Hampton ’09: A Retrospective

3.8.09 - Hampton (Unknown)

As 2010 has quietly crept into March, this coming weekend represents the one year anniversary of Phish’s Hampton reunion. The dates of March 6, 7, and 8, 2009, will live forever in Phish history as the time things came back together again, for the second time. Reunited for the first time in five years in their adopted home of Hampton Coliseum, one of the live music’s most intimate arenas, everything we once loved sprang to life again. Unlike the lackluster comeback run over 2002-2003, these shows translated far better, and were much more focused and precise. Both the band and the crowd had the venue bursting at the seams with palpable energy. Hampton’s three-night showcase served as the perfect lauchpad for 2009. And when the opening notes of “Fluffhead” creaked out of the rafters of The Mothership, we were on our way home again.

Over the three-part dream, Phish played for nearly ten hours, running through no less than 84 songs of their notoriously vast catalog. From the very beginning of 2009, beginning with “Fluffhead,” and “Divided Sky,” one sensed things would be different this time around. Focused far more on composition and precision than jamming, the band got back to basics at Hampton, a trend that characterized the entire year for Phish. Without getting too crazy or improvisational, Hampton set up the rest of 2009, just as 2009 set up 2010; both periods representing building blocks towards high-level musical proficiency without too many risks. In essence, one can see the Hampton reunion as microcosm of 2009, a lot of structured playing leading to more adventure by the end.

Hampton (J.Volckhausen)

But more than any other shows in 2009, Hampton carried the vibe of a Phish recital. After a five year absence, every time the band played another song, whether “Guelah Papyrus” or “Tweezer,” it felt like we were being reacquainted to an old friend. This feeling resonated with everybody in the building, creating one of the purest vibes of any Phish show in memory. Everyone there knew exactly why they had made the trip, and everywhere you looked there was another friend, many you hadn’t seen in half a decade. In the end, Hampton felt like one big family reunion.

Hampton literally brought back that indescribable feeling I’d forgotten. Sure, I had memories to last a lifetime, but memories, however strong don’t recreate that special feeling inside of you. And when Phish dropped the opening licks of “Tweezer” in the second set of their comeback show, that feeling flooded my soul like Victoria Falls. My heart felt like it would pound right out my chest – it was all happening again – five years later, we were living and breathing “Tweezer” again! That tangible cocktail of adrenaline with a splash of bliss rushed up from the toes, through the heart, and spiked right into the brain. It was heaven on earth; we were finally at a Phish show again.

Hampton (M. Yates)

And throughout the weekend, the shows couldn’t have provided more fun and exaltation, regardless of the tame musical quality in retrospect. Phish played, and nothing else mattered. Clearly rehearsed and polished, the band played with a certain urgency and energy that was often lacking in the post-hiatus years, providing a feeling of musical purity many fans hadn’t felt in a long time. It didn’t matter that the music wasn’t adventurous, that’s not what Hampton was about. Hampton ’09 celebrated all that Phish once was, an unheralded legacy in modern rock and roll. A massive “Welcome Back” for the band and fans alike, and just hearing live Phish at all provided all the magic anyone needed. But by the third night, the band grew more comfortable and threw down quite an impressive show, including the one truly memorable jam of the weekend, “Down With Disease.”

And within one year, look how far we’ve come. As we enter 2010 on the heels of a spectacular New Years’ Run, the band, themselves have begun talking about reinventing Phish. In an interview with The Dartmouth Independent, on the brink of his solo tour, Mike prognosticated on Phish’s future:

Eventually, I think the idea is not just to keep playing old songs but really for Phish to reinvent ourselves just like we’re trying to reinvent the other aspects of our careers and find the uncharted territory. There’s been talk about trying to find ways to record differently than we have before and write differently, so that’s what excites me – the different possibilities.

