The Virtuosity of Summer ’93

Pollock Summer '93

In interviews these days, Phish consistently discusses the importance of striking a balance in their lives during this era of their career. Combining Phish, families, side-projects, and some down time, the band members, thankfully, seem to be prioritizing personal sustainability in round three. But this is not the way it always worked. For the first decade plus of their career, Trey, Fish, Mike and Page dedicated their entire beings to the entity of Phish. Virtually every waking hour was spent pushing, practicing, and refining their skills. Phish, unquestionably, represented the most important facet of their lives. Notoriously intense practices and improvisational exercises drove the band’s single-minded musical communication, as they lived, ate, and breathed Phish 24 hours a day. And when listening to their sublime musical output during their first massive peak of Summer ’93, one can hear the hours of intense dedication; one can hear the complete and total focus on the mastery of their music; one can actually hear their burning desire for excellence.

Laguna Seca Daze - 5/93

The summer of 1993 represented a crucial phase in Phish’s development. After touring the summer circuit in 1992 as an opening act for Santana, in ’93 the band began headlining larger amphitheatres, themselves. At the same time, Phish sought to distance themselves from the first wave of “jambands” with whom they co-billed a couple of July’s H.O.R.D.E. tour stops. At this time, the music industry grouped, and often dismissed, Phish with other neo-hippie acts such as Blues Traveler, Aquarium Rescue Unit, The Spin Doctors, and Widespread Panic. But combining a youthful exuberance with a dedication and passion rarely seen in modern music, Phish forged ahead, breaking down boundaries of live music. Ensuring that every night provided a wholly different experience for their fans, the band held themselves to rigorous standards, playing with a life-or-death urgency every time they hit the stage. All the while, Phish shows grew more adventurous then ever before; the music began to take on a life of its own.

Durham, NH - 5.8.93

The intense drive that Phish possessed in this era never wavered, in large part, due to their lack of distractions. Not yet rock stars on any level, the totality with which the band dedicated themselves to their craft crossed the line of obsession, and simply became part and parcel of who they were as people. Yet to marry or to start families, Phish – the band – was, without a doubt, the singular, most important entity in any of their lives – and it showed. Over the previous four years, they played 532 gigs – an average of 133 per year – and going into Summer ’93, Phish carried the momentum of a torrid four-month winter/spring tour that had ended only a month before. Add that run to the scorching year of 1992 in which they played 121 shows, and the band had a full head of steam. While their early years fostered the band’s burgeoning virtuosity, Phish sat on the brink of Summer ’93, primed and ready for their first massive musical peak of their career.

The band displayed drill-bit focus and overwhelming creativity throughout the summer, resulting in nothing less than superlative, transcendent improvisation all season long. With their roots firmly planted in both the jazz and rock traditions, Phish crafted sublime, original music nightly, launching into vastly different universes with nearly every jam. One simply didn’t know where the music would travel each time out of the gate; their improv had zero predictability. Similar songs got different treatments on different nights, as the band explored completely divergent musical territory. The meticulous musical conversations that characterized this tour were indicative of the telekinetic connection, and unity of purpose, the band members felt at this stage of their lives. Jumping into the void multiple times per night and playing with calculated vigor, Phish locked into each others’ ideas and responded to them subconsciously, playing with a style of wizardry that would dissipate in their later years of groove to the chagrin of many fans.

Laguna Seca - 5/93

Laguna Seca Daze - 5/93

During this summer, Phish sounded like they were playing for their lives every time they hit the stage, and essentially, that is exactly what they were doing. On the verge of breaking from of the pack of H.O.R.D.E-style bands, Phish dedicated the entirety of their lives to making Phish the craziest live experience and most enticing music in the scene. The scintillating surreal adventures that characterized their entire tour, solidified Phish as the preeminent force in improvisational rock. With fewer jam vehicles in their catalog than later days, each time out, songs grew more unique, moving away from previous incarnations and into uncharted domains. Open, or type II, jamming became the norm rather than the exception, as Phish explored all corners of the musical cosmos with white-hot intensity.

