tweezer.” Phenomenally patient, the music seemed to unroll at a pre-destined pace amidst the near-silent crowed of over 30,000 people. Laced with majestic interplay between Trey and Mike, the band crafted a well-phrased, emotional exclamation point on an unforgettable weekend. Flowing with IT from the beginning of the set, Phish nailed their triumphant finale, leaving everyone drooling for more.

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

As the band came out for the encore, everyone expected them to follow “Grind” with “Weekapaug,” but in a far cooler move, the band began the site-appropriate carnival tale of “Esther.” Finalizing the weekend with a fire-driven “Reprise,” “Weekapaug” would wait for another day, leaving the otherworldly second-set sequence reading “Mike’s > 2001 > Light > Slave!” Coupled with the strongest first set of the weekend, Indio’s final offering quickly leapt into the upper-echelon of  2009. There’s nothing like ending on an high note, and the band concluded Festival 8 with, easily, their strongest set of Phish. With only weeks separating the band from the concrete confines of Fall Tour, things couldn’t have been better out west after a peak Phish experience.

Set 1 Notes:

11.1.09 (G.Lucas)

11.1.09 (G.Lucas)

The most significant first set of the weekend started with the tightly wound combo of “AC/DC Bag” and “Rift” before opening up with a standout “Jibboo.” Ever since Phish’s return, and from Red Rocks in earnest, “Jibboo” has been a constant show highlight whenever it appears. A well-played, drawn out “Heavy Things” set the table for the arguably the best “Reba” of 3.0, with Jones Beach providing the only competition. The band absolutely nailed every note of the composed section until their infamous brainfart entering the jam. But nobody was left thinking of imperfections after the band slaughtered the sensual improv. “Undermind” saw Trey experiment with new textures amidst the chunky groove, also providing a highpoint of the set. Fitting nicely in its 3.0 slot, a dense, quasi-abstract “Split” punctuated the opening frame a with scorching version that certainly holds up on tape. All in all, this strong opening round foreshadowed what lurked around the corner.

I: AC/DC Bag, Rift, Gotta Jibboo, Heavy Things, Reba, The Wedge, Guelah Papyrus, Undermind, Sparkle, Split Open and Melt

II: Tweezer > Maze, Free, Sugar Shack, Limb By Limb, Theme From the Bottom, Mike’s Song > 2001 > Light > Slave to the Traffic Light

E: Grind, Esther, Tweezer Reprise

Winged-music-note=====

Jam of the Day:

Tweezer > Maze” 11.01 II

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Indio_Nov1_8

California Love - 11/1/09 (Photo:Graham Lucas)

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DOWNLOAD OF THE DAY:

11.10.90 Earlham College, Richmond, IN SBD < Torrent

11.10.90 Earlham College, Richmond, IN SBD < Megaupload

Earlham-College

19 Years Ago Today

This is the only November 10th show, other than The Fox in 1995, over the span of the last twenty years. Happy anniversary to Earlham College! Enjoy the early-school SBD.

I: Reba, The Landlady, Bouncing Around the Room, Runaway Jim, Cavern, My Sweet One, Buried Alive > The Lizards, Mike’s Song > I Am Hydrogen > Weekapaug Groove

II: Suzy Greenberg, You Enjoy Myself, The Asse Festival, Fee, Llama, The Divided Sky, Bike, Possum

Source: SBD

Tags: ,

A Stairway To The Stars

Posted in Uncategorized with the tags , on November 9th, 2009 by Mr.Miner

10.30.09 (Photo: Graham Kucas)

10.30.09 (Photo: Graham Lucas)

With all due focus on Phish’s mastery of The Exile Set and the bombast of Festival 8’s final frame, the shadows cast have already engulfed the 30th, a show that was anything but forgettable. Setting up Halloween with a flowing second set of tightly woven improv, Phish played a show that spanned the emotional spectrum from uplifting to macabre. Surrounded by colorfully lit palm trees and and giant, flame-throwing tiki-torches, the band opened their musical carnival by stringing together several popular jams while molding an artistic set with a distinctly Phishy flavor.

