The Virtuosity of Summer ’93

Pollock Summer '93

In interviews these days, Phish consistently discusses the importance of striking a balance in their lives during this era of their career. Combining Phish, families, side-projects, and some down time, the band members, thankfully, seem to be prioritizing personal sustainability in round three. But this is not the way it always worked. For the first decade plus of their career, Trey, Fish, Mike and Page dedicated their entire beings to the entity of Phish. Virtually every waking hour was spent pushing, practicing, and refining their skills. Phish, unquestionably, represented the most important facet of their lives. Notoriously intense practices and improvisational exercises drove the band’s single-minded musical communication, as they lived, ate, and breathed Phish 24 hours a day. And when listening to their sublime musical output during their first massive peak of Summer ’93, one can hear the hours of intense dedication; one can hear the complete and total focus on the mastery of their music; one can actually hear their burning desire for excellence.

Laguna Seca Daze - 5/93

The summer of 1993 represented a crucial phase in Phish’s development. After touring the summer circuit in 1992 as an opening act for Santana, in ’93 the band began headlining larger amphitheatres, themselves. At the same time, Phish sought to distance themselves from the first wave of “jambands” with whom they co-billed a couple of July’s H.O.R.D.E. tour stops. At this time, the music industry grouped, and often dismissed, Phish with other neo-hippie acts such as Blues Traveler, Aquarium Rescue Unit, The Spin Doctors, and Widespread Panic. But combining a youthful exuberance with a dedication and passion rarely seen in modern music, Phish forged ahead, breaking down boundaries of live music. Ensuring that every night provided a wholly different experience for their fans, the band held themselves to rigorous standards, playing with a life-or-death urgency every time they hit the stage. All the while, Phish shows grew more adventurous then ever before; the music began to take on a life of its own.

Durham, NH - 5.8.93

The intense drive that Phish possessed in this era never wavered, in large part, due to their lack of distractions. Not yet rock stars on any level, the totality with which the band dedicated themselves to their craft crossed the line of obsession, and simply became part and parcel of who they were as people. Yet to marry or to start families, Phish – the band – was, without a doubt, the singular, most important entity in any of their lives – and it showed. Over the previous four years, they played 532 gigs – an average of 133 per year – and going into Summer ’93, Phish carried the momentum of a torrid four-month winter/spring tour that had ended only a month before. Add that run to the scorching year of 1992 in which they played 121 shows, and the band had a full head of steam. While their early years fostered the band’s burgeoning virtuosity, Phish sat on the brink of Summer ’93, primed and ready for their first massive musical peak of their career.

The band displayed drill-bit focus and overwhelming creativity throughout the summer, resulting in nothing less than superlative, transcendent improvisation all season long. With their roots firmly planted in both the jazz and rock traditions, Phish crafted sublime, original music nightly, launching into vastly different universes with nearly every jam. One simply didn’t know where the music would travel each time out of the gate; their improv had zero predictability. Similar songs got different treatments on different nights, as the band explored completely divergent musical territory. The meticulous musical conversations that characterized this tour were indicative of the telekinetic connection, and unity of purpose, the band members felt at this stage of their lives. Jumping into the void multiple times per night and playing with calculated vigor, Phish locked into each others’ ideas and responded to them subconsciously, playing with a style of wizardry that would dissipate in their later years of groove to the chagrin of many fans.

Laguna Seca - 5/93

Laguna Seca Daze - 5/93

During this summer, Phish sounded like they were playing for their lives every time they hit the stage, and essentially, that is exactly what they were doing. On the verge of breaking from of the pack of H.O.R.D.E-style bands, Phish dedicated the entirety of their lives to making Phish the craziest live experience and most enticing music in the scene. The scintillating surreal adventures that characterized their entire tour, solidified Phish as the preeminent force in improvisational rock. With fewer jam vehicles in their catalog than later days, each time out, songs grew more unique, moving away from previous incarnations and into uncharted domains. Open, or type II, jamming became the norm rather than the exception, as Phish explored all corners of the musical cosmos with white-hot intensity.

