The Rebirth Of Carini

10.31.10 (Graham Lucas)

Every tour brings twists and developments to Phish’s catalog, often infusing new tunes into the mix and sometimes revamping old ones. But over the golden road of Fall 2010, no song went through a more holistic transformation than “Carini,” as Phish breathed new life into the crowd favorite.

2.17.97 - Amsterdam

Debuted in Europe ’97 as part of their winter progression towards groove, “Carini” rarely transformed into anything with improvisational significance over the years with a few notable exceptions. The song’s premiere in Amsterdam blossomed from slowed darkness into a sped up melodically-anchored experiment that eventually led into “Taste,” but after its European debut and a funked-out surprise encore at Madison Square Garden on 12.30.97, the song stayed firmly within its cage until December 28,1998. To jump start the New Year’s Run, Phish knocked down the doors of the second set with a menacing excursion that morphed into the song’s most significant exploration to date. Scouring the dark corners of the universe, Phish tore the roof off the elusive piece, combining it with “Wolfman’s” in a defining slice of MSG history. But ever since this ferocious plunge, “Carini” stagnated over the years. Always good for a crunching hard rock interlude, the band never built anything of note with the crowd favorite, giving it a simplistic role in setlists.

This pattern continued through the late ’90s, the post-hiatus years, and the beginning of this era (with Telluride’s extra-terrestrial ending as the sole aberration.) But when Phish broke out “Carini” in Broomfield – and then again in Providence and Atlantic City – the song’s paradigm changed forever.

10.31.10 (Graham Lucas)

In a complete 180 degree turn, Phish chose not to use “Carini” as path into darkness, instead transforming the song into a piece of sublime improvisation. No longer growling through evil jams, Trey elevated them with gorgeous leads that cut through heavy and unique full-band interplay. This uplifting direction, debuted in Broomfield, was expounded upon in Providence’s top-shelf version, and then abstracted upon in Atlantic City. All of fall’s “Carinis” deviated far from the song’s structure, transforming a one-dimensional piece into a full-blown portal to the divine. Within three unique and experimental excursions, Phish completely changed face of the game. “Carini” has now become an exploratory vehicle of the highest degree, and this has to be considered the single, most significant song evolution of Fall Tour.

Check out all three “Carinis” from fall with some context and a description of each.


10.12.10 II Broomfield, Colorado

10.12.10 - Broomfield (S.Short)

This three-night run set the tone for fall as each night built upon the last. As Phish came to their final set in Colorado, they broke out “Carini” to open things up. Trey comically changed the lyrics to “Carini had bubonic plague!” referencing the reported cases among Broomfield’s prairie dog population. But there was no comedy once the lyrics ended. Initially riding the traditional “Carini” jam, as the band settled into a more mellow groove, Trey spontaneously unleashed a sublime solo over the heavy backdrop. Reaching for spiritual heights, Trey took a melodic sprint over the full-band groove that evolved out of “Carini’s” foundation. Fish and Mike hooked up behind Trey’s lead as Page built a wall of sound to color the conversation. Throughout this segment, Trey continued his cathartic playing, fitting right into the rhythmic pocket. The band eventually slowed into an ambient curtain of sound which descended over the arena as if preparing for an alien arrival. And Phish smoothly slid into “Bowie.”



10.22.10 II Providence, Rhode Island

10.22.10 - Providence (J.Rizzo)

With tour in full swing, Phish hit The Dunk on a Friday night coming off their two-set escapade in Utica, New York. After a solid opening frame, Phish opened the second with, in my opinion, the jam sequence of tour -“Rock and Roll > Carini.” Fall’s second version of the morphing song came out of, perhaps, the tour’s most innovative psychedelic trek in “Rock and Roll.” And as the band segued into “Carini,” they carried big-time energy and momentum, and were primed to explode. Once the lyrics ended, Fishman immediately launched into a hard-edged beat while Trey spit guitar fury. Very quickly, however, Mike and Page made a harmonic shift beneath the two devilish players, coaxing Trey to join in with transcendent guitar work. Beginning with beautiful leads, a switch to a soulful rhythm pattern brought the band into a four-piece experiment. Before long, Phish reached one of the most uplifting segments of music of the entire tour, as the whole band collectively crushed a jam that took on a soul-tugging life of its own. Perhaps my favorite segment of music from Fall, this piece reached a far more emotive plane than Broomfield’s introduction. Migrating to a sparser realm that had nothing at all to do with the song, the entire band continued their locked and original patterns while Trey flowed in a melodic river of dreams. Page brought some slick compliments to the mix which moved the band into a rhythmic texture that served as an infectious come down from the mountaintop. Meanwhile Trey continued to play to the heavens over this groovy canvas in a sequence of to-die-for Phish.



