2009: The Year That Was

6.16.09 (B.Kisida)

Phish blazed quite the comeback trail in 2009. Beginning in early March and finishing on New Year’s Eve, the band played 50 shows as they marched their way back to prominence. As the months passed, Phish grew more and more comfortable with each other, enhancing their precision and improvisational chops along the way. Despite a few setbacks, 2009 represented a steep upwards curve for Phish 3.0, and will provide a solid musical foundation as they step into the future of Summer 2010. But before getting ahead of ourselves, let’s take a look back at the Phish’s comeback of 2009.

*****

Hampton: 3.6-3.8

3.8.09 - Hampton (Unknown)

The Reunion  – one of the most dreamlike Phish experiences anyone there has ever had. Out of five years of silence, the band stepped onstage with the magical notes of “Fluffhead.” Sending a message of musical dedication right away, the band started this era with the complex composition that eluded their post-hiatus years. In a marathon weekend of music, The Mothership overflowed with energy for over three hours every night. These shows carried the feel of a recital; a welcome back to the world of Phish as they ran through 84 songs in six sets. Culminating the three-nights with their first earnest jam of the new era, Hampton’s “Down With Disease” still holds up on tape when listening back to this magical weekend.

Shows: 3

Can’t Miss Jams: “Down With Disease”

*****

Summer Tour –  Leg I: 5.31 – 6.21

Jones Beach (W.Rogell)

Spanning 15 shows over three weeks, Phish hit the road for the first time in over five years. Moving from the northeast, through the mid-south, and up the Midwest, the band stayed out for three full weeks . Kicking off their touring season with Fenway Park’s stadium spectacle, things began to slide into full swing again. After some spotty performances at Jones Beach and Great Woods, the band finally clicked in Camden on June 7, for their first great show of the modern era, and, perhaps, the most outstanding night of tour. Taking this momentum on the road south, the band played solid stops in Asheville and Knoxville before stepping onto the biggest stage of the year at Bonnaroo. Over the course of two shows, Phish introduced the mainstream masses to their style, and with one of the strongest shows of the summer on June 14, Phish left no doubt who ruled the weekend in Manchester, TN.

After a much-hyped, but underwhelming show at St. Louis’ Fox Theatre, Phish finished up their first leg of summer by visiting their old haunts of Star Lake, Deer Creek, and Alpine Valley. The gem of these nights became the start-to finish, lightening-interrupted escapade in the cornfields of Indiana. Juxtaposed to the the all-too-common, linear rock jamming that characterized this tour, Deer Creek felt like a revelation with far more musical adventure. The final set at Alpine also provided a glimpse of some enhanced improvisation.

Shows: 15

Standouts: 6.7 Camden, 6.14 Bonnaroo, 6.19 Deer Creek, 6.21 Alpine Valley

Can’t Miss Jams: 6.2 “Hood,” 6.4 “Ghost,” 6.7 “Fee,” “Sand,” Tweezer,” 6.9 “Ghost,” 6.12 “Kill Devil Falls,” 6.14 “Rock and Roll > Light,” 6.19 “A Song I Heard the Ocean Sing > Drowned > Twist,” “Tweezer > 2001,” 6.21 “Crosseyed > Disease,” “Piper”

*****

Summer Tour –  Leg II: 7.30 – 8.16

Red Rocks (G.Lucas)

Phish showed up at Red Rocks as a completely different band than we left in Alpine Valley. Perhaps due to their surroundings, or perhaps due to a transformative five weeks off, Phish played far more confidently and relaxed, quickly trumping anything from June with their June 31 performance. Over these four nights, Phish reinvented themselves from early-summer, taking musical risks and daring excursions all over the place. As fun as any four nights in memory, Red Rocks ’09 will live on forever; if for nothing else but its immortal “Tweezer.”

Stopping for one show at Shoreline, Phish headed up to the Gorge for their most impressive two shows of the summer. Inspired by the vast natural landscape, Phish engaged in frequent and successful open jamming over these nights, crafting some of the year’s most indelible moments. Taking things eastward, the band’s  improvisation seemed tone down and tail off. Usually kicking down one or two jams per show, this east coast shows didn’t hold the same wide-open feel as those out west, and people could tell. The high point of this east coast swing became the Phishy night at Hartford, strewn with bust-outs, whole-band improv, and an homage to “Icculus.” The spirit lived on!