Also of significance,The Grateful Dead kept on truckin’ during 1993, leaving the Phish community protected from the masses with a youthful  innocence that would be lost come Fall ’95. Summer ’93 still held a certain intimacy, like everyone shared a secret from the rest of the world, and secret power of Phish. Possessing shining skill sets and incredible enthusiasm, while constricted by few other cares in their lives, the band, themselves, raged Phish harder than ever before. The band never came out flat or careless. Each time they performed, the show immediately transformed into the most important event in the world, and this relentlessness pushed and pulled their musical exploits into fantastically ludicrous, mind-expanding planes. The psychedelic unknown became the defining quality of their improvisation; one took the leap of faith with Phish each time a jam dropped, trusting that whatever mania ensued, the band would, eventually, lead the way home. Giving oneself to this experience held a different meaning when there was no predictability where the music would go.

While Phish played outstanding shows throughout July, in August 1993, Phish achieved one of their all-time peaks. Alongside other career high-points of April ’92, June and November ’94, December ’95 and November / December ’97, and December ’99; August ’93 possessed a separate musical quality all to itself. Boiling down to hunger, desire, and stretching the possibilities of live music, Phish absolutely annihilated their two-month, bi-coastal jaunt. Every show during August contains genuinely outlandish moments of improvisation, pieces that one must hear to believe and digest. Providing a portrait of Phish at one of their highest musical mountaintops, Summer ’93, though seeming like ancient history, lives on 17 years later through memories, recordings, and in the hearts, minds, and souls of the Phish community.

To honor this incredible summer and the exploits within, I have compiled “Miner’s Picks: August ’93.” Because Phish had less vehicles in their repertoire at the time, I have split up the compilation into two “sets,” each with similar songs. (I left out the LivePhish releases (Murat, Tinley Park) for which I only have the official SBDs.) These selections paint a vivid, six-hour picture of a band centered in the moment, while careening towards the future. It’s truly an era that is not to be forgotten.

****

MINER’S PICKS: AUGUST ’93 < Torrent

MINER’S PICKS: AUGUST ’93 < Megaupload

Set I:

1,2. “2001 > David Bowie” 8.17, Kansas City, KS

3. “Split Open and Melt” 8.26, Portland, OR

4. “Reba” 8.16, St.Louis, MO

5. “Stash” 8.21, Salt Lake City, UT

6. “Run Like an Antelope” 8.20 Red Rocks, CO

7. “Tweezer” 8.15 Louisville, KY

8-10. “Bathtub Gin > Makisupa > My Mind’s…” 8.2, Tampa, FL

11-13. “Mike’s > Faht > Weekapaug” 8.16, St.Louis, MO

14. “Harry Hood” 8.26, Portland, OR

15. “You Enjoy Myself” 8.3, Miami, FL

Set II:

16,17. “Buried Alive > Tweezer” 8.6, Cincinatti, OH

18. “Stash” 8.15, Louisville, KY

19,20. “Split Open > Glide” 8.9, Toronto, ON

21. “Reba” 8.12, Rochester, MI

22. “Runaway Jim” 8.21, Salt Lake City, UT

23. “Run Like an Antelope” 8.28, Berkeley, CA

24-26. “Mike’s > Great Gig > Weekapaug” 8.11, Grand Rapids, MI

27,28. “2001 > David Bowie” 8.26, Portland, OR

29. “Slave to the Traffic Light” 8.20, Red Rocks, CO

30. “You Enjoy Myself” 8.28, Berkeley, CA

========

1993 Rift Promotional Video  (Great Footage!)

=====

Jam of the Day:

2001 > David Bowie” 8.17.93 II

This selection opened up the second set in Kansas City, and also kicks off the above compilation.

[audio:http://phishthoughts.com/wp-content/uploads/2010/03/Track-01-21.mp3,http://phishthoughts.com/wp-content/uploads/2010/03/Track-02-31.mp3]

=====

DOWNLOAD OF THE DAY:

8.15.93 The Macauley Theatre, Louisville, KY < Torrent

8.15.93 The Macauley Theatre, Louisville, KY < Megaupload

The “Stash” and “Tweezer” were worth the price of admission alone.

