The Virtuosity of Summer ’93

Pollock Summer '93

In interviews these days, Phish consistently discusses the importance of striking a balance in their lives during this era of their career. Combining Phish, families, side-projects, and some down time, the band members, thankfully, seem to be prioritizing personal sustainability in round three. But this is not the way it always worked. For the first decade plus of their career, Trey, Fish, Mike and Page dedicated their entire beings to the entity of Phish. Virtually every waking hour was spent pushing, practicing, and refining their skills. Phish, unquestionably, represented the most important facet of their lives. Notoriously intense practices and improvisational exercises drove the band’s single-minded musical communication, as they lived, ate, and breathed Phish 24 hours a day. And when listening to their sublime musical output during their first massive peak of Summer ’93, one can hear the hours of intense dedication; one can hear the complete and total focus on the mastery of their music; one can actually hear their burning desire for excellence.

Laguna Seca Daze - 5/93

The summer of 1993 represented a crucial phase in Phish’s development. After touring the summer circuit in 1992 as an opening act for Santana, in ’93 the band began headlining larger amphitheatres, themselves. At the same time, Phish sought to distance themselves from the first wave of “jambands” with whom they co-billed a couple of July’s H.O.R.D.E. tour stops. At this time, the music industry grouped, and often dismissed, Phish with other neo-hippie acts such as Blues Traveler, Aquarium Rescue Unit, The Spin Doctors, and Widespread Panic. But combining a youthful exuberance with a dedication and passion rarely seen in modern music, Phish forged ahead, breaking down boundaries of live music. Ensuring that every night provided a wholly different experience for their fans, the band held themselves to rigorous standards, playing with a life-or-death urgency every time they hit the stage. All the while, Phish shows grew more adventurous then ever before; the music began to take on a life of its own.

Durham, NH - 5.8.93

The intense drive that Phish possessed in this era never wavered, in large part, due to their lack of distractions. Not yet rock stars on any level, the totality with which the band dedicated themselves to their craft crossed the line of obsession, and simply became part and parcel of who they were as people. Yet to marry or to start families, Phish – the band – was, without a doubt, the singular, most important entity in any of their lives – and it showed. Over the previous four years, they played 532 gigs – an average of 133 per year – and going into Summer ’93, Phish carried the momentum of a torrid four-month winter/spring tour that had ended only a month before. Add that run to the scorching year of 1992 in which they played 121 shows, and the band had a full head of steam. While their early years fostered the band’s burgeoning virtuosity, Phish sat on the brink of Summer ’93, primed and ready for their first massive musical peak of their career.

The band displayed drill-bit focus and overwhelming creativity throughout the summer, resulting in nothing less than superlative, transcendent improvisation all season long. With their roots firmly planted in both the jazz and rock traditions, Phish crafted sublime, original music nightly, launching into vastly different universes with nearly every jam. One simply didn’t know where the music would travel each time out of the gate; their improv had zero predictability. Similar songs got different treatments on different nights, as the band explored completely divergent musical territory. The meticulous musical conversations that characterized this tour were indicative of the telekinetic connection, and unity of purpose, the band members felt at this stage of their lives. Jumping into the void multiple times per night and playing with calculated vigor, Phish locked into each others’ ideas and responded to them subconsciously, playing with a style of wizardry that would dissipate in their later years of groove to the chagrin of many fans.

Laguna Seca - 5/93

Laguna Seca Daze - 5/93

During this summer, Phish sounded like they were playing for their lives every time they hit the stage, and essentially, that is exactly what they were doing. On the verge of breaking from of the pack of H.O.R.D.E-style bands, Phish dedicated the entirety of their lives to making Phish the craziest live experience and most enticing music in the scene. The scintillating surreal adventures that characterized their entire tour, solidified Phish as the preeminent force in improvisational rock. With fewer jam vehicles in their catalog than later days, each time out, songs grew more unique, moving away from previous incarnations and into uncharted domains. Open, or type II, jamming became the norm rather than the exception, as Phish explored all corners of the musical cosmos with white-hot intensity.

