It’s Only Getting Better

8.10.10 -Telluride (Wendy Rogell)

In a start-to-finish massacre, Phish took New York by storm last night, dropping a two-set showcase that oozed creativity all night long. Opening with “Fluffhead” for the first time since Hampton, last night in Jones Beach had a special feel early on. And once they started, they simply never stopped, playing a show with no lulls whatsoever, and some of the most impressive full-band improv we’ve heard this tour. Over this summer, the entire band has gelled as a whole in large part due to the re-evolution of Trey Anastasio. During last night’s second set, our front man never fell back on cliched phrasings or licks, pushing himself by playing intricate leads woven into the fabric of the jams instead of wailing away on top of them. Illustrated throughout the second set, Big Red is back an ready for business, and as Trey goes, so does Phish – a sign of positive things to come. After listening back to this second set after the show, it became quickly apparent that the band has only brighter days ahead. That full-on sense of balls-to-the-wall Phish creativity overtook the metro area last night it hadn’t in a long time.

Official Jones Beach Poster

The first set brought as much heat as any, featuring non-stop action and several, smoking structured jams. While the band struggled through more than a few parts of “Fluffhead,” the shock-value opener had everyone flying high from the get go, and as the band tackled “Kill Devil Falls,” they had hit the ground running. After a slower take on their new-school track, the set took a decided turn for the old-school in a devastating run of songs that speaks for itself. “Cities,” “Funky Bitch,” “Wilson,” Reba,” “Walk Away,” “Wolfman’s,” “Possum.” And that was the entire set. With tightly-wound and full-on playing throughout each and every song, the band clearly clicked from moment one and their connection carried throughout the night. Though non-stop action ran through the entire frame, and Trey had some fun with a toy guitar during “Wilson,” the indelible moments of groove came in “Cities,” “Reba,” and “Wolfman’s.” While “Cities” didn’t approach Greek status, it did bring liquid textures to the opening frame and provided an idyllic lead-in for a stellar “Reba.” Within the context of this one jam, it is hard to say who stood out the most, a tell-tale sign of an awesome effort by the Phish. Trey’s intricate ideas, Mike and Fishman’s delicate pocket, and Page’s rolling pastures of piano rolled into blissful magic carpet ride over Long Island Sound. Topping the set with a fierce triumvirate of “Walk Away” – with the new end groove, a swank “Wolfman’s” and blistering “Possum,” the band blazed a first set trail of fire that would only grow hotter come the second half.

8.10.10 (W.Rogell)

Building on the retro-vibe that permeated the opening stanza, Phish stepped onstage and opened the second set with “Lengthwise > Maze.” Placing “Lengthwise” in a significant slot for the first time in ages, this version was more than novelty as Fishman coaxed the song into “Maze,” evoking the psychedelia of the early ’90s. Another obliterating version of the renewed song kicked of the second set, giving an nod to the two other scintillating “Mazes” from August. Using “Halley’s” as a launchpad into an overstuffed “Mike’s Groove,” Phish sandwiched four creative jams within their musical suite, and one became an instant classic that sits along the many top-shelf offerings from August 2010.

While Phish tore apart a succinct “Mike’s,” once they segued into “Simple” the musical adventure truly began. Taking the second consecutive “Simple” jam down an original path, Phish broke through into quasi-digital territory as the entire band came together with notes that wrapped around each other in an ethereal, cyclical pattern. Fishman’s outstanding progress throughout this summer was evidenced in the morphing, delicate backdrops provided for this excursion, not to mention his work on every jam in the show. Pushing themselves out of the box, Phish seemed primed to explore new places last night as they moved into the usually-benign “Backwards Down the Number Line.” But last night was a different story all together.

8.7.10 (W.Rogell)

In the song’s short history, Phish has now blown out the song exactly four times. But differing from ’09’s versions in Chicago and SPAC, and Blossom’s secret mission in June, last night’s summer highlight actually built out of the “Number Line” jam, itself, as opposed to dropping into a completely separate realm to explore. Taking the song’s actual theme on a ride like never before, all four members of the band played as fluidly and creatively as they have all summer in crafting an immediate epic. Riding through a multi-faceted odyssey, the band once again crafted an forward looking piece of collective patience and acumen. As the jam organically progressed through many blossoms of beauty, the band subtly teased “Maze” more than a few times, en route to a spectacular second set centerpiece. Once again, all members shone amidst this jam, crawling through creative wormholes like all major Phish jams should. Fishman’s break-neck and ever-changing beats on this piece reminded us of a troll of old; one who has crawled out from under the bridge and began using his kit like a rhythmic romper room once again. This jam is a true benchmark of Phish’s progress this summer; get in on your headphones now.

8.13.10 (M.Stein)

Coming down beautifully into “Caspian,” Trey took a minimalist perspective on this joint, knitting a jam with low key licks instead of wailing in traditional fashion. The band followed his lead and laid back in a divergent and refreshing take on the second-set anthem. Likening his playing throughout the set, Trey wove creative lead melodies into the fabric of the music in an ego-less display of axemanship. Instead of finishing the song, the band’s creativity led them outwards into a musical doily that brought memories of Phil and Friend’s version at the Warfield of April ’99. Transforming the open jam into “Rock and Roll,” Phish finally used the eternal set-opener in a far more spontaneous placement. Riding the jam into a legitimate shred session, the band took the cover on an adrenalized mid-set jaunt. After an extended period of psychedelia, “Rock and Roll” gave the show a shot of energy in the form of a searing throw down. And lest anything be standard last night, the band took their cover for a rollicking ride before coming back to the refrain that soon morphed into a vocal-ambient bridge into “Weekapaug.”

