The Comeback Has Ended

10.19.10 - Augusta (Ryan Gilbertie)

Following a year and a half of re-building and re-learning, Phish has finally taken things to the next level. Leaving a vapor trail in their path, the band careened into the future during their three-week fall tour. Standing on a solid foundation, Phish was back up to snuff, doing what they want when they want with unparalleled fluidity. After springing a leak this summer, the flood gates of creativity burst open during October, carrying the band through – easily – their best tour since returning to the stage. Phish’s so-called “comeback” that began in Hampton last year has concluded, and during this fall the band took the first bold step into the next era of their career.

10.30.10 - Atlantic City (D.Lavery)

Beginning in Broomfield, and building throughout tour, Phish showcased a new-found urgency and intent behind their playing that merged with far more fluid communication than we had seen from the band this era. Segues slid seamlessly, jams took no time to build and rarely ended awkwardly, and Phish built music with the single-minded purpose of old. With proficiency no longer a hindrance, the band members held meticulous musical conversations every night that pushed their music in new and spontaneous directions. Wasting no time vamping over funk chords or meandering through minutes of ambient swamps, Phish cannonballed into each and every jam, getting right to business with furious musical density. The band warped time each night, making twelve minutes feel like twenty, as ideas flew off the stage from every angle at a numbing pace. Beginning in Broomfield, Phish seemed to get build upon each and every show, a characteristic of their glory days, with any slow nights due to song choice and not sloppy playing. Once again – in Fall 2010-  Phish proved they are masters of their domain.

South Carolina LE Magnet

Spring-boarding off a tight, song-based show in South Carolina, Phish caught fire on their second night in North Charleston and never looked back, setting the table for a game-changing week in the Northeast. Augusta, Utica, Providence, and Manchester – four shows that redefined modern era Phish. Strewn with scorching jams, slick segues, and self-referential musical play, the twists and turns of old re-emerged within a wholly new and futuristic context. And despite a two-night dip in excitement at UMass, the band was right back atop their game for the final four nights of tour. Highlights are too many to list in one piece, as almost every jam garnered the complete focus and full treatment from the band. For example, amidst Utica’s two-set frenzy, one of the most impressive “Vultures” ever-played dropped early in the opening frame. Do I have the time to mention that?

Needless to say, there is no shortage of listening material from this tour that stands up to any era of Phish. Augusta’s exploratory “Reba” encore immediately danced amongst the all-timers; each version of “Light” took a divergent and unknown path into new-school psychedelia; Utica’s start to finish opus compares to top-notch shows of lore; and Providence’s “Rock and Roll > Carini” may be my favorite musical segment of the tour. The highlights never stopped coming in diverse fashion, each night bringing different adventures into the unknown – and that’s what Phish tour is all about.

10.19.10 - Augusta (Ryan Gilbertie)

Reinventing “Sand” and “Carini,” while awakening a former giant in “David Bowie” and greatly varying their setlists, Phish brought a fresh energy to each piece they touched, crafting many golden jams and sets along the road of fall. “Light” broke new ground with each incarnation, evolving from its melodic, abstract, and ambient summer roots into a vehicle for uptempo, next-generation grooves. Forging unique paths nightly, every time “Light” started, a show highlight was guaranteed. Dashing and darting and turning on a dime, Phish killed every single version, cementing its place as their current cosmic trampoline. When Phish got rolling this fall, however, it mattered little what songs they played, as engaging jams blossomed in the energetic interplay of any piece. See Utica and Manchester for prime illustrations.

But since tour ended, the set I have been addicted to has been Halloween’s Waiting For Columbus. A surprise selection that ran away with Atlantic City’s extravaganza,  Phish’s Halloween performance immediately jumped into any conversation about the band’s greatest musical costumes. With Phish grooves lurking around every corner, Little Feat’s live album transformed Boardwalk Hall into a retro-dance party and a collaborative triumph for the ages. Providing an over-all experience like never before, Phish’s take on the Little Feat’s classic recordings focused on rhythmic interplay and improvisation that invited the audience into a time and place, instead of simply playing an album of songs. Capping the tour with one of the their defining Halloween performances, Fall 2010 couldn’t have ended on a higher note.

10.31.10 - Boardwalk Hall (Graham Lucas)

With almost two months off before an unprecedented five-night New Year’s Run, we have plenty of time to dig into the depths of the most satisfying and eventful tour since Phish’s return. With their comeback now fully in the rear view mirror, things are just getting started. Welcome to the future – it’s gonna’ be a wild ride.


Jam of the Day:

Spanish Moon” 10.31.10 II

This infectious track took center stage on during Halloween’s second set. One of many Halloween highlights, Phish’s “Spanish Moon” turned out to be twice as long as Little Feat’s version on Waiting For Columbus. Let’s keep this one in rotation please.




