Saturday Night SPAC Attack

6.17.10 (J.Reiss)

In a show book-ended with two more “Tweezer Reprises,” the band dropped a very Phishy affair in upstate New York last night to opening SPAC’s two-night stand. With a first set of early classics and a diverse second half composed of multiple segments, each carrying distinctly different vibes, Phish patched together an impressive evening of music. Suffering from a tad bit of choppiness, the second stanza did manage to maintain a flow from beginning to end, filled with this summer’s locked and loaded jamming, the band’s most promising debut this year, and one of the more exploratory jams of the summer.

6.18.10 (K.Lindner)

Sparking the show like a Phillies Blunt, Phish came out in comedic and invigorated form with the third version of “Tweezer Reprise” in a row- “Threeprise!” After capping Hartford with the now-legendary double -“Reprise” encore, the band couldn’t get enough blasting into the freezer for a third consecutive time. Surfing a tsunami of energy from Hartford, the band crashed into a second-song “Chalk Dust,” maintaining the initial intensity. The first set quickly adopted an old-school theme with a series of classic early-90s pieces; each musical link in the first set chain carried its own weight, with the improvisational highlight coming in the late-set “Bathtub Gin.” While not in the same league as the Virginia version, this one nonetheless carries thick groove of its own. Additionally, the bust out of “Yamar” brought a quintessential summer vibe to the set, providing the stage for some percussive full-band interplay.

Call it the whale, call it what you will, Trey’s new style and tone – on full display in “Bathtub Gin” – and just about every other jam of the evening, has taken over his playing. And I must say, I am in love with the whale. Offering a new twist on Trey’s ideas, his pitch bending, sustained notes provide a more laid-back feel to his leads, bringing a completely new guitar element to the mixture. Often beginning in the background with gentle whispers, this minimalist approach not only provides the band with a new sound to build around, it allows Mike to step up as the bold, bass-wielding co-leader of every jam. The combination of these two elements have certainly carved out a new summer sound, but more on the 2010 sound come an off-day. Right now, let’s get to the second set.

6.17.10 (J.Reiss)

As Phish continues their re-evolution, the next logical step will be regaining comfort pushing their music into exploratory realms once again. Even in some of the summer’s most eventful sets, Phish has remained anchored to their song structures, sculpting full-on, energetic jams whose creativity come from the band’s natural chops rather than leading their music outwards. With last night’s “Rock and Roll,” Phish took his a step in the right direction. As the band left the song for the “Saratoga Jam,” their music became more open-ended and psychedelic than it has since Hershey’s “Drowned,” and they took this jam even further. With Mike at the center, the band passed through a slower groove of beauty into an exploration of faster textures, pushing their music without falling prey to typical cliches. Providing the most rewarding part of the evening, the second set opener took us for the most adventurous journey of tour. The multi-dimensional piece could have withstood another few minutes of exploration of straight psychedelia, yet still concluded organically.

Ending in a tasteful pass into “Free,” Trey and Mike seemed like they were about to take the song for the elusive ride through a crunchy dungeon that we’ve all been waiting for. Leaving the bass solo behind, they set up a groove before making that damned chord change signifying the ending just as the piece set its course set for darker realms. Following this opening sequence, Phish dropped a meaningless “Number Line” in the middle of the second set with no improvisation. Playing the contained radio single for the Saturday night crowd, Phish deflated the set’s initial peak rather quickly, but when the band started up a slow, unknown groove, things got very interesting.

6.18.10 (K.Lindner)

Only after the show did we learn the title of Page’s “Halfway to the Moon,” but for the time we became engulfed by the sinister molasses of Phish’s most promising new song. With a particularly foreboding groove and tar-thick, “Moma”-esque bass patterns, this piece foreshadowed nothing but greatness in its world premiere. With an evil, yet funky launchpad, look out when this one opens a second set later this summer; the potential seems off the charts.

But when Trey decides things are over, things are over. And such was the case as the band sat on the brink of something greater when he hacked into the growing piece with “Prince Caspian.” For a band that communicates so well while improvising, Trey could alert his band mates to his intentions when he wants to change a song; but in an all-to-characteristic move, Big Red lopped off another exploration without notice. Though Phish played a solid “Caspian,” the sudden change jerked the set’s momentum like a 747 hitting a large pocket of turbulence, and the lull continued through “Joy.” But everything shifted back into high gear for the show’s conclusion.