8.10.10 (G.Lucas)

Capping the “Mike’s Sandwich” with a totally original “Weekapaug,” Phish proved again that they are looking for new ways to go about things. Much like “Caspian,” Trey left his signature solos behind in favor of more intricate, yet shredding, leads that kept the show pumping with new ideas. This type of playing facilitates more full band interplay, as Trey, himself, brings far more original ideas to the table. Getting straight percussive on the jam, this “Weekapaug” entered a furious territory that we haven’t seen from the song, despite its summer revival. Often putting a lens of their most successful pieces of the summer, one couldn’t help think about the new life that has been breathed into the “Weekapaug” while listening to, perhaps, the greatest version of the season. Punctuating the frame with a “Loving Cup” that simply slayed, Phish had just finished quite the set of music.

Hitting on all cylinders from Alpine, and moving full-speed into Jones Beach, Phish are certainly hitting a new stride as this tour comes to an end – a beautiful omen for fall. With only one show left on their summer slate all signs point to a mid-week blowout tonight at Jones Beach for the tour finale. With a clean slate and their only east coast audience of the month, anything is possible. And based on how Phish played last night, the possibilities are endless. If we are looking at concerts at games, last night was a huge win for the Phish, and tomorrow they look to sweep their twin bill in the Big Apple. Be there…

I: Fluffhead, Kill Devil Falls, Cities, Funky Bitch, Wilson*, Reba, Walk Away, Wolfman’s Brother, Possum

II: Lengthwise > Maze, Halley’s Comet > Mike’s Song > Simple > Backwards Down the Number Line > Prince Caspian > Rock and Roll > Weekapaug Groove, Loving Cup

E: Show of Life, Golgi Apparatus

* w/ toy guitar

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1,354 Responses to “It’s Only Getting Better”

  1. El Duderino Says:

    Miner and Butterz tour in style me thinks…

  2. Gavinsdad Says:

    I had posted on the last thread but I’ll just echo the sentiments about the show as a whole, bu in particular that walk away Reba and #line. The band just starts brainwashing all the people around me until at some point in set2 we are all their servant, raging as a unit. Pop advil!

    SW – very sorry to hear about your misadventures.

    On a bizarre party bus situation tonite…hope to make it over to pole T pre show. If not we’ve been using pageside WW to meet pre, mid, and post show.

    I’ve already Actually had my two days made via my experience yesterday. Tonite is gravy! Waves flavored gravy!!

  3. purplehumpbackwhale Says:

    last night was a blast! met up with a bunch of BBers, saw an incredible show. i’m so pissed i woke up so early this morning out of excitement, cuz now i hafta wait around until like 4 or 5 before i can head over to the lot

  4. El Duderino Says:

    @ purple

    coffee, bane, food, nap, in that order dude

  5. Gavinsdad Says:

    BB fam is strong!!

  6. kenny powers Says:


    i’m in the same boat. didn’t get to bed until 2:30-ish, then woke up around 7:00. part of that was a killer headache…molly + not much water = dumb,

    might take a nap before heading down….but my mind won’t stop racing!

  7. kenny powers Says:

    i just slaughtered an eggs benedict…i think a nap might work for me.

  8. purplehumpbackwhale Says:

    el dude sounds like youve got shit figured out. you should be one of those “life coaches”

  9. El Duderino Says:

    Last nights show is now up on demon in 16/44 flac sbd.

  10. El Duderino Says:

    Sure purple…

    just pay me!


  11. Mr. Completely Says:

    man, great review

    wasn’t sure from the setlist whether this one would have Miner appeal

    I’ll pull it when I get to work in a bit and stuff it right in the ole earholes

  12. purplehumpbackwhale Says:

    oh thats right KP i forgot you took that molly hah… yea water would have been a good choice.

  13. El Duderino Says:

    @ KP

    A Molly hang-over…

    A nap for sure… You’re gonna need some kind of fuel tonight though or your ass will be dragging

  14. BigNasty Says:

    toy guitar = plasti-doc

    Hollow body poly resin makes for some sweet ass tone.

    Can we have a tone debate again?

  15. El Duderino Says:

    KP at tonight’s show…

    “Touch me I’m Electric”

  16. butter Says:

    They are controlling everyone’s mind baby right now GD,

    Have fun with the pwning tonite!!!!! 😉

  17. DaNcInG fOoL Says:

    willy man, some bad luck this week eh? all will be fine in time

  18. Robear Says:

    you cats need better Molly.

    ::shakes head::

  19. Mr. Completely Says:

    amazing post by @hood on p1 of today’s joint

    bad luck there @silly but don’t sweat it too much as long as its just possession

    you should have the resources to get you through it, right?

  20. El Duderino Says:

    Yeah, Didn’t Silly get fucked on some fake Alpine tix? or some shit like that?

    That kid is way too nice for stuff like this to happen

  21. butter Says:

    Lol @ Rollin on Molls

  22. Mr. Completely Says:

    I assume you molly kids know about 5-HTP?

    works better as a pre-load but still used to help me a LOT if taken the next day

    any supplement store will have it

  23. Robear Says:

    yeah, hood. you really painted a mental picture for all of us. That ‘Light’ jam could be a soundtrack for all things good and beautiful.

  24. angryjoggerz Says:

    Seems like everyone is on that bub these days, tweekers. haha.

  25. El Duderino Says:

    You can cruse around with a QP in Chicago city limits and it’s just a misdemeanor

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