A Showcase of Songs

12.30.09 - Miami (Photo: Wendy Rogell)

The diversity of Phish is one of their greatest assets, and a huge reason behind their overwhelming appeal to so many people. Beyond varying their setlists, Phish effortlessly swoops between musical genres, altering the focus of their shows, while composing vastly different orbits each and every night. And when the band plays as well as they did in Miami, any direction usually works just fine. A night after Phish played a show underlined by giant grooves and copious improv, the band returned on December 30th with a song-based show that still held the door open for some quintessential second set psychedelia. Focused on elusive pieces of their catalog for much of the night, the band tore through many seldom played selections with surprising proficiency, while still carving out one of 2009’s elite jams. Though the band’s musicianship stood at the top of their game, this show contained a choppy, yet fun, vibe, with no real flow to either set. Yet, when examining each piece individually, Phish absolutely nailed everything they touched on this night.

12.30.09 (W.Rogell)

If bust-outs tickle one’s fancy, then they were laughing all the way through this first set in which eight of twelve songs appeared for the first time this year, including two debuts. The party got started with the first “Soul Shakedown” of this era, igniting the crowd and setting the tone of the evening right away. Following a short but sweet “Runaway Jim,” and woven around “Stealing Time,” the bust outs just kept rolling – “Jesus Just Left Chicago,” Hank William’s “Dixie Cannonball,” “Corrina,” “What’s the Use?,” Tela,” the debut of “Gone,” and “RockyTop.” In a veritable buffet of Phish rarities, one of the unquestionable highlights of the sequence was “Corrina.” Ten years to the day that they broke out the song in Big Cypress’ opening set, Phish played a highly emotive version evoking memories of the Everglades with graceful solos from both Page and Trey. “Tela” brought the most “significant” bust-out, with eleven years coming between its last performance in New Haven, CT on November 24, 1998. Practiced and polished, Phish gave the integral piece to the Gamehendge saga the full treatment, bringing the composition to a gentle peak. Throughout all of these songs, Phish sounded spot on, both musically and lyrically, making these appearances all the more special. Sure, squeezing “What’s The Use?” between “Corrina” and “Tela” does nothing for context or flow, but the band is clearly now comfortable with the widest array of their material since the mid -’90s. Finally digging deeper into Party Time, Phish debuted “Gone,” a reflective Trey piece with a strong melodic leads and potential for expansion come summertime. “Rocky Top” finished the eccentric part of the set, leaving way for Phish to loosen up their chops in the final segment.

12.30.09 (W.Rogell)

After crushing “Chalkdust,” the musical energy in the room palpably increased, setting the table for the improvisational high point of the first half, “David Bowie.” Through many versions of “Bowie” this year, the band hadn’t often been able to channel the maniacal energy that defined the song’s history. Playing quasi-generic renditions more often than not, few “Bowies” stood out as unique. But Miami’s version jumped off the stage with a creative aggression unseen most of the year, all without moving far outside the box. Possessing that furious, yet precise, energy that characterized “Bowies” of legend, Phish applied their newly-found, effortless bravado the jam, and came out with one of its most successful, densely packed affairs of the year. Peaking with unique, full-band fury, “Bowie” ended the first half with a bang. Having picked up improvisational steam at the end of the set, and following the night before, who knew what to expect in act two?

12.30.09 (W.Rogell)

Opening the second set, Phish continued the Big Cypress allusions by dusting off the second “Sand” of 2009, evoking memories of the forty-plus minute epic in the early hours of the decade. This version followed a more classic contour than Camden’s of early summer, focusing primarily on Trey’s guitar leads over a driving groove, and less on full-band interplay. Trey, however, brought enough fire to carry this version on his own. Starting with sparse phrasings, he soon built into flowing melodies that solely directed the course of the song. Supported by a tightly woven groove, Trey lines surfed atop the musical wave provided by his mates throughout this excursion. Dominating the second half with effect-driven, “retro-milennial” sound-sculpting, Big Red brought the piece to a gnarling peak only a stones throw away from the site of its seminal outing a decade ago.

