Page and His Piano

6.22.10 (Parker Harrington)

Along with Phish’s retro-sized Fall Tour came many strands of the band’s musical roots. Churning out tightly wound jams akin to years past, Phish honed their improvisational skills with precise interplay each and every show. The four band members often engaged in equitable excursions without a clear lead player, thus the entire quartet could shine in relation to one another. In this context, Page emerged from Trey’s eternal shadow and stepped up his game, specifically, on piano. Returning to his personal roots, Page left many of his sundry keyboards aside when Phish got into serious business. If the band dipped into psychedelic seas, odds were that Page had firmly planted himself at the piano and gushed melodic styles. This trend gave even the heaviest “Sands,” “Pipers,” “Stashes,” and “Bowies” a distinctly stripped down feel, infusing an old-school layer into this new-school mixture. The late ’90s and post-hiatus represented experimental eras for Phish, and especially for Page, as he surrounded himself with more and more instruments. In juxtaposition to those eras, The Chairman of the Boards took a step backwards down the number line during Fall 2010, as his prominent piano offerings became a defining feature of Phish jams all season long.

One example of Page’s full-throttle piano assault came in the midst of Amherst’s stellar “Stash.” Playing quietly at the onset of the jam, he dotted the background with delicate melodic runs. Page comped Trey’s leads out of the gate, providing plenty of space for Red’s audacious leads; but behind the guitar narrative, he began to loosen up by interlacing piano chords with Trey’s lines. The two locked into each other’s phrases and painted the top half with sinister co-leadership. Joining Trey in a melodic switch that reached for the heavens, Page offered lead piano lines that harmonized beautifully with Trey’s melodic geyser. Moving between block chords and dizzying melodies, Page painted the music with maniacally rolling patterns. Never stepping off the piano for a moment, Page brought creative offerings to this “Stash” from beginning to end, building the final peak step-in-step with Trey.

8.10.10 (G.Lucas)

A second prime conversion of Page and his piano came in Manchester’s blistering tour-highlight, “Ghost.” The leadless quality of the band’s conversation defined this jam, as all four band members contributed equal parts for the duration. An example of an ego-less symbiosis, the band allowed plenty of room for all members other to speak, while complimenting each other’s ideas perfectly. Though Mike, Page, Trey and Fish were all at the top of their game during this segment, Page’s fluid piano leads stood out vibrantly. As the band settled into a groove, Page hopped right on piano adding sparse melodies to the burgeoning mixture. As Mike and Trey engaged in full, Page hung right with them – at first offering minimalist backing patterns and then flowing into complementary leads. For a short period he layered another keyboard atop his piano, lending a darker feel to the jam while still keeping the piano prominent in the upper-most layer of the music. As the jam picked up pace, so did Page’s offerings, and he stepped boldly into the thick of the band’s ascending path. He and Trey bounced melodic phrases off each other as they climbed into the most dramatic segment of the jam, and as they reached a furious peak, Mike, Trey, and Page rolled into a sonic ball of thunder far greater than the sum of their parts. Drifting into the ambient-groove, post-peak section, Page is the one that first hits the sublime melody that Trey echoes and turns into the theme of the jam’s denouement. Engaging in game of spiritual tag, Page wound his majestic piano phrases around his own melody that Trey hypnotically repeated, eventually blending into “Mango Song.” Contributing as much to the Manchester “Ghost” as anyone, Page, again, favored the piano for its entirety.

10.31.10 - Boardwalk Hall (Graham Lucas)

There can be no discussion of Page, piano, and Fall Tour without a mention of the band’s masterful cover of Little Feat’s Waiting For Columbus. Page’s role in the musical costume was playing the parts of Little Feat co-founder Bill Payne, considered by many contemporaries to be one of the finest rock and blues pianists of all time. And Page certainly did him justice. Anchoring many segments of Waiting For Columbus with Payne’s piano leads, Page interpreted the Americana feel of the album with authenticity. One of his personal highlights came in the piano-drenched “Dixie Chicken,” a song designed to showcase Payne’s piano chops and with an extended solo. Page seized his moment and ran with it, playing the bluesy parts with a legitimate down-home feel. The rest of the band took a back seat between verses as Page ticked the ivories like the maestro he is – and the one he was impersonating. Taking center stage, Page’s piano parts lit up the room through the middle stages of the piece, as other instruments came in with gradual support. Building from his solo into the next verse, Page slaughtered the piano parts as if they were his own. Lending a credibility to the album’s most popular song, Page stood out as the star of “Dixie Chicken.” Following the final verse, Page never missed a beat, joining the band in a seamless segue into “Tripe Face Boogie.”

