The Return of New Year’s Eve

"New Year's Eve" (Photo: Wendy Rogell)

New Year’s Eve; out with the old and in with the new. As long as anyone could remember, Phish and December 31 went together like peanut butter and jelly. Whether in the cold of Worcester, Boston, and New York, or the warmth of Big Cypress and Miami, Phish and New Year’s Eve were one in the same. On a holiday where the entire point is to have a blast celebrating the year that was, Phish’s New Year’s Eve shows became rites of passage, culminating with 1999’s sacred millennial odyssey in The Everglades. But after this experience of a lifetime, Phish appeared only twice on New Year’s Eve over the next ten years. We hadn’t flipped the calendar with them since 2003 in this very same building on Biscayne Bay, thus New Year’s Eve ’09 took on a renewed feeling of excitement that had been gone for more than half a decade.

12.31.09 (W.Rogell)

Without the grind of their night-long parties of yesteryear, Phish came to bat on the 31st locked and loaded, building off, arguably, their two finest shows of the year. Just as each of the previous nights had a distinct theme, New Year’s Eve was colored by feel-good Phish from beginning to end, ringing in 2010 with songs of joy and upbeat jamming; everything we’ve come to expect from the band in their three-set, year-end parties. And before we knew it, we were off on a musical crash course with a brand new decade.

The ride got started with the energetic one-two punch of “AC/DC Bag” and “46 Days,” but got kicked into high gear by the fourth-song “Bathtub Gin.” A jubilant vibe painted the entire jam which moved from glue-tight structured territory into a heavier dose of groove; the latter segment pushed forward by none other than Michael Gordon, the unquestionable player of the weekend. His driving bass patterns attracted Fish, and, on the spot, they reinvented the pocket of the jam, and Trey and Page followed their lead. A fiery segment of holiday improv resulted from this group conversation, with all members completely in tune. “Gin” became the first taste of the band’s inspiring New Year’s themed playing, characterized by densely packed catharsis.

12.31.09 (Photo: Wendy Rogell)

The chunkier part of the set continued with full-speed runs through “Punch” and “Moma,” keeping the energy high and people moving to the beat. Breaking for a composition, Phish played only the second “Guyute” since summer, and its triumphant nature fit congruently on this night. But the most intriguing first-set sequence came next. Playing through their Billy Breathes segment, “Swept Away > Steep,” at the point where they used to scream, and more recently, just drop into a new song, the band fluidly drifted into a mellow, Beatles-esque psychedelia, led hand in hand by Trey and Page. If this wasn’t composed ahead of time, I’d be surprised, as Page and Trey immediately initiated the same melodic theme. One way or the other, Phish stumbled upon something gorgeous in this piece, and its inward journey served as a reflective interlude for the end of the year.

12.31.09 (W.Rogell)

As this jam settled, Phish broke into the opening of “Demand” for the first time since Ames, Iowa during November ’96, thus trumping “Tela” for the “biggest” bust-out of the weekend. Played like they’d kept it in rotation all along, Phish nailed the two minute piece and hopped right into “Seven Below.” A song that birthed two standout jams of fall stayed closer to its structure this time around, but still provided inspired improv with Fishman maintaining a strapping beat behind a melodic canvas. When listening to Mike on this piece, one will hear some of his most intriguing play of an outlandish weekend, offering up lines most musicians wouldn’t even conceive. Collectively driving this piece to the top, the band played as a four-headed monster flowing with effortless abandon, once again packing a whole lot of action into a very short time. Closing the first set with a rollicking “Julius,” Phish got off to a phenomenal start on their return to a night they once owned.

