Page and His Piano

6.22.10 (Parker Harrington)

Along with Phish’s retro-sized