Deer Creek – XX

8.7.10 (Wendy Rogell)

Phish stepped into Deer Creek last night for their 20th show in the cornfields on the 14-year anniversary of 8.13.96 – their first massive freak scene in the storied venue – and one night after playing one of their strongest second sets of tour. The likelihood of of a colossal show last night was all but a given. But instead of delving deep on this special date, Phish balanced out the exploration of Deer Creek’s opener with a tight, song-based show that never quite elevated, and featured scarce open improvisation. Holding back on most of their central jam vehicles throughout Deer Creek’s shows, Phish has set up a two-night blowout in Alpine Valley.

8.7.10 (W.Rogell)

The first set featured a slew of old school songs, including “Guelah Papyrus” for the first time this year, and “Axilla,” “I Didn’t Know” and “Curtis Loew” for the first time on this run. But the most notable song choice was the 3.0 debut of “Walls of the Cave,” a song synonymous with the post-hiatus era. The piece sounded clean, slower than remembered and quite polished, as Phish switched up the old-school vibe with this mid-set treat. The band moved through the composed half of “Walls” with notable patience, allowing the intricate piece to breathe. Moving the “Silent Trees” section with some creative, breakneck playing, Phish locked in before dropping into one of the set’s improvisational highlights in “Stash.” Containing astute, full-band interplay, Phish pushed the piece through a melodic interlude amidst the sinister build. Some fierce work from Big Ern brought this one to the top, punctuating a succinct, yet powerful version. The other pieces of structured first set improv came in a standout “Ocelot” and a blistering “Possum” that closed the first half. These two pieces provided opposite feels, as the band wove a delicate blues-rock canvas in “Ocelot” and powered through a “Possum” like a locomotive. All told, the first set provided an entertaining string of well-played songs with several high points, but unfortunately, the same vibe permeated the second set.

8.7.10 (W.Rogell)

The band delivered the second stanza in two distinct sections – first, the dark and improvisational, and second, the light and fluffy. Front-loading the set with a promising sequence of “Light > 46 Days > Maze,” the band had the show in the palm of their hand. But instead of furthering the set by taking another launch pad off the shelf, the rest of the set fizzled into a summertime sing-along with “Meatstick > Mango,” “Fluffhead,” and Julius.” Kicking off the set with “Halley’s Comet” on Deer Creek’s second night, one felt that maybe this would be the time for an outright explosion of the crowd favorite. But in typical fashion, they segued into “Light” out the shortened song for the third time this summer. Following The Greek’s best-ever version of their newest vehicle what lied behind door number two was anyone’s guess.

Opening with a spirited composed jam, the band broke “Light’s” structure and entered a rolling, bass-led segment that brought the band out into earnest experimentation. Trey and Mike hooked up immediately, providing the foundation of the piece, offering symbiotic leads. As this section of another multi-tiered “Light” came to an organic end, the band downshifted into a spacey-ambient plane and slowly climbed out of the placid textures in a sparkling cooperative conversation that highlighted the version. But as the jam began to get truly gripping, Trey took a left turn for the end of the song, bringing back its lyrical reprise. Stretching “Light’s” ending into a drone outro, the band created a sonic bridge into “46 Days.”

8.7.10 (Wendy Rogell)

Though “46 Days” has showed up in a few second sets this summer, it has rarely spurned anything beyond bombastic guitar energy. When placed in this central spot, however, one wouldn’t have been crazy to think Phish would weave an improvisational tale. But again the band sat into an energy-based version of the heavy rocker. Instead of bringing the song to a concluding vocal round like previous summer renditions Phish drifted into another section of abstract ambiance that seamlessly bled into “Maze.” This initial sequence illustrated legitimate attempts to make smoother transitions between songs, albeit via ambient passages, but that intention, alone, is a positive sign in the band’s progression. Centering “Maze” in the second set for the second time this tour, the band again tore apart another scorching version showcasing stellar solos from Page and Trey while Mike backed the music with creative bass lines, enhancing the jam’s appeal.

8.7.10 (W.Rogell)

After bringing “Maze’s” mania to a head, closing the set’s opening sequence it certainly felt like time for some gooier dance music. Taking the road less traveled, a common theme of these Deer Creek shows the band unveiled the second “Meatstick” of 2010, signaling a stylistic turn in the direction of the set. While Merriweather’s version took off into a funk excursion, this rendition never left the song’s structure, but rather oozed into a slick DJ-style segue with “Mango Song.” Layering the two summer anthems over each other, Phish took their time to craft a smooth segue once again. The rest of the set followed a similar jam-less route, pairing “Fluffhead” and “Julius” in an underwhelming ending to the show. But when the band stepped back for a double encore, they capped the night with a magnificent “Slave” in which Trey shone from the first note to last.

