It’s Only Getting Better

8.10.10 -Telluride (Wendy Rogell)

In a start-to-finish massacre, Phish took New York by storm last night, dropping a two-set showcase that oozed creativity all night long. Opening with “Fluffhead” for the first time since Hampton, last night in Jones Beach had a special feel early on. And once they started, they simply never stopped, playing a show with no lulls whatsoever, and some of the most impressive full-band improv we’ve heard this tour. Over this summer, the entire band has gelled as a whole in large part due to the re-evolution of Trey Anastasio. During last night’s second set, our front man never fell back on cliched phrasings or licks, pushing himself by playing intricate leads woven into the fabric of the jams instead of wailing away on top of them. Illustrated throughout the second set, Big Red is back an ready for business, and as Trey goes, so does Phish – a sign of positive things to come. After listening back to this second set after the show, it became quickly apparent that the band has only brighter days ahead. That full-on sense of balls-to-the-wall Phish creativity overtook the metro area last night it hadn’t in a long time.

Official Jones Beach Poster

The first set brought as much heat as any, featuring non-stop action and several, smoking structured jams. While the band struggled through more than a few parts of “Fluffhead,” the shock-value opener had everyone flying high from the get go, and as the band tackled “Kill Devil Falls,” they had hit the ground running. After a slower take on their new-school track, the set took a decided turn for the old-school in a devastating run of songs that speaks for itself. “Cities,” “Funky Bitch,” “Wilson,” Reba,” “Walk Away,” “Wolfman’s,” “Possum.” And that was the entire set. With tightly-wound and full-on playing throughout each and every song, the band clearly clicked from moment one and their connection carried throughout the night. Though non-stop action ran through the entire frame, and Trey had some fun with a toy guitar during “Wilson,” the indelible moments of groove came in “Cities,” “Reba,” and “Wolfman’s.” While “Cities” didn’t approach Greek status, it did bring liquid textures to the opening frame and provided an idyllic lead-in for a stellar “Reba.” Within the context of this one jam, it is hard to say who stood out the most, a tell-tale sign of an awesome effort by the Phish. Trey’s intricate ideas, Mike and Fishman’s delicate pocket, and Page’s rolling pastures of piano rolled into blissful magic carpet ride over Long Island Sound. Topping the set with a fierce triumvirate of “Walk Away” – with the new end groove, a swank “Wolfman’s” and blistering “Possum,” the band blazed a first set trail of fire that would only grow hotter come the second half.

8.10.10 (W.Rogell)

Building on the retro-vibe that permeated the opening stanza, Phish stepped onstage and opened the second set with “Lengthwise > Maze.” Placing “Lengthwise” in a significant slot for the first time in ages, this version was more than novelty as Fishman coaxed the song into “Maze,” evoking the psychedelia of the early ’90s. Another obliterating version of the renewed song kicked of the second set, giving an nod to the two other scintillating “Mazes” from August. Using “Halley’s” as a launchpad into an overstuffed “Mike’s Groove,” Phish sandwiched four creative jams within their musical suite, and one became an instant classic that sits along the many top-shelf offerings from August 2010.

While Phish tore apart a succinct “Mike’s,” once they segued into “Simple” the musical adventure truly began. Taking the second consecutive “Simple” jam down an original path, Phish broke through into quasi-digital territory as the entire band came together with notes that wrapped around each other in an ethereal, cyclical pattern. Fishman’s outstanding progress throughout this summer was evidenced in the morphing, delicate backdrops provided for this excursion, not to mention his work on every jam in the show. Pushing themselves out of the box, Phish seemed primed to explore new places last night as they moved into the usually-benign “Backwards Down the Number Line.” But last night was a different story all together.

8.7.10 (W.Rogell)

In the song’s short history, Phish has now blown out the song exactly four times. But differing from ’09’s versions in Chicago and SPAC, and Blossom’s secret mission in June, last night’s summer highlight actually built out of the “Number Line” jam, itself, as opposed to dropping into a completely separate realm to explore. Taking the song’s actual theme on a ride like never before, all four members of the band played as fluidly and creatively as they have all summer in crafting an immediate epic. Riding through a multi-faceted odyssey, the band once again crafted an forward looking piece of collective patience and acumen. As the jam organically progressed through many blossoms of beauty, the band subtly teased “Maze” more than a few times, en route to a spectacular second set centerpiece. Once again, all members shone amidst this jam, crawling through creative wormholes like all major Phish jams should. Fishman’s break-neck and ever-changing beats on this piece reminded us of a troll of old; one who has crawled out from under the bridge and began using his kit like a rhythmic romper room once again. This jam is a true benchmark of Phish’s progress this summer; get in on your headphones now.

8.13.10 (M.Stein)

Coming down beautifully into “Caspian,” Trey took a minimalist perspective on this joint, knitting a jam with low key licks instead of wailing in traditional fashion. The band followed his lead and laid back in a divergent and refreshing take on the second-set anthem. Likening his playing throughout the set, Trey wove creative lead melodies into the fabric of the music in an ego-less display of axemanship. Instead of finishing the song, the band’s creativity led them outwards into a musical doily that brought memories of Phil and Friend’s version at the Warfield of April ’99. Transforming the open jam into “Rock and Roll,” Phish finally used the eternal set-opener in a far more spontaneous placement. Riding the jam into a legitimate shred session, the band took the cover on an adrenalized mid-set jaunt. After an extended period of psychedelia, “Rock and Roll” gave the show a shot of energy in the form of a searing throw down. And lest anything be standard last night, the band took their cover for a rollicking ride before coming back to the refrain that soon morphed into a vocal-ambient bridge into “Weekapaug.”

