Page and His Piano

6.22.10 (Parker Harrington)

Along with Phish’s retro-sized Fall Tour came many strands of the band’s musical roots. Churning out tightly wound jams akin to years past, Phish honed their improvisational skills with precise interplay each and every show. The four band members often engaged in equitable excursions without a clear lead player, thus the entire quartet could shine in relation to one another. In this context, Page emerged from Trey’s eternal shadow and stepped up his game, specifically, on piano. Returning to his personal roots, Page left many of his sundry keyboards aside when Phish got into serious business. If the band dipped into psychedelic seas, odds were that Page had firmly planted himself at the piano and gushed melodic styles. This trend gave even the heaviest “Sands,” “Pipers,” “Stashes,” and “Bowies” a distinctly stripped down feel, infusing an old-school layer into this new-school mixture. The late ’90s and post-hiatus represented experimental eras for Phish, and especially for Page, as he surrounded himself with more and more instruments. In juxtaposition to those eras, The Chairman of the Boards took a step backwards down the number line during Fall 2010, as his prominent piano offerings became a defining feature of Phish jams all season long.

One example of Page’s full-throttle piano assault came in the midst of Amherst’s stellar “Stash.” Playing quietly at the onset of the jam, he dotted the background with delicate melodic runs. Page comped Trey’s leads out of the gate, providing plenty of space for Red’s audacious leads; but behind the guitar narrative, he began to loosen up by interlacing piano chords with Trey’s lines. The two locked into each other’s phrases and painted the top half with sinister co-leadership. Joining Trey in a melodic switch that reached for the heavens, Page offered lead piano lines that harmonized beautifully with Trey’s melodic geyser. Moving between block chords and dizzying melodies, Page painted the music with maniacally rolling patterns. Never stepping off the piano for a moment, Page brought creative offerings to this “Stash” from beginning to end, building the final peak step-in-step with Trey.

8.10.10 (G.Lucas)

A second prime conversion of Page and his piano came in Manchester’s blistering tour-highlight, “Ghost.” The leadless quality of the band’s conversation defined this jam, as all four band members contributed equal parts for the duration. An example of an ego-less symbiosis, the band allowed plenty of room for all members other to speak, while complimenting each other’s ideas perfectly. Though Mike, Page, Trey and Fish were all at the top of their game during this segment, Page’s fluid piano leads stood out vibrantly. As the band settled into a groove, Page hopped right on piano adding sparse melodies to the burgeoning mixture. As Mike and Trey engaged in full, Page hung right with them – at first offering minimalist backing patterns and then flowing into complementary leads. For a short period he layered another keyboard atop his piano, lending a darker feel to the jam while still keeping the piano prominent in the upper-most layer of the music. As the jam picked up pace, so did Page’s offerings, and he stepped boldly into the thick of the band’s ascending path. He and Trey bounced melodic phrases off each other as they climbed into the most dramatic segment of the jam, and as they reached a furious peak, Mike, Trey, and Page rolled into a sonic ball of thunder far greater than the sum of their parts. Drifting into the ambient-groove, post-peak section, Page is the one that first hits the sublime melody that Trey echoes and turns into the theme of the jam’s denouement. Engaging in game of spiritual tag, Page wound his majestic piano phrases around his own melody that Trey hypnotically repeated, eventually blending into “Mango Song.” Contributing as much to the Manchester “Ghost” as anyone, Page, again, favored the piano for its entirety.

