The Re-Birth of “The Groove”

8.10.10 - Telluride, CO (Graham Lucas)

When Phish returned to the stage in 2009, they reeled in “Mike’s Groove” from its days as an improvisational centerpiece to its old-school format of “Mike’s > H2 > Weekapaug.” Barely extending each piece beyond eight minutes run-thrus, the routine of the modern era “Mike’s Groove” grew quickly tiresome. The opening riff of “Mike’s Song” – once a jolt of adrenaline to the heart – now signified 20 stagnant minutes of music while Phish churned out generic version after generic version of each bookend. Rarely adding meat to the simplistic sandwich, for over a year “Mike’s Grooves” provided little investigation into the unknown. But throughout this summer, Phish bolstered their musical suite in unexpected ways. Though “Mike’s Song” remained a structured descent into darkness, the feats that the band accomplished after the song’s closing power chords brought the adventure back into the “Groove.”

8.10.10 (G.Lucas)

Beginning in Canandaigua, New York at the end of June, Phish began to switch things up. Segueing into “Simple” and then into “I Am the Walrus” before bursting into “Weekapaug,” this entire “Mike’s Groove” had gained liftoff, forming a half-set escapade that departed from its played-out pattern. Fast forwarding to July 4th’s tour closer in Atlanta, the band lit the fuse of a late-set “Groove,” and the spark led to an array of Phishy fireworks. In a slot where the band had placed so many cliched versions, this holiday “Mike’s Groove” turned out to be anything but usual. Segueing surprisingly into “Tela,” and then eve more dramatically into “Harpua,” Phish packed significant bust-out action into this patriotic tale. But when Trey’s story led to the cover of Rage Against the Machine’s “Killing In the Name,” this tour-ending “Mike’s Sandwich” resembled a monstrosity from from New York’s Carnegie Deli.

When the second leg rolled around, Phish molded larger musical suites, using “Mike’s” and “Weekapaug” to bookend adventurous pieces of improvisation. During The Greek’s second night, Trey abruptly bust into “Ghost’s” jam with the opening of August’s first “Mike’s Groove.” Any memories of the ugly transition dissipated in the vapor trail of Trey and Mike’s fury, and when the band stepped into “Simple,” nobody expected a tour-defining jam to emerge. But to the surprise of most, that is exactly what happened as Phish transformed the anthem into an abstract and melodic experiment. Popping with sonic originality, “Simple” grew into the first breakthrough jam of tour; a jam that blossomed in between “Mike’s” and “Weekapaug.” Phish also squeezed in succinct versions of “Number Line” and “Seven Below” into this super-sized “Groove.”

8.10.10 (G.Lucas)

In Telluride, Phish beefed up an early-set “Mike’s Groove” by inserting the run’s only “Crosseyed and Painless” before merging with their traditional path of “Hydrogen > Weekapaug.” After ripping the universe wide open with “Disease > What’s the Use?” on Alpine’s first night, Phish laid back into a swanky “Dirty Sally Groove.” Using”Dirt” as an introspective comedown from a particularly sharp “Mike’s Song,” the band wasn’t done with this second-half “Groove” just yet. Feeling the flow, the band dropped into the slithering funk rhythms of “Sneakin’ Sally” and absolutely annihilated the cover. Guided by Mike’s laser bass lines, Trey bounced a lively solo over an ocean of liquid grooves. Bringing this late-set treat to a head and through a vocal jam, Phish set up a blistering “Weekapaug” to punctuate this dynamic musical paragraph.

Only two shows later in Jones Beach, however, the band pieced together the most eventful “Mike’s Groove of the season. Providing the meat and potatoes of the second set, Phish combined a standout “Simple” and a defining “Number Line” with a creatively placed “Rock and Roll” to form the most flowing and vituosic “Mike’s Groove” of summer. Finishing this suite with a spunky “Weekapaug,” the band cranked up the feel-good anthem as they did all summer long. While “Mike’s” certainly took on added life in August, “Weekapaug” saw far more attention as several versions turned into high-flying highlights. Blasting off into lands of melodic percussion, the band magnified the suite-closer with creative jaunts that infused shows with ending momentum rather than methodical motion.