12.31.09 (W.Rogell)

A particularly short set break had the lights off way before anyone expected, and one of the weekend’s strongest sets kicked off with the 2009 anthem “Rock and Roll.” Sewing this stanza thematically together with a dense, uptempo musical thread, Phish began by tearing the opener into oblivion. As the music entered a potentially deeper plane, Trey elected to keep the set bumpin’ with energy, segueing quickly into “Piper.” Phish filled the subsequent ten minutes with over the top, compact improv at a dizzying pace. As if trying to summarize all the places the jam has reached during its epic year, the band threw down a concentrated, complex gauntlet that moved a mile a minute. Playing with ridiculous cohesion, the band straight annihilated the final “Piper” in a year that featured many magnificent journeys from the song. Combining two of 2009’s defining pieces, the band opened the second set like a musical incarnation of Usain Bolt.

The blissful vibe continued as the band morphed from an ambient landing into “Simple.” A song played only four times in 2009, none were more symbolic than this version on New Year’s Eve. Things had returned to an Edenic state in the Phish universe, and on the cusp of 2010, the lyrics never meant more to everyone, because once again, “…we’ve got a band.” Moving from a melodic jam into a spacier outro, Mike and Trey chased each others’ phrases into nothingness as the band faded into “Theme.” Keeping the fun, yet emotional, night moving, the band infused the song with a soaring energy and musicianship that brought the opening, non-stop segment of the set to a close.

12.31.09 (Photo: Wendy Rogell)

Giving a nod to their unforgettable “Exile” set from Halloween, the band used the album’s emotional peak, “Shine a Light,” as mid-set interlude. Another lyrically appropriate song for a celebration of all that is to come for the Phish community, this version came perfectly placed in an increasingly impressive set. And then came the expedition of the night in a multi-faceted, bass-led safari through “Ghost.” Trey laid way back as the jam began, allowing Mike to take center stage with his bouncing, envelope-filtered leads. Like a space-general, Gordon thumped out futuristic patterns as his band fell in behind him. The pocket grew Grand Canyon-deep, as Mike’s basscrobatics bounced brains like basketballs around D Wade’s building. Crafting one of the weekends most compelling pieces, the band continued their unified jamming that underlined the entire evening.

12.31.09 (Photo: Wendy Rogell)

As “Ghost” built into an dark, abstract realm, Mike took his effects off, allowing Trey to take the lead for the second half of the jam. Flowing with inspired melodies, Trey awed the arena with his path to the mountaintop, where the band slid into a post-peak series of grooves that became increasingly delicate and ambient. Trey wove a stunning “Auld Lang Syne” tease amidst this emotive musical tapestry before Phish swam into a drone soundscape. Just as everyone thought the band would ooze the set to a close, Mike brought us into the dentist chair with “NO2.” Maintaining their shimmering backdrop throughout his narration, the band buzzed into silence before dropping an explosive “Suzie” to close one of the superior sets of the run.

"Midnight" (W.Rogell)

After another abbreviated setbreak, everyone knew what songs the band had left to play. Miami’s final set would inevitably include “Disease,” “Fluffhead,” and “You Enjoy Myself,” but how it would go down would be the story of the final frame. Launching into “Party Time” with about six minutes until midnight, the band funked into the New Year, showering everyone with Phish’s first “Auld Lang Syne” since ’03. An always-emotional moment – one where I always feel so thankful for being in the right place at the right time – this one felt extra sweet after five years of differing midnight festivities.

Everyone knew that “Disease” stood in the on deck circle, but this year, this set wasn’t about surprise – at least not yet. Featuring another theme song of ’09 in the slot where its triumphant jam was born sixteen years earlier, this moment was about simply being there again; seeing those big balloons bounce in front of our favorite band as we spun into a new decade to the soundtrack of our lives. After such a smoking second set, this one brought high octane playing, all in the name of fun. Staying firmly within the box throughout the final frame, the point wasn’t exploration, but explosive celebration, and Phish certainly accomplished their goal to the delight of all.