SPAC Pollock

Getting visibly excited throughout the into to “Bowie,” Trey flashed the double-heavy metal horns before dropping into the most scintillating version we’ve heard since their return. One-upping Chicago’s first-set closer with heavy grooves and series of blissful peaks, this version got the show back to a torrid level of intensity, while reminding is what is possible from a song that lied dormant for quite some time. The phenomenal version presented itself as the set-ender, but Phish went on to punctuate the frame with their newest cathartic closer, “Show of Life.” Infused with an enhanced energy, the anthem’s growing potential for transcendence continued to unfold in the song’s second incarnation.

One had the sense that a final “Reprise” might have been coming as the band remained onstage during Page’s “Coil” solo, and after a boisterous stop in “Character Zero,” that is exactly what went down – the fourth “Tweezer Reprise” in two nights! This final helping of musical gusto carried everyone into a beautiful New York night with nowhere to drive, as Sunday night’s weekend closer loomed large. As the tour approaches its halfway point, things are only getting better. Stay tuned – same bat time, same bat channel.

I: Tweezer Reprise, Chalk Dust Torture, Funky Bitch, Runaway Jim, Ya Mar, Sample in a Jar, Axilla > Fluffhead, Bathtub Gin, Suzy Greenberg

II: Rock and Roll > Free, Backwards Down the Number Line, Halfway to the Moon* > Prince Caspian, Joy, David Bowie, Show of Life

E: The Squirming Coil, Character Zero, Tweezer Reprise

*Debut

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490 Responses to “Saturday Night SPAC Attack”

  1. jay Says:

    try full time job @angry

  2. zzyzx Says:

    I love this new post-Steep jam that they started in Miami… this version is even better.

  3. Gavinsdad Says:

    Think that’s the most animated I’ve “seen” you Timer. 🙂

  4. BTB Says:

    I can still have fun without Advil 😉

  5. Doc Says:

    This is Bliss, right? First time played.

  6. ChefBradford Says:

    Gavin’s, I’ve got a Charlawn, courtesy of El Dude, but I’d love to upgrade; then if anyone needs a ticket I’ll bump my lawn to them. But if you know someone who is completely shut out right now, throw it to them, as long as I’m in I’m happy, really

    thanks man

  7. BingosBrother Says:

    wow, this is the new jamming style I want to hear. Slow, patient, age appropriate, fantastic.

  8. jay Says:

    this stream is awesome

  9. Guyute711 Says:

    yeah zz that’s the shit

  10. BingosBrother Says:

    Ya Mon!

  11. angryjoggerz Says:

    awww yeah! Policeman

  12. ChefBradford Says:

    Makisupa

    what a fun set so far

  13. Corey Says:

    @BingosBro, Yup. That’s how I felt too down front amongst the drunken throngs. Intense twofer that was with Wilson…and how about tonight? Same deal with a little Mango in the sandwich. Cool.

    If ANYONE finds that Simpson’s shirt that Andrew mentioned, I will buy it from you immediately.

  14. Mr. Completely Says:

    another transition from a jam directly to a slow ballad, interesting

    looks like a good one so far

  15. BTB Says:

    Hey MakiSPACa policeman…You’re a dick!

  16. BTB Says:

    Listened to some Mike

  17. angryjoggerz Says:

    im calling booggie on next

  18. angryjoggerz Says:

    listening to mike is the new bane

  19. Halden Says:

    Anyone catch what the tease was coming out of Wilson, tip of the tongue and it is bugging me

  20. Corey Says:

    I told my buddy who’s there and who also tried to get me to go with an extra 17th row seat, that they’d play Policeman today, with all those cops around. He said it was real sketchy and that he had to go through EIGHT police officers before entereing the lot. Everyone would scramble to hide their drinks at the first sound of ATVs…Not how a lot hang should be, imho.

  21. jay Says:

    perfect venue to play this song considering

  22. BingosBrother Says:

    MC Trey

  23. jay Says:

    @halden, phish.net says a dixie tease

  24. ChefBradford Says:

    Makibandintrosupa

  25. ChefBradford Says:

    Dixie, halden

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