It’s Only Getting Better

8.10.10 -Telluride (Wendy Rogell)

In a start-to-finish massacre, Phish took New York by storm last night, dropping a two-set showcase that oozed creativity all night long. Opening with “Fluffhead” for the first time since Hampton, last night in Jones Beach had a special feel early on. And once they started, they simply never stopped, playing a show with no lulls whatsoever, and some of the most impressive full-band improv we’ve heard this tour. Over this summer, the entire band has gelled as a whole in large part due to the re-evolution of Trey Anastasio. During last night’s second set, our front man never fell back on cliched phrasings or licks, pushing himself by playing intricate leads woven into the fabric of the jams instead of wailing away on top of them. Illustrated throughout the second set, Big Red is back an ready for business, and as Trey goes, so does Phish – a sign of positive things to come. After listening back to this second set after the show, it became quickly apparent that the band has only brighter days ahead. That full-on sense of balls-to-the-wall Phish creativity overtook the metro area last night it hadn’t in a long time.

Official Jones Beach Poster

The first set brought as much heat as any, featuring non-stop action and several, smoking structured jams. While the band struggled through more than a few parts of “Fluffhead,” the shock-value opener had everyone flying high from the get go, and as the band tackled “Kill Devil Falls,” they had hit the ground running. After a slower take on their new-school track, the set took a decided turn for the old-school in a devastating run of songs that speaks for itself. “Cities,” “Funky Bitch,” “Wilson,” Reba,” “Walk Away,” “Wolfman’s,” “Possum.” And that was the entire set. With tightly-wound and full-on playing throughout each and every song, the band clearly clicked from moment one and their connection carried throughout the night. Though non-stop action ran through the entire frame, and Trey had some fun with a toy guitar during “Wilson,” the indelible moments of groove came in “Cities,” “Reba,” and “Wolfman’s.” While “Cities” didn’t approach Greek status, it did bring liquid textures to the opening frame and provided an idyllic lead-in for a stellar “Reba.” Within the context of this one jam, it is hard to say who stood out the most, a tell-tale sign of an awesome effort by the Phish. Trey’s intricate ideas, Mike and Fishman’s delicate pocket, and Page’s rolling pastures of piano rolled into blissful magic carpet ride over Long Island Sound. Topping the set with a fierce triumvirate of “Walk Away” – with the new end groove, a swank “Wolfman’s” and blistering “Possum,” the band blazed a first set trail of fire that would only grow hotter come the second half.

8.10.10 (W.Rogell)

Building on the retro-vibe that permeated the opening stanza, Phish stepped onstage and opened the second set with “Lengthwise > Maze.” Placing “Lengthwise” in a significant slot for the first time in ages, this version was more than novelty as Fishman coaxed the song into “Maze,” evoking the psychedelia of the early ’90s. Another obliterating version of the renewed song kicked of the second set, giving an nod to the two other scintillating “Mazes” from August. Using “Halley’s” as a launchpad into an overstuffed “Mike’s Groove,” Phish sandwiched four creative jams within their musical suite, and one became an instant classic that sits along the many top-shelf offerings from August 2010.

While Phish tore apart a succinct “Mike’s,” once they segued into “Simple” the musical adventure truly began. Taking the second consecutive “Simple” jam down an original path, Phish broke through into quasi-digital territory as the entire band came together with notes that wrapped around each other in an ethereal, cyclical pattern. Fishman’s outstanding progress throughout this summer was evidenced in the morphing, delicate backdrops provided for this excursion, not to mention his work on every jam in the show. Pushing themselves out of the box, Phish seemed primed to explore new places last night as they moved into the usually-benign “Backwards Down the Number Line.” But last night was a different story all together.

8.7.10 (W.Rogell)

In the song’s short history, Phish has now blown out the song exactly four times. But differing from ’09’s versions in Chicago and SPAC, and Blossom’s secret mission in June, last night’s summer highlight actually built out of the “Number Line” jam, itself, as opposed to dropping into a completely separate realm to explore. Taking the song’s actual theme on a ride like never before, all four members of the band played as fluidly and creatively as they have all summer in crafting an immediate epic. Riding through a multi-faceted odyssey, the band once again crafted an forward looking piece of collective patience and acumen. As the jam organically progressed through many blossoms of beauty, the band subtly teased “Maze” more than a few times, en route to a spectacular second set centerpiece. Once again, all members shone amidst this jam, crawling through creative wormholes like all major Phish jams should. Fishman’s break-neck and ever-changing beats on this piece reminded us of a troll of old; one who has crawled out from under the bridge and began using his kit like a rhythmic romper room once again. This jam is a true benchmark of Phish’s progress this summer; get in on your headphones now.

