2009: The Year That Was

6.16.09 (B.Kisida)

Phish blazed quite the comeback trail in 2009. Beginning in early March and finishing on New Year’s Eve, the band played 50 shows as they marched their way back to prominence. As the months passed, Phish grew more and more comfortable with each other, enhancing their precision and improvisational chops along the way. Despite a few setbacks, 2009 represented a steep upwards curve for Phish 3.0, and will provide a solid musical foundation as they step into the future of Summer 2010. But before getting ahead of ourselves, let’s take a look back at the Phish’s comeback of 2009.


Hampton: 3.6-3.8

3.8.09 - Hampton (Unknown)

The Reunion  – one of the most dreamlike Phish experiences anyone there has ever had. Out of five years of silence, the band stepped onstage with the magical notes of “Fluffhead.” Sending a message of musical dedication right away, the band started this era with the complex composition that eluded their post-hiatus years. In a marathon weekend of music, The Mothership overflowed with energy for over three hours every night. These shows carried the feel of a recital; a welcome back to the world of Phish as they ran through 84 songs in six sets. Culminating the three-nights with their first earnest jam of the new era, Hampton’s “Down With Disease” still holds up on tape when listening back to this magical weekend.

Shows: 3

Can’t Miss Jams: “Down With Disease”


Summer Tour –  Leg I: 5.31 – 6.21

Jones Beach (W.Rogell)

Spanning 15 shows over three weeks, Phish hit the road for the first time in over five years. Moving from the northeast, through the mid-south, and up the Midwest, the band stayed out for three full weeks . Kicking off their touring season with Fenway Park’s stadium spectacle, things began to slide into full swing again. After some spotty performances at Jones Beach and Great Woods, the band finally clicked in Camden on June 7, for their first great show of the modern era, and, perhaps, the most outstanding night of tour. Taking this momentum on the road south, the band played solid stops in Asheville and Knoxville before stepping onto the biggest stage of the year at Bonnaroo. Over the course of two shows, Phish introduced the mainstream masses to their style, and with one of the strongest shows of the summer on June 14, Phish left no doubt who ruled the weekend in Manchester, TN.

After a much-hyped, but underwhelming show at St. Louis’ Fox Theatre, Phish finished up their first leg of summer by visiting their old haunts of Star Lake, Deer Creek, and Alpine Valley. The gem of these nights became the start-to finish, lightening-interrupted escapade in the cornfields of Indiana. Juxtaposed to the the all-too-common, linear rock jamming that characterized this tour, Deer Creek felt like a revelation with far more musical adventure. The final set at Alpine also provided a glimpse of some enhanced improvisation.

Shows: 15

Standouts: 6.7 Camden, 6.14 Bonnaroo, 6.19 Deer Creek, 6.21 Alpine Valley

Can’t Miss Jams: 6.2 “Hood,” 6.4 “Ghost,” 6.7 “Fee,” “Sand,” Tweezer,” 6.9 “Ghost,” 6.12 “Kill Devil Falls,” 6.14 “Rock and Roll > Light,” 6.19 “A Song I Heard the Ocean Sing > Drowned > Twist,” “Tweezer > 2001,” 6.21 “Crosseyed > Disease,” “Piper”


Summer Tour –  Leg II: 7.30 – 8.16

Red Rocks (G.Lucas)

Phish showed up at Red Rocks as a completely different band than we left in Alpine Valley. Perhaps due to their surroundings, or perhaps due to a transformative five weeks off, Phish played far more confidently and relaxed, quickly trumping anything from June with their June 31 performance. Over these four nights, Phish reinvented themselves from early-summer, taking musical risks and daring excursions all over the place. As fun as any four nights in memory, Red Rocks ’09 will live on forever; if for nothing else but its immortal “Tweezer.”

Stopping for one show at Shoreline, Phish headed up to the Gorge for their most impressive two shows of the summer. Inspired by the vast natural landscape, Phish engaged in frequent and successful open jamming over these nights, crafting some of the year’s most indelible moments. Taking things eastward, the band’s  improvisation seemed tone down and tail off. Usually kicking down one or two jams per show, this east coast shows didn’t hold the same wide-open feel as those out west, and people could tell. The high point of this east coast swing became the Phishy night at Hartford, strewn with bust-outs, whole-band improv, and an homage to “Icculus.” The spirit lived on!

Shows: 12

Standouts: 7.31 Red Rocks, 8.1 Red Rocks, 8.7 Gorge, 8.8 Gorge, 8.14 Hartford

Can’t Miss Jams: Red Rocks: “Ghost > Wolfmans,” 7.31 “Split Open and Melt” and all of Set II, 8.1 “Rock and Roll > Disease,” 8.5 “Disease,” 8.7 “Sneakin Sally,” “Light,” “Bathtub Gin > Hood,” 8.8 “Rock and Roll,” 8.11 “Number Line > Carini > Jibboo,” 8.13 “Drowned,” 8.14 “Disease > Wilson > Slave,” “Ghost > Psycho Killer,” 8.15 “46 Days,” 8.16 “Number Line”