I: Sample in a Jar, All Things Reconsidered, Caravan, Runaway Jim, Fee, Paul and Silas, Stash, Colonel Forbin’s Ascent > Fly Famous Mockingbird, Chalk Dust Torture

II: Rift, Tweezer, The Lizards, The Landlady, Bouncing Around the Room, Maze, Glide, Sweet Adeline, Ginseng Sullivan, Nellie Kane, Free Bird

E: Harry Hood

Source: Unknown

Tags: ,

1,037 Responses to “The Virtuosity of Summer ’93”

  1. Mr. Completely Says:

    always heard great stuff about Magnolia Fest

  2. Mr.Palmer Says:

    Mr.C- i knew there was no way you two weren’t at least aquaintances being that your in the same city, same social circle, same musical interests.

  3. butter Says:

    sometimes it surprises you who can handle their shit and who can’t

    the rancher in TX where we were Boar hunting had some moonshine

  4. Mr. Completely Says:

    word Palmer

    tell him hi for me next time you chat

    if he’s ever downtown on a weekday we could hit some lunch, or a happy hour at the end of the day

    I totally lost track of him when I dropped by Cascade and it was closed

  5. albert walker Says:

    my girls sister picked up a jar at Hampton in some kids hotel

    thought it was water

    she was all spun
    was like what the fuck was that

    had to teach her to watch out for those southern hippies
    especially the one’s drinking out of mason jars

  6. Mr. Completely Says:

    and yeah butter, some peeps just know how to roll with whatever comes at them

    I mean, people got fucked up and twisted beyond all recognizable humanity, but there were no fights and no blood and everyone was friends when it was over

    I call that a win

  7. Mr.Palmer Says:

    Will do Mr.C. He works for the company that owns the Rose Garden and Colisium now.
    Out for a bit. later

  8. Mr. Completely Says:

    never know what’s in those fuckin mason jars man

    seriously

  9. Mr. Completely Says:

    word Palmer

  10. kayatosh Says:

    albert: you motto should be light up or leave me alone. no vape for you.

  11. albert walker Says:

    yeah Kaya

    that shits funny
    exactly

    I am kind of fronting

    when I’m sick
    or sometimes coming off tour my lungs are torched
    won’t even take for the lit shit

    but if I got the grade A sour diesel rolling
    I want to taste that shit

    everything starts tasting the same in the vape to me

    twice a month though I probably just bust it out for something different

    for the majority of my sessions
    can’t do it

  12. Mr.Miner Says:

    vapes suck. i agree, trendy for a year or two in there, but in the end, I love to smoke weed and taste it; not just taste it…it also uses a lot of weed

    @ betterparts…that atlanta ’03 Piper is pure fire. I’m a big fan of the Waves>Tweezer as well, though the Tweezer isn’t super long, it def packs a a punch. Summer ’03 is highly underrated. But today is about 93- man what a year!

  13. kayatosh Says:

    vaping saved me. love me some hairb, but couldn’t moke it as much as iw anted to. now smokin is strictly for shows. i get a truer taste with the vape.

  14. kayatosh Says:

    somethin perfect about the sour D. stony, but not sleepy.

  15. albert walker Says:

    like Miner said

    if me and my girl were volano’s only

    we would probably go broke

    shit eats it up!

    and I disagree on the taste
    it is light and sweet but they all get similar to me

    to each is own I guess

  16. albert walker Says:

    I will probably die from it though

    don’t get me wrong my lungs are torched

    no pain no gain

  17. kayatosh Says:

    with vapin, longer lastin effect, more of a time release effect. and has to be better for ya.

  18. Mr. Completely Says:

    yeah I’m OG puffer, I want to taste the smoke, can’t help it

    don’t like the vapes at all

    I wished I had one when I was really sick with a cough last week though

    that part is legit

    otherwise it just doesn’t do it for me at all

    tubes, spliffs, bubblers

  19. butter Says:

    how does every conversation come back to weed?

  20. kayatosh Says:

    i think you’re right about vapin and usage. you would think it would be the opposite.

  21. kayatosh Says:

    b/c weezo is a very, very good thing

  22. Mr. Completely Says:

    I think they taste weird

    not right at all

  23. albert walker Says:

    I think it takes more to get the effect

    also I think you only vape 85% of the THC

    i cook with it and their is def some potency left in the volcano ash

  24. Mr. Completely Says:

    have you ever had this conversation….

    ON WEED?

  25. Foul_Domain Says:

    “tubes, spliffs, bubblers”

    ^Yep!

    Evening Folks!

Leave a Reply