The Top 10 of ’09

12.29.09 (W.Rogell)

It’s tough to continue to thinking of topics as this point in the year, so I figured I’d have some fun today. I’ve been re-listening to a lot of the best of last year, and I thought I’d put together my own, personal, top ten list of 2009. These are just my picks, so if you think they are crazy, don’t fret; they are just one man’s opinion. I generally don’t compile lists like this, but as I said, this is a pretty quiet time of year, and I’m sure it will spark plenty of discussion. Anyhow, enough with the disclaimers, here’s Miner’s Favorite Ten Jams of ’09.


10. “Wolfman’s > Piper > Joy” – 10.30 IIIndio

With all the focus duly placed on the Exile set, this segment of music doesn’t get talked about too much – but it should. Each half of the combination features completely unique and masterful improvisation. “Wolfman’s” moves from swanky, liquid grooves into minutes of eerie Halloween ambient space. Using “Wolfman’s” to dive into the occult, Phish briefly magnified the dark side on an overall cheery Halloween weekend. Emerging from the menacing soundscape came “Piper,” evoking memories of the monstrous combination in Vegas ’98. This time, however, “Piper” brought three distinct sections of improv, the last morphing into a “Just Wanna See His Face” jam; a secret preview of the Halloween set. Phish added layers of vocal harmony over the gorgeous music, giving the piece their stamp of approval as unique and special ground. The landing point of “Joy” worked perfectly.

9. “Ghost” 12.31 IIMiami

This standout jam from New Year’s Eve illustrated how far the band had come in one year. Playing off each other with fluidity, Mike and Trey alternately led this piece, punctuating the most engaging set of the three. The band wasted no time, bombarding the crowd with their dense musical style of late-’09. The resolution into an “Auld Lang Syne” tease clinches this “Ghost’s” status as an all-time New Year’s Eve highlight.

8. “Light” 12.2 II – MSG

MSG - 12.2.09 (W. Rogell)

Out of the many explorations of “Light” during fall tour, none approached the version Phish played at their return to Madison Square Garden. Coming at a time where the band played the song nearly every other show, this version fully realized the experimental potential of the song for the first time. Taking this incarnation into upbeat and genuinely new territory, MSG’s “Light” gave everyone a glimpse of the depth of jams that will surely continue stem from the song this summer. From the moment it ended, this version stood out from the rest.

7. “Get Back on the Train” 12.30 II Miami

This ethereal exploration came as the centerpiece of December 30th’s second set. Passing through multiple sections of unique improv, this jam, literally, blossomed out of nowhere. Immediately vaulting to into the “best ever” position for the generally jam-less song, “Get Back On the Train” provided one of the most unlikely virtuoso highlights of the entire Miami run.

6. “Tweezer” 7.31 II Red Rocks

"Tweezer" 7.31 (G.Lucas)

The Red Rocks “Tweezer” brought the house down with its combination of gooey textures and jazzy grooves. The first brilliant “Tweezer” of the year, its placement in one of the 2009’s strongest sets made its unveiling all the more dramatic. Perhaps the first true Phish-crack of 3.0, this “Tweezer” created an unforgettable experience.

5. “Sneakin’ Sally” 8.7 I The Gorge

As the sun set at Phish’s first night back at The Gorge, the band took the opportunity to dive into the musical abyss. Taking the classic cover through a set of chunky grooves en route to a mid-song vocal jam and out into the heavens above, the powers of Phish and The Gorge converged for the first time in this era. While many favor the second set “Bathtub Gin,” this jam brings more original playing to the table.

4. “46 Days” 8.15 II Merriweather

Merriweather '09

This jam flies way under the due to its placement amidst one of Phish’s least exciting shows of the year. However, this version of “46 Days” sits atop the top shelf of 2009 offerings. Spending only four minutes attached to the song, Phish exited quickly into thick, murky grooves. Gaining textured momentum, this piece moved through an ambient transition into one of the most gorgeous sections of music played during 2009. Hitting a stride seldom seen last year, Phish reached a triumphant plane that gained a life all its own. Re-listen – this one is a down-low masterpiece.

3. “Rock and Roll” 8.8 II The Gorge

While most of the attention falls on the first night of The Gorge, the most spectacular jam came on the second. Utilizing their go-to 2009 vehicle, Phish crafted one of the most cohesive and exploratory jams of the year. A multi-themed epic, this extended piece ebbed and flowed with organic improv, featuring some of Trey’s best work of the year. During this piece, the band clicked as a whole in a way they did few times throughout their comeback year. This will stand up to anything.

2. “Seven Below > Ghost” 11.28 IIAlbany

11.28.09 Albany (Peek)

I’ve never hidden my love for this spectacular fifty minutes of music. Coming at a time when Phish desperately needed to break form into something greater, during this sequence they accomplished all that and more. Transforming “Seven Below” into a cathartic dance party, the band fused groove and melody into a phenomenal segment of improv. And once Phish hit their stride in the set-opener, when they hit “Ghost,” they sat deeply in the pocket without missing a beat, creating totally original music. Turing this version into a multi-planed adventure, the band locked in from moment one of the most tightly woven tales of the year. This sequence represented a significant breakthrough during fall tour, and a reminder that Phish was, in fact, still Phish.