8.13.10 (M.Stein)

Coming down beautifully into “Caspian,” Trey took a minimalist perspective on this joint, knitting a jam with low key licks instead of wailing in traditional fashion. The band followed his lead and laid back in a divergent and refreshing take on the second-set anthem. Likening his playing throughout the set, Trey wove creative lead melodies into the fabric of the music in an ego-less display of axemanship. Instead of finishing the song, the band’s creativity led them outwards into a musical doily that brought memories of Phil and Friend’s version at the Warfield of April ’99. Transforming the open jam into “Rock and Roll,” Phish finally used the eternal set-opener in a far more spontaneous placement. Riding the jam into a legitimate shred session, the band took the cover on an adrenalized mid-set jaunt. After an extended period of psychedelia, “Rock and Roll” gave the show a shot of energy in the form of a searing throw down. And lest anything be standard last night, the band took their cover for a rollicking ride before coming back to the refrain that soon morphed into a vocal-ambient bridge into “Weekapaug.”

8.10.10 (G.Lucas)

Capping the “Mike’s Sandwich” with a totally original “Weekapaug,” Phish proved again that they are looking for new ways to go about things. Much like “Caspian,” Trey left his signature solos behind in favor of more intricate, yet shredding, leads that kept the show pumping with new ideas. This type of playing facilitates more full band interplay, as Trey, himself, brings far more original ideas to the table. Getting straight percussive on the jam, this “Weekapaug” entered a furious territory that we haven’t seen from the song, despite its summer revival. Often putting a lens of their most successful pieces of the summer, one couldn’t help think about the new life that has been breathed into the “Weekapaug” while listening to, perhaps, the greatest version of the season. Punctuating the frame with a “Loving Cup” that simply slayed, Phish had just finished quite the set of music.

Hitting on all cylinders from Alpine, and moving full-speed into Jones Beach, Phish are certainly hitting a new stride as this tour comes to an end – a beautiful omen for fall. With only one show left on their summer slate all signs point to a mid-week blowout tonight at Jones Beach for the tour finale. With a clean slate and their only east coast audience of the month, anything is possible. And based on how Phish played last night, the possibilities are endless. If we are looking at concerts at games, last night was a huge win for the Phish, and tomorrow they look to sweep their twin bill in the Big Apple. Be there…

I: Fluffhead, Kill Devil Falls, Cities, Funky Bitch, Wilson*, Reba, Walk Away, Wolfman’s Brother, Possum

II: Lengthwise > Maze, Halley’s Comet > Mike’s Song > Simple > Backwards Down the Number Line > Prince Caspian > Rock and Roll > Weekapaug Groove, Loving Cup

E: Show of Life, Golgi Apparatus

* w/ toy guitar

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1,354 Responses to “It’s Only Getting Better”

  1. KWL Says:

    Great freeling

  2. Robear Says:

    Silly, been there too. Talk to the lawyers you know. Follow Bingos advice. Get the $$ lawyer that knows the judges out there. Profiling sucks. Anyone that thinks it’s only racial is, a racist. I’ve been cited for the bane whilst on tour. The stop in Indiana set me on a new course for life. email me anytime for support, one liners or to vent.

    AW, wow lots of dreams last night.

    Leg II continues to be the anti-Leg I tour, and I couldn’t be more happy. They put away the un-rehearsed bust outs, the unnecessary Joni and Tom Waits covers, slimmed down the catalog, and have let their playing, creativity and sorcery speak for itself.

    can i get a ‘Hells Yeah!’

  3. yanzlow Says:

    Right on Miner – terrific review. I head the maze inside number line too! Listen people – Walk away will have you pumping your fist, but Rock and Roll – you’ll probably have to stop what you’re doing to marvel at Red. It took about a year and a half, but last night was the first show I saw where it made more sense to bow (we’re not worthy!) than cheer after a song. Full on machine gun, full on rippage. Wow.
    They were controlling dynamics and textures in the 2nd set in a pre-hiatus way.
    Just fantastic music.
    Go Phish!