12.30.09 (W.Rogell)

A fiery beginning to the second half gave way to a cerebral segment of “Curtain (With)” > “Lifeboy.” In complete contrast to the linear dance patterns that opened the frame, Phish entered one of their exquisite compositions with notable precision and energy, and when “With” dropped, the band’s soul took over. Completely at home with the piece that once symbolized the debacle of Coventry, Phish culminated the many versions of the year with one of their best. Played with meticulous passion, “With” felt like a emotional cleansing on the brink of a new decade, while simultaneously, a celebration of 2009 – the year that everything came back together. With undeniable majesty, the band engaged in one of the most alluring passages of the run, featuring interplay both subtle and supreme.

Dripping from the stirring rendition of “With” into the first “Lifeboy” of the year, Phish crafted an elegant combination of introspective hymns. Performed immaculately, the song’s dreamy soundscapes backed its wistful lyrics in the type of delicate display absent from the 2.0 era. But this time around, every note matters, hence the band’s patient and steady progress throughout the year, and “Lifeboy” vividly illustrates this renewed philosophy.

When Phish continued with “Back On the Train” as a centerpiece of the second set, it really seemed as though the 30th would go down as light on musical exploration, but little did anyone know that one of the year’s top jams was about to unfold. Stemming from the back-country funk of “Back On the Train,” Phish would grow one of their most exciting excursions from the least likely of places. Gradually stretching out the song’s form, Mike, once again, led the way out the door, as he was the first to bring unique ideas to the table. As Mike coaxed Trey into some rhythm playing, the band took off on a musical tangent, everyone picking up new on each others’ ideas, and almost instantaneously, transforming the piece into an ambient blanket of shimmering sound.

12.30.09 (W.Rogell)

From there, the band took a multi-dimensional musical expedition, beginning in a quieter, bass-led brew. Latching onto Mike’s patterns, Trey, and Page joined in, forming a sublime, sonic waterfall. Phish had traveled way out there quite quickly – a musical hit of DMT – and soon, the delicate canvas became increasingly dark as the band built the force behind their wall of sound. A kick drum joined Fish’s shimmering cymbal textures, as Trey’s began to scream out over Page’s drone effects and piano patterns. And out of an ambient escapade, Phish built a fierce, all-out high speed musical getaway. A distinct moment transpired where the whole band hit full stride in a galaxy far, far away, and, collectively, took off out of sight. Even Kuroda got in on the act, masterfully speckling the arena with dots of white light to match the musical intensity. In order to return to earth, the band slowed into a polyrhythmic segment, resembling the cadence of a “Limb” jam, as Trey and Page gushed emotion through the final rolling peak. A true journey into the unknown, most didn’t know what had hit them as the band drifted softly into “Velvet Sea.” But we had just witnessed one of the year’s most successful jams; the yin to “Tweezer’s” yang; the other best side of Phish.

"Fish and Rich" (W.Rogell)

“Velvet Sea” provided a lush cushion for the band’s interstellar exploits, a perfect place to descend upon from such gargantuan heights. But once this surreal segment came to a close, Fishman came front and center for his late-second set exploits that are often hard to believe still take place in 2009. This act took a turn for the comical, however, as the band chose “Rich” from the crowd to come up and guest on vacuum since Trey had promised this that Fish’s “I Didn’t Know” solo on the 28th would be his last of the decade. At the time this all seemed innocent enough, but in reality, the band was laying groundwork for their New Year’s prank. (More on that tomorrow.) But “Rich” held his own, and got the arena rocking far more than Fishman could have, in comedic episode that pumped up the audience for the set’s final section.

12.30.09 (W.Rogell)

12.30.09 (W.Rogell)

Following another generic “Free,” a song the band should expand or shelve at this point, they kicked into a late-set “Boogie On,” taking the song-based theme through the very end of the show. But after a short funk groove, Trey slowly integrated the beginning of “Antelope,” blending one song into the other. Throughout the intro – in which the full band joined in, within the full-on jam, and in the outro, Trey precisely and playfully teased the main melody from “Boogie On.” Each time firing up the audience a bit more, by the end of the song, Trey had the arena eating from the palm of his hand as he brought the vicious jam to a close with an combination “Boogie On” / “Antelope” lick. This smoking, high-energy conclusion will forever be remembered as “Boogie Like an Antelope.”