Shows: 12

Standouts: 7.31 Red Rocks, 8.1 Red Rocks, 8.7 Gorge, 8.8 Gorge, 8.14 Hartford

Can’t Miss Jams: Red Rocks: “Ghost > Wolfmans,” 7.31 “Split Open and Melt” and all of Set II, 8.1 “Rock and Roll > Disease,” 8.5 “Disease,” 8.7 “Sneakin Sally,” “Light,” “Bathtub Gin > Hood,” 8.8 “Rock and Roll,” 8.11 “Number Line > Carini > Jibboo,” 8.13 “Drowned,” 8.14 “Disease > Wilson > Slave,” “Ghost > Psycho Killer,” 8.15 “46 Days,” 8.16 “Number Line”

*****

Festival 8, Indio, CA 10.30 – 11.1

Festival 8 Pollock

Combining two of their most hallowed traditions, Phish threw a laid-back, hassle free, three-day Halloween festival. The diametric opposite of those magical cluster-fucks of lore, everyone had easy access to the Polo Grounds and the lavish resorts of Palm Springs. The stunning “Exile” set highlighted three blissful days of the sunshine, while Phish’s noontime acoustic set met with rave reviews. Indio brought so much joy to all, that rumors are already circulating about the band’s return to the west coast site this fall

Shows: 3

Can’t Miss Jams: 10.30 “Wolfman’s > Piper,” 10.31 The Exile Set, “Ghost,” “YEM,” “Suzie,”11.1 The Acoustic Set, “Tweezer > Maze,” “Mike’s > 2001 > Light > Slave”

*****

Fall Tour: 11.18 – 12.5

MSG (G.Lucas)

Stepping inside for their first fall tour since 2000, and their first all-indoor arena tour since February 2003, the band took a little while to get things going. Playing incredibly high-energy shows that featured only one or two legitimate pieces of improv per night, some began to wonder if Phish was satisfied putting on well-polished arena rock shows. Then Albany happened. On November 28, the band’s rediscovered their exploratory spirit, dropping 50 minutes of straight improv, riding their magic carpet far above any any previous heights of 2009 with “Seven Below > Ghost.”

Taking this momentum through the end of the tour, more risk-taking continued in spurts through Maine, MSG and Charlottesville, highlighted by three interstellar quests stemming from “Light,” two of which are no-brainer tour highlights. “Piper” finished off a standout regular season with particularly strong outings in New York and Virginia. Over the second half of fall, Phish had gained a musical head of steam, and Miami looked to be a blowout.

Shows: 13

Standouts: 11.20 Cincinnati, 11.24 Philadelphia, 11.28 Albany, 12.3 MSG, 12.5 Charlottesville

Can’t Miss Jams: 11.18 “46 Days, “Disease > Free,” 11.20 “Tweezer > Light,” “YEM,” 11.21 “Split,” “Rock and Roll > Ghost,” 11.22 “Drowned,”11.24 “Disease,” 11.25 “Birds,” 11.27 “Piper > Tomorrow’s Song,” “11.28 “Seven Below > Ghost,” 11.29 “Undermind,” 12.2 “Light > Slave,” 12.3 “Disease > Piper,” 12.4 “Seven Below,” “YEM,” 12.5 “Tweezer > Light > Piper”

*****

New Year’s Run, Miami, FL: 12-28 – 12.31

12.31.09 (W.Rogell)

What more can be said? Phish capped their comeback with their most impressive and spirited shows of the year. For detailed accounts, check out last week’s posts!

Shows: 4

Can’t Miss Jams: 12.28 “Stash,” “Hood,” 12.29 all of Set II, 12.30 “Get Back On the Train,” 12.31 “Rock and Roll > Piper,” “Ghost > NO2”

*****

2009 Regular Season Awards

Type II Jam Vehicles – First Team: “Down With Disease,” “Piper,” “Rock and Roll,” “Tweezer,” “Ghost”

Type II Sixth Man of the Year: “Drowned”

Type I Jam Vehicles – First Team: “Wolfman’s,” “Harry Hood,” “Jibboo,” “Stash,” “Slave”

Type I Sixth Man of the Year: “Bathtub Gin”

All-Rookie Team: “Light,” “Number Line,” “Ocelot,” Stealing Time,” “Joy”

Rookie of the Year: “Light”

Comeback Player of the Year: “Fluffhead”

Most Improved Player of the Year: “Harry Hood”

Bust Out of the Year : “The Ballad of Curtis Loew” 5.31 (8.2.93 – 625 shows) (discounting “Mustang Sally” and “How High the Moon”)

=====

Jam of the Day:

Tweezer > Fluffhead” 8.1.98 II

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One of the greatest “Tweezers” of the late ’90s.

=====

DOWNLOAD OF THE DAY:

11.23.96 Pacific Coliseum, Vancouver, BC < Torrent

11.23.96 Pacific Coliseum, Vancouver, BC < Megaupload

Pacific Coliseum - Vancouver

Pacific Coliseum - Vancouver

Let’s start rolling out the readers’ requests! This one hails from the Pacific Northwest on the home stretch of an all-important fall tour.

I: Chalk Dust Torture, Guelah Papyrus, Cars Trucks Buses, The Divided Sky, Punch You In the Eye, Midnight on the Highway*, Split Open and Melt, Rift, Funky Bitch

II.  The Curtain > Mike’s Song  > Simple > Makisupa Policeman** > Axilla > Weekapaug Groove > Catapult, Waste, Amazing Grace, Harry Hood

E: Good Times Bad Times

*debut, cover
**“Woke up this morning, border guard in my bunk, turned the fucking dog on the bus, and found my dank.”