Festival 8, Indio, CA 10.30 – 11.1

Festival 8 Pollock

Combining two of their most hallowed traditions, Phish threw a laid-back, hassle free, three-day Halloween festival. The diametric opposite of those magical cluster-fucks of lore, everyone had easy access to the Polo Grounds and the lavish resorts of Palm Springs. The stunning “Exile” set highlighted three blissful days of the sunshine, while Phish’s noontime acoustic set met with rave reviews. Indio brought so much joy to all, that rumors are already circulating about the band’s return to the west coast site this fall

Shows: 3

Can’t Miss Jams: 10.30 “Wolfman’s > Piper,” 10.31 The Exile Set, “Ghost,” “YEM,” “Suzie,”11.1 The Acoustic Set, “Tweezer > Maze,” “Mike’s > 2001 > Light > Slave”


Fall Tour: 11.18 – 12.5

MSG (G.Lucas)

Stepping inside for their first fall tour since 2000, and their first all-indoor arena tour since February 2003, the band took a little while to get things going. Playing incredibly high-energy shows that featured only one or two legitimate pieces of improv per night, some began to wonder if Phish was satisfied putting on well-polished arena rock shows. Then Albany happened. On November 28, the band’s rediscovered their exploratory spirit, dropping 50 minutes of straight improv, riding their magic carpet far above any any previous heights of 2009 with “Seven Below > Ghost.”

Taking this momentum through the end of the tour, more risk-taking continued in spurts through Maine, MSG and Charlottesville, highlighted by three interstellar quests stemming from “Light,” two of which are no-brainer tour highlights. “Piper” finished off a standout regular season with particularly strong outings in New York and Virginia. Over the second half of fall, Phish had gained a musical head of steam, and Miami looked to be a blowout.

Shows: 13

Standouts: 11.20 Cincinnati, 11.24 Philadelphia, 11.28 Albany, 12.3 MSG, 12.5 Charlottesville

Can’t Miss Jams: 11.18 “46 Days, “Disease > Free,” 11.20 “Tweezer > Light,” “YEM,” 11.21 “Split,” “Rock and Roll > Ghost,” 11.22 “Drowned,”11.24 “Disease,” 11.25 “Birds,” 11.27 “Piper > Tomorrow’s Song,” “11.28 “Seven Below > Ghost,” 11.29 “Undermind,” 12.2 “Light > Slave,” 12.3 “Disease > Piper,” 12.4 “Seven Below,” “YEM,” 12.5 “Tweezer > Light > Piper”


New Year’s Run, Miami, FL: 12-28 – 12.31

12.31.09 (W.Rogell)

What more can be said? Phish capped their comeback with their most impressive and spirited shows of the year. For detailed accounts, check out last week’s posts!

Shows: 4

Can’t Miss Jams: 12.28 “Stash,” “Hood,” 12.29 all of Set II, 12.30 “Get Back On the Train,” 12.31 “Rock and Roll > Piper,” “Ghost > NO2”


2009 Regular Season Awards

Type II Jam Vehicles – First Team: “Down With Disease,” “Piper,” “Rock and Roll,” “Tweezer,” “Ghost”

Type II Sixth Man of the Year: “Drowned”

Type I Jam Vehicles – First Team: “Wolfman’s,” “Harry Hood,” “Jibboo,” “Stash,” “Slave”

Type I Sixth Man of the Year: “Bathtub Gin”

All-Rookie Team: “Light,” “Number Line,” “Ocelot,” Stealing Time,” “Joy”

Rookie of the Year: “Light”

Comeback Player of the Year: “Fluffhead”

Most Improved Player of the Year: “Harry Hood”

Bust Out of the Year : “The Ballad of Curtis Loew” 5.31 (8.2.93 – 625 shows) (discounting “Mustang Sally” and “How High the Moon”)


Jam of the Day:

Tweezer > Fluffhead” 8.1.98 II

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One of the greatest “Tweezers” of the late ’90s.



11.23.96 Pacific Coliseum, Vancouver, BC < Torrent

11.23.96 Pacific Coliseum, Vancouver, BC < Megaupload

Pacific Coliseum - Vancouver

Pacific Coliseum - Vancouver

Let’s start rolling out the readers’ requests! This one hails from the Pacific Northwest on the home stretch of an all-important fall tour.

I: Chalk Dust Torture, Guelah Papyrus, Cars Trucks Buses, The Divided Sky, Punch You In the Eye, Midnight on the Highway*, Split Open and Melt, Rift, Funky Bitch

II.  The Curtain > Mike’s Song  > Simple > Makisupa Policeman** > Axilla > Weekapaug Groove > Catapult, Waste, Amazing Grace, Harry Hood

E: Good Times Bad Times

*debut, cover
**“Woke up this morning, border guard in my bunk, turned the fucking dog on the bus, and found my dank.”

Notes: This show included the first Phish performance of “Midnight on the Highway,” which was learned while the band was stopped at the American/Canadian border.