10.29.10  II Atlantic City, New Jersey

10.31.10 - Atlantic City (G.Lucas)

Phish pulled into AC for their three-night Fall finale as fans nationwide descended onto the Jersey Shore. After a mellow opening frame, Phish dropped bombs at the beginning of the second, combining two fall-standouts – “Sand” and “Carini” – into a single highlight reel. Phish took “Sand” on its most fluid and adventurous course of the tour as they entered a post-peak, mid-tempo, ensemble groove that had Little Featprints all over it. Thus when the band hit “Carini,” they, again, carried a colossal head of steam. Trey worked in the “Carini” line to the collective groove, signaling the change into another Fall Tour All-Star. Boardwalk Hall exploded with the opening chords of “Carini” and the band carried that energy through the composed section of the song, screaming the lyrics as they drifted into the jam. Trey’s guitar picked up where their voices left off, wailing over a nasty groove. Red began a lead with distinct attitude over the  bass-led patterns, while the band crushed “Carini.” But once the guitar solo ended, everyone settled into a equitable plane. As this segment began, Trey almost went berserk with crack-like rhythm licks, seeming for a moment that shit was about to fly off the meat rack. But he pulled back into an equally creative solo that infused the still-heavy piece with supporting melodies. But the band shifted back into a funky canvas as Mike dropped one unique idea after another. The band’s rhythmic talk soon drifted far from the song and into a four-piece ambient collaboration. The future-sounding segment melted into “Prince Caspian,” thus ending the final “Carini”of fall.



Jam of the Day:

Sand” 10.20.10 II

A scorching second-set rendition with a mini bonus jam on the way to “Theme.” A middle-man between South Carolina’s initial version and Atlantic City’s blowout.




10.20.10 Memorial Auditorium, Utica, New York

FLAC Torrent (etree), Mp3 Torrent, Megaupload < Links

Official Utica Poster

The virtual consensus “best show of tour.” Phish put together two twisting and turning old-school sets in a tiny venue, oozing energy of the past combined with music of the future. A standout Phish show for any era, the band was locked from moment one in this musical and experiential highlight of Fall.

I: My Soul, Stealing Time From the Faulty Plan, Vultures, Wolfman’s Brother > Cities, Guyute, David Bowie*^, Wilson*, McGrupp and the Watchful Hosemasters, Saw It Again* > Run Like an Antelope*

II: Drowned > Sand > Theme From the Bottom, Axilla, Birds of a Feather, Tela,  Split Open and Melt > Have Mercy > Piper** > Split Open and Melt, Slave to the Traffic Light

E: Good Times Bad Times

* w/ Guyute Teases, ^ w/ Wilson Teases, **w/ Birds Reprise

Source: Edirol UA-5>Edirol R-09 HR>Nakamichi 300 Mics W/CP4 Shotguns (Taper  – D.Boedicker)

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468 Responses to “The Rebirth Of Carini”

  1. Mr. Completely Says:

    yeah it’s a very sick version @aw

    just a total nitpick like I said

    not any kind of real critique at all

    great ebb and flow to it with lots of little divergences

  2. halcyon Says:

    Marketplace on NPR had Tweeprise playing this afternoon

  3. DukeOfLizards Says:

    List of situations in which you’d never expect to hear Tweeprise:

    1. Listening to NPR

  4. albert walker Says:

    I always bail on tweeprise to beat the crowd so I never hear it

    stayed for AC and made me rethink the bailing thing

    that bomb Mike dropped shook the rafters in that place


  5. jdub Says:

    Ac tweeprise shook more than Boardwalk hall rafters, that bomb took out streamer speakers/eardrums nationwide.

  6. Mr.Miner Says:

    The AC Bowie is the best since sometime in ages, imo….

    that shit is what the song is about

  7. Themanatee Says:

    Thanks for the recommendations C – will let you know

  8. willowed Says:

    I am not sure if this is funny or disturbing.

    this is my house….10 minutes ago.

    That is my son cutting a rug.

  9. Mr.Miner Says:

    I always bail on tweeprise to beat the crowd so I never hear it

    ^ pretty custy maneuver AW…beat traffic?

  10. Mr.Palmer Says:

    that was classic willowed! Nice work. They got better moves than you.

  11. Mr.Miner Says:

    @ Willowed…

    You’re son is throwing DOWN!!!!

  12. DukeOfLizards Says:

    re: the drop into the trills in the AC Bowie

    Yes, it may have been a tad abrupt, but it’s the first time in a long while I can remember all four of the boys absolutely nailing it. Someone (Page most of the time) usually briefly jumps the gun on the change – nothing of the sort here.

  13. willowed Says:

    I feel like a degenerate posting that, but I thought some of you would get a kick out of it.

    My wife is not happy right now

  14. willowed Says:

    5 years old and he’s already a flat brimmer.

    I’m fucked

  15. Mr.Miner Says:

    re: the drop into the trills in the AC Bowie

    ^ stfu! 😉 (i kid, i kid…)

  16. DukeOfLizards Says:


    Come on.

  17. Mr.Miner Says:

    degenerate? Dude, that shit is the BOMB!

  18. bouncin fan Says:


    To beat sleeping monkeys

  19. Mr.Palmer Says:

    I think Miner just got his Video of the Weekend. 🙂

    Is she pissed because you posted it on Youtube?

  20. willowed Says:

    the kid does have some moves for an irish white boy!

  21. willowed Says:

    Not really Mr. P
    She did give me a look though.

    I told her the BB thrusted Brendan to Epic status…she got a kick out of that.

  22. DukeOfLizards Says:


    By “drop,” I wasn’t implying that they cut the jam off abruptly, if that’s what you mean – we all know they took that one more than enough places. Just commenting on how smoothly they moved to the outro.

  23. DukeOfLizards Says:


    The funny thing is, that’s more or less exactly what I’m doing right now.

    Who’s got my hetty PJs, yo?

  24. willowed Says:

    Just an FYI

    That’s a tatoo (fake) on the side of his cheek. I don’t smack my kids.

  25. willowed Says:

    Footsie pajamas rock yo!

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