10.31.10 Boardwalk Hall, Atlantic City, New Jersey

FLAC torrent via etree, 320 Mp3 Torrent, Megaupload < Links

10/31 Poster (Duval)

A Halloween night to rival any in history featured a stunning “Stash” and a silky smooth “Ghost > Spooky” in set one, while dark-horse selections, “Jibboo” and “Wilson” stood out in a celebratory third frame. But this night was all about Waiting For Columbus, perhaps Phish’s best musical costume ever.

I: Frankenstein, Big Black Furry Creature from Mars, Ghost > Spooky, The Divided Sky, Roses Are Free, Funky Bitch, Boogie On Reggae Woman, Stash, Character Zero

II*: Fat Man in the Bathtub, All That You Dream, Oh Atlanta, Old Folks Boogie, Time Loves a Hero > Day or Night, Mercenary Territory, Spanish Moon, Dixie Chicken > Tripe Face Boogie, Rocket in My Pocket, Willin’, Don’t Bogart That Joint, A Apolitical Blues, Sailin’ Shoes, Feats Don’t Fail Me Now

III: Down with Disease > Back on the Train, Gotta Jibboo, Camel Walk, Suzy Greenberg, Wilson > Harry Hood, The Horse > Silent in the Morning, You Enjoy Myself

E: Julius*

* with horn section and Giovanni Hidalgo on percussion

Source: Schoeps mk41> KC5> M222> NT222> EAA PSP-2> SD 744t (@24bit/96kHz) (Taper – Taylorc)

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689 Responses to “The Comeback Has Ended”

  1. KWL Says:

    speaking of famous fLegionnaires

  2. c0wfunk Says:

    Thanks phoam let’s get up and have that beer sometime soon! On the plane… phone off again see y’all in the mountains!

  3. phoammhead Says:

    @KWL – lol – love it!

    Ned, wassup?

  4. BrandonKayda Says:

    Can somebody explain the fLegionnaires thing?

  5. Mr.Palmer Says:

    llfa @kwl

  6. ChefBradford Says:

    Read back a few pages, BK, funny drive-by troll

  7. Lycanthropist Says:

    and there is the fastest rising officer in the illustrious fLegionnaires

  8. phoammhead Says:


    look back a few pages re prisoner’s post and miner’s reply and ensuing onslaught – lol!

  9. Guyute711 Says:

    “Phish really makes me a better worker because Im always trying to put Phish money in the Phish bank so I can take out loans for Phish tour.”

    I call it my Phish Stimulus plan. I have done more for the economy than the last two presidents.

  10. Lycanthropist Says:

    nice Guyute

  11. phoammhead Says:

    damn this is hilarious – i’m losing it!

    i’m back on C&P from SC – this shit does not get old.

  12. phoammhead Says:

    ^machine gun Treza!

  13. KWL Says:

    brim twist

    night kidz

  14. halcyon Says:

    whoa….nedboy made his return….. *ting*

    brim 46 days…. I usually am meh for that song, but the outro was explosive….

    ghost from brim 1 aint too shabby either

  15. SillyWilly Says:

    46 days in AC was solid.

  16. verno329 Says:

    @phoam my copy does not have a hiccup during Stash. And I can confirm that the Crosseyed Antelope was all I was expecting and more. Gotta watch that again right now

  17. phoammhead Says:

    ah, that is good to know @verno329 . . . i will have another look at mine – thanks.

  18. BingosBrother Says:

    Think I might have fLegionnaires dISEASE. Pray for me.

  19. halcyon Says:

    T3….reading back…and congrats!

  20. jdub Says:

    Augusta has grown on me like a fine wine. Finally got a chance to do a nice listen of the entire show throughout today. There is some dynamite playing from start to finish. Light>20YL one the tastiest segments from fall. Gin is the real deal. Hood has some very delicate jaming, can really hear how good Fishman has gotten. And Reba seems to get better for me the more I listen. A bunch of good second tier tunes throughout as well. A little jerky jerky towards the end of set two but damn if Reba doesn’t make up for it.

  21. DukeOfLizards Says:

    fLEGIONNAIRE’S diSEASE segues into What’s The Use. Everyone knows that.

  22. sumodie Says:

    @jdub: twas a great time seeing phish in our high school gym! Forgot about that segue into 20YL (only 20YL this tour?). Gotta spin Augusta tomorrow

    My tour cold is still hangin on though almost gone…giving me flashbacks of 96/97, llfa

    Spun Prov set II today -that’s still my personal fav, that show is ALL about the Ocedoc…

    peace out

    Already anxious for Woosta!

  23. phoammhead Says:

    just hit P&M, Cavern>David Bowie – top notch Phish – i was glad to be at that show!

  24. phoammhead Says:

    just hit sand, limb, sneakin, uncle p

  25. DaNcInG fOoL Says:

    tuscan 99? date? or city please

    “your canadianness shines through as always”

    lol he spelled it wrong, so i couldn’t find it

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