Considering A Smaller Fall

Telluride - 8.9.10 (G.Lucas)

While no official statement has been made regarding the considerably smaller venues comprising fall tour, different theories have surfaced to explain the change. There has been an unquestionable decrease in demand for Phish tickets, especially since they have been playing so many shows. But I think the move has less to do with creating ticket hype or building a younger fan base than it does with the band’s current state of mind. Regardless of anything, Phish could still sell out east coast arenas in their sleep, but for some reason they are choosing a different route. Returning to mid-sized venues throughout this fall, Phish will travel back to the environments where their creativity once soared and launched them into the national music scene to stay.

New Year's Eve 1995

Between 1993 and 1995, Phish made the climb from theatres to arenas, capping ’95 in triumphant fashion by announcing their ultimate arrival with a New Year’s Eve blowout at Madison Square Garden. But that famous show at the Garden was a culmination of so much more. Representing a victory for creativity over conformation and for grass-roots over the industry path, New Year’s ’95 brought the spoils of Phish’s arduous, 12-year, career which spiked between 1993 and 1995: an era many fans still view as the band’s best. Playing far more shows per year than they would after 1995, Phish earned their wings as a touring act, spending much of the calendar on the road to small towns and cities alike. And over this three-year period, the size of venues continued to bulge: from clubs to theatres to college gymnasiums and mid-sized venues to full-on arenas. But this fall, Phish is taking a step back in this pattern, returning to rooms ranging from 6000 seats to 14,000. Gone are the glistening palaces of the NBA and NHL arenas, and back are the gritty, mid-range rooms and minor-league arenas.

But the question remains – why?

8.9.10 (G.Lucas)

With the ability to make exponentially more money playing the largest arenas tour, there is clearly more behind this move than meets the eye. Phish is opting to play rooms slightly smaller than their market demands, shutting some people out but creating a fundamentally better concert experience for the band and audience alike. With general admission floors at every fall stop and half the shows totally GA, the feel of Phish shows will be one of old – and that in my opinion, is the purpose. Riding the crest of a breakthrough summer, Phish is ready to dive deep int0 the pools of reinvention, and what better place to do that than in the environs in which they caught fire the first time.

There will be a different energy in the smaller shows of fall, where even the biggest venue still pulls up thousands shy of the standard NBA shack. In fall’s more intimate environment, the exchange of energy between the band and crowd will take on a more personal and more intense nature. With fewer tickets available for Northeast shows, there will be fewer people attending on whims or casual interest. Put fewer fans in smaller rooms and the vibe becomes instantly more focused and electric. In 14 free-for-all floor scenes of fall, gone will be the 20-something ushers keeping people in their seats and the omnipresent security guards of summer. In these smaller and inherently more laid-back rooms, everyone will tangibly feel the difference. By shrinking their venues, Phish is intentionally creating combustible environments.

12.29.09 (W.Rogell)

Through the years building to their first peak in ’95, Phish shows were defined by an intimate electricity that was lost when the band made the permanent leap to large arenas in 1996. With the palpable energy that filled the smaller rooms of yesteryear, Phish pushed their music through several torrid improvisational phases in 1993, 1994 and 1995. When Phish moved into the college and minor-league arenas of 1994, the rooms most resembling the venues of this coming fall, their music delved deeper than ever and jams were transformed into mysterious voyages into the unknown. A youthful exuberance drove their musical creativity and risk taking overflowed nightly – not such a different dynamic than in August. By no means comparing the music of these eras, the band’s modern approach, however, has taken a distinctly retro feel. Gaining musical momentum throughout June and August, Phish, perhaps, feels their creativity blossoming once again and they are ready to take on the experimentation that comes with reinvention. Maybe this time around is about getting back to place that they had permanently lost with the collapse of The Grateful Dead. Today, with Dave Matthews and plenty of other “jam bands” drawing young bohemian seekers, Phish just may be able to recreate the feeling they forgot over the late’90s and post-hiatus. With another peak musical era emerging, the band is returning to the type of rooms that hosted their original ascent.

While I have no inside information about the intent in planning this tour, it follows common logic that the band is making a conscious decision to alter the fabric of the Phish experience this fall. For whatever reasons, Phish is harnessing 1.21 jiggawatts and sending us all back to the future next month. With no plotted course and the collective imagination teeming, fall tour is bound to be something special. When Phish came back, we didn’t know what form they’d take but understood that the return, itself, was the ultimate blessing. As the band prepares to embark on an unprecedented fall tour, the line they sang at their Hampton reunion has never seemed so appropriate as it does now: “The only rule is it begins…”

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Jam of the Day:

Light > 46 Days” 8.18.10 II

In their last set of tour, Phish threw down one more shining “Light,” their unquestionable anthem of summer. Merging with “46 Days”  again, Phish strengthened the modern song pairing

[audio:http://phishthoughts.com/wp-content/uploads/2010/09/ph2010-08-18_mk41_1644_d2t04.mp3,http://phishthoughts.com/wp-content/uploads/2010/09/ph2010-08-18_mk41_1644_d2t05.mp3]

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DOWNLOAD OF THE DAY:

4.16.1994 Mullins Center, Amherst, MA < Torrent

4.16.1994 Mullins Center, Amherst, MA < Megaupload

4.16.1994 - Amherst, M

This is Phish’s first visit to Mullins Center at UMASS in 1994, a college-based venue hosting a two-night stand sixteen years later in Fall 2010.

