Features of Fall

Fall tour contained more musical highlights than I can discuss in one post, but we’ve got plenty of time. Every week before the Holiday Run, I will spotlight a couple standout pieces from tour that haven’t been discussed in other articles. Today, we start with three. (Click the song title to download each selection.)


Ghost” – 10.10 II Broomfield, CO

10.10.10 - Broomfield (Chris Klein)

This exploratory entree of Colorado’s tour opener was delivered amidst the first “Mike’s Groove” of fall. Despite a solid first-set “Stash,” this “Ghost” brought Phish’s first real improvisational odyssey of the season. Progressing through several distinct sections of jamming, this multi-dimensional version started with Mike taking both the rhythmic and melodic leads, as Trey wove his minimalism around Gordon’s foundation. Emerging slowly within a melodic and groovy jam, Trey eventually wound up at the front of the pack, bushwhacking musical territory side by side with Mike. Offering abstract leads over a rolling beat that continued to gather momentum, Trey merged with both Mike and Page in a soaring tri-colored peak segment. On came Mike’s envelope filter, upping the overall juice, as Trey reached for the top in a dramatic climb. But after the band arrived at the climax, they didn’t bail for the next song. Instead, Phish rode a familiar-sounding, descending pattern down the back side of the mountain, landing in a sparse and fully connected whole-band groove. Getting into the funkiest section of this “Ghost,” Page offered a organ solo that led the music into a series of staccato hits that were soon encompassed by the ambient jaws of the Phish. This final shift transformed the piece into an awesome space-aged experiment.



TweeZeppelin” – 10.30 II Atlantic City, NJ

10.30.10 - Atlantic City, NJ D.Lavery)

After Phish played a verse of “Whole Lotta Love” within “Chalk Dust” in the 30th’s first set, the ploy could have gone either way. Perhaps the band was hinting at their chosen album, but more likely than not, they were poking fun at the hype around Led Zeppelin. But the band answered that question loud and clear in the second set when they got their Led out amidst the a twisting and turning last “Tweezer” of fall. Dropping into the jam, Phish immediately broke into a hard-nosed tease of “Whole Lotta Love.” But as Trey tore into his “Tweezer” solo, drenched with a hardcore vibe, it seemed Phish would launch into a super-charged jam. But their prank had hardly begun. Within no time, Trey brought the band into another Zeppelin anthem, “Heartbreaker,” fully crooning the first verse over the band’s interpretation. Dropping back into “Tweezer” for its most extensive mini-segment, the band had just entered a beautiful melodic framework when they dissolved into “Ramble On.” With each Zeppelin song came tidal waves of energy seething through Boardwalk Hall – easily the biggest surges of the weekend. Blasting the old-school structure with classic rock and roll, Phish had the crowd eating out of their hand like a puppy. Instead of Page, who killed the song back in ’98 at Vernon Downs, Trey sang “Ramble On,” not quite doing the piece justice. But this “Tweezer to Heaven” wasn’t about sharp musicianship, it was about energy, adrenaline, and unadulterated fun. Before stepping into the transcendent guitar solo of “Ramble On,” Page exchanged a joking look with Trey while he played the beginning of Zeppelin’s ballad, “Thank You;” and the band moved from one melodic song to another. Dropping back into “Tweezer” for only a moment, before anyone knew what had hit them, Phish was in the iconic final verse of “Stairway to Heaven.” One couldn’t help but laugh along with their musical gamesmanship as the Phish toyed with the audience while creating a spirited medley of Zeppelin classics; quite an enjoyable trick on the eve of the treat. And as we walked out of the venue that night, the 24-hour guessing guessing game commenced with Led Zeppelin crossed off the list.



Stash” – 10.24 I Amherst, MA

10.23.10 - Amherst (Matt Wagner)

With much-deserved praise going to the interstellar “Stash” from Halloween, the precursor to the holiday version came a week before in Amherst. And if Atlantic City’s version never happened, we’d all be talking how the Mullins “Stash” was the best of this era. Engaging in a dueling leadership from note one, Mike and Trey commanded the onset of this voyage as Fishman’s beats morphed into the effervescent percussion of lore. Trey’s leads began to encompass a melodic theme, pushing Page to join step up his piano work – a defining facet of this excursion. The band shifted into a major key, and the vicious textures transformed into rolling pastures as Trey’s melodic run never relented for a millisecond in some of his most impressive work of tour. While Trey signed his name backwards and forwards on this piece with numbing, non-stop leads, the rest of the band fully engaged in a crushing musical passage of the highest degree. Pushing and pulling the tension beneath Trey’s wizardry, the whole band played in sync, crafting a new-school, top-shelf version. Page’s piano work emerged as a highlight of this “Stash,” providing a retro feel in the retro venue. Reentry into “Stash’s” final build happened seamlessly and with roaring whole-band passion. Without a thought of hesitation, Phish narrated a cooperative tale of super-glued psychedelia.



Jam of the Day:

Vultures” 10.20.10 I

This third-song appearance of “Vultures” was the first signpost along the road at Utica that pointed to special night. A smoking rendition, rarely do bust-outs come off the shelf with such zest.




10.10.10 1st Bank Arena, Broomfield, Colorado

FLAC Torrent (etree), Mp3 Torrent, Megaupload < Links

Official Broomfield Poster

Fall tour’s opener contained the typical event-less warm-up set before the band put together a somewhat choppy second half that had some serious highlights. “Ghost” brought exploratory jamming while a top-shelf “Slave” made an powerful mid-set exclamation. Solid versions of “Mike’s” and “Weekapaug,” and a seemingly out-of-place debut of “My Problem Right There,” filled out the moments of note.