10.31.10 - Boardwalk Hall (Graham Lucas)

There can be no discussion of Page, piano, and Fall Tour without a mention of the band’s masterful cover of Little Feat’s Waiting For Columbus. Page’s role in the musical costume was playing the parts of Little Feat co-founder Bill Payne, considered by many contemporaries to be one of the finest rock and blues pianists of all time. And Page certainly did him justice. Anchoring many segments of Waiting For Columbus with Payne’s piano leads, Page interpreted the Americana feel of the album with authenticity. One of his personal highlights came in the piano-drenched “Dixie Chicken,” a song designed to showcase Payne’s piano chops and with an extended solo. Page seized his moment and ran with it, playing the bluesy parts with a legitimate down-home feel. The rest of the band took a back seat between verses as Page ticked the ivories like the maestro he is – and the one he was impersonating. Taking center stage, Page’s piano parts lit up the room through the middle stages of the piece, as other instruments came in with gradual support. Building from his solo into the next verse, Page slaughtered the piano parts as if they were his own. Lending a credibility to the album’s most popular song, Page stood out as the star of “Dixie Chicken.” Following the final verse, Page never missed a beat, joining the band in a seamless segue into “Tripe Face Boogie.”

10.23.10 (M. Wagner)

These are but three examples of Page’s return to piano prominence throughout the past season, and the list could continue for quite a while. As Phish moved backwards into the future, their keyboard player did the same. Playing strong piano parts in the context of heavy improvisation, Page shied from textural backing as he jumped into the fray with his bandmates on the instrument that brought him there. Though Page certainly didn’t forget his other keyboards, the resurgence of his piano mastery provided his most significant development of a transformative tour.

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Jam of the Day:

Light” 10.22.10 II

Another piano-centric fall highlight from Providence.

[audio:http://phishthoughts.com/wp-content/uploads/2010/12/ph2010-10-22t20.mp3]

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DOWNLOAD OF THE DAY:

7.8.1999 Virginia Beach Ampitheatre, Virginia Beach, VA

Mp3 Torrent, Megaupload < Links

VA. Beach Amphitheatre

Somehow this Summer ’99 gem slipped by the archive. Coming hot out of the box with a twenty-plus minute “Fee” jam, this show got going early. But Phish’s most impressive playing came in the second set sequence of “Birds > If I Only Had a Brain > Caspian.” This transcendent section of music held up as a summer highlight, and a closing combo of “Tube” and “Simple” came as a pleasant and energetic surprise. Fishman’s “Terrapin” encore gave a tongue-in-cheek nod to the stunning “Terrapin Station” encore from the previous year, and everybody went home laughing. In the midst of a great summer, this show often slips through the cracks, but it has plenty to offer. This one goes out as a reader request for Luke. Enjoy!

I: Julius, Fee > Guyute, Dirt, Nellie Kane, Stash, Cavern

II: Birds of a Feather > If I Only Had a Brain > Prince Caspian, Jesus Just Left Chicago, Saw It Again, Sleep, Meatstick, Tube, Simple

E: Terrapin > Hold Your Head Up, Character Zero

Source: Unknown

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520 Responses to “Page and His Piano”

  1. voopa Says:

    9/19/70

    Dark Star> St. Stephen> NFA> Darkness Jam> NFA> Lovelight

    One of my faves

  2. EllJefe Says:

    Plus I’m loosely a Steelers fan. Caught a lot of flak after they “beat” the Hawks in the worst Super Bowl Ever(?).

  3. EL Duderino Says:

    Miles hated when ever he wasn’t the headliner

    the Miles Auto is one of my favorites

  4. EL Duderino Says:

    6/07/70

  5. jdub Says:

    @Chuck D, good point regarding 7’s. Far more fluid. But you could compare the ball being stuck in a scrum to the band stuck in TTE or other moments when things don’t seem to be clicking.

  6. EL Duderino Says:

    only My Babe and only GD version of Mystery Train

  7. Mr. Completely Says:

    see for me at least half the interest is watching the linemen play. everyone IS a skill player if you know what to look for…which I am just learning really….that is kind of my project

    and @Jefe if you actually sat through a Seahawks game no wonder you lost the love…even when they were supposedly “good” they were sloppy, frustrating underperformers

    as time goes on I have moved from being indifferent to the Seahawks to trying to root for them to giving up on that to bordering on hating them…they just suck so much and are always on TV around here…

  8. Mr.Palmer Says:

    I find myself watching the linemen, especially offensive linemen, much more now. Not only are they incredible athletes for their size, but probably the most intelligent players on the field.

