Saturday Night SPAC Attack

6.17.10 (J.Reiss)

In a show book-ended with two more “Tweezer Reprises,” the band dropped a very Phishy affair in upstate New York last night to opening SPAC’s two-night stand. With a first set of early classics and a diverse second half composed of multiple segments, each carrying distinctly different vibes, Phish patched together an impressive evening of music. Suffering from a tad bit of choppiness, the second stanza did manage to maintain a flow from beginning to end, filled with this summer’s locked and loaded jamming, the band’s most promising debut this year, and one of the more exploratory jams of the summer.

6.18.10 (K.Lindner)

Sparking the show like a Phillies Blunt, Phish came out in comedic and invigorated form with the third version of “Tweezer Reprise” in a row- “Threeprise!” After capping Hartford with the now-legendary double -“Reprise” encore, the band couldn’t get enough blasting into the freezer for a third consecutive time. Surfing a tsunami of energy from Hartford, the band crashed into a second-song “Chalk Dust,” maintaining the initial intensity. The first set quickly adopted an old-school theme with a series of classic early-90s pieces; each musical link in the first set chain carried its own weight, with the improvisational highlight coming in the late-set “Bathtub Gin.” While not in the same league as the Virginia version, this one nonetheless carries thick groove of its own. Additionally, the bust out of “Yamar” brought a quintessential summer vibe to the set, providing the stage for some percussive full-band interplay.

Call it the whale, call it what you will, Trey’s new style and tone – on full display in “Bathtub Gin” – and just about every other jam of the evening, has taken over his playing. And I must say, I am in love with the whale. Offering a new twist on Trey’s ideas, his pitch bending, sustained notes provide a more laid-back feel to his leads, bringing a completely new guitar element to the mixture. Often beginning in the background with gentle whispers, this minimalist approach not only provides the band with a new sound to build around, it allows Mike to step up as the bold, bass-wielding co-leader of every jam. The combination of these two elements have certainly carved out a new summer sound, but more on the 2010 sound come an off-day. Right now, let’s get to the second set.

6.17.10 (J.Reiss)

As Phish continues their re-evolution, the next logical step will be regaining comfort pushing their music into exploratory realms once again. Even in some of the summer’s most eventful sets, Phish has remained anchored to their song structures, sculpting full-on, energetic jams whose creativity come from the band’s natural chops rather than leading their music outwards. With last night’s “Rock and Roll,” Phish took his a step in the right direction. As the band left the song for the “Saratoga Jam,” their music became more open-ended and psychedelic than it has since Hershey’s “Drowned,” and they took this jam even further. With Mike at the center, the band passed through a slower groove of beauty into an exploration of faster textures, pushing their music without falling prey to typical cliches. Providing the most rewarding part of the evening, the second set opener took us for the most adventurous journey of tour. The multi-dimensional piece could have withstood another few minutes of exploration of straight psychedelia, yet still concluded organically.

Ending in a tasteful pass into “Free,” Trey and Mike seemed like they were about to take the song for the elusive ride through a crunchy dungeon that we’ve all been waiting for. Leaving the bass solo behind, they set up a groove before making that damned chord change signifying the ending just as the piece set its course set for darker realms. Following this opening sequence, Phish dropped a meaningless “Number Line” in the middle of the second set with no improvisation. Playing the contained radio single for the Saturday night crowd, Phish deflated the set’s initial peak rather quickly, but when the band started up a slow, unknown groove, things got very interesting.

6.18.10 (K.Lindner)

Only after the show did we learn the title of Page’s “Halfway to the Moon,” but for the time we became engulfed by the sinister molasses of Phish’s most promising new song. With a particularly foreboding groove and tar-thick, “Moma”-esque bass patterns, this piece foreshadowed nothing but greatness in its world premiere. With an evil, yet funky launchpad, look out when this one opens a second set later this summer; the potential seems off the charts.

But when Trey decides things are over, things are over. And such was the case as the band sat on the brink of something greater when he hacked into the growing piece with “Prince Caspian.” For a band that communicates so well while improvising, Trey could alert his band mates to his intentions when he wants to change a song; but in an all-to-characteristic move, Big Red lopped off another exploration without notice. Though Phish played a solid “Caspian,” the sudden change jerked the set’s momentum like a 747 hitting a large pocket of turbulence, and the lull continued through “Joy.” But everything shifted back into high gear for the show’s conclusion.

