Considering A Smaller Fall

Telluride - 8.9.10 (G.Lucas)

While no official statement has been made regarding the considerably smaller venues comprising fall tour, different theories have surfaced to explain the change. There has been an unquestionable decrease in demand for Phish tickets, especially since they have been playing so many shows. But I think the move has less to do with creating ticket hype or building a younger fan base than it does with the band’s current state of mind. Regardless of anything, Phish could still sell out east coast arenas in their sleep, but for some reason they are choosing a different route. Returning to mid-sized venues throughout this fall, Phish will travel back to the environments where their creativity once soared and launched them into the national music scene to stay.

New Year's Eve 1995

Between 1993 and 1995, Phish made the climb from theatres to arenas, capping ’95 in triumphant fashion by announcing their ultimate arrival with a New Year’s Eve blowout at Madison Square Garden. But that famous show at the Garden was a culmination of so much more. Representing a victory for creativity over conformation and for grass-roots over the industry path, New Year’s ’95 brought the spoils of Phish’s arduous, 12-year, career which spiked between 1993 and 1995: an era many fans still view as the band’s best. Playing far more shows per year than they would after 1995, Phish earned their wings as a touring act, spending much of the calendar on the road to small towns and cities alike. And over this three-year period, the size of venues continued to bulge: from clubs to theatres to college gymnasiums and mid-sized venues to full-on arenas. But this fall, Phish is taking a step back in this pattern, returning to rooms ranging from 6000 seats to 14,000. Gone are the glistening palaces of the NBA and NHL arenas, and back are the gritty, mid-range rooms and minor-league arenas.

But the question remains – why?

8.9.10 (G.Lucas)

With the ability to make exponentially more money playing the largest arenas tour, there is clearly more behind this move than meets the eye. Phish is opting to play rooms slightly smaller than their market demands, shutting some people out but creating a fundamentally better concert experience for the band and audience alike. With general admission floors at every fall stop and half the shows totally GA, the feel of Phish shows will be one of old – and that in my opinion, is the purpose. Riding the crest of a breakthrough summer, Phish is ready to dive deep int0 the pools of reinvention, and what better place to do that than in the environs in which they caught fire the first time.

There will be a different energy in the smaller shows of fall, where even the biggest venue still pulls up thousands shy of the standard NBA shack. In fall’s more intimate environment, the exchange of energy between the band and crowd will take on a more personal and more intense nature. With fewer tickets available for Northeast shows, there will be fewer people attending on whims or casual interest. Put fewer fans in smaller rooms and the vibe becomes instantly more focused and electric. In 14 free-for-all floor scenes of fall, gone will be the 20-something ushers keeping people in their seats and the omnipresent security guards of summer. In these smaller and inherently more laid-back rooms, everyone will tangibly feel the difference. By shrinking their venues, Phish is intentionally creating combustible environments.

12.29.09 (W.Rogell)

Through the years building to their first peak in ’95, Phish shows were defined by an intimate electricity that was lost when the band made the permanent leap to large arenas in 1996. With the palpable energy that filled the smaller rooms of yesteryear, Phish pushed their music through several torrid improvisational phases in 1993, 1994 and 1995. When Phish moved into the college and minor-league arenas of 1994, the rooms most resembling the venues of this coming fall, their music delved deeper than ever and jams were transformed into mysterious voyages into the unknown. A youthful exuberance drove their musical creativity and risk taking overflowed nightly – not such a different dynamic than in August. By no means comparing the music of these eras, the band’s modern approach, however, has taken a distinctly retro feel. Gaining musical momentum throughout June and August, Phish, perhaps, feels their creativity blossoming once again and they are ready to take on the experimentation that comes with reinvention. Maybe this time around is about getting back to place that they had permanently lost with the collapse of The Grateful Dead. Today, with Dave Matthews and plenty of other “jam bands” drawing young bohemian seekers, Phish just may be able to recreate the feeling they forgot over the late’90s and post-hiatus. With another peak musical era emerging, the band is returning to the type of rooms that hosted their original ascent.