With statements like these, it seems like Mike and the boys may be ready to enter that elusive “next phase” of their career we’ve been hypothesizing about. Phish have reinvented their sound multiple times throughout their career, continually changing their focus and direction, always shifting their way into uncharted territory. This quotation from Gordon all but confirms the theory that 2009 was but a building block for all that is to come. What excites Mike, and likely the rest of the band, is the same things that excite us – “the different possibilities.”

Hampton (Unknown)

A year ago, the heavens opened and brought back our dreamland; Gamehendge made a leap from our collective consciousness back into reality, all within one magical weekend. The music is all relative at this point, because what I remember more than anything is the energy, the feelings, and the emotions. I remember the faces, the friends, and the elation. Once I think about the shows, I recall what went down, but that weekend was far bigger than the music. Hampton brought a community back together; a community that had been dispersed for five years; a community united by the power of Phish. When I think of the music, I remember its tight and precise quality more than specifics themselves, as any musical achievements that took place in Hampton would soon be eclipsed in June. But everyone was surprised at how together they sounded, despite their well-publicized rehearsals, especially juxtaposed with our last memories from Coventry. The weekend became nothing short of enchanted, with nary a negative atom in the air. And after the third night, while walking back to the hotel, I glanced over my shoulder to the glowing panels of the retro space-aged coliseum, thinking, “So this is where it all begins again.” And so it did.

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Jam of the Day:

Down With Disease > Seven Below ” 3.8.09 II

The jam of Hampton’s reunion weekend.

[audio:http://phishthoughts.com/wp-content/uploads/2010/03/2.02-Down-With-Disease.mp3,http://phishthoughts.com/wp-content/uploads/2010/03/2.03-Seven-Below.mp3]

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Hampton (Photo: Jeff Kravitz / insidecelebpics)

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DOWNLOAD OF THE DAY:

2.4.93 Providence Performing Arts Center, Providence, RI < Megaupload

Colorado '93 Poster

The second show of ’93 goes out via reader request to Jack G. Check it out. Included is the debut of “Sample In a Jar.” My desktop has gone from infected to fuct, so not torrents today. (Keep your torrents seeding as much as possible for the next couple days, as my computer won’t be seeding anything for a second.)

I. Axilla, Foam, Bouncing Around the Room, Maze, Fast Enough for You, All Things Reconsidered, Stash, The Lizards, Sample in a Jar*, Glide, Run Like an Antelope

II: Chalk Dust Torture, The Wedge, Mike’s Song > The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into YesterdayWeekapaug Groove, Lawn Boy, Uncle Pen, Big Ball Jam, Hold Your Head Up > Lengthwise > Hold Your Head Up, Harry Hood, Cavern >

E: Amazing Grace**, Good Times Bad Times

*Debut

** w/o microphones

Source: AKG 451

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950 Responses to “Hampton ’09: A Retrospective”

  1. guyforget Says:

    Living Colour was one of my favorite adolescent bands, wicked guitar. Dire Straights, Huey Lewis, and Living Colour. Two outta three aint bad. Didn’t realize til years later that “Dire Straights” wasn’t Mark Knopflers real name!!

  2. lastwaltzer Says:

    its hard not to burn out on the beatles if your an avid music listenr its not like there aren’t to many(any?) other artists whose entire catalog is so prevalent in our culture.

  3. guyforget Says:

    seeding that shit now..

  4. lastwaltzer Says:

    me speak bad english impossible.

  5. Gratefulcub Says:

    I’m getting nostalgic for my childhood. Snowed in, second hand smoke stoned, dancin with pops to some stones, beatles, skynard, reo speedwagon, foghat, deep purple, Zeppelin, whatever. (his tastes weren’t perfect)

  6. flarrdogg Says:

    cub- We may be brothers because that sounds EXACTLY like my childhood. Not so much on the REO Speedwagon. 8) Lots of Peter Paul & Mary, Simon and Garfunkel, Big Brother too.

