The Phish and The Whale

6.24.10 - Camden (Graham Lucas)

As Phish rebuilt their foundation throughout 2009, their playing retained a sound rooted in the past, without truly pushingย  into original territory. By the end of the year, a compact style of jamming emerged in which the band assaulted their audiences with a plethora of musical themes in a short amount of time – in short, musical density. But as we waited through the first six months of 2010, the question lingered of how this style would be applied, or rather, “When would Phish discover a new sound?” Never known for resting on their laurels, Summer 2010’s opening leg seemed ripe for the band to put one foot forward, and sure enough, that’s exactly what they did.

6.24.10 (G.Lucas)

Trey has historically been the leader of Phish, directing the band’s improv and defining their sound with his guitar tone. Whether firing out machine gun licks in the mid-90s, rhythmically narrating groove epics in the late-’90s, or seething dissonant, uncompressed leads in the post-hiatus years, Phish’s sound has flowed from their front man’s style of play. This summer, Trey honed the use of his whammy pedal, introducing a tone that the community has affectionately embraced as “The Whale” for its likeness to the underwater calls of Earth’s largest mammals. Using pitch bending to reach multiple notes instead of hammering each one with separation, Trey featured this subtler, laid back style from night one of summer tour, and his use of the whale has only grown more tasteful since then. Fusing his “whales” into lighter, upbeat jams like “Reba” or “Hood” as well as darker pieces “Ghost,” “Tweezer,” “Light” or “Bowie,” Trey illustrated the versatility of the tone, and its ability to make psychedelic contributions to all sorts of sonic palettes.

6.24.10 (G.Lucas)

In a symbiotic relationship, Trey’s minimalist whaling allowed Mike to step up and carve out the direction of jams, often providing the lead melody and rhythm simultaneously. Creating more democratic jamming, all band members could present their ideas more readily, while Trey listened and complemented them masterfully. Swooping out of the background, Red often switched gears amidst jams, transforming into the six-string juggernaut we know and love. And when he did, the rest of the band already had vested ideas in the jam, creating a more dynamic interplay, specifically in structured jams. By bending his leads rather than crushing them, Trey’s whaling lent a subtle, impressionistic style, and less in-your-face guitar – a humbler style of play that coaxed his band mates fully into the mix.

This combination of musical factors converged throughout summer’s opening leg, beginning to mold the band’s sound of 2010. In Chicago’s tour opener, the two most significant jams, “Light” and “Ghost,” showcased this stylistic shift that would continue through the month. Many resistant fans soon embraced the whale as Trey employed it more tastefully, and before tour reached its halfway point, inflatable orca whales were being tossed around the front of pavilions in comedic homage to Trey’s new tone. With Mike firmly at the center of the band’s new improvisational fabric, his eclectic and virtuosic chops have never been so apparent. Playing better than ever, Mike has emerged as the silent assassin of Phish, providing ridiculously original leads to virtually every jam. Collectively, Mike and Trey have led the band’s experiments in their emerging sound of 2010.

7.3.10 (W.Rogell)

At the same time, Fishman has stepped up his game, enhancing the band’s ever-changing rhythmic pocket, improving upon what many saw as a drawback in 2009. His drumming has been super crisp, and his unique melodic sensibility – with which he often mimics and responds to Trey’s licks – has returned, bringing another level of nuance back to Phish’s music. Page has been notably down in this summer’s mix, but his playing has been spot on, often comping Mike and Trey, while at others times, joining them in a triple-helix of melodic harmony. Hopping to his piano amidst many jams, Page often contributed a retro feel to the music, while at other times, his sonic textures launched Phish jams into space.

During June and early July, Phish made strides of creativity, chipping away at a new sound that will no doubt evolve as the year progresses. As expected, the band has begun to change again, and in the world of Phish, change has been the one constant throughout the years. While setlists didn’t contain the expected influx of new originals, the sound of 2010 developed within the context of older vehicles. When Leg II picks up in less than a month, it will be interesting to trace Phish’s musical progression along these lines and beyond, as the band continues to forge their path of the modern era.

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Jam of the Day:

Rock and Roll > Free” 6.26.10 II

This sublime piece of improv presents one ofthe defining jam of tour.

[audio:http://phishthoughts.com/wp-content/uploads/2010/07/ph2010-06-26t13.mp3,http://phishthoughts.com/wp-content/uploads/2010/07/ph2010-06-26t14.mp3]

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DOWNLOAD OF THE DAY:

6.26.2010 Merriweather Post Pavilion. Columbia, MD < Torrent

6.26.2010 Merriweather Post Pavilion. Columbia, MD < Megaupload

Official Merriweather Poster

On Saturday night of tour’s peak weekend, the band dropped one of their strongest performances of the summer with a second set to rival any. “Rock and Roll” and “Tweezer” provided two of the month’s most memorable highlights, while you just can’t mess with “Wolfman’s,” “Slave,” “Reprise” combo that closes the frame.