Notes: This show included the first Phish performance of “Midnight on the Highway,” which was learned while the band was stopped at the American/Canadian border.

Source: Unknown

Tags: ,

844 Responses to “2009: The Year That Was”

  1. BTB Says:

    Best naked YaMerkin was definitely C-ville…

  2. chefbradford Says:

    Kyle’s wearing a Che shirt

  3. halcyon Says:

    I am with you on that one Robear….For me it is the same with “jams”. Type 1 vs 2 vs 3. Some people prefer the style of 2003, others 1993. Long open jams, sure! Tight focused jams, sure! I like a mix of it all. The one thing for me that trumps all is intent. If their intent is there, and my intent is there, then all will be right in the universe. Of course YMMV.

  4. BTB Says:

    ever seen the Tre shirt? Redic

  5. chefbradford Says:

    yeah, pretty funny

  6. Robear Says:

    Wow. Send a prayer to our brothers and sisters in Haiti. The earth is restless. If you’ve never looked into it, Haiti is one of the poorest, and most impoverished places in the western hemisphere. Let’s send them some love.

  7. halcyon Says:

    Wow Robear…I was just reading an article as you posted that

    anyone wishing to contribute to Haiti relief efforts check here
    http://www.sfgate.com/cgi-bin/blogs/abraham/detail??blogid=95&entry_id=55157

  8. Mr. Completely Says:

    Haiti has the worst luck of anywhere in the western hemisphere

    that poor little place has been screwed on every level – earthquakes, hurricanes, unimaginable poverty, deforestation and environmental devastation, the drug war, plus all the worst fallout of post-imperialist history can be found there…

    never seems to be much good news out of haiti, just an ongoing tragedy…sad that this world has places like that

  9. chefbradford Says:

    Robear- reading up on that quake now. Sounds…catastrophic is the only word that comes to mind

  10. chefbradford Says:

    Apparently many countries are preparing to provide assistance if necessary. So…it seems pretty fucking necessary, what’s the hold-up?

  11. Robear Says:

    C, Jared Diamond covers Haiti’s plight in his books. You summed it up.

  12. Type III Jamming Personality Disorder Says:

    wow. great stuff tonight!

    I spent about a year or so between college and grad school working at a record store which completley opened up worlds of music to me that I might never have found. I don’t want to throw too many names out there but a couple of them included Stereo Lab, The Verve, MBV, and The Orb. I was able to get my hands on all of these b-sides and EPs only released in Europe and such which made it more interesting.

    The Orb, in particular really opened my eyes (ears?) to the potential of electronic music. They had these wonderful soundscapes with these infective pulsing beats. Little Fluffy Clouds, Blue Room, Toxygene, and so many others. They were one of the next steps in the evolution from Eno, Kraftwerk, etc.

    I guess they aren’t much of a guilty pleasure. That would probably be The Verve (pre Urban Hymns) or Stereo Lab (some of their tracks are amazing though).

  13. Type III Jamming Personality Disorder Says:

    yikes. my post isn’t eactly topical right now. best wishes to those in haiti…

  14. neemor Says:

    Selector J:
    You mentioned if there was a Gordeaux Hockey Jersey, you’d wear it to church.
    We can make that happen.

  15. Type III Jamming Personality Disorder Says:

    @Leo

    Here is a link to the Foam set from Athens, GA. The SBD is also available from livephish if you want to go that route.

    http://www.archive.org/details/duo2005-04-27.flac

  16. flarrdogg Says:

    Haiti- What a bummer. Miner- FYI Champaign ’97 in the archive is missing Wolfmans>Makisupa.

  17. flarrdogg Says:

    BTB- Nice Stevie Wonder Antelope. Hilarious. Cleveland represent- I grew up in Hudson- went to high school at Western Reserve Academy.

  18. neemor Says:

    “Rod Rocks is my new porno name”

    This has made me laugh twice today. Well done.

  19. neemor Says:

    Speaking of Cleveland:
    Anyone catch the ‘I’m Balls Deep (in Love’) song?
    Classic.

  20. flarrdogg Says:

    neem- word. Rod Rocks was my Freudian slip. What does it mean?

  21. neemor Says:

    Beep:
    “Has a distinct Neemor feel to it, but not quite sure.

    While not lyrically, I connected with Billy Breathes (whole album, esp the song) on quite an emotional level.”

    That’s hysterical.

  22. Mitch Says:

    did a search after reading willowed’s description. my google autofill populated the whole thing after i typed “jambase offi” and he was right!! LOTS OF STUFF

    http://www.jambase.com/Forums/Thread.aspx?group=0&topic=1&thread=14163

  23. neemor Says:

    “and yes if you don’t get the Cinci Split
    go spin 10 more times”

    Or…it may just not be that good to your ears…

  24. Lycanthropist Says:

    whos up?

  25. chefbradford Says:

    I’m up, but not really here

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