Relivin’ Indio

10.30.09 - Indio (G.Lucas)

If someone told me ten years ago that we would be reliving Phish shows in 3D movie theatres in 2010, I would have dismissed the idea a futuristic fantasy that belonged in Back to the Future II. But lo and behold, only a decade later, we find ourselves right here. Capitalizing on the newest fad in cinematic technology, Phish 3D, an audio collage of Festival 8 from Indio, California, is now showing in an exclusive one-week engagement around the nation. While fans have given mixed reviews of the feature length film, I felt the concert experience translated quite well to the big screen and beyond, providing a lasting memoir of an unforgettable weekend.

Indio Pollock

Split into three sections, nighttime Phish footage, the acoustic set, and the Halloween set, one obvious strength of Phish 3D is the film’s willingness to cover full songs from beginning to end, as opposed to the usual excerpts documentary-based features include. Without any narration, interviews, or external perspectives, Phish 3D allows the viewer to fully soak in the live concert experience. (I kept thinking that the film would be an excellent introduction to Phish for someone who has never seen the band and isn’t sure they could stomach a show.) Within a society catered to short attention spans, the extensive, uncut footage provided a relief from the modern era of sound bites and highlight reels. The ability to watch the band communicate and develop jams from such an intimate perspective provided a novel viewpoint for those not glued to the rail every show. Watching their eyes lock during the music and their seeing their expressions during peak moments provided a wholly divergent experience. Given the on-stage perspective of a fifth band member, one gained a virtual, first hand point-of-view of the band’s interpersonal dynamics and stage set up, things that  I, personally, never see during a show. Phish 3D allowed  most to view Indio from an 180-degree different perspective than the actual show, and the two together formed a complete experience. And with the crowd-perspective shots, it often felt like we were right on the plush fields again.

The track selection for the opening segment of the movie couldn’t have been better, featuring an opening run of “AC/DC Bag,” “Stealing Time,” “Undermind,” “Tweezer > Maze,” and “Mike’s,” all complete and uncut. “Tweezer > Maze” stood out as the highlight of this sequence, as it did at the show; and with the varying stage shots of the band slaughtering the jam provided a completely an all-encompassing visual experience. Trey’s passion translated vibrantly throughout the film, and especially during “Tweezer,” as his spirited playing matched his animated and fiery demeanor. Following the “Tweezer > Maze,” the movie didn’t slow down, choosing “Mike’s” as the final jam of the opening section. Any time I can go to the movies and see uncut 3D versions of “Tweezer” and “Mike’s” – it’s a win-win in my book!

The Acoustic Set (G. Lucas)

The second segment of the film featured brief non-stage footage, something the film could have used more of, before showing an extended excerpt from Sunday morning’s acoustic set. The clarity of the audio matched the clarity of the video in a pristine remembrance of a modern morning of lore. While this section may have incorporated one too many songs, the inclusion of “The Curtain (With)” made the entire segment worthwhile, bringing everyone back to the spiritual sunshine of November 1. The ability to see the crowd during the acoustic set really brought the festival to life, as theatre-goers tried to pick themselves out of the colorful ocean of people. This sequence painted a warm portrait of the acoustic set, providing unattainable perspectives of one of the most universally loved portions of Festival 8.

"Loving Cup" (Photo: Graham Lucas)

The final third of the movie covered Halloween, and Phish’s take on The Rolling Stones album, Exile On Main Street. While the footage of the selected songs provided some absolutely priceless moments, this is where the film would have hugely benefited from greater backstage access. Unable to get behind the scenes, less one practice session, the story of Phish’s Halloween tradition was implied but never explained, making the section somewhat confusing for the non-initiated movie-goer. The film only contained a small snippet of the on-site Exile rehearsals, a segment that certainly left the desire for more backstage footage, but for that we’d have to wait for the credits. Clearly a case of limited access, Phish should have foresaw this obstacle and allowed more leeway for the film crew to tell the story of the band’s Halloween tradition.

Trey and Saundra (Unknown)

Nonetheless, the shots of “Loving Cup” and “Shine A Light” provided powerful memoirs of an eloquent night in the polo fields of Indio, California. The up close and personal footage of “Loving Cup” provided priceless perspectives of the “all-time” version, while the inclusion of “Shine A Light,” the cathartic exclamation point to Exile, brought back the most poignant memory of the weekend. Phish and company knew they had nailed the album, and celebrated with its soul-drenched peak. The stellar shots of Saundra Williams and Sharon Jones gave us a much closer perspective of their own fun and enthusiasm, expressions that couldn’t be easily seen live; and they were loving it. After showing a short clip of the band and their guests rehearsing “Suzy Greenberg,” the Exile section concluded with its memorable encore rendition with full-on accompaniment. And just when one thought the marathon movie has come to a close, the film cut to the weekend-ending “Tweezer Reprise.” Perfect.

"Burble" (G.Lucas)

If one shot summed up the absolute exuberance of Festival 8, it had to be during “Suzy.” The camera filmed from behind Williams and Jones, looking out at the stage as the women danced and sang. Meanwhile, with his back to the crowd, Trey, sporting a child-like, aura-encompassing smile, watched Williams and Jones spice up his own concert as if it were part of his dream. And that same dreamlike quality that shone through the expression of our favorite front man embodied the collective spirit that characterized Indio’s blissed out festival; one of the most enjoyable events of Phish ’09.

On the other hand, many people have complained about song selection, camera work, editing, and the such. Really?? I have one question to these purveyors of negativity who complain that a Phish 3D movie wasn’t worthy of cinematic greatness – “Can you still have fun?”