10.23.10 (M. Wagner)

These are but three examples of Page’s return to piano prominence throughout the past season, and the list could continue for quite a while. As Phish moved backwards into the future, their keyboard player did the same. Playing strong piano parts in the context of heavy improvisation, Page shied from textural backing as he jumped into the fray with his bandmates on the instrument that brought him there. Though Page certainly didn’t forget his other keyboards, the resurgence of his piano mastery provided his most significant development of a transformative tour.

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Jam of the Day:

Light” 10.22.10 II

Another piano-centric fall highlight from Providence.

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DOWNLOAD OF THE DAY:

7.8.1999 Virginia Beach Ampitheatre, Virginia Beach, VA

Mp3 Torrent, Megaupload < Links

VA. Beach Amphitheatre

Somehow this Summer ’99 gem slipped by the archive. Coming hot out of the box with a twenty-plus minute “Fee” jam, this show got going early. But Phish’s most impressive playing came in the second set sequence of “Birds > If I Only Had a Brain > Caspian.” This transcendent section of music held up as a summer highlight, and a closing combo of “Tube” and “Simple” came as a pleasant and energetic surprise. Fishman’s “Terrapin” encore gave a tongue-in-cheek nod to the stunning “Terrapin Station” encore from the previous year, and everybody went home laughing. In the midst of a great summer, this show often slips through the cracks, but it has plenty to offer. This one goes out as a reader request for Luke. Enjoy!

I: Julius, Fee > Guyute, Dirt, Nellie Kane, Stash, Cavern

II: Birds of a Feather > If I Only Had a Brain > Prince Caspian, Jesus Just Left Chicago, Saw It Again, Sleep, Meatstick, Tube, Simple

E: Terrapin > Hold Your Head Up, Character Zero

Source: Unknown

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520 Responses to “Page and His Piano”

  1. AintNoTele Says:

    BTB just got a shoutout on the Office: “Bring That Booty”

  2. joe Says:

    just found out that my girlfriend will have to work out of town from 12/30-1/2. could open up some possibilities for me to hit new york. have to figure out the logistics/ do a feasability study but there’s a chance where before now it was a 0% probability.

  3. Gavinsdad Says:

    @AJ – see you there.

    @Joe – I remember egging you on a little last December. I know it’s not a hop skip and that there is $$ involved but the good part is that tickets aren’t looking particularly dire.

  4. Lycanthropist Says:

    slow night eh?

  5. halcyon Says:

    I hope I get to meet up with the fine people of the BB on 12/30. Not too sure how my schedule will be playing out, but nevertheless will be extending virtual high 5′s to the bb’ers in MSG

  6. Lycanthropist Says:

    jones beach #line = nice nice

  7. halcyon Says:

    yeah it is Lycan….

    listened to that yesterday for a pick me up. Great song and version

  8. Lycanthropist Says:

    the last few minutes with Trey’s lovely melody sculpting are embracing to say the least

  9. Leo Weaver Says:

    @Lycan…didn’t you mention 10.27.95 Bowie earlier today? JediSpeak Bowie as Robear calls it. Listened to it on Friday…turned waayy up in the car. Fucking love that version.

  10. JeffieM Says:

    no one’s here… but wow. Just died from the league.

  11. She Divides Says:

    The league, the show? I love that show!

  12. SillyWilly Says:

    Jtran just texted me that he’s at a Dead cover band above Nectars and shapiros on the drums and seth yacavome on guitar

  13. She Divides Says:

    I really am looking forward to a bb meet up at msg! Usually i have high hopes for meeting up with the bb but then friends or husband have other plans or do something unpredictable and all of a sudden we have to go straight to the show.

    But i am committed to a bb meet up at msg! This is in fact my year of fun!

  14. BrandonKayda Says:

    Happy 27th Anniversary Phish!

  15. She Divides Says:

    Going to go bane and have a beer with my brother and husband to ring in my 30th year!
    Here I come world!

  16. Gavinsdad Says:

    Happy bday SheDiv! Nite y’all. Way to stay composed Eagles.

    MSG = upstairs at the blarney Stone on 8th ave has to be the meet up spot, right Mitch?

  17. garretc Says:

    @Gdad

    I’m much more partially to “all-ages” friendly gathering spots…

  18. Selector J Says:

    Checkin’ in after a long ass day…

    @gdad Don’t let ‘em get warm! Gotta drink your 40z in style. Classy.

  19. She Divides Says:

    @ gavinsdad- thanks!

    @ garretc- I never had a problem getting in places in nyc under age- they are generally more relaxed, so I think it’ll be fine…

  20. dognamedwilson Says:

    Thanks for the vida blue shows. Been lamenting the loss of that cd lately. No itunes and serious hd restrictions back then, but I remember some very fun moments on that disc. If someone posted a link to that I would be, you know, grateful.

    As it is, thanks to all

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