1. “Tweezer” 12.29 IIMiami

12.29.09 (W.Rogell)

I’m a sucker for huge “Tweezers,” and none came bigger than this in 2009. Dropping on the magical date of December 29, the band let loose on this version, crafting my most indelible moment of the year. Beginning with massive, bass-led dance grooves they threw down the most ferocious section of dance grooves of ’09. So juiced on the musical goings-on, Trey, then Phish, added a layer of vocal improv, complementing the jam’s infectious rhythms. Mike led the band through this section with filthy and dynamic rhythms. Bringing the band into the second stage of the jam, Mike soloed with his envelope filter as the band blended into more exploratory music. Trey played staccato melodies through this space-groove, toying with some signature licks. Phish morphed from this section into the most beautiful moments in all of ’09. Entering sublime, soul-searching psychedelia, the band fully tapped into the source, channeling the mysteries of the universe. A blessing to be a part of, words can only go so far in expressing these sacred moments. While the rest of this list can be discussed all day, in my opinion, the only definite comes in the top spot with “The Miami Tweezer.”


Jam of the Day:

Tweezer” 10.27.94 II

A compact, action-packed version from Charlottesville, Virginia.




7.18.99 Oswego Co. Airport, Volney, NY < Megaupload

7.18.99 Oswego Co. Airport, Volney, NY < Torrent

Unofficial Osewgo Poster (Distante)This underrated three-set beast offered treats in ever shape and size. The outrageous “Piper” in the third set, and the second set “Jim > Free” are can’t miss highlights. And there’s plenty in between.

I: Punch You In the Eye, Farmhouse, Water in the Sky, Bathtub Gin, Back on the Train*, If You Need a Fool*, I’m Blue, I’m Lonesome*,Beauty of My Dreams*, The Moma Dance, Reba, Chalk Dust Torture

II: Runaway Jim > Free, Meatstick, Guyute, Axilla, Llama

III: My Soul, Piper > Prince Caspian, Wilson > Catapult > Smoke on the Water Jam > Icculus, Quinn the Eskimo, Fluffhead

E: Harry Hood

* w/ Del McCoury Band

Source: (FOB) Neumann U89i (Omni, Split 6′) > Apogee AD1000

679 Responses to “The Top 10 of ’09”

  1. Type III Jamming Personality Disorder Says:

    me too, chuck d.

    timer, do you know of a “full list” of the signals? I have patched a bunch together from shows and talking to other pholk in the know, but it would be nice to see if there are any of which I have been unaware to this point. and yes, the two you mentioned earlier are ones I knew about already

  2. zzyzx Says:

    It is Awww fuck. I typoed…

    You know the laugh one?

    9/22/90 David Bowie is a good version to hear a bunch of them. I figured out the Get Back from the 3/13/92 Run Like a Big Black Furry Antelope From Mars, asked Mike about it, and he just said, “Good ear.”

  3. Wilson8or Says:

    @Dude: Thanks for the suggestion. I always assumed terrabyte drives were costly. I’ll look into that. I also know you used to be a Chicago foodie, so you might appreciate the fact that I’m going to Hot Dougs today! He’s got a Ribeye Sausage with Chimmichuri and Fried onions on the specials today. [Insert Homer Drool Noise]

  4. Leo Weaver Says:

    @T3PO…yeah man, it had a little something extra. Theme is one of those songs that CAN be severly underrated. My personal favorite is 11.23.97…it’s so liquidy. This punch has a little extra ummppphh too.

  5. neemor Says:

    Many of the random signals were never used on stage to my knowledge (somewhat limited in that respect).

    Interesting tie in:
    Goofy Trey=Phishyness to a large degree.

  6. Type III Jamming Personality Disorder Says:

    triple footbell in the intro to the Went PYITE


  7. Mr. Palmer Says:

    I like “all fuck’ better

  8. EL Duderino Says:

    @ wilson

    sounds yummy too me! 🙂

  9. Leo Weaver Says:

    This theme had a passage that reminded me a LOT of a jam from last year…can’t put my finger on it though.

  10. Spasm Waiter Says:


    Great points. His personality used to come through so much more on stage. He had this earnestness about him that said, “I am so psyched we are all creating this experience together.” Truly infectious. I do sense that he is getting back to that place. And goofy the sense of humor point is well made.

  11. EL Duderino Says:

    Theme has never been one of my favorites.

    I don’t seem to get into it until the peak towards the end.

  12. Type III Jamming Personality Disorder Says:

    jesus. mike is attacking the footbell in this PYITE! have mercy, cactus!

  13. neemor Says:

    The lead into the Miami 2001 out of Heavy Things is slick.
    Love that.
    Reminds me of the 2001 lead in from days of ‘yore.

  14. neemor Says:

    sw said:
    He has this easnestness.

  15. zzyzx Says:

    I’m just glad I was never “Me And My Arrow’d”

  16. Wilson8or Says:

    I. LOVE. The footbell! I swear Mike was stomping cockroaches with it during the 2-26-03 Moma Dance. One of my favorite Footbell moments.

  17. Mr. Palmer Says:

    I’m a big Theme fan. The jam really can take me for a ride. Liftoff!!

  18. neemor Says:

    now it’s funny again

  19. EL Duderino Says:

    You all expect to see NO dress on the drummer this year?

    How about the vacuum?

    Do you all think it’s really gone for good?

  20. Type III Jamming Personality Disorder Says:

    yeah, if I heard the Me & My Shadow riff I might start looking around to make sure it wasn’t me.

  21. Type III Jamming Personality Disorder Says:

    oh, for those who aren’t familiar with a lot of the signals, here’s a solid start on

    it definitely does not include everything though

  22. Spasm Waiter Says:

    not earnest?

  23. neemor Says:

    To say Trey is earnest is funny to me.
    His name is Earnest.
    That’s all.
    Well done.

  24. zzyzx Says:

    It’s Me and My Arrow, not me and my shadow. I heard it once on some random tape. if you don’t know the song.

    Vacuum is allowed again because the decade is over.

  25. Spasm Waiter Says:

    got it. Really unintentional double entendre

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