Phish 3D Track listing: AC/DC Bag, Stealing Time From The Faulty Plan, Undermind, Tweezer, Maze, Mike’s, Back On The Train*, Strange Design*, The Curtain (With)*, Sleep Again*, Train Song*, Wilson*, Loving Cup, Happy, Shine A Light, Soul Survivor, Suzy Greenberg, Tweezer Reprise


Jam of the Day:

Stash > Cities” 6.30.98 II

A highlight from the opening set of Summer ’98.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.



7.18.91 Casino Ballroom, Hampton Beach, NH < Torrent

7.18.91 Casino Ballroom, Hampton Beach, NH < Megaupload

A random stop with the Giant Country Horns during Summer ’91

I: Chalk Dust Torture, Foam, Runaway Jim, Guelah Papyrus, Suzy Greenberg, Stash, Take the ‘A’ Train, Cavern, Mike’s Song > I Am Hydrogen > Weekapaug Groove

II: Llama, Reba, Poor Heart, Split Open and Melt, The Lizards, The Landlady, I Didn’t Know, Possum

E: Alumni Blues > Letter to Jimmy Page > Alumni Blues

Notes: This show featured the Giant Country Horns. At one point during the show, the crowd was told by the promoter that they were dancing too much, prompting Trey to offer a date with Fishman to the fan who danced best on their chair!

Source: AKG 451 > D5

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541 Responses to “Relivin’ Indio”

  1. Henrythetoad Says:

    i usually do e-tickets. just try to do it early…it works, just there are extra fees.

  2. Phamily Berzerker Says:

    by not I meant now.

    Nice, bouncin, always good to roll with a posse of p#%$y.

    I bet you love it when they play that one song tha makes them all ovulate in synchronisity.

    Oh wait that’s my favorite band, not phsh that does that, DMB. Man, that band roxx!

  3. Henrythetoad Says:

    I just downloaded today’s Miner download. I listened to Big Cypress this afternoon. Tonight I will here some recent Miner picks.

  4. Foul_Domain Says:

    @Henry – Thanks! By, “Do it early”, do you mean I should get my ticket scanned soon after the doors open?

  5. Mr.Palmer Says:

    @foul- I’ve always had worries with the e-tickets, especially when i’m buying from secondary market or someone i don’t know. Never had a problem though. They just seem way too easy to duplicate.

  6. Foul_Domain Says:

    Thanks Palmer. I was thinking the same thing. I thought maybe I was being paranoid, butI just dont trust them.

    Sucks, because the best deals seem to be on e-tickets. I guess theres a good reason for that.

  7. purplehumpbackwhale Says:

    i just uploaded this track people were asking me for a few days ago – its the soundtrack to my final film which is about being high.

    its a mix of two things – phish’s 7.15.98 tweezer jam into california love BLENDED WITH Tupac’s original album version of cali love.

    tupac’s version fades in about 2 minutes into the phish jam. the film would cut it off a few minutes after that but i extended it to the end for the sake of this.

    its great high music.

  8. voidboy Says:


    yeah, the etickets are a little dicey at best though I have never had problems either.

    I just went to a show where they just “looked” at the etickets… and didn’t even scan them. I was amazed…

  9. Angryjoggerz Says:

    If we are doing themes, I really hope to hear a Taste>Light at some point. Why not?

  10. SOAM Says:

    “posse of Puzzy” is classsic

  11. SOAM Says:

    Twist arond…..wouldn’t ………………..

  12. Henrythetoad Says:

    i can see through the light!

  13. Henrythetoad Says:

    @fouldomain i mean do it early by getting your tix early or else they may not arrive on time

  14. Henrythetoad Says:

    I use this a lot!

  15. Phamily Berzerker Says:

    There is a joke about that but it is best told in person.

    We should all have alter egos.

    Oh wait, this is mine. Or is it?

    Hard to tell these days….

  16. Phamily Berzerker Says:

    Topic for Señor Miner, more like a project:

    Go deep on a state by state analysis x-ref’ed by era

    Or more subjective and mundane by some tastes, but there are plenty of examples of great and not-so-great guest sit ins in ever era.

    Get after it hombre!

    my two pesos

  17. SOAM Says:

    I still kinda tweak my ass out to the jam in prince crapstain


  18. SOAM Says:

    I think I had a bad ticket to Hartford- guy was oddly cool/sketch but I think it was a copy -anyway the guy scanned it twice-I don’t think it worked and he just waved me in…dig a forbin

  19. Tzara's Ghost Says:

    First meeting of the Seattle chapter of the BB imminent. Meeting Uncle Eb for the Phish3D, in a yuppie mall in the suburbs. Hope he doesn’t think I’m a wook. Maybe I’ll kick him down some tuna tartare and a phatty Chardonnay.

  20. KWL Says:


    fwiw, all episodes of season 6 appear to be on hulu right now… i am re-watching episode 1…

  21. Lycanthropist Says:


    no.. totally spaced it.

    what is the date of that and i will spin in it right now.

  22. Lycanthropist Says:

    tonights LOST:


  23. Robear Says:

    5/26/94 laguna seca daze

    catching up fast to ‘Lost’

  24. KWL Says:

    don’t do it robear!

    waiting a week for each new episode sucks when you’re not used to it.

  25. Gavinsdad Says:

    Seconding bring back a proper rift. One with a set of balls like the one from Fridays ten tunes. 94, locked in, really owning it.

    I still see lotsa honeys at shows. I set my filter for em.

    One of these days were gonna have to get into the many layers of differences that separate wook from tour kid. I liked the cute tour girls, not the gnarly wook girls.

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