Source: Unknown

Tags: ,

844 Responses to “2009: The Year That Was”

  1. whole tour! Says:

    supercuts is a living legend as far as i’m concerned.
    his impeccable grooming and stand completely still while blocking the stream are second to none.
    he has inspired me….to go get a haircut. seriously…off i go!

    bbl w/ a classy cut.

    supercuts….the man, the myth, the hair.
    supercuts 4 lyfe!

  2. BTB Says:

    Ghost is going to pull a Kanye West when Light takes the stage to accept her award.

  3. Mdawg Says:

    JOTD! Alpine 98 was such a great show!

    Love the season awards miner, very clever.

    My all stars for the year…

    Tweezer (any version this year, especially Miami)
    Stealing Time, Ocelot, KDF
    Rock & Roll, Piper, DWD

  4. fat bastard Says:

    rookie of the year has to be ocelot

  5. sumodie Says:

    my fav bust out is still syracuse’s bbfcfm.

    so many different ways to look at bust outs. would rather have a series of bust out awards than pick just one.

    random bust out memory: fishman singing lengthwise in asheville.

  6. msbjivein Says:

    Ha HA HA!!! That was one of my Favorite Bust outs!

  7. msbjivein Says:

    I can’t argue w/ Curtis Though!! I’m glad I got to catch that one!

  8. fat bastard Says:

    mental attidue = Joy

  9. marcoesq Says:

    Let’s get real folks, the REAL bustout of the year was that Bitersweet Motel was only played once! (By trey’s daughter’s request taboot)

  10. EL Duderino Says:

    How can you call a bust out that was played in 2.0 and in 1998 – 2000 in the 1.0 era a bust out. It had been 16 years since the last Curtis Loew that’s a long fucking time people! Hell there were kids who were still in grade school and junior high playing with action figures when the last Curtis Loew was played. Come On !!!!

  11. Mitch Says:


    ^wonder if he will mention the gorge shows

  12. HarryHood Says:

    “Ghost is going to pull a Kanye West when Light takes the stage to accept her award”


  13. marcoesq Says:

    @el dude

    Were you talking to me? I was just joking…

  14. albert walker Says:

    you assume time played since is what makes a bust out a bust out
    el Dude

    given that most Phish fans are bigger Zappa fans than Skynard and Peaches has such a history in historic Phish setlists I would say Peaches was def a bigger bust out

    you are talking length since last played only when determining this shit

    not the only factor

  15. whole tour! Says:

    2009’s biggest bust out: PHISH PLAYING TOGETHER AGAIN!

  16. whole tour! Says:

    and i wasn’t kidding about getting my haircut…place opens in 6 minutes .
    this due’s 4 u supercuts !

  17. nonoyolker Says:

    ^ Word whole tour.

    Nice job miner, very clever. Pretty much dead on w/ everything, including Curtis bust out. I think Ghost belongs on the Type II Jam Vehicles list. Consistently a high point of any show it haunted in ’09.

  18. albert walker Says:

    personal feelings involved

    I go Corina
    always been one of my fav

    new it was coming in the Cypress reference and they nailed it

    if ya’ll have not heard the Miami Corina yet for some reason check it out
    some serious soul from Big Red on that one
    the Exile influence shining through

  19. gratefulcub Says:

    I think Mexican Cousin (the drunken has been) is going to take the mic from Light to tell us all the Ghost should be taking this award home.

    Caspian: “Cuz, umm, this is an award for rookies, Ghost is a vet. You made an ass of yourself at the wrong time.”

    “shut up Caspian. most people hate you anyway.”

    “Hate to tell you, but some people thought you were cute in the beginning, but no one even thinks about you anymore. Someone had to tell me who you were, at least they know my name.”

  20. Guyute711 Says:

    I agree with Albert Walker. I have been seeing Phish since 93 and have always wanted to see Peaches. Unfortunately I am yet to see it. I could care less if they play Curtis Lowe.

  21. Mitch Says:

    ““Light,” two of which are no-brainer tour highlights. ”

    ^we’re talking about Charlottesville being the other highlight other than MSG right? didnt have it on my iphone this morn and couldnt remember which was better since I’ve been pimping the msg and gorge ones. pretty sure it was that smokin tweezer>light!

  22. BingosBrother Says:

    Biggest Bustout = My zipper when I heard Phish was BACK!

  23. Type III Jamming Personality Disorder Says:

    bust outs are relative, of course. what one person is “chasing” another may have seen multiple times (I’ve got enough Telas, thank you).

    For me, Curtis Loew was a bigger bust out since I had never seen one prior to 5.31.9 whereas I have seen a few Peaches scattered throughout the years. I like the song Peaches more, but I was thrilled to get both Curtis and Destiny in the same show.

  24. gratefulcub Says:

    Biggest Bustout: I still go with Hampton Fluffhead.

    Actually, Fluffhead would collect Bustout, Comeback Player, and MVP for me. It is more symbolic than anything else, but symbolism can be important. Miner nailed it in his writeup: “Sending a message of musical dedication right away.” To me, that was the most important aspect of 09.

  25. BTB Says:

    Biggest Bustout = Naked guy in C-ville!!!!!!!

    Naked Ya Mar Dance*

    *1st time played. No Cod Loin

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