Also of significance,The Grateful Dead kept on truckin’ during 1993, leaving the Phish community protected from the masses with a youthful  innocence that would be lost come Fall ’95. Summer ’93 still held a certain intimacy, like everyone shared a secret from the rest of the world, and secret power of Phish. Possessing shining skill sets and incredible enthusiasm, while constricted by few other cares in their lives, the band, themselves, raged Phish harder than ever before. The band never came out flat or careless. Each time they performed, the show immediately transformed into the most important event in the world, and this relentlessness pushed and pulled their musical exploits into fantastically ludicrous, mind-expanding planes. The psychedelic unknown became the defining quality of their improvisation; one took the leap of faith with Phish each time a jam dropped, trusting that whatever mania ensued, the band would, eventually, lead the way home. Giving oneself to this experience held a different meaning when there was no predictability where the music would go.

While Phish played outstanding shows throughout July, in August 1993, Phish achieved one of their all-time peaks. Alongside other career high-points of April ’92, June and November ’94, December ’95 and November / December ’97, and December ’99; August ’93 possessed a separate musical quality all to itself. Boiling down to hunger, desire, and stretching the possibilities of live music, Phish absolutely annihilated their two-month, bi-coastal jaunt. Every show during August contains genuinely outlandish moments of improvisation, pieces that one must hear to believe and digest. Providing a portrait of Phish at one of their highest musical mountaintops, Summer ’93, though seeming like ancient history, lives on 17 years later through memories, recordings, and in the hearts, minds, and souls of the Phish community.

To honor this incredible summer and the exploits within, I have compiled “Miner’s Picks: August ’93.” Because Phish had less vehicles in their repertoire at the time, I have split up the compilation into two “sets,” each with similar songs. (I left out the LivePhish releases (Murat, Tinley Park) for which I only have the official SBDs.) These selections paint a vivid, six-hour picture of a band centered in the moment, while careening towards the future. It’s truly an era that is not to be forgotten.



MINER’S PICKS: AUGUST ’93 < Megaupload

Set I:

1,2. “2001 > David Bowie” 8.17, Kansas City, KS

3. “Split Open and Melt” 8.26, Portland, OR

4. “Reba” 8.16, St.Louis, MO

5. “Stash” 8.21, Salt Lake City, UT

6. “Run Like an Antelope” 8.20 Red Rocks, CO

7. “Tweezer” 8.15 Louisville, KY

8-10. “Bathtub Gin > Makisupa > My Mind’s…” 8.2, Tampa, FL

11-13. “Mike’s > Faht > Weekapaug” 8.16, St.Louis, MO

14. “Harry Hood” 8.26, Portland, OR

15. “You Enjoy Myself” 8.3, Miami, FL

Set II:

16,17. “Buried Alive > Tweezer” 8.6, Cincinatti, OH

18. “Stash” 8.15, Louisville, KY

19,20. “Split Open > Glide” 8.9, Toronto, ON

21. “Reba” 8.12, Rochester, MI

22. “Runaway Jim” 8.21, Salt Lake City, UT

23. “Run Like an Antelope” 8.28, Berkeley, CA

24-26. “Mike’s > Great Gig > Weekapaug” 8.11, Grand Rapids, MI

27,28. “2001 > David Bowie” 8.26, Portland, OR

29. “Slave to the Traffic Light” 8.20, Red Rocks, CO

30. “You Enjoy Myself” 8.28, Berkeley, CA


1993 Rift Promotional Video  (Great Footage!)


Jam of the Day:

2001 > David Bowie” 8.17.93 II

This selection opened up the second set in Kansas City, and also kicks off the above compilation.




8.15.93 The Macauley Theatre, Louisville, KY < Torrent

8.15.93 The Macauley Theatre, Louisville, KY < Megaupload

The “Stash” and “Tweezer” were worth the price of admission alone.