SPAC Pollock

Getting visibly excited throughout the into to “Bowie,” Trey flashed the double-heavy metal horns before dropping into the most scintillating version we’ve heard since their return. One-upping Chicago’s first-set closer with heavy grooves and series of blissful peaks, this version got the show back to a torrid level of intensity, while reminding is what is possible from a song that lied dormant for quite some time. The phenomenal version presented itself as the set-ender, but Phish went on to punctuate the frame with their newest cathartic closer, “Show of Life.” Infused with an enhanced energy, the anthem’s growing potential for transcendence continued to unfold in the song’s second incarnation.

One had the sense that a final “Reprise” might have been coming as the band remained onstage during Page’s “Coil” solo, and after a boisterous stop in “Character Zero,” that is exactly what went down – the fourth “Tweezer Reprise” in two nights! This final helping of musical gusto carried everyone into a beautiful New York night with nowhere to drive, as Sunday night’s weekend closer loomed large. As the tour approaches its halfway point, things are only getting better. Stay tuned – same bat time, same bat channel.

I: Tweezer Reprise, Chalk Dust Torture, Funky Bitch, Runaway Jim, Ya Mar, Sample in a Jar, Axilla > Fluffhead, Bathtub Gin, Suzy Greenberg

II: Rock and Roll > Free, Backwards Down the Number Line, Halfway to the Moon* > Prince Caspian, Joy, David Bowie, Show of Life

E: The Squirming Coil, Character Zero, Tweezer Reprise


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490 Responses to “Saturday Night SPAC Attack”

  1. Mr. Completely Says:

    that ocelot blew right the fuck up

    didn’t see it coming but it left no doubt

  2. Moby Dick Says:

    dorked out about hearing this show

  3. BingosBrother Says:

    @GD : Brother set a sweet tone last Fathers Day at Alpine, followed by Wolfmans Brother. Double brother! It was on. Easily my favorite show I attended last year.

  4. BTB Says:

    Somebody call Neemor and see if he’s conscious – pronto

  5. Mr. Completely Says:

    that’s FRONKenSTEEN

  6. kayatosh Says:

    @corey: unlike w/ ocelot and sugar shack, i haven’t heard the 6/17 stash or circus comes get any love, but they’re both great too.

  7. Guyute711 Says:


  8. BingosBrother Says:

    wow. Encore Frank last Fathers Day too.

  9. Corey Says:

    keytar, anyone?

  10. Guyute711 Says:

    I always see Frankentstein. Can’t take that jade off.

  11. BTB Says:

    Frankenstein – 1 and done? They’d still have a few minutes before curfew.

  12. Mr. Completely Says:

    neemor is at this thing?


  13. jay Says:

    is trey playing the 5 neck guitar?

  14. poop goblin Says:

    Haven’t heard one as hot as Chicago

    Could this be it?

    Hard to tell before its spun

    Let’s hope.
    Looks fun on paper.

  15. BingosBrother Says:

    Neemor was. He floated away at some point.

  16. kayatosh Says:

    @corey: and to clarify, 6/18 theme didn’t make my cut, i prefer the 6/15 version.

  17. BTB Says:

    Guyute – I get hatted on for walking to my car during ‘Fire’ – we all have our songs. PH encores usually do nothing for me.

  18. BTB Says:

    I’m pretty sure Neemor and Mitch are there. I’ll txt my buddy justin and get a 3 word reaction once this thing ends.

  19. Corey Says:

    @kaya, Stash got strange and Fish/Trey/Mike got a bit separated at one point, musically speaking. Circus was the shortest I’ve ever seen, err, heard. My wife went to the bathroom at that point. I missed it at Indio due to some food poisoning that evening…tho I heard it as i was walking out to our tent. I like that tune. It was appropriate with the Cirque de Soleil tents across the street and all.

  20. Guyute711 Says:

    If this is the only song that sucks. Great show shitty encore. IMO

  21. Moby Dick Says:


    great call on brother opener

  22. kayatosh Says:

    I don’t see much you can object to about this 6/20 show other than maybe carini (not my fav).

  23. Mr. Completely Says:

    frankenstein is a great encore IMO if they’re not playing it all the time. different strokes I guess.

  24. Mr. Completely Says:

    ….and I absolutely love Carini too so there you go

    love love love love love carini

    the sickness

  25. kayatosh Says:

    poops: hang seng up over 500 pts. i’m toast tomorrow. wondering if i bail on the short and regroup, or wait out another week. it would mean a monumental loss 12%+

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