"Disease" (W.Rogell)

"Auld Lang Syne" (W.Rogell)

Instead of providing musical twists and turns in their final set, the band chose to mess with our minds with a prank that left everyone disputing what the hell actually had happened long after the show ended. Having laid the groundwork with all of the vacuum shenanigans over the 28th and 30th, and having foreshadowed the gag with the 30th’s cover, “Dixie Cannonball,” the band had the audience right where they wanted them. After ending “Disease,” they brought a life size disco ball to the center of the stage, and Fishman crawled inside. Bringing out a cannon and illuminating a net above the soundboard, Phish created the preposterous illusion that they were about to launch Fishman into the rafters of the arena – and for a split second, it all seemed totally reasonable. Trey got behind the drum set and gave a dramatic roll as the cannon fired loudly. Material hung from the roof as if Fishman shot right through, as a faux helicopter’s search light descended over the crowd with full-on sound effects. But neither Fishman, nor the disco cannonball, was anywhere to be seen.

12.31.09 (W.Rogell)

Much like the previous night, the band called for someone from the audience to replace Fishman – this time on drums. Trey called someone out from the stands to the left side of the stage side, and a dark-haired girl made her way to the drum set. After gushing over Trey in a comic act, when asked her favorite Phish tune, she replied “Fluffhead,” to the roaring approval of the crowd. Trey then announced that the band would play “Fluffhead” with Sarah on drums. As she awkwardly starting the song, Trey looked over and seemed to help Sarah along, and soon she caught the groove and the band launched into the song much to everyone’s shock. What the fuck was going on?! And from the end of “Disease,” that is exactly what Phish wanted us to wonder – and they pulled it of with genius. In an incognito switcheroo, a wigged and costumed Fishman slid onto the drums with hardly anyone noticing, leaving everybody with a different theory as to what happened and how. After the show ended, a friend came up to me and asked, “So, did Sarah play the rest of the set with them?” ‘Nuff said!

12.31.09 (Photo: Wendy Rogell)

Featuring solid versions of “Fluffhead,” “Coil,” and “You Enjoy Myself,” this set, more than anything, brought the spectacle back to New Year’s Eve, while continuing the uplifting theme to the evening. And it worked out quite well. Poignantly fitting “Joy” into their final set as well, the band reminded everyone what this era is all about – our collective happiness. And after some lyrical, heartfelt thanks from Trey, a “Loving Cup” encore brought us home. Capping 2009 with a set defined by their prankster spirit, Phish hit every angle over their four nights in Miami, reclaiming their undisputed title as the musical pimps of the universe. And what a year it was!  From March 6 in Hampton to December 31 in Miami, and everything in between, 2009 saw the re-evolution of Phish; a force of nature unto themselves. And side by side, the return of our dreams. It all really happened.

Phish 2010, here we come!

I: AC/DC Bag, 46 Days, Water in the Sky, Bathtub Gin, Punch You in the Eye, The Moma Dance, Guyute, Swept Away > Steep, Demand > Seven Below, Lawn Boy, Julius

II.Rock and Roll > Piper > Simple > Theme from the Bottom, Shine A Light, Ghost > NO2, Suzy Greenberg

III: Party Time > Auld Lang Syne > Down With Disease, NYE Prank, Fluffhead, Joy, The Squirming Coil, You Enjoy Myself

E: Blue Moon, Loving Cup

"2010" (Photo: Wendy Rogell)

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Jams of the Day: 12.31.09 II

Rock and Roll > Piper

[audio:http://phishthoughts.com/wp-content/uploads/2010/01/ph209-12-31t14.mp3,http://phishthoughts.com/wp-content/uploads/2010/01/ph209-12-31t15.mp3]

Ghost > NO2

[audio:http://phishthoughts.com/wp-content/uploads/2010/01/ph209-12-31t19.mp3,http://phishthoughts.com/wp-content/uploads/2010/01/ph209-12-31t20.mp3]

The improvisational meat of New Year’s second set.