8.9.10 Telluride (G. Lucas)

In a season of revitalization, “Mike’s Groove” fell in line with the larger trend of summer. Finding original pathways to creativity, the band breathed new energy into a stagnant part of their catalog. Not long after many fans called for its shelving, “Mike’s Groove” bounced back resiliently, providing highlights to every Leg Two show in which it appeared. Snowballing with Phish’s over-arching head of steam in 2010, the band’s classic musical combo came into focus during a significant second leg of summer. While the spotlight shifted away from “Mike’s” and onto the rest of the “Groove,” craftsmanship and improvisation came back to Phish’s hallowed sequence during a summer that held nothing but future promise.

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Jam of the Day:

Reba” 8.7.10 II

One of three stellar “Rebas” along the trail of August; this oneĀ  from The Greek.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

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DOWNLOAD OF THE DAY:

10.27.96 N.Charleston Coliseum, Charleston, SC < Torrent

10.27.96 N.Charleston Coliseum, Charleston, SC < Megaupload

This is Phish’s second, and last, visit to North Charleston Coliseum, another venue that will host a two-night stand next month.

I: Runaway Jim, Punch You In the Eye, AC/DC Bag, Fee, Scent of a Mule > Catapult* > Scent of a Mule, Split Open and Melt, Talk, Taste, Suzy Greenberg

II: Chalk Dust Torture, Bathtub Gin, Rift, Prince Caspian, Ya Mar, Tweezer, Fluffhead, Life on Mars?, Tweezer Reprise

E: Possum, Carolina

*performed twice during the Mule Duel; first by Mike, and then by Page solo on the theremin

Source: Sennheiser ME-67’s

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738 Responses to “The Re-Birth of “The Groove””

  1. purplehumpbackwhale Says:

    oh shit! nice find.

  2. Mr. Completely Says:

    what is the bonus audio soundtrack, though?

    cool or lame?

    as in lame like being too lame to look it up?

    *ahem*

  3. Mr. Completely Says:

    we don’t get a whole lot of great sunsets in PDX due to the big hills right along the western horizon among other things…this one was real weird but pretty…changed incredibly fast, spotlighting this part of he sky first, then that one, first a low, broad, smeared out ellipse of soft silvery light like a giant UFO hanging off the ridge itself, then just a few minutes later it was tracing golden-orange art nouveau lacework on a previously invisible wave of low cumulus arcing across a totally different, widely separated segment of the sky…and so on through four or five major permutations…very odd but cool

  4. Mr. Murph Says:

    Got my Charleston tickets! So glad 4 out of 5 of my group got theirs. Anyone else get lucky or completely screwed?

  5. garretc Says:

    Yeah Mr. C, I could see patches of bright orange through the fog, pretty cool

  6. purplehumpbackwhale Says:

    i think it just means the show as an audio cd. because u cant get audio from the dvd. most times the audio is ripped and leakes from the dvds anyway like walnut creek and clifford ball, but they give you a cd in this case.

  7. Lycanthropist Says:

    evening BB

    just a quick update to those that have followed along:

    Absolutely outstanding Chance Fisher practice tonight.

    Pumped about gigs this weekend.

    That is all.

  8. Mr.Miner Says:

    @ C. the bonous audio is huge.. its the rematserd CDs of the show…what I think should ALWAYS come with DVD releases…

  9. Mr.Miner Says:

    ^ huge for me I should say…I’d use it more than the DVDs…but they cost 17 bucks or something

  10. Al Says:

    West Palm Beach 11/2/96 is being released on DVD. Check out Phish.com

  11. rogmarley Says:

    @Prince
    I have a charge on my account for Charleston but have not “heard” anything via email

  12. rogmarley Says:

    Prince Nabby,

    My fail. Got the email on Tuesday…

  13. Corey Says:

    @Mr.Murph, stiilll waiting…no email at all, nor any holds on my card.
    Maybe PHiSH has forgotten me, but they technically don’t have to send until 11.59p tonight. So, I’ll give them that.

    Anyone else not heard at all yet?

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