While I have no inside information about the intent in planning this tour, it follows common logic that the band is making a conscious decision to alter the fabric of the Phish experience this fall. For whatever reasons, Phish is harnessing 1.21 jiggawatts and sending us all back to the future next month. With no plotted course and the collective imagination teeming, fall tour is bound to be something special. When Phish came back, we didn’t know what form they’d take but understood that the return, itself, was the ultimate blessing. As the band prepares to embark on an unprecedented fall tour, the line they sang at their Hampton reunion has never seemed so appropriate as it does now: “The only rule is it begins…”

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Jam of the Day:

Light > 46 Days” 8.18.10 II

In their last set of tour, Phish threw down one more shining “Light,” their unquestionable anthem of summer. Merging with “46 Days”ย  again, Phish strengthened the modern song pairing

[audio:http://phishthoughts.com/wp-content/uploads/2010/09/ph2010-08-18_mk41_1644_d2t04.mp3,http://phishthoughts.com/wp-content/uploads/2010/09/ph2010-08-18_mk41_1644_d2t05.mp3]

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DOWNLOAD OF THE DAY:

4.16.1994 Mullins Center, Amherst, MA < Torrent

4.16.1994 Mullins Center, Amherst, MA < Megaupload

4.16.1994 - Amherst, M

This is Phish’s first visit to Mullins Center at UMASS in 1994, a college-based venue hosting a two-night stand sixteen years later in Fall 2010.

I: Runaway Jim, Fee, Axilla (Part II)*, Rift, Stash, Fluffhead, Nellie Kane, Run Like an Antelope

II: Sample in a Jar, Poor Heart, Tweezer > The Lizards, Julius, Bouncing Around the Room, You Enjoy Myself > The Vibration of Life > You Enjoy Myself, The Squirming Coil, Tweezer Reprise

E: Fire

Source: AKG460b/ck61 (FOB-17th Row Ctr) > DAT (Teac DA-P20

Tags: ,

788 Responses to “Considering A Smaller Fall”

  1. Jtran Says:

    @dF

    Tried to email you, got sent back.

  2. angryjoggerz Says:

    Oh, SC, you give me such yummy warm hope.

  3. Jtran Says:

    @dF

    Jk. I just suck at the internet.

  4. phoammhead Says:

    with Mike doing a pretty solid tour in November through the 27 is a 2nd Fall Leg now unlikely and will Phish go straight to the New Years Run?

    ::inquiring minds want to know::

  5. AintNoTele Says:

    I dont think anyone has mentioned this yet, but on the Telluride SBD of night one, during the end of caspian fish yells “one of these days im going to cut you into little pieces” then page hits the opening notes to echoes…this =’s meddle for by bet on halloween album

  6. albert walker Says:

    Can

  7. Tzara's Ghost Says:

    @C Only problem with playing 4’33” for only 4 and a half minutes is, kids would be bitching that they didn’t jam it out. I want like a 17 minute 4’33” dammit, or don’t even bother playing it.

  8. Frankie Says:

    I hear you oldskool and I hope you’re right…

  9. Frankie Says:

    Don’t know if they would play another Floyd though but I guess it could be something less guitar focused… we’ll see…

  10. AintNoTele Says:

    or…our epic thowback wars set of 2010

    whole set lea’s song>emperors shuffle>sarlac pit>boba’s demise

  11. Mr. Completely Says:

    exactly @tzaras that was what I originally said – jammed out 4’33”

    great minds, etc

    @phoam I think no chance of second leg, yeah

  12. AintNoTele Says:

    I know someone here was around for the epic star wars set day that will go down in the “anals” of history

  13. jdub Says:

    Meddle would be an awesome choice, the first cover that would allow for some serious jamming. But are they big enough Floyd fans to cover them twice? I like Springsteen for what he is, not sure I’d want to hear Phish cover him at all though, but that is the obvious choice. It is so wide open right now who the hell knows what direction they’ll go in.

  14. lastwaltzer Says:

    Blackout>v-2 schnider

  15. Tzara's Ghost Says:

    Alright, phish don’t like us, but Cactus does. Crocodile is a fun venue.

  16. phoammhead Says:

    i’m afraid of that @MrC . . .

    ๐Ÿ™

    Get on the Fall Train . . . it is going to be epic! ๐Ÿ˜€

  17. Tzara's Ghost Says:

    Oh sorry, didn’t read back. Missed a shot at a Metal Machine Music joke too I suppose. Oh well. Really my first choice remains Ziggy Stardust. Though the physical graffiti angle is intriguing.

  18. lastwaltzer Says:

    In The Right Place- Dr. John

    funky, bass heavy, keyboard driven funk…….. any takers?

  19. BingosBrother Says:

    “I know someone here was around for the epic star wars set day that will go down in the โ€œanalsโ€ of history”

    I was here. T’was very anal.

  20. AintNoTele Says:

    why dont they do a little something for everyone and cover “Now 35”?

  21. Jtran Says:

    @willowed

    Any e-mail yet?

  22. Mr. Completely Says:

    yeah, that was a crappy day

  23. Mr. Completely Says:

    Metal MAchine Music would have been right on point just awhile ago, yes sir

  24. angryjoggerz Says:

    could someone cut and paste the mike tour dates, it is not loading well for me. Phish need to get their website bidness sorted n ting.

  25. Mr. Completely Says:

    a lot of cheeky talk that day, but we broke it up for a nice game of cornhole

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