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DOWNLOAD OF THE DAY:

12.31.09 American Airlines Arena, Miami, FL < Torrent

12.31.09 American Airlines Arena, Miami, FL < Megaupload

12.31.09 (W.Rogell)

I: AC/DC Bag, 46 Days, Water in the Sky, Bathtub Gin, Punch You in the Eye, The Moma Dance, Guyute, Swept Away > Steep, Demand > Seven Below, Lawn Boy, Julius

II.Rock and Roll > Piper > Simple > Theme from the Bottom, Shine A Light, Ghost > NO2, Suzy Greenberg

III: Party Time > Auld Lang Syne > Down With Disease, NYE Prank, Fluffhead, Joy, The Squirming Coil, You Enjoy Myself

E: Blue Moon*, Loving Cup

*Trey thanks all members of the Phish organization by reading their names off a list “as quickly and lyrically as possible” to the tune of “Blue Moon.”

Source: Sennheiser MD441U > Edirol R4Pro ( Oade preamp mod ) @ 24/88.2 (Taper – padelimike)

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Video of the Day: Auld Lang Syne > NYE Prank

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702 Responses to “The Return of New Year’s Eve”

  1. joe Says:

    Miner bouquet tossing party reprise: this is my favorite line of today’s post:
    “Combining two of 2009’s defining pieces, the band opened the second set like a musical incarnation of Usain Bolt.”

    that piper is smoking fast. seems like a pretty good example of Fishman’s improvement for this run.

  2. pagesidehighschool Says:

    Gordo for MVP ’09! Boogie on like an Antelope is ny new favorite song, Gordos guns were a blazin in boogie!

  3. Tom Says:

    Coming in late on the thread…
    I do NOT think it’s limiting when the bassist is the best player in the band….Phish is a perfect example.
    TAB will have Trey wanking all over as Tony “The Machine” Markelis lays down the unwavering line deep in the pocket. The magic we saw in Miami (and every other great jam this year) is due in large part to Mike’s creative genius…constantly pushing the envelope (filter). AND, he is also the only guy in the band that is “better than ever”.

    On another note: if you want to hear soulful Ray P., check out his band Vorcza OR go deep and listen to Viperhouse (the live album Lap Hen, tracks 6 and 7).

  4. KWL Says:

    @custy, I mean mitch,

    I got a Cuse poster and a couple t-shirts. The shirts were packed INSIDE the poster tube. Which was an interesting choice. Poster ripped, bent, creased. Was on hold with Sherry for 20 minutes yesterday before getting someone. They are sending me a new poster because luckily the Cuse poster is the ugliest thing ever printed on paper and they still have more left. But I was super pissed upon opening that tube.

  5. She Divides Says:

    @stitch…no worries! Thanks for the thoughts! it would be amazing to enjoy my job as much as I enjoy everything outside of work! Based on what I’ve read here I’m sure your kids will recognize your coolness too!!

  6. Mitch Says:

    kwl,
    and weren’t you the one who really wanted it and was bummed when it sold out? i heard a lot of bad things about posters coming messed up. that could be in large part the handling at the venue until it got to VA. totally feel you tho, they are dropping it bigtime this year.

    on another note, ya ever notice what a hit does to your aggression? they should prescribe it for anger management. im still bummed but not rant worthy anymore.

  7. Robear Says:

    ^unreal, regarding Dry Goods. I know some cats. Will have a talk.

    New Year’s show ripped. Me and AW were talking before the show about, no ‘Disease, RnR, Ghost, YEM, Joy,’ yet.

    No doubt the club level seating near Butter added to the spectacle and enjoyment.

  8. KWL Says:

    @stitch, I think it was you last night…. you might want to check out the Tao of Physics. Old, but possibly useful. subtitle is ‘an exploration of the parallels between modern physics and eastern mysticism.’ Sorry if it was someone else talking about this…

  9. KWL Says:

    yeah, I badly wanted one from the shows I went to, was bummed when Cuse sold out. But then they came back again. (And sold out again and now apparently they are back again.) Eventually I should have one so all is well that ends well I guess.