  4. El Duderino Says:

    HELLZ YEAH!

  5. El Duderino Says:

    Anyone have a pic of this “toy guitar”?

    Is it one of those mini Les Paul’s that Eddie Van Halen used to play?

  6. KWL Says:

    Before we do it all over again, just gotta give a HUGE thanks to jdub, Mitch, ms mango, & gdad

    Amazing kindness, amazing people

  7. verno329 Says:

    Hell yeah!!!

  8. El Duderino Says:

    I’ve met z-man halcyon.
    One of my friends from Titusville, FL. knows him well.
    Nice guy. His tapes are not the best though. But a really nice guy.
    Pretty much a professional Trusty Tour dude

  9. KWL Says:

    Strat style, red. @ white, looked like guitar hero plastic

  10. El Duderino Says:

    Little Feat drummer Richie Hayward dies at the age of 64 from liver cancer on Aug 12th…
    Last show for him was July 11th
    Bummer man!

    🙁

  11. KWL Says:

    Silly

    Not much else to say from yesterday, just more positive vibes-this too shall pass- learn from it, and build on the experiences & knowledge of those here

  12. Dr. Pronoia Says:

    Great meeting so many of you yesterday, and KWL and Sumo, we raged pretty hard down in the standing room section. I got to JB solo but never felt alone because of the great BB folks.

    I’ve got to disagree with Neems on the standing room section. It was a little softer volume-wise down there but after two close pav seats at Alpine, my ears could use the gentleness. We had plenty of room to really get down, and it cannot be overstated for me how cool it was that two adult, beautiful swans were swimming around with 6 younger ones throughout the entire show about 10 feet in front of us.

    ::::::: hugs tree, goes back to typing::::::

    I’ll save the music stuff to after relistening. I thought it was amazing though, the whole show

  13. dla Says:

    @ el dude… I was at the show last night and I’m pretty sure that was either a guitar hero guitar or some kind of kids toy electric guitar. Trey wasn’t playing the guitar, it sounded to me like some prerecorded guitar solo they played over the PA as Trey mockingly pretended to be soloing with the little guitar… Then “Can you still have fun“ and trey picked his languedoc up and killed the final verse with a real guitar. Was pretty cool.

  14. Robear Says:

    big shout out to Verno!

    Hey New York, stop by the Waterwheel. Last chance to kick down before you get down!

    but bring cash. sounds like both credit card machines are toast!

    That was nice of Michael Kang to loan Trey his guitar for ‘Wilson’

  15. KWL Says:

    LLFA

    Kang’d

  16. verno329 Says:

    ^That was nice of Michael Kang to loan Trey his guitar for ‘Wilson’

    Well played sir

  17. cotuitkid Says:

    some decent vids from last night already up on youtube. here’s a couple.

    lengthwise

    http://www.youtube.com/watch?v=Cp6d34484Jg

    toy guitar wilson

    http://www.youtube.com/watch?v=t15yhOyQksc

  18. lotfoodie Says:

    Why can I never post comments to this site? All of my comments are always awaiting moderation. Miner? Minerrrrrrr? Come on dude let a brother post!

  19. jdub Says:

    Not often do I get an entire apt to myself with nothing to do but rest and wait for part two.

    The swans that Dr. P spoke of could be seen from our upper deck spot, fishman side. We were checking them out the whole show as they seemed to enjoy the energy coming from the band.

  20. Guyute711 Says:

    Wow!! 2 mins of that Wilson and I could feel the energy coming out of my computer, gave me the chills.

  21. butter Says:

    Great write up, Miner

    I love reading your write up when i’m tour, but it brings me closer to the action when I’m not at the show

    1 more for Summer 2010!!!!!!

  22. Little Buddy Says:

    Prevalent whaling in #line jam.

  23. butter Says:

    Can’t wait to listen to this one on the plane today

    CA bound tonite!!!!

  24. 20yearslater Says:

    Trey is back! Phish is back! Two years ago! Stop saying they’re back!

  25. halcyon Says:

    the whale works at times. I think red is still learning how to use it in contexts of songs

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