Indio_Oct 30_09

10.30.09 (G.Lucas)

The band kicked off the second half with 1000 mics of adrenaline to the dome in the form of a festival-sized “Punch,” as Trey’s crack-like guitar scratches burst from lowered speaker towers that practically stared us in the face. With all the room in the world to move, the concert field collectively exploded as Phish tore into the full-on opener. Using the composition to set up a drop into a larger vehicle, the only question was which they would choose. Gordeaux quickly answered this question with his signature bass feedback, signaling entry into “Down With Disease.”

10.30.09 (W.Rogell)

10.30.09 (W.Rogell)

Launching into one of the year’s most consistent jams, Phish brought us on a magic carpet ride as they crushed the melodic, structured jam. Though several minutes into this scintillating “Disease,” Trey changed into a series of quasi-distorted rhythm chops, signaling a break from the song’s form. The already thrilling adventure turned menacing as Trey’s guitar tone transformed into an uncompressed growl, pulling the band into darker territory. Page hopped onto the clav, Fish switched up beats, and the band merged into sparser grooves – seemingly on the verge of  something bigger. Washes of sonic psychedelia coupled with a slowed, then diminished beat, soon created an effect-laden transition into “Prince Caspian.” Throughout this initial portion of the set, Phish displayed cohesive playing with a fierce intention behind their improv. Exuding confidence through their instruments, the band built a gorgeous version of the imaginary tale before forgoing the song’s final power chords for a piano transition into “Wolfman’s.”

10.30.09 (G.Lucas)

10.30.09 (G.Lucas)

The subsequent sequence of “Wolfman’s > Piper” contained the most adventurous jamming of the weekend, as well as Phish’s darkest Halloween experimentation. Spring-boarding off a series of swanky grooves, Phish took us into the netherworld with an ambient exploration of the occult. Syrupy funk dripped from the speakers onto the first festival audience in six years, in a confluence of motion and catharsis. The band locked into slowed down dance rhythms that included equal contributions from all members, quickly building into a show highlight. The mechanical precision of the over-sized grooves brought that physical rush of excitement inside, that ability to conquer the universe as it raced through my mind. The limitless room to move only enhanced the aura of freedom, and as the grooves wound down, Phish dropped into space.

Crafting the weekend’s “Halloween jam,” Phish evoked memories of the insane depths plunged by “Wolfman’s” on Halloween ’98, with a harrowing ’09-style ambient excursion. Building a terrorizing wall of eerie psychedelia Phish summoned the dark spirits with their cryptic musical mysticism. Sculpting one of the most ominous jams of the year, the band sufficiently explored this haunted realm before the passage bled into “Piper.”

10.30.09 (W.Rogell)

10.30.09 (W.Rogell)

Another one of ’09s strongest songs, “Piper,” reached a place of organ-led, sparse, rhythmic playing that maintained the music’s fast-pace while opening up space within for unique offerings. This jam grew into a truly engaging piece of Phish, as the band continued to break down the music into an increasingly divergent place. Morphing into an awesome melodic plane with shimmering rhythms and seemingly-composed melodies, Trey added a vocal layer over top –  much like the Gorge’s “Light” jam – and the band arrived in some truly sublime music. Only after the next night – and upon further listening – did it become evident that Phish had previewed their Halloween costume at the end of “Piper” with an “I Just Wanna See His Face” jam. One of the outstanding highlights of The Exile Set got some practice the night before; much like the band used the “Mike’s” jam in Tallahassee on 10.29.96, to covertly jam on Remain in Light’s “Houses In Motion.” This Stones-laced “Piper,” one of the most beautiful musical moments of the weekend, delicately dissolved into “Joy.” The band used the poignant ballad as a landing point for their extensive improv, as everything flowed perfectly through this sequence.

Phish got right back to business as they dropped into “Bowie.” Just before the band popped out of the intro, Trey dropped one last bit of misdirection, whispering, “We’re gonna give you a little hint about the Halloween album now.” Pranksters until the end, Phish followed the joke with a concise, yet smoking, rendition of their classic. More true to form than in past years, ’09 “Bowies” have remained type-I all the way, and this one followed suit. Nonetheless, the band showcased their spot-on communication as they built perhaps the song’s strongest outing of the year.