  10. gus Says:

    finally listening to 12/30, and all I can say is…wow. just wow. the back on the train is spectacular. along with the PERFECT execution of tela which has been one of my favorite songs since i got into phish a couple years ago…so glad they played it.

  11. KWL Says:

    wow, that first tube video frankie posted earlier really is a shot in the arm. haven’t watched that since being there. too bad the audio is sbd though, can’t really hear the crowd… still brought back a flood of memories though. Unforgettable!

  12. sumodie Says:

    ancientreply to @memories:

    go to these two sites if you need to identify shows:

    http://www.ihoz.com/PhishStats.html

    http://www.phish.net

    first site lets you look up every time a song was played, and what came before/after

  13. albert walker Says:

    got to hear Piper again on the way to get groceries

    Trey hits the envelope filter at 5:00 and the last 4 minutes are just amazing

    Mike really does make this and most of the hottest jams down in Miami

    on top of his game
    and a great dresser

  14. pagesidehighschool Says:

    anyone know if there is a link to the Portland show here? its not listed at the end of the post

  15. pagesidehighschool Says:

    listening to piper now, really fast and aggresive!

  16. albert walker Says:

    I think that is why it is only 10 minutes

    it is twice as fast as the otherr 2009 Pipers

  17. pagesidehighschool Says:

    I use to get pipers all the time! havent gotten one in 3.0 yet, i really miss it 🙁

  18. stitchstash Says:

    @ she divides and KWL, thanks!

    @ Mitch, I want to bitch about dry goods too! My Joy Box came in terrible condition. I waited so long for it that I didn’t want to wait any longer for them to ship me a new one, so I decided to accept it. Now I kind of wish I made the complaint. It is so disappointing to look at a dented box. When you open the side part there is a tear in the upper corner. If I didn’t like the goods inside it would just be a big box of garbage. I didn’t realize others also had issues. fit over.

  19. joe Says:

    re: drygoods. I also got the $7 fall t-shirt special for my girlfriend for christmas ( was supposed to get her one at the shows I went to but I can’t trust myself to hold onto anything that doesn’t fit in my pockets at a show and that’s even stretching it). I was surprised at how flimsy it seemed. She liked it though, so I’m not officially complaining. It just seemed way cheaper quality than what I was expecting. Probably why it was $7 (or $16 with shipping or whatever) and not $30 they get for it at the shows.

  20. KWL Says:

    forgot how good the msg light was. trey answered a lot of questions for me personally at about the 3:40 minute mark of this vid (and then starts ‘The Walk’, albeit briefly). a sort of personal epiphany, if you will.

    http://www.youtube.com/watch?v=M0uWLTY1jig&feature=related

    then mike kicks it up a notch at 6:20, trey follows seamlessly 5 seconds later. some brilliance from ck5 in there as well.

    but I know, I know, it’s so *last year* to talk about fall tour. (wish I knew how to do italics for that one.)

  21. Weekapaug Says:

    I ordered a hat from Drygoods a few months back and the box showed up crushed. As well as the hat (green trucker hat) Even after braking the hat in it still has creases in it from shipping. So pissed.

  22. sumodie Says:

    meditation authors/books

    in reference to last nights talk, i recommend these teachers, all of whom helped found the Insight Meditation Society, based here in Mass. i believe:

    jack kornfield: a path with heart

    susan salzberg: faith

    jon cabot zinn

    joseph goldstein

    they have all written some excellent books, frequently as collaborators

    as with learning any new knowledge and/or making change, the hardest part is setting aside time to do it, and then sticking to that routine.

  23. BTB Says:

    Not only is Mike Gordon an excellent dresser, he’s also pretty swell at the 5 string bass guitar

  24. sumodie Says:

    hey, i like that crappy cuse poster! its a cool take off on the finger lakes region. but if it comes torn & frayed in the mail, well, thats a diff story. sorry to hear about drygoods failings – ya gotta fight the man!

  25. Mitch Says:

    so last year to talk about fall tour

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