Saturday Night Fever

Saturday - 7.3.10 (Wendy Rogell)

Saturday night – there’s no other portion of the week that conjures up such images of spontaneous adventure and good times. And there is no other adventure and good time quite like Phish. Putting these two concepts together, you’ve got “Saturday Night Phish,” a party like none other. In this modern era, Phish has established their own way of musically celebrating their Saturday night shows by opening the second set with Velvet Underground’s “Rock and Roll.” A trend that began in ’09 has held true for all four Saturday’s of 2010, giving even the most spun tour kid a weekly reference point. A cycle that began as a bit formulaic last year turned comedic this summer with each subsequent weekend . But as one of the band’s preeminent jam vehicles of this eras, “Rock and Roll” delivers eventful excursions more often than not. Once the band climbs out of the song’s rock stylings, anything goes when Phish breaks structure. Looking back on the four Saturday’s of Leg I, here are short capsules of the versions that that kicked off each second half.


6.12 II – Blossom

6.12- Blossom (Peek Photo.)

Phish launched into the first Saturday night of tour with their popular jam vehicle, and as they entered the “Cuyahoga Jam,” the band started to breakdown the piece into percussive grooves, a la 2009. Mike thumped a stop-start bass line that underlined the unique rhythm, while Trey spray-painted the groove with shorter patterns. As Fish held down a sparse breakbeat and Page backed the jam with layers of effect, all in all, the onset of this piece didn’t veer far from the many versions that speckled ’09. But as Trey began to solo out of these tendencies, Mike jumped aboard, beginning to differentiate Blossom’ s outing. At this juncture the jam grew far more abstract, as the band molded a segment of musical silk before morphing into a collective wall of sound. Trey reprised his solo melody over this drone canvas, providing closure to the jam before rolling into “Harry Hood.”



6.19 II –  SPAC

SPAC (H.Radar)

Instead of dropping into a series of hackneyed rhythmic grooves, Phish built out of SPAC’s “Rock and Roll” into a bass-led psychedelia. The band latched onto Mike’s lines, as Trey mixed in a repetitive lick that led the band deep into the forest right away. Wasting little post-rock time, Phish quickly swam into a sparkling steam of melody, infusing the jam with an early dose of aural beauty. The piece increased in tempo as Mike drove the troops’ wild ride into darkness. Trey continued to offer cyclical, multi-note cries, in melodic support of a staggering soundscape created by Mike, Fish and Page. Towards the latter part of the jam, the band alternated between louder and softer as if someone was turning up and down the volume knob of the jam. Trey continued his role as supporting actor in this escapade, adding his piece to a more complex overall puzzle. The band descended into an abstract pond before splashing into “Free.”



6.26 II – Merriweather Post

6.26.10 - Merriweather (Graham .Lucas)

While Merriweather’s second night presented the tightest set of Leg I, on Saturday night in Columbia, Maryland, Phish served up a jam that, arguably, surpassed anything from the weekend. In this set-opening “Rock and Roll,” Phish dove off a cliff, floating into the sky in a floral-ambient groove of bliss. Knitting some of the most transcendental music of summer, Trey and Mike spun their ideas together with sublime cooperation. As this segment progressed, Trey soloed as if he was emotively narrating a story to an innocent child. The band provided a magical, amoeba-like backdrop to this musical fable, morphing the jam into a soulful piece of spirituality. Concluding his tale, Trey came growling out of this hovering abstraction with leads that implored his bandmates to follow. Together they built dramatic whole-band tension throughout the latter half of the piece. Trey eventually layed down a slick “Moby-Disk-esque” line, and the band fell into a sinister groove session to bring their mission back to earth. Coming to an organic end, Phish bled into a brief, bass-led ambiance that hinted at “2001” before revving  up the beginning of “Free.” Out of the four “Rock and Rolls” this summer, no other version even comes close; and this Merriweather rendition must be thrown in the ring for any discussion about the jam of Leg I.



7.3 II- Alpharetta

7.3.10 (W.Rogell)

After dropping two stellar jams over the past two weekends out of the Velvet Underground cover, when Phish charged up the anthem to open up Saturday, July 3, it wasn’t far fetched to expect something big for the song’s tour finale. Though once the band got going, they simply rode the song’s theme, juicing it for all it was worth. Phish never even veered far enough from the original for LivePhish to label an “Alpharetta Jam,” something done to avoid paying royalties on original  improvisation. With expressive rock soloing, Trey barreled through the straight forward jam that only broke form for a moment before moving into a pre-mature “Prince Caspian.”