Deer Creek’s second night, while entertaining, never gained that undeniable momentum of memorable second sets. By assembling two creative setlists in Indiana, Phish sent their Midwestern circus up to Alpine Valley for two nights with many of their largest musical springboards ready to explode. It’s time to get dirty in dairy land…

I: Chalk Dust Torture, Guelah Papyrus, My Sweet One, Axilla, I Didn’t Know, Walls of the Cave, Stash, Train Song, Backwards Down the Number Line, Ocelot, The Ballad of Curtis Loew, Wilson, Possum

II: Halley’s Comet > Light > 46 Days > Maze, Meatstick > The Mango Song, Fluffhead, Julius

E: Contact, Slave to the Traffic Light

8.7.10 (Wendy Rogell)

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648 Responses to “Deer Creek – XX”

  1. Henry Says:

    Tomorrow:

    Tweezer -> Ghost -> Halfway to the Moon, YEM

    E: Show of Life

  2. jdub Says:

    Thanks for the heads up GD

  3. Oldskool Says:

    I have not really been able to get into show of life yet

  4. Frycanthropist Says:

    lovin the mikes groove variety

  5. jdub Says:

    Ghost is being saved for JB, or so I selfishly hope

  6. jdub Says:

    Bug baby

  7. jdub Says:

    Bug and Dirt belong in the same set

  8. BrandonKayda Says:

    I already want to hear this for Fuck Your Face, Sloth, Reba, Antelope, Disease->What’s The Use

    Even if the Mike’s->Weekapaug isn’t so great (ie, if they reeled in Sneaking Sally too early), then it doesn’t matter much at all

    But I haven’t heard a note of this show, and am not listening to a stream so I suppose I’ll have to wait and see

  9. Oldskool Says:

    I am not being negative as I think this set looks awesome but Bug is an absolute killer for me. There are only a couple of Phish songs that I have a real aversion to, and Bug is one of them. It was featured way too prominently in 03-04. I know some love it and that is great too, just my opinion

  10. RamblinOnMyMind Says:

    @oldskool – everyone around here seems to f’ing love Show of Life, but I haven’t gotten into it yet either. You’re not alone!

  11. BrandonKayda Says:

    I’ve grown to love Bug. Trey always rips up his solo.

    Bug->space->Bowie would be gorgeous, but we might have run out of time

  12. Frycanthropist Says:

    bug dirt sloth whats the use antelope

    on top of a long disease and a funk trifecta opening

    oh yeh reba and fyf too
    id say miner is not the happiest of party guests right now

  13. jdub Says:

    yeah, I like Bug Oldskool. But only in small doses

  14. BrandonKayda Says:

    Yeah I feel sorry for Miner right now – especially considering this is night one of two

  15. Henry Says:

    Yeah, I have a feeling Miner picked (was forced) the wrong weekend to miss. I’m hoping this is the hottest show since the Greek, as it appears to be to these eyes.

  16. sumodie Says:

    i generally dont get excited when i hear mikes song start up

    and i srsly dislike the fact that its an involuntary reaction on my part

    thats not the way i like to roll at a show

  17. oneshowatatime Says:

    haha, wait, you guys feel bad for miner? what about me… i’ve missed most of the tour so far 😉

  18. Henry Says:

    I’m not a Rock and Roll hater. In fact, it was my personal highlight of the 2 shows I caught this summer (MPP 1 & 2)

    But I am glad the Leg I trend of opening every Sat night Set II with the song seems to be over.

  19. sumodie Says:

    me loves Bug

    and its an involuntary yet good reaction on my part

  20. Oldskool Says:

    Quinn

    Sweeeet

  21. Oldskool Says:

    Very gracious of Trey to share it with more than the TRide crowd 🙂

  22. neemor Says:

    BK, that was Robear

  23. BrandonKayda Says:

    I agree @Henry – it got bland by the end of tour. But MPP Rock and Roll was argueably the best of 2010, next to Gorge and above Greek IMO. Gorgeous middle jam section – the glowstick war was nuts that whole second set on the lawn. Then the Moby Dick themed-jam started – got excited when Fishman switched up the drumbeat, but it was not to be :/

    Tweezer was a facemelter that night too. Then all of night two was total fire beginning to end – glad we got to meet each other

    Ahh, MPP. That was a great time – I need more 8)

    Oh yeah, right…tonight was cool too 🙂

  24. RamblinOnMyMind Says:

    @oneshow – you mean you didn’t do all of leg 1 and then 3 Greek > 2 Telly > 2 Deer Creek? And you’re not doing Jones Beach, ACL, Halloween, New Years’ and all of fall tour?

  25. jdub Says:

    I’ve been feeling the same way recently Sumo, and don’t like that I feel that way either. Having got 3 in 5 shows this year didn’t help. Just the fact that a quarter of the set is now predictable is part of it. But I do like that they are getting creative with the contents between the bread recently. Loved CMACs sandwich.

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