Hampton ’09: A Retrospective

3.8.09 - Hampton (Unknown)

As 2010 has quietly crept into March, this coming weekend represents the one year anniversary of Phish’s Hampton reunion. The dates of March 6, 7, and 8, 2009, will live forever in Phish history as the time things came back together again, for the second time. Reunited for the first time in five years in their adopted home of Hampton Coliseum, one of the live music’s most intimate arenas, everything we once loved sprang to life again. Unlike the lackluster comeback run over 2002-2003, these shows translated far better, and were much more focused and precise. Both the band and the crowd had the venue bursting at the seams with palpable energy. Hampton’s three-night showcase served as the perfect lauchpad for 2009. And when the opening notes of “Fluffhead” creaked out of the rafters of The Mothership, we were on our way home again.

Over the three-part dream, Phish played for nearly ten hours, running through no less than 84 songs of their notoriously vast catalog. From the very beginning of 2009, beginning with “Fluffhead,” and “Divided Sky,” one sensed things would be different this time around. Focused far more on composition and precision than jamming, the band got back to basics at Hampton, a trend that characterized the entire year for Phish. Without getting too crazy or improvisational, Hampton set up the rest of 2009, just as 2009 set up 2010; both periods representing building blocks towards high-level musical proficiency without too many risks. In essence, one can see the Hampton reunion as microcosm of 2009, a lot of structured playing leading to more adventure by the end.

Hampton (J.Volckhausen)

But more than any other shows in 2009, Hampton carried the vibe of a Phish recital. After a five year absence, every time the band played another song, whether “Guelah Papyrus” or “Tweezer,” it felt like we were being reacquainted to an old friend. This feeling resonated with everybody in the building, creating one of the purest vibes of any Phish show in memory. Everyone there knew exactly why they had made the trip, and everywhere you looked there was another friend, many you hadn’t seen in half a decade. In the end, Hampton felt like one big family reunion.

Hampton literally brought back that indescribable feeling I’d forgotten. Sure, I had memories to last a lifetime, but memories, however strong don’t recreate that special feeling inside of you. And when Phish dropped the opening licks of “Tweezer” in the second set of their comeback show, that feeling flooded my soul like Victoria Falls. My heart felt like it would pound right out my chest – it was all happening again – five years later, we were living and breathing “Tweezer” again! That tangible cocktail of adrenaline with a splash of bliss rushed up from the toes, through the heart, and spiked right into the brain. It was heaven on earth; we were finally at a Phish show again.

Hampton (M. Yates)

And throughout the weekend, the shows couldn’t have provided more fun and exaltation, regardless of the tame musical quality in retrospect. Phish played, and nothing else mattered. Clearly rehearsed and polished, the band played with a certain urgency and energy that was often lacking in the post-hiatus years, providing a feeling of musical purity many fans hadn’t felt in a long time. It didn’t matter that the music wasn’t adventurous, that’s not what Hampton was about. Hampton ’09 celebrated all that Phish once was, an unheralded legacy in modern rock and roll. A massive “Welcome Back” for the band and fans alike, and just hearing live Phish at all provided all the magic anyone needed. But by the third night, the band grew more comfortable and threw down quite an impressive show, including the one truly memorable jam of the weekend, “Down With Disease.”

And within one year, look how far we’ve come. As we enter 2010 on the heels of a spectacular New Years’ Run, the band, themselves have begun talking about reinventing Phish. In an interview with The Dartmouth Independent, on the brink of his solo tour, Mike prognosticated on Phish’s future:

Eventually, I think the idea is not just to keep playing old songs but really for Phish to reinvent ourselves just like we’re trying to reinvent the other aspects of our careers and find the uncharted territory. There’s been talk about trying to find ways to record differently than we have before and write differently, so that’s what excites me – the different possibilities.

With statements like these, it seems like Mike and the boys may be ready to enter that elusive “next phase” of their career we’ve been hypothesizing about. Phish have reinvented their sound multiple times throughout their career, continually changing their focus and direction, always shifting their way into uncharted territory. This quotation from Gordon all but confirms the theory that 2009 was but a building block for all that is to come. What excites Mike, and likely the rest of the band, is the same things that excite us – “the different possibilities.”

Hampton (Unknown)

A year ago, the heavens opened and brought back our dreamland; Gamehendge made a leap from our collective consciousness back into reality, all within one magical weekend. The music is all relative at this point, because what I remember more than anything is the energy, the feelings, and the emotions. I remember the faces, the friends, and the elation. Once I think about the shows, I recall what went down, but that weekend was far bigger than the music. Hampton brought a community back together; a community that had been dispersed for five years; a community united by the power of Phish. When I think of the music, I remember its tight and precise quality more than specifics themselves, as any musical achievements that took place in Hampton would soon be eclipsed in June. But everyone was surprised at how together they sounded, despite their well-publicized rehearsals, especially juxtaposed with our last memories from Coventry. The weekend became nothing short of enchanted, with nary a negative atom in the air. And after the third night, while walking back to the hotel, I glanced over my shoulder to the glowing panels of the retro space-aged coliseum, thinking, “So this is where it all begins again.” And so it did.