I: Sample in a Jar, All Things Reconsidered, Caravan, Runaway Jim, Fee, Paul and Silas, Stash, Colonel Forbin’s Ascent > Fly Famous Mockingbird, Chalk Dust Torture

II: Rift, Tweezer, The Lizards, The Landlady, Bouncing Around the Room, Maze, Glide, Sweet Adeline, Ginseng Sullivan, Nellie Kane, Free Bird

E: Harry Hood

Source: Unknown

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1,037 Responses to “The Virtuosity of Summer ’93”

  1. Frankie Says:

    I love discovering new Phish jams that i didn’t even know existed… 1999 has a lot of those and i’ve really come to appreciate it…

    One of them, 10.9.99 Set II, after Limb by Limb but before 2001, has a very cool little 3 minute ambient jam that I could listen to over and over…

    Love the Siket Disc era…

  2. Halden Says:

    Anyone have any idea how soon after midnight we find out if we get tix?

  3. Phamily Berzerker Says:

    For clarity’s sake, the “what I learned…” collection period is this weekend?

    Had my first eagle golfing today. I drove/rolled to the green with a heavily wind aided drive and sloped hole layout.

    Tomorrow Mini-KISS! Pretty excited.

  4. Mr.Palmer Says:

    I think we find out next tuesday or wed. about tix

  5. Frankie Says:

    Sometimes people saw the charge on their credit cards before they got the e-mail… don’t remember how early though…

  6. Halden Says:

    So no point in staying up too late. 😉

  7. Frankie Says:

    You won’t find out tonight that’s for sure… The latest i think is March 31st at midnight… you’ll probably get it on the 30th…

  8. Mr.Palmer Says:

    How many pages of posts will PTBM notification day get on the BB?

  9. Halden Says:

    I guess 60

  10. Mr.Palmer Says:

    75-80 i guess.

  11. Mr. Completely Says:

    I was gonna get the ball rolling on the Things I Learned list tomorrow morning, yeah

  12. Phamily Berzerker Says:

    You have some primer material?

    I know a lot of quality stuff has been put forth, just can’t directly recall anything.

  13. Robear Says:

    frankie, dunno yet. Greek > Telluride highly likely.

    go Spartans!

  14. Robear Says:

    i’m with you on the west coast swing later in the fall. if it happens, I look forward to hosting you at an Oasis @ Frankie says.

  15. Frankie Says:

    Right on Robear! I have a feeling I will see you on the east coast as well some time in june… at least I hope so…

  16. ThePigSong Says:

    Looking for a credit card hold for the Greek tonight.

    I echo that sentiment Robear, go green!

  17. Mr. Completely Says:

    for your weekend party vibe

    Iko Iko 3-24-87 Hampton

    check out Jerry gettin down


    listen to the crowd…en fuego that night…one of my favorite, totally slept on shows

    no one ever posts the Terrapin, one of the finest ever played from any era

    anyway: short but sweet

  18. Frankie Says:

    Would love that Robear! Really hope I can make it when it happens…

    <a href=Funny stuff! Larry David buys some weed from Hurley… I didn’t remember that scene…

  19. neemor Says:

    Boy, that promo video from ’93 is neat.
    Good stuff.

    Fishman’s head slowly coming into view from over the camera until he falls is brilliant.
    I love the octogenarian Phans, too…

  20. Frankie Says:

    Damn, messed my link… there it is

  21. ChefBradford Says:

    Random drop: playing around with YouTube. Golden Age needs to be in rotation this year, provided Trey polishes the vocals on it. Killer execution on its debut, musically, glorious

    Corrina- you had me at hello

    Torn and Frayed, and Shine a Light- I hope to make your acquaintance this summer

    Love, don’t you falter

  22. Mr. Completely Says:

    holy shit I never heard this! pretty bad ass

    Robert Palmer

    Women are Smarter

    incredible backing band

  23. ChefBradford Says:

    Something from Exile should go BIG, a la Drowned, Crosseyed, RnR

    although, much as I love it….less RnR this year, please 🙂

  24. Frankie Says:

    I could see a Watcher of the Skies being played once or twice as well…

  25. Mr. Completely Says:

    oh good lord yes

    give it a rest

    and absolutely, roll one of the Exile big guns into a prime slot

    they’re strong enough for it

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