“Go-Suto” (Japanese: Ghost)

Osaka 2000

As soon as Phish debuted “Ghost” in their first show of Summer ’97, the song became a staple jam vehicle for Phish. Moving with the band’s musical direction of the late-90s, “Ghost” featured groove, rock, and ambient jams depending on the era, almost always providing a highlight for any show in which it appeared. And then in Phish’s second show of 2000, at Radio City Music Hall in New York City, the band rewrote the record books for their late-90’s song. Exploring the hyper-complexities of groove and moving far beyond them into completely transcendent music, Phish threw down, perhaps, the greatest version ever played.

After such a blowout, one would figure the band continued magnifying the song for the rest of the summer, let alone the rest of the year. But they didn’t. While the Phish played solid “Ghosts” in Hartford (7.1), Chicago (9.22), and Denver (9.27), the band only took out the song six times after Radio City. And only one truly stood out – 6.15.00. Phish let loose on the final standout “Ghost” of the pre-hiatus years on the penultimate night of Japan tour in Osaka, Japan. Towards the end of the first set, the band unveiled the only Japanese version of the song, and as it turned out, the last truly great version of 2000.

6.11.00 - Tokyo (E.Sakai)

In Big Cat, a small club, elevated six floors amidst a shopping plaza, the audience squeezed into the small, square room. The predominantly Japanese audience packed it in, as the concept of personal space differed from that in the states – a lot. Before long, a combination of fans began filling the room with blown-up balloons, like a life-sized lottery bin. But when the music started, silence fell, and everyone’s focus turned squarely to the stage.

After a routine four-song, set-opening sequence, Trey quietly initiated a series of siren loops, opening the only “Ghost” of the Pacific. Following the composed section, the band oozed into the piece with a methodical, bass-led groove. Taking ample time to settle into a thick rhythmic canvas, the band pondered the early course of the jam before diving in. Mike took the melodic lead, while Trey and Page added effects, beginning the excursion in a sparse dance pattern. Trey coyly began to pick a melody within the groove, very much blending with whole, yet bringing a whole new element to the table.  Amidst a increasingly murkier plane, Fishman hit a disco-like groove that Mike immediately latched onto, bringing memories of the infectious dance odyssey weeks ago at Radio City. Page and Trey began to gently toy with the beat, and all of a sudden, the band rolled into subconscious territory.

6.15.00 Big Cat Ticket

6.15.00 - Big Cat Ticket

Offering independent melodic ideas along these uptempo rhythms, Trey stepped into prominence, before long, playing an open chord progression that would guide the band through an upbeat, out-of-character second half of the jam. The rest of his band mates picked up on his idea, gradually building a triumphant build over these changes, Meanwhile, after setting the musical plate, Trey transformed into the a cathartic waterfall of notes and melody, peaking the piece in a rolling, cyclical fashion. Uniting all the energy in the room, Phish took sailing on the majestic seas of bliss, drawing out the apex of the jam in an all-out celebration of the human spirit. After the peak, the band seamlessly slid back into “Ghost,” bringing this version to a close.

The Osaka “Ghost”  became an immediate highlight of Japan 2000, and without anyone knowing at the time, represented the last pre-hiatus triumph for the song. This moving piece of music goes under-circulated due to its international origins, and has thus been under-appreciated over the years. Everyone knows the Radio City “Ghost,” and rightfully so. This one came next.

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Jam of the Day:

Ghost” 6.15.00 I Rmstr

This standout version of the song has recently been remastered by Phish Thoughts reader, “Kenny Powers,” and is available to download by clicking the orange title above.

[audio:http://phishthoughts.com/wp-content/uploads/2010/05/ph2000.06.15-Ghost-remastered-MTX.mp3]

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DOWNLOAD OF THE DAY:

5.23.00 Roseland, NYC, NY SBD < Torrent

5.23.00 Roseland, NYC, NY SBD < Megaupload

Roseland Ballroom - NYC

During and after the first Radio City show, fans lined the sidewalks of Manhattan to get tickets for Phish’s just-announced show at Roseland the night after. The intimate gig was filmed for VH-1’s “Hard Rock Live,” and though the show was relatively jam-less, the event provided a special night in the spring of 2000.

I: AC/DC Bag, Wilson, First Tube, Ya Mar, Mike’s Song > Simple > It’s Ice, When the Circus Comes, Back on the Train, Gotta Jibboo, Taste, Sleeping Monkey

II: Punch You In the Eye, Twist, Waste, Piper, You Enjoy Myself, Run Like an Antelope, Train Song, Bug

E: Boogie On Reggae Woman, Cavern

Source: SBD

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528 Responses to ““Go-Suto” (Japanese: Ghost)”

  1. DaNcInG fOoL Says:

    plus wait a sec and i’ll show you why you’re wrong about george clinton

  2. Chalkdusting Says:

    Dancing, I saw them in April and it was a decent show. Seemed to put more effort into the visuals and spectacle aspect, but I didn’t leave unhappy. They sounded good and the energy was intense. The lead singer (Wayne I think) even got into a huge hamster ball and rolled around on top of the pit crowd. Very cool.

  3. DaNcInG fOoL Says:

    http://www.youtube.com/watch?v=1cKpdrEcshQ

    (though it’s not ’76 anymore)

  4. DaNcInG fOoL Says:

    yeah the flips obviously aren’t really a live band but one concert might be fun… did they play dark side in april??

  5. albert walker Says:

    If P-funk could only sell time machine tickets with their concert tix could def be worth it

    I haven’t seen em since 96 and it was a trainwreck
    Heard the 03 Phish and it was a trainwreck

    Imagine how bad they sound now

  6. Chuck D Says:

    dancing, have you heard their DSOTM? I found it less than impressive.

    Grooveshark link incase you havn’t:
    http://listen.grooveshark.com/#/playlist/Flaming+lips+dark+side/26603731

  7. timmy Says:

    they do put on a hell of a show. tends toward the psychadelic effects, but i really enjoy their music

  8. DaNcInG fOoL Says:

    for a second there i thought you were saying phish was a trainwreck in ’03

  9. DaNcInG fOoL Says:

    yeah i heard their dark side, i thought it was pretty cool actually

  10. Chuck D Says:

    Might just be me, but I’d be way more excited about the lips right now if the DSOTM thing wasn’t in the picture.

  11. Chalkdusting Says:

    They played two songs from Dark Side as part of the encore, if I remember correctly.

  12. timmy Says:

    ok, so the flaming lips florida shows are rescheduled in oct.
    i guess no other dates were affected

  13. albert walker Says:

    Not much love for 03 here
    No real hate either
    Pretty indifferent

    But yeah I was talking about the p-funk sit in

  14. Stupendous Says:

    Timmy u in FL?

  15. timmy Says:

    quick stint in rehab for steve…i’m sure he’s all better now?

  16. timmy Says:

    indeed, stupendous

  17. timmy Says:

    phish’s ’03 miami run….i don’t know…

  18. Stupendous Says:

    where at man?

  19. timmy Says:

    Clearwater/St.Pete

  20. Stupendous Says:

    No Shit dude
    im in Sarasota bout 40 min away..

  21. Stupendous Says:

    FL reprazent!

  22. Stupendous Says:

    Out to lunch be back in a bit~

  23. El Duderino Says:

    spinnin’ ABB 6/27/71 Fillmore East right now. (Final ABB FE show)

    This “You don’t Love Me” is ridiculously hot!!!

  24. El Duderino Says:

    ’03 is a weird year IMO.

    ’04 is a Train Wreck though

  25. DaNcInG fOoL Says:

    wasn’t there a festival in 2003 or something?

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