When looking at a New Years Run, one must consider the four-night whole rather than each show on its own. Designed to be a four-night experience, interpreting a New Year’s Run in any other way would be missing the point. This show complemented the 29th’s groove-centric exploration, while the 31st created the feel-good party of the year. People will favor one of these shows over another because of their personal preferences, not because Phish played any better or worse on these three nights. After the 28th’s uncharacteristic warm-up, the band blasted into their best playing of the year, with each show designed for a different purpose. This night provided a showcase of rare songs, and we still managed to get in a jam of the year. Not bad, I’d say. Not bad at all.

I: Soul Shakedown Party, Runaway Jim, Jesus Just Left Chicago, Dixie Cannonball*, Stealing Time From The Faulty Plan, Corrina, What’s the Use?, Tela, Gone*, Rocky Top, Chalkdust Torture, David Bowie

II: Sand, The Curtain With > Lifeboy, Back On The Train > Wading in the Velvet Sea, HYHU > Love You > HYHU, Free, Boogie On Reggae Woman > Run Like An Antelope

E: Frankenstein

12.30.09 (Photo: Wendy Rogell)

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Jam of the Day:

Back on the Train > Velvet Sea” 12.30 II

[audio:http://phishthoughts.com/wp-content/uploads/2010/01/ph2009-12-30t16.mp3,http://phishthoughts.com/wp-content/uploads/2010/01/ph2009-12-30t17.mp3]

Who would have thunk it?

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DOWNLOAD OF THE DAY:

12.30.09 American Airlines Arena, Miami, FL < Torrent

12.30.09 American Airlines Arena, Miami, FL < Megaupload

12.30.09 (W.Rogell)

I: Soul Shakedown Party, Runaway Jim, Jesus Just Left Chicago, Dixie Cannonball*, Stealing Time From The Faulty Plan, Corrina, What’s the Use?, Tela, Gone*, Rocky Top, Chalkdust Torture, David Bowie

II: Sand, The Curtain With > Lifeboy, Back On The Train > Wading in the Velvet Sea, HYHU > Love You > HYHU, Free, Boogie On Reggae Woman > Run Like An Antelope

E: Frankenstein

*debut

Source: Sennheiser MD441U > Edirol R4Pro (Oade preamp mod) @ 24/88.2 (Taper – padelimike)

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1,066 Responses to “A Showcase of Songs”

  1. chefbradford Says:

    Silly- good night

    She Divides- excellent point, and definitely true in most cases

    I’m not signing off, but this has definitely been a most interesting and enjoyable night

  2. She Divides Says:

    @stitch…a huge moment in my life was a day when I was a kid and we were on vacation and my super-catholic mom said that she thought instead of going to mass, we could visit god via a hike, so I’ve always thought of being in the natural world as connecting, and more recently I have seen that music/phish is the same thing.

  3. She Divides Says:

    @ stitch…I’ve listened to 12/31 but haven’t read about or listened to anything else….I’m so excited about what I have ahead of me and will definitely try to use it as inspirations!!

  4. stitchstash Says:

    @ silly, Do what you feel is right. My husband and I homeschool our children and are involved in some homeschooling groups. Almost everyone at these groups homeschools for religious reasons. I’m going to school for science education. Some battles I choose not to fight. This one mother told me that humans had to have lived with the dinosaurs because the bible says so. I had a healthy debate but then later realized I would forever have something to debate with her or possibly any of them. If it is really bothering you, tell them. If not, just enjoy the time you have with your family.

  5. BTB Says:

    Stitch – weird since I get on here and realize you guys were all talking about religion (and the GBOTT is the JOTD). During all your posts I was spaced out in a “church” parking lot. Lol.