Also of significance,The Grateful Dead kept on truckin’ during 1993, leaving the Phish community protected from the masses with a youthful  innocence that would be lost come Fall ’95. Summer ’93 still held a certain intimacy, like everyone shared a secret from the rest of the world, and secret power of Phish. Possessing shining skill sets and incredible enthusiasm, while constricted by few other cares in their lives, the band, themselves, raged Phish harder than ever before. The band never came out flat or careless. Each time they performed, the show immediately transformed into the most important event in the world, and this relentlessness pushed and pulled their musical exploits into fantastically ludicrous, mind-expanding planes. The psychedelic unknown became the defining quality of their improvisation; one took the leap of faith with Phish each time a jam dropped, trusting that whatever mania ensued, the band would, eventually, lead the way home. Giving oneself to this experience held a different meaning when there was no predictability where the music would go.

While Phish played outstanding shows throughout July, in August 1993, Phish achieved one of their all-time peaks. Alongside other career high-points of April ’92, June and November ’94, December ’95 and November / December ’97, and December ’99; August ’93 possessed a separate musical quality all to itself. Boiling down to hunger, desire, and stretching the possibilities of live music, Phish absolutely annihilated their two-month, bi-coastal jaunt. Every show during August contains genuinely outlandish moments of improvisation, pieces that one must hear to believe and digest. Providing a portrait of Phish at one of their highest musical mountaintops, Summer ’93, though seeming like ancient history, lives on 17 years later through memories, recordings, and in the hearts, minds, and souls of the Phish community.

To honor this incredible summer and the exploits within, I have compiled “Miner’s Picks: August ’93.” Because Phish had less vehicles in their repertoire at the time, I have split up the compilation into two “sets,” each with similar songs. (I left out the LivePhish releases (Murat, Tinley Park) for which I only have the official SBDs.) These selections paint a vivid, six-hour picture of a band centered in the moment, while careening towards the future. It’s truly an era that is not to be forgotten.



MINER’S PICKS: AUGUST ’93 < Megaupload

Set I:

1,2. “2001 > David Bowie” 8.17, Kansas City, KS

3. “Split Open and Melt” 8.26, Portland, OR

4. “Reba” 8.16, St.Louis, MO

5. “Stash” 8.21, Salt Lake City, UT

6. “Run Like an Antelope” 8.20 Red Rocks, CO

7. “Tweezer” 8.15 Louisville, KY

8-10. “Bathtub Gin > Makisupa > My Mind’s…” 8.2, Tampa, FL

11-13. “Mike’s > Faht > Weekapaug” 8.16, St.Louis, MO

14. “Harry Hood” 8.26, Portland, OR

15. “You Enjoy Myself” 8.3, Miami, FL

Set II:

16,17. “Buried Alive > Tweezer” 8.6, Cincinatti, OH

18. “Stash” 8.15, Louisville, KY

19,20. “Split Open > Glide” 8.9, Toronto, ON

21. “Reba” 8.12, Rochester, MI

22. “Runaway Jim” 8.21, Salt Lake City, UT

23. “Run Like an Antelope” 8.28, Berkeley, CA

24-26. “Mike’s > Great Gig > Weekapaug” 8.11, Grand Rapids, MI

27,28. “2001 > David Bowie” 8.26, Portland, OR

29. “Slave to the Traffic Light” 8.20, Red Rocks, CO

30. “You Enjoy Myself” 8.28, Berkeley, CA


1993 Rift Promotional Video  (Great Footage!)


Jam of the Day:

2001 > David Bowie” 8.17.93 II

This selection opened up the second set in Kansas City, and also kicks off the above compilation.




8.15.93 The Macauley Theatre, Louisville, KY < Torrent

8.15.93 The Macauley Theatre, Louisville, KY < Megaupload

The “Stash” and “Tweezer” were worth the price of admission alone.