  7. Mr. Palmer Says:

    If the Stones would have retired 20 years ago i think i’d like them a lot more. Honestly, i can’t look at Mick Jagger anymore.
    The Beatles are the Beatles. Great question, with no correct answer.

  8. albert walker Says:

    lw

    I agree the early Floyd albums are pretty hip
    I just feel Syd was Floyd so when he was gone it just loses it for me.
    the mid 70’s stuff is the definition of what I don’t like in over produced self indulgent rock

    those late 60’s early 70’s Stones records are rock n roll perfection
    dark, dirty, roots influenced, hide your daughters masterpieces
    cats been trying to replicate the tone and vibes of those records ever since
    I love the dirty production on those albums
    it had feeling
    hate shit that gets too polished

  9. albert walker Says:

    haiku de’tat is up now

  10. Gratefulcub Says:

    C’mon flarr! You can tune a piano, but you can’t tune a fish!

    I just wanted to say that. I can still see that album cover laying around the house.

    I hope the peppadew tells stories about us dancing to ghost when she was 7, and I hope it’s a happy memory.

  11. albert walker Says:

    now Loaded

    that record is just about perfect

  12. lastwaltzer Says:

    @I feel you about Barrett “Piper At The Gates” is probably the record I listen to the most of theirs. I enjoy their other records up until “dark side”, while I appreciate the later stuff I feel you on the production. Its amazing how many people don’t listen to “piper”

  13. lastwaltzer Says:

    @aw saw you said you like the VU do you listen to lou reeds solo stuff?

  14. albert walker Says:

    I would rather be beaten than listen to the Wall all the way through

  15. albert walker Says:

    Lou Reed Rock n Roll Animal is one of my all time favs

    amazing musicians just shredding through his solo and VU material
    the jam on Sweet Jane is very Phishy sounding in a weird way

    I love all his solo shit
    genius

  16. neemor Says:

    Good evening blackboard…

    Women are crazy.
    I have an extra ticket (maybe two) to Gordon at Toad’s Place.
    Do not buy them
    I repeat, do not buy tickets….
    $20 to me, In hand.
    That is all.

  17. flarrdogg Says:

    I love this place. I’m outty fellas.

  18. neemor Says:

    Aydub and I are going to have a Wall listening party this Saturday.

    Be there.

  19. albert walker Says:

    sure bro

    we can link it up with Wizard of Oz

    shit will be epic

  20. neemor Says:

    How else would we do it?

    llfa

  21. Gratefulcub Says:

    Loaded and rnr animal are r n r genius.

  22. cal Says:

    Stones made at least six of the greatest rock and roll albums of all time…

    But I’m a Beatles guy all the way.

    REVOLVER whomps everything else, period. I get the SGT. PEPPER disillusionment. Impossible for us to put ourselves into 1967. It holds up more as a historical relic than an album (even though I still love it).

    I’ve yet to hear a Stones bootleg that doesn’t sound like a bunch of drunks struggling through their greatest hits. And ultimately, they made way more bad albums than good ones.

  23. halcyon Says:

    Re: The Beatles and Stones, both. Both bands are so instrumental in modern rock, I love them both. Dont’ listen to The Beatles too much these days, but when I do it is usually Revolver, Rubber Soul, Sgt Pepper. 70’s Stones to me is some of the greatest, grittiest music made.

    Re: Pink Floyd, some of their music I listen to regularly especially Meddle, one of my all time favorite albums. Other albums I will revisit when feeling nostalgic. David Gilmour is a great guitarist, love is slow burning style of playing.

  24. garretc Says:

    Wow, you guys got a second wind or something there! Won’t be able to catch up at the moment, but @voopa, pulling the gorge torrent right now, thanks a bunch!

  25. Gratefulcub Says:

    Finally on the mf’ing plane. 10.31.98 wolfmans cued up. As soon as she tells me to turn it off, it’s on. The more bumps the better.

    Fear is a good thing, it teaches us humility, and it keeps us sane. Scare me Trey.

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