Jam of the Day:

Down With Disease > Seven Below ” 3.8.09 II

The jam of Hampton’s reunion weekend.



Hampton (Photo: Jeff Kravitz / insidecelebpics)



2.4.93 Providence Performing Arts Center, Providence, RI < Megaupload

Colorado '93 Poster

The second show of ’93 goes out via reader request to Jack G. Check it out. Included is the debut of “Sample In a Jar.” My desktop has gone from infected to fuct, so not torrents today. (Keep your torrents seeding as much as possible for the next couple days, as my computer won’t be seeding anything for a second.)

I. Axilla, Foam, Bouncing Around the Room, Maze, Fast Enough for You, All Things Reconsidered, Stash, The Lizards, Sample in a Jar*, Glide, Run Like an Antelope

II: Chalk Dust Torture, The Wedge, Mike’s Song > The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into YesterdayWeekapaug Groove, Lawn Boy, Uncle Pen, Big Ball Jam, Hold Your Head Up > Lengthwise > Hold Your Head Up, Harry Hood, Cavern >

E: Amazing Grace**, Good Times Bad Times


** w/o microphones

Source: AKG 451

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950 Responses to “Hampton ’09: A Retrospective”

  1. albert walker Says:

    I love aceyalone

    Cat is sick

  2. Mr. Completely Says:

    It’s like MJ playing baseball. wtf, dude? You’ve got the gift, man! Use it.




    Selector J FTW!

  3. Willowed Says:

    I will see your De La Soul and raise you my Digable Planets.
    Best soul funk rap group ever. Tell me you didn’t want to be in the video?
    There was 6 of them. How do you like them apples!
    I am not realy sure if there were 6, but Ilike even numbers.

  4. Mr. Completely Says:

    when it comes to that De La/Digable era I’m just more of a Public Enemy, Gang Starr, KRS-One kind of guy

    speaking of Gang Starr – good thoughts and vibes of peace and healing out to brother Guru today, whose words I have learned from in the past

  5. Willowed Says:

    Black Sheep and Leaders of the New School were pretty cool too!

  6. Willowed Says:

    Once you step in the arena…… blah blah blah. I loves that shit!

  7. Mr.Miner Says:

    De la whoops digable.

    PE and Ice Cube are the shit though

  8. Mr. Completely Says:

    and the Jungle Brothers…

  9. albert walker Says:

    I’m out kids

    That haiku Will be on my mediafire in a few

    Wait til ya hear them flow over 2001

  10. Mr. Completely Says:

    I do not now own any Jungle Brothers.

    That seems odd.

  11. Willowed Says:

    Today was a good day is one of the best rap songs ever!
    De la are a bunch of pussies. I mean that with the utmost respect.

    Utmost – That’s a silly word. Am I spelling it correctly?

  12. albert walker Says:

    X clan

    That was the real shit besides the jungle brothers

  13. Mr. Completely Says:

    FWIW actually I think a lot of my undeserved animosity towards De La comes from the fact that 3 Feet High got all the press while the Jungle Brothers’ (IMO) vastly superior “Done By the Forces of Nature” barely charted around the same time

  14. albert walker Says:

    Love the production on de la flow not much

  15. Willowed Says:

    It’s Saturday, Saturday, it’s Saturday it’s staurdayeeeyyyaahhhh
    Let’s go roller skating kids.
    I actually dig that jam!
    On the IPod

  16. Mr. Completely Says:

    X-Clan, now you’re going way deep, I have not heard that name in 15 years and maybe 20 since I heard one of their jams

  17. Mr. Completely Says:

    “flow not much” <– exactly

    just kind of a wack MC to me

    cool sounding beats though yeah

  18. Mr. Completely Says:

    I am going to buy Done By The Forces Of Nature on disk very soon.

    Can’t believe I don’t have it.

  19. Willowed Says:

    There would be no Dela or Digable, Tribe, or Black sheep if it wasn’t for………wait, wait,………..its coming:

    Thelonious Monk

    That man was too cool for school

  20. Willowed Says:

    poor use of commas and periods.
    Too much wine boys, I apologize!

  21. Type III Jamming Personality Disorder Says:

    de la to me has always been more about the beats than the rhymes. never struck me as great mcs per se but good at getting a room of people bouncin’

  22. Willowed Says:

    People bouncin….Isn’t that what its all about? Yup!

  23. Mr. Completely Says:

    I’m not sure I see the connection but I am always down for a Monk shoutout.

    at one point when I was on the outside of the legal economy I considered (not really) briefly joining a monastery so I could be known as “the felonious monk”

  24. Mr. Palmer Says:

    Tribe Called Quest- anyone? I think i used to like them..gosh its been a long time since i listen to hip-hop.

  25. Type III Jamming Personality Disorder Says:

    i always thought Felonious Funk would have made a good name for a Parliament or other funk band’s album

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