8.10.10 (G.Lucas)

Capping the “Mike’s Sandwich” with a totally original “Weekapaug,” Phish proved again that they are looking for new ways to go about things. Much like “Caspian,” Trey left his signature solos behind in favor of more intricate, yet shredding, leads that kept the show pumping with new ideas. This type of playing facilitates more full band interplay, as Trey, himself, brings far more original ideas to the table. Getting straight percussive on the jam, this “Weekapaug” entered a furious territory that we haven’t seen from the song, despite its summer revival. Often putting a lens of their most successful pieces of the summer, one couldn’t help think about the new life that has been breathed into the “Weekapaug” while listening to, perhaps, the greatest version of the season. Punctuating the frame with a “Loving Cup” that simply slayed, Phish had just finished quite the set of music.

Hitting on all cylinders from Alpine, and moving full-speed into Jones Beach, Phish are certainly hitting a new stride as this tour comes to an end – a beautiful omen for fall. With only one show left on their summer slate all signs point to a mid-week blowout tonight at Jones Beach for the tour finale. With a clean slate and their only east coast audience of the month, anything is possible. And based on how Phish played last night, the possibilities are endless. If we are looking at concerts at games, last night was a huge win for the Phish, and tomorrow they look to sweep their twin bill in the Big Apple. Be there…

I: Fluffhead, Kill Devil Falls, Cities, Funky Bitch, Wilson*, Reba, Walk Away, Wolfman’s Brother, Possum

II: Lengthwise > Maze, Halley’s Comet > Mike’s Song > Simple > Backwards Down the Number Line > Prince Caspian > Rock and Roll > Weekapaug Groove, Loving Cup

E: Show of Life, Golgi Apparatus

* w/ toy guitar

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1,354 Responses to “It’s Only Getting Better”

  1. BrandonKayda Says:

    Hey Silly!

    Heard about what happened – hope you’re doing alright brother

  2. Foul_Domain Says:

    hey folks,

    Just jumped on the stream. Looks like my kind o setlist.

    Finally a little couch tour action!

  3. butter Says:

    Silly went and got his “Thug Life” tattoo today 😉

  4. locust the lurker Says:

    damn are you serious halcyon?

  5. kayatosh Says:

    what up crew? A little behind on my listening. haven’t dug into 8/15 or 8/17 yet. relistened to 8/12, now w/ a better aud. set I: roggae and wolfman’s — $$. That whole set II — $$$. great flow w/ many highlights. $$$ jibboo and twist. funny megaphone/siren vibe encore — $$. love that NO2

    also spun 8/13: several first set $$ highlights – guelah, stash, wotc, ocelot (a top version), curtis loew (trey’s guitar work here is sublime). but they shot their load in set I. set II highlights: last few minutes of 46 days before Maze and meatstick (love that fire on the mtn. vibe and page’s work). 8/13 encore contact>slave — $$$. contact never sounded so good.

    have been through 8/14 a couple times, but not in the past 24 hours. that set II is $$$. I also remember liking reba bott taste and antelope.

  6. RamblinOnMyMind Says:

    How could you do a show after watching that happen?

  7. vegas wolfmans Says:

    who’d got my hetty stream?

  8. halcyon Says:

    just saw some posts about it on the streams, and cnn’s twitter feed posted it too.

  9. locust the lurker Says:

    taper420 wolf

  10. BrandonKayda Says:

    Did they do something different in the Hood intro? I wasn’t listening

    I just listened to the DC 04 46 Days – Damn Mike did not want to play that song at all – he sounds pissed

  11. kayatosh Says:

    hang tough, silly. an unbusted baner is a lucky baner.

  12. locust the lurker Says:

    during which tune?

  13. kayatosh Says:

    8/13 maze — $$.

  14. vegas wolfmans Says:

    ll- sweetness. thanks.

    DC ’04 was a mess IMO.

  15. Foul_Domain Says:

    Definitely a playful Hood intro @ BK

  16. voopa Says:


  17. kayatosh Says:

    sad to hear about the dive. saw a dude roll/bounce down the bleachers at hershey, top to bottom. took him out on a stretcher.

  18. voopa Says:

    That guy is OK, apparently.

  19. butter Says:

    8-13 Maze is my fav, last nights sounded possibly just as good thru the headphones but Creek’s topped Greek’s which was a major development

  20. locust the lurker Says:

    a dangerous sport

  21. alumni blues Says:

    How’s the hood progressing?

  22. gratefulcub Says:

    Thanks BK. I have had people argue with me that it was just botched or something. No one that was there has any doubt what was going on. Mike was pissed about something and he showed Trey up on stage. I truly never thought 46 Days would be played again. I thought Mike just hated the tune. But in retrospect, I am sure he was pissed at Trey for something other than his song choice, like, I don’t know…..maybe for taking away the only thing he truly loves in life: Phish.

    So glad those days are behind us, and we can truly feel good feel good about Hood again!

  23. alumni blues Says:

    Yep, DC maze was the heat.

  24. albert walker Says:

    West coast shows
    Irie local flavors

    East coast shows
    Cats falling out of the sky on your ass

  25. Foul_Domain Says:

    Trey is killing it.

    I feel good about this Hood.

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