I: Chalk Dust Torture, Ocelot, It’s Ice, Bouncing Around the Room, Funky Bitch, AC/DC Bag, NICU, The Moma Dance, Horn, Stash, Golgi Apparatus

II: Mike’s Song > Simple > Ghost > Weekapaug Groove, Fee, Makisupa Policeman, My Problem Right There*> Makisupa Policeman, Slave to the Traffic Light, Strange Design, Julius

E: Loving Cup


Source: Schoeps mk4v’s(DINa)> kc5> m222> nt222> 744t (Taper – gotfob)

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604 Responses to “Features of Fall”

  1. Type III Jamming Personality Disorder Says:

    good call @spasm
    always has been one of my favorite feat tunes and they did a compelling take on it

  2. jdub Says:

    Who knew that Scarlet Begonias was inspired by a nursery rhyme?

    Ride a cock horse to Banbury Cross
    To see a fine lady upon a white horse
    Rings on her fingers and bells on her toes
    She shall have music wherever she goes

    And on the previous page I sang these lyrics to my 4 year old

    “four and twenty blackbirds
    baked in a pie”

  3. c0wfunk Says:

    yah stumbled upon this not too long ago..

    “Before the suffragists came along, women were sometimes compelled to obtain their ends by unusual means. Consider the case of Lady Godiva. Her husband Leofric, Earl of Mercia, imposed a heavy tax on his subjects. Distressed by their hardship, Godiva pleaded their case. Her husband listened politely for a few days, then with mounting annoyance, and finally offered a dare….”Ride naked through Coventry, and I’ll do as you ask.”
    Confident that his wife would never commit such an act, Leofric returned to his ledgers. Undaunted, Godiva galloped through town on a handsome white horse, clad only in her coppery tresses, while all the folk in Coventry stayed indoors with the shutters locked, to spare her blushes. The earl conceded, and lifted the tax. And if she hears music wherever she goes, it’s probably the townspeople singing her praises.
    – The Great American Baby Almanac

  4. Mr.Miner Says:

    And on the previous page I sang these lyrics to my 4 year old

    “four and twenty blackbirds
    baked in a pie”

    ^absurd! almost spilled my coffee…

  5. TheSloth Says:

    Re Phish “Wisconsin Edition” Tracklisting. Interesting that there is nothing from ’96. Reba and Gin were pretty good if memory serves (surely better then possum?).

  6. DukeOfLizards Says:


    It’s definitely one of those “hindsight is 20-20” things, but maybe a discussion of Featprints from throughout fall tour, with a bit about what (if anything) they portend for the future of Phish?

  7. gavinsdad Says:

    agreed @spaz…something about that tune (ATYD) has resonated with me since i first heard WFC in earliest college. i also spent many many a procrastinating day in my dorm room with the “time loves a hero” album on repeat. well, cd players didn’t do that back then but you get the idea.

  8. Mr.Miner Says:

    @ duke. Want to do that actually, but need 4 clear examples.

    1. AC Sand

    Have mercy is a stretch IMO…what other pretty obv examples are they

  9. gavinsdad Says:

    miner – at one point i would have asked for a post about “what is still inherently phishy about phish in 3.0?” but mpp and av and utica have fully answered that question among many other examples.

    would still like to get a token TMWSIY or Avenu just for old times sake but that’s just me.

  10. jdub Says:

    Does anyone else see a correlation between My Problem Right There and Little Feat? I kind of do, curious that they debut it this fall.

  11. Mr.Miner Says:

    trey wrote that with that Broadway woman…Green? Something Green? Something d-o-o economics?

    Allison Green?

  12. gavinsdad Says:

    feel like the humor in MPRT is more akin to a country storyline than Little Feat tho i tried to make the tie-in myself @Jdub. perhaps Randy Newman or Harry Nilsson?

  13. sumodie Says:

    So Trey is working on a /musical/play with Amanda Green…? (according to a msg posted below Trey’s setlist tonight over on Hidden Track)

    That’s why they’re writing these new tunes: MPRT, Burn that Bridge, and Julie (which he played tonight in Princeton)

  14. DukeOfLizards Says:


    I was kind of hoping you’d have better-formed thoughts on the topic than I do 😉

    IMO the “funk” section of the Manch Light has a lot of Feat in it, particularly the cowbell-infused groove Fish lays down. Sort of like a sped-up Fat Man.

    … and it all comes back to tempo.

  15. sumodie Says:

    All this searching for Little Feat in Phish’s fall tour seems a stretch to me….I thought the WFC cover made it apparent that the LF influence has been there all along, like Zappa, etc

  16. BingosBrother Says:

    Da Bears!

    Every time Phish played Camel Walk it was a Little Feat hint. 😉


  17. KWL Says:

    i hear a band that is evolving when i listen to fall tour

    i don’t hear little feat

    mmw was amazing tonight. go see them.

  18. Mr.Miner Says:

    Exactly sumo. That’s what I was thinking!

  19. Mr.Miner Says:

    Manch light is pure Phish. Nuff said…

  20. vegas wolfmans Says:

    8-1-98. What a show! Love that tweez>fluff. And the 2001 reprise drop into tweez. Painfully good. Wish they’d release the DVD of that puppy!

  21. vegas wolfmans Says:

    Midwest custies in the house!

    Is it spelled custie or custy? Just curious.

  22. Mr.Miner Says:

    I believe custy would be singular and custies plural.

  23. Mr.Miner Says:

    Mikes quote about being able to tell what album it was by their playing is horse. That would be fairly impossible, unless you knew the album. Then m sure you could find some correlations 😉

  24. KWL Says:

    the augusta light is great, but i def prefer the manch version for my regular rotation

  25. KWL Says:

    yeah miner, except even knowing the album i can only find discrete traces of little feat in fall tour.

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