I: Sample in a Jar, All Things Reconsidered, Caravan, Runaway Jim, Fee, Paul and Silas, Stash, Colonel Forbin’s Ascent > Fly Famous Mockingbird, Chalk Dust Torture

II: Rift, Tweezer, The Lizards, The Landlady, Bouncing Around the Room, Maze, Glide, Sweet Adeline, Ginseng Sullivan, Nellie Kane, Free Bird

E: Harry Hood

Source: Unknown

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1,037 Responses to “The Virtuosity of Summer ’93”

  1. Robear Says:

    you cats make me wanna’ puff.

    mr. C. might as well head to telluride.

    it’s a win-win.

    great scenery, great music.

  2. Mr. Completely Says:


    that’s kind of more like what I thought then

    just your time to be done

    I think that’s how it works too but I haven’t walked in those shoes

  3. Mr. Completely Says:

    don’t do it Robear

    slippery slope of reefer madness

  4. albert walker Says:

    yeah we need to make it known these are hypothetical conversations that we here at phish thoughts do not condone

    make your own decisions kids

  5. Mr. Completely Says:

    stunts performed by trained professionals, do not attempt at home

    “Strictly for live men, not for freshmen”

  6. Mr. Completely Says:

    start puffin that shit and next thing you know your hair is a bird

    straight downhill from there

    out for dinner and such


  7. verno329 Says:

    @Mr C Which one did you throw on?

  8. Type III Jamming Personality Disorder Says:


    just uploaded Quannum Spectrum and Solesides to my mediafire for anyone interested in some hip hop.

    Quannum is a collective of folks including DJ Shadow, Lateef the Speaker, Lyrics Born, Blackalicious, Gift of Gab, and others. “Blue Flames” off of Solesides is a tune some of you may have heard before.


  9. (Formally Known As) BrandonKayda Says:

    The 7.2.98 Ghost is some incredible stuff

  10. Angryjoggerz Says:

    Y’all cray-zay, ya know.

  11. Robear Says:

    the smart thing about the greek > telluride run,

    not much reason to head out to either without tickets in hand.

    might benefit both places. super far apart, super far from the rest of the tour.

  12. (Formally Known As) BrandonKayda Says:

    The Greek->Telluride run may provide some of the best playing of the year, much like RR/Gorge did last summer

  13. lycanthropist Says:

    whats up bb?

    bout to soundcheck for the Tsu bday show!

    some new tunes for you cats to come shortly.

  14. (Formally Known As) BrandonKayda Says:

    What up Lycan?

    Hit me up

  15. lycanthropist Says:

    not at home bk.

    sound checkin

  16. Mr.Palmer Says:

    Have a good show Lycan!

  17. (Formally Known As) BrandonKayda Says:

    That’s cool Lycan, sorry, must’ve skipped over that part :/

    Enjoy the show man

  18. voopa Says:

    Regardless, Greek will still be w00k city…at least outside

  19. jdub Says:

    Good evening BB.

    Thanks for mentioning 7.2.98 Ghost BK,

    I promptly did the 7.2 – 7.6 double header and thoroughly enjoyed my Friday evening excursions. They get mentioned quite a bit here and for good reason.

    The Video out there of the 7.6 Ghost with Trey about to lift off and put it into hyper drive is gold.

  20. Mr. Completely Says:

    berkeleys wook city even when no shows are goin on or at least used to be

  21. Mr. Completely Says:

    evening of BTB vids might go like this

    2.15.87 Fire on the Mountain
    7.2.98 Ghost
    10.9.89 Dark Star
    7.6.98 Roggae, Maze

  22. Angryjoggerz Says:

    Just getting into these 93 hits….
    getting hot in here

  23. Angryjoggerz Says:

    Wait a minute, just dl’ed those Jerry goodness from that mediafire and the Jerry/Merle “I was born to love her” from the 72-02-06 Pacific High Recording Studios is the jaaaaaaaaaaaaaaam. Thanks for the Jerry! Praise it.

  24. Frankie Says:

    Ok, that 8.16 Reba jam was what I needed to hear tonight… Great compilation Mr. Miner!!

  25. stitchstash Says:

    re: vape
    I’m a huge fan. Plus, no worries with hotel smoke detectors.

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