I: Runaway Jim, Fee, Axilla (Part II)*, Rift, Stash, Fluffhead, Nellie Kane, Run Like an Antelope

II: Sample in a Jar, Poor Heart, Tweezer > The Lizards, Julius, Bouncing Around the Room, You Enjoy Myself > The Vibration of Life > You Enjoy Myself, The Squirming Coil, Tweezer Reprise

E: Fire

Source: AKG460b/ck61 (FOB-17th Row Ctr) > DAT (Teac DA-P20

Tags: ,

788 Responses to “Considering A Smaller Fall”

  1. lastwaltzer Says:

    @jtran

    its just “one” cigarette

  2. jdub Says:

    Jtran and I get mixed up pretty regularly Bingos, but after watching my boy suffer through this evening (and he agreed and got a bike out of the deal), I only think its fair for me to give up my major bad habit. Which is a 100 x worse than a binky. Don;t want him growing up with a dad who smoked like i did, hence 4 out 5 kids smoked, and he clearly has got an addictive personality.

  3. Gavinsdad Says:

    Tonites buzz was brought to you by Chuck D.

    Going to see epic stoner rock band Sleep tonite. They reunnited after many years and are going to play their seminal “dopesmoker” in full (clocks in at an hour for the song. I am totally prepared.

    We will know more after public onsale. Sorry to be glum but the percentage of peeps who scored seemed a little low. Anyone think otherwise?

  4. phoammhead Says:

    MIKE GORDON NOVEMBER 2010 TOUR

    11/06 Troubadour, West Hollywood, CA
    11/07 The Independent, San Francisco, CA
    11/08 Aladdin Theatre, Portland, OR
    11/10 Crocodile Cafe, Seattle, WA
    11/11 Wilma Theatre, Missoula, MT
    11/12 The State Room, Salt Lake City, UT
    11/13 Fox Theatre – Boulder, CO
    11/14 The Waiting Room, Omaha, NE
    11/16 Fine Line, Minneapolis, MN
    11/17 Barrymore, Madison, WI
    11/18 Lincoln Hall, Chicago, IL
    11/19 Bluebird, Bloomington, IN
    11/20 Madison Theatre, Covington, KY
    11/22 Beachland Ballroom, Cleveland, OH
    11/23 Westcott Theatre, Syracuse, NY
    11/26 Port City Music Hall, Portland, ME
    11/27 Royale, Boston, MA

  5. phoammhead Says:

    @Gdad

    Yeah, seems numbers of scores are low . . . but hard to say, obviously . . .

    I and two others I know personally got shut out of any ACs . . . 🙁

  6. Phishead Says:

    Credit card was charged today. Halloween! AC here we come!!!!!!!!!!!!!!!1

  7. fee4zy Says:

    Shut out. If anyone comes across an extra for 10/10 that is the only show I can go to. Making a go at flying in and seeing one show from SLC. That’s it. Let me know.

  8. Jtran Says:

    Out of myself and my 4 good friends that were helping each other out, only 2 of us hit..1 for 2 out of 3 ACs, one for both Amherst (all he requested)

  9. Frankie Says:

    Coral Sky Hood and Julius videos on Hidden Track plus other audio goods…

  10. Frankie Says:

    Love the added percussion…

  11. Jtran Says:

    The majority of the “old” HQ footage of Trey I’ve seen is the Vegas DVD and the It DVD.

    Pretty cool to see some quality stuff of him before some of the future problems..so much more animated.

  12. youenjoy09 Says:

    +++++++EXTRAS for Atlantic City! I have 4 friday and 4 saturday. Looking to trade for

    Broomfield, CO or Utica. Let me know if you are interested. Rage!

    chinacat503 at yahoo dot com.

  13. Frankie Says:

    Yeah Jtran, i love how he used to do those little steps forward and backwards just channeling the music… like in this Reba video from 10.31.94… One of my favorite versions ever of that song…

  14. William H. Bonney Says:

    Coral Sky 96 all time rager..DvD shots look great

  15. oldskool Says:

    The footage looks great! I am very excited for this release. I was sooo tired at this show but I know to never miss Phish in Florida or Utah 😉

  16. lastwaltzer Says:

    David Bowie and Tony Orlando?

    http://www.youtube.com/watch?v=xH4ziD9s1XM&feature=related

  17. Jtran Says:

    Young inquiring minds want to know…were those huge t shirts a Trey thing, or a mid 90s thing?

  18. BeantownBoy Says:

    Good Evening, Blackboarders

    What a day of ticket madness.
    Plus, from the Ticket Exchange board it looks like Mitch has already scored his single for 10/31–nicely done, sir.

    In that light, I’m looking for two to each night. All I got is face plus fees and a beer or two for your kindness. If you’re in the Boston area please hit me up.

    beantownboy35@gmail.com

  19. halcyon Says:

    Cee Lo’s new tune….It’s a good one. Funny too.

    http://www.youtube.com/watch?v=pc0mxOXbWIU

  20. BeantownBoy Says:

    ^ by each night I mean for AC.
    The PTBM gods were kind enough to give me two to the Funkin Donuts show.

  21. Jtran Says:

    @Beantown

    I can do 1 for the 29th if that’d help?

  22. oldskool Says:

    @Halcyon, Cee Lo has so much soul. A very cool an original artist. So many producers and record companies have tried to get him to change his style either more towards rap or R&B but he continues to just do his own thing. Dangermouse clearly got IT

  23. halcyon Says:

    Squirrel in a Spinning Feeder

    http://www.break.com/index/squirrel-caught-in-a-spinning-feeder.html

    @ OldSkool
    CeeLo is as Original as can be. Varying styles and genres. The song is so catchy.

  24. willowed Says:

    Just got my e-mail from Phish

    2 GA Floors for providence. Shut out of AC

    Please help Willowed see his first Halloween show.

    Need 1 for 10/30 and 1 for 10/31

    jonathan dot bailey @ quinnipiac dot edu

  25. Robear Says:

    😛 likes the Miami ‘Sand’

    living room boogie

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