    Mr. C- watching a little NBA game tonight? Any thoughts, predictions about what goes down? If i was a betting a man i’d take the Cavs. Lebron prolly has a stinker as well.

    Does he do the chalk dust thing at half court before the game?

  9. Mr. Completely Says:

    9/19/70 is as good a set as the Dead ever played IMO and there’s a nice matrix of it taboot

    that machinelike precision in the china cat/darkness jam section is a total outlier for late ’70 though

  10. Mr. Completely Says:

    @palmer, the Blazers have depressed me so completely I’ve decided that I’m not tuning in to hoops at all until after the Super Bowl

  11. WharblGarbl Says:

    It’s really a shame that so few of those 1970 sbd’s are out there.

    6/24/70 has, I believe, one of the most amazing 2nd sets of all time

    Good article on it here: http://www.deadlistening.com/2008/04/1970-june-24-capitol-theatre.html

    “Oh my GOD”

  12. Mr. Completely Says:

    if I was a betting man I’d say the Heat wake up and smoke the Cavs like a cheap cigar though

    based on just watching the scores and highlights it seems like the Heat are beating the bad teams but losing to the good ones – and the Cavs are a bad team

    but who knows

  13. Chuck D Says:

    hey Seattle, i’ll trade you the broncos for your seahawks… ehh? whataya say?

  14. themanatee Says:

    thats pretty much the case. Heat are a trainwreck to watch, i have seena lot of their games and it is painfully obvious there is a high level of discomfort for every player

  15. Guyute711 Says:

    as time goes on I have moved from being indifferent to the Seahawks to trying to root for them to giving up on that to bordering on hating them…

    This is kinda how I feel about the Panthers. I would like to root for them as a secondary team because I live in CLT but it is painful to watch.

  16. themanatee Says:

    blazers are having a rough, rough go of it. very very hard to watch this happen.

  17. Guyute711 Says:

    broncos for your seahawks

    no clear cut winner in that trade

  18. Mr. Completely Says:

    yeah I re-listened to the magical 6/24 set not long ago after @dancin fool mentioned it…that really is a remarkable AUD for ’70 and the jam is justly legendary

    I had gotten so used to hearing the version of that AUD with analog gens on it that I didn’t really remember correctly how…listenable it actually is

  19. Mr.Palmer Says:

    I think Riley is coaching that team by the all-star break if they don’t start playing better, and soon.

    I can barely watch the NBA for more than a few minutes at a time these days myself. I am intrigued by Lebron’s return to Cleveland tonight. Will be a playoff atmosphere. I will be tuning in.

  20. EllJefe Says:

    I know, right Mr. C? You should come up for a team you like. (please don’t say Dallas) And we should go. My bro can get me tix for free(the only amount I’d spend). Then we should go to a Timbers/ Sounders game in your neck of the woods. The atmosphere is gonna be off the charts even though the level of play is pretty mediocre.

    WRT to the NFL I understand the game and how it’s played. What I’m trying to learn now is to switch focus from one game to the next in this era of fantasy. That way there’s always action! 15 TV’s in the bar and 6 games on- it bogles the mind a bit.

  21. Robear Says:

    I guess i need to bust out a Shaun Hill avatar.

  22. EllJefe Says:

    In Homer Simpsons voice ” THe Denver Broncos……”

  23. Mr. Completely Says:

    and yeah @wharbl it sucks a lot there’s not more in circ

    but to be honest the band was in disarray in mid/late ’70

    after Bear went to the pokey the whole crew was pretty disorganized…and the band was dealing with serious internal problems of several different kinds…

    just a very weird era

  24. Mr. Completely Says:

    word @jefe!

    my wife is a huge Niners fan, we’ve talked about going up to Seattle for a game for years…and now my 6 year old is turning into a serious fan so I think next season it will be time to do it…

    since my wife is a fan we just watch at home, with DVR and no distractions…and plenty of bingers

  25. Mr. Completely Says:

    gotta roll

    see y’all later

    deadlines etc

    peace

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