    FWIW, I’m a skeptic of legends passed down from the 2,000 years ago, especially ones about “virgin births” from a guy who had 6 previous kids, “miracles” and “coming back to life”. I believe in a God or creator, but don’t give a hoot about particular religions and what they claim. Hooey!

    I do like the wisdom of scriptures though (all religions) b/c I think there is knowledge there and it’s interesting.

    Who knows though, South Park is probably right, the Mormons have the correct religion. We’re all screwed!

    Also, If in heaven they play Christian rock 24/7 – I’m jumping out the window….

  6. chefbradford Says:

    Hell obviously has the best music, right?

  7. chefbradford Says:

    I have to say, when I finally started posting here, let alone when I just started dropping by this site, I never once thought I’d be having these amazing discussions with these amazing people

    To use a dated phrase, you guys and gals are tha bomb

  8. She Divides Says:

    definitely chef!
    I’m off to bed. Hope to be stopping by and checking up over the next couple days. Good night all! What an enjoyable return.

  9. She Divides Says:

    and of course istening to and reading about all of the NYE run, while catching up on the last 2 weeks!

  10. BTB Says:

    Highway to hell…Chef

    Night people

  11. stitchstash Says:

    @ she divides, I like that your mom wanted to connect to god with nature. In a way, I think Buddha, Jesus and other religious figures wanted the same thing.

  12. stitchstash Says:

    Why can I only think of Enter Sandman right now? Good night! Sleep with one eye open.

  13. chefbradford Says:

    Good night to those that are cashing in. I’ll be lurking, as always 🙂

    If only the Blackboard had been around in the worst days of my insomnia!

  14. stitchstash Says:

    Being a night owl on this site, you miss a lot of good day-time conversations too. I’m glad that I’ve started taking the time to read through the days comments.

    RE: Wrigley field was the first stadium I ever saw a baseball game in. My fourth grade music teacher, Mrs. Roth, sang the National Anthem at the game I was at. I love all Chicago teams except the Blackhawks. Not that I don’t like the Blackhawks, but the Sabres have won my heart. Hockey is now my new favorite sport because of them. The last game I went to, we played against the Blackhawks. It was a great game. The Blackhawks were sooo good, but the Sabres pulled off the win.

  15. Lycanthropist Says:

    hey all.. just grabbed 20 gigs worth of new music! holy crap.. don’t even know where to start

  16. Lycanthropist Says:

    whats goin on in the black board world tonight?

  17. chefbradford Says:

    Stitch- yeah, I try to balance it out, catch as many posts as I can, but crap, today alone there’s something like 900 posts. Days when Miner doesn’t post it gets up to 1000 to 2000

    Nuts!

  18. chefbradford Says:

    Lycan- Brother, the Blackboard got deep tonight. Check back over a few pages, man

  19. Lycanthropist Says:

    @chef and @stitch

    yeah i try to keep up.. but when i get back to hear and 10+ pages have gone by i usually just skim a few pages back

  20. Lycanthropist Says:

    goodness guys.. i cant even begin to think about post chiming in on that.. but well done.. always a good night when the art of zen is brought up.

  21. Lycanthropist Says:

    whats the current subject..?

  22. Lycanthropist Says:

    ah religion

    that often most dangerously interesting topic. Seems everyone handled it well and with no fights.. Again well done black board.

    I am a follower of Humanist Philosophy. The Golden Rule. The Power of Will. Etc. etc

  23. chefbradford Says:

    Actually, the current subject seems to be —- The board was dead for awhile. I’m pretty much, from what I understand about it, a humanist as well. Interesting stuff all round tonight, though. Glad I’m not the only insomniac prowling the boards

  24. stitchstash Says:

    Lycan, what was the date of that mind-fuck show of yours that I should check out? I was crazy in my finals at the time when we had that conversation and do not remember which one it was. I’m sure I could just choose at random as well.

  25. Lycanthropist Says:

    @stitch –

    12-12 is the FYA show you speak of..

    check out 10-24 and 11-24 as well for some fun dark jams

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