I: Crowd Control, Kill Devil Falls, AC/DC Bag, Sugar Shack, Tube, In The Aeroplane Over The Sea*, Stash, Backwards Down the Number Line, NICU, 46 Days, Suzy Greenberg

II: Rock and Roll > Free, Fast Enough for You, Sparkle, Tweezer > The Horse > Silent in the Morning, Wolfman’s Brother,ย  Slave to the Traffic Light, Tweezer Reprise

E: Show of Life, Good Times Bad Times

*Debut, Neutral Milk Hotel

Source: Schoeps mk4v> KC5 > M222 > NT222 > Aeta PSP-3 > SD 722 (@24bit/96kHz) (Taper: taylorc)

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990 Responses to “The Phish and The Whale”

  1. lastwaltzer Says:

    @carl

    I mean I love the talks but I think its an incredible tune period.

  2. albert walker Says:

    This jibboo is some of the best non whale guitar work of 3.0

  3. BingosBrother Says:

    @C : thanks for your honesty.

    @cowfunk : thanks for an honest attempt. 23 gets a lot of play in a book I just finished reading. Hope your guy answered.

  4. albert walker Says:

    I don’t like the narration

    Play don’t yap

    Just don’t Bork the whole thing

  5. Mr.Palmer Says:

    I’d rather him talk then play Waste.. ๐Ÿ™‚

  6. Carl Says:

    yeah I love the tune, LW. Have not relistened to it yet but raged hearing it live. Just feel like somthing is missing without narration. Kind of look forward to it when I hear the first notes of the song. Why not bring back vibration of life!

  7. BingosBrother Says:

    You mean Talk>Waste Palmer? Or narration into Waste?

    Just finished my Sailboat Man sign. Hope they see it.

  8. kayatosh Says:

    6-15-2010 set I ac/dc bag — $$$ — unique with a drums segment, dwd bass tone, and a stupendous peak.

  9. kayatosh Says:

    7/3>7/4

    or is that too obvious?

  10. BingosBrother Says:

    Not to me. I prefer 7/4 to 7/3 and 7/2 to both of them.

  11. fromthetub Says:

    Jumping in for a sec re: Jibboo:

    “re: Jibboo. the end (last 3rd maybe) is pure fire. set ending treatment and then some.”

    That is *exactly* the time that Trey was staring me down, totally locked in, fixed on me. I shit you not. I was up front. I have never, ever, ever, ever felt something so intense at a show. I was shaking and had to move up top after that. NOT kidding.

  12. lastwaltzer Says:

    fishman sounds like he is going to rip threw the skin of his kit on heavy things (7/4).

  13. BingosBrother Says:

    Way to rage fromthetub!

  14. Gratefulcub Says:

    7/2 is the shit for me. Mpp was stellar, without doubt, but Charlotte set 2 is a thing of beauty.

    On the Tarmac, liquored up, zanexed for the flight, Atlanta playlist set…….almost makes me ok with flying. Almost.

  15. Robear Says:

    I believe wendy ๐Ÿ™‚

    way to lay it down for the rest of us!

  16. Gratefulcub Says:

    Then she snapped a pic, cuz girl’s gotta gift.

  17. Mr.Palmer Says:

    Wendy FTW! You got hosed…

  18. Gratefulcub Says:

    Don’t wanna be mr p,
    baking lost at sea.

    I love waste ๐Ÿ™‚

  19. halcyon Says:

    Wendy

    What camera gear do you use for those sweet shots?

    Btw,

    Great Story!

  20. Mr.Palmer Says:

    I don’t mind Waste. I was just being a smart ass.

  21. albert walker Says:

    Fuck waste

  22. Gratefulcub Says:

    As was I. And I was too drunk to even come up with 2 good waste lines. Sort of like Trey in Atlanta ๐Ÿ˜‰

  23. fromthetub Says:

    I did get hosed. And I did feel like I had to keep raging for the sake of the entire crowd so Trey wouldn’t cut it short. (sounds lame but true) Pure, pure fire.

    Halcy, email me: fromthetub at yahoo

  24. Gratefulcub Says:

    ^whooaaa. Reading back, just want to say that I didn’t mean to imply Trey was drunk, just that he butchered the lyrics. My bad. No intent.

  25. Mr.Palmer Says:

    Best Gin of tour? Atlanta?

    Spac was decent

    Portsmouth was good. any others?

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