Jam of the Day:

Reba” 6.11 I

A gorgeous rendition from summer’s opening set.




7.1.2010 Walnut Creek Amphitheatre, Raleigh, NC < Torrent

7.1.2010 Walnut Creek Amphitheatre, Raleigh, NC < Megaupload

Official Raleigh Poster

Raleigh featured a bumpy setlist that featured some big-time bust-outs and one of the deepest dives of summer in the centerpiece version of “Light.”

I: Llama, Roses Are Free, Kill Devil Falls, Time Loves a Hero, Alaska, Water in the Sky, Runaway Jim, The Moma Dance, Divided Sky, Cavern

II: Backwards Down the Number Line, Halley’s Comet > Light, Fluffhead, Have Mercy, Light Up Or Leave Me Alone > Free, Wading in the Velvet Sea, The Squirming Coil, Suzy Greenberg

E: Boogie On Reggae Woman

Source: Schoeps mk41> KC5> M222> NT222> EAA PSP-2> SD 722 (@24bit/96kHz)

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837 Responses to “Saturday Night Fever”

  1. zzyzx Says:

    Harpua isn’t music!??!


  2. Type III Jamming Personality Disorder Says:

    ::goes and gets some popcorn and some milk duds::

    reading the two of you discuss this is better than Avatar in IMAX 3D

  3. Mr.Miner Says:

    you know…its like 20 mins of story etc… Dead time musically.

  4. Mr.Miner Says:

    Mel hates Big Cypress, thinks it’s sloppy and overrated. Some people would call that grounds for divorce 😉

    ^ ummm yeah, I’d have the papers served. Quickly.

  5. zzyzx Says:

    Yeah and 10/31/98 was like 30 minutes of drone. 😉

    (Yeah I did know what you meant, but Harpua is the song that hooked me way back in 89 so there will be no bashing of story time! )

  6. Mr.Miner Says:

    @ lyacn. I knew i was talking to YOU when i said that…I may not know much about the BB psudonymns…but…

  7. Mr.Miner Says:

    not bashing it at all. Just Saying 12.29 II is a set of flowing improv non stop, with some of the best playing of the year in there. 12.30 isnt.

  8. Mr.Miner Says:

    I think Mel and I have different tastes in Phish 😉

  9. Lycanthropist Says:

    i know i know Miner

    just making sure.

  10. Mr.Miner Says:

    @zzyzx interesting that Harpua hooked you….that helps explains a lot of your perspective about Phish. I mean this is total seriousness. Makes more sense now.

  11. Robear Says:

    bncb is lycan?

  12. Lycanthropist Says:

    wait what?

  13. Robear Says:

    miner, favorite from ’98 NYE run?

    favorite halloween show?

  14. Mr.Palmer Says:

    i thought BNCB was aw/poop/bouncin?

  15. zzyzx Says:

    You’d have more of a case if 12/30 didn’t also have the Bag.

    So if I expand this to 20… let’s see…

    7/23/97 (since today is its birthday)

  16. Robear Says:

    ::listening to ‘Camba’ from 7/19/10::

  17. Robear Says:

    palmer, I thought he was ‘Vegas Wolfman’s!

  18. Mr.Miner Says:

    You’d have more of a case if 12/30 didn’t also have the Bag.

    ^ you need the case for 12/30, not me for 12/29 😉

  19. Lycanthropist Says:

    i thought he was moby

  20. Mr.Miner Says:

    good call with 9.14.99 boise. i forgot that one

  21. Mr.Miner Says:

    @ lycan 12.28.98

    and Halloween ’96

  22. zzyzx Says:

    I like to tell this story a lot, but I went to my first Phish show to see the opening band. They were fellow Bard students. Anyway, I kind of spent most of the show fooling around with some random girl I met that night and not paying close attention. Finally though, at the end of the set, there was the huge huge buildup to POSTER NUTBAG and I burst out laughing at it.

    Other highlights of the Harpua was Poster jumping off of the white.. corduroy… shelf and during the build, Trey screamed, “It’s [the cat’s name] not Fluff” which made me buy Junta hoping that Fluffhead was Harpua which led to me falling in love with The Divided Sky and the rest is history.

  23. Mr.Miner Says:

    are there just five people posting here with 6 handles each?

  24. Mr.Miner Says:

    @ zzyzx…that all makes total sense…interesting stuff 🙂

  25. zzyzx Says:

    If I ever had a fake handle would anyone believe it?

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