"Burble" (G.Lucas)

'Burble' During "Harry Hood" (G.Lucas)

Combining two of their oldest pieces, Phish unveiled their first (non-Coventry) festival “Harry Hood” in ten years. A hallmark of The Clifford Ball, The Great Went, and Lemonwheel, there has always been something incomparable about a wide-open “Hood” in a vast field, under an never-ending sky. As the band brought back a treasured tradition, they also introduced “Burble,” our partner in hallucination for the weekend. As the band sailed into the ethereal jam, a balloon structure, likening a massive pharmaceutical, floated gently over the crowd. Kuroda used the piece as a backdrop for his own work as the entire experience created a tripped-out, blissful conclusion to the set. While playing through this masterfully nuanced “Hood,” the superb quality and creativity of the actual music got overshadowed by the artistic eye-candy. The holistic spectacle, however, made for an uplifting and psychedelic start to the band’s first-ever west coast festival.

Making our way out of the concert field for the first time, we passed by The Coil, through the haunted castle, and around the decorative grounds Phish created for the weekend. Surrounded by giant art installations, exhibits with artists busy at work, and other sundry attractions, the distinctly mellow vibe of Eight contrasted with the monstrosities of yesteryear. As we made the short walk back to our free-for-all campground following an exciting show, we still had six sets left! Was this heaven? No; it was the long-awaited return of the Phish festival!

Set 1 Notes:

10.30.09 (G.Lucas)

10.30.09 (G.Lucas)

Just as everyone predicted, Phish opened their first festival of the modern era with “Party Time.” More polished and confident than Merriweather’s debut, this slapped a smile on everyone’s face just as things revved up. A raging, above-average “Chalk Dust” kicked the energy up a notch, setting up a drop into the liquid funk of “Moma Dance.” A mid-set combo of “Stealing Time” and “Stash” stirred up the witches’ cauldron with their paths of sonic sorcery. “Stealing Time” stretched into its most significant incarnation to date, pushing the song a bit further towards the brink of type-II exploration. “Stash” followed its late-summer pattern of blow-out versions, this time with a shift into a major-key for a section of the jam before landing back into darkness; a highlight version no doubt.

I: Party Time, Chalkdust Torture, Moma Dance, NICU, Stealing Time From The Faulty Plan, Stash, I Didn’t Know, Poor Heart, Cavern, Beauty of a Broken Heart, Ocelot, Time Turns Elastic

II: Punch You In The Eye, Down with Disease > Prince Caspian > Wolfman’s Brother > Piper > Joy, David Bowie, Harry Hood, Golgi Apparatus

E: Character Zero

10.30.09 Indio, CA < Torrent

10.30.09 Indio, CA < Megaupload

Winged-music-note=====

Jam of the Day: 10.30 II

“Wolfman’s > Piper > Joy”

The highlight of the first night.

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DOWNLOAD OF THE DAY:

10.30.90 El Dorado Cafe, Crested Butte, CO SBD < Torrent

10.30.90 El Dorado Cafe, Crested Butte, CO SBD < Megaupload

Circa 1990 (Unknown)

Circa 1990 (Unknown)

Here a show from Phish’s first Halloween weekend in Colorado during 1990. This is the night before Halloween, sticking with the theme of the day. This old-school SBD includes the debut of “Llama” and more than a few classics in early form.

I: The Landlady > Bouncing Around the Room, Donna Lee, The Asse Festival > Suzy Greenberg, Uncle Pen, Cavern, The Squirming Coil, Possum

II: Mike’s Song > I Am Hydrogen > Weekapaug Groove, Magilla, Foam, Reba > Llama*, The Ballad of Curtis Loew, Fluffhead, Hold Your Head Up > Terrapin > Hold Your Head Up, Buried Alive > David Bowie

III: Paul and Silas, The Lizards, Good Times Bad Times, Contact, AC/DC Bag

*debut

Source: SBD

*****

Indio_Oct 30_14

10.30.09 Indio, CA (Photo: Graham Lucas)

10.30.90 Indio, CA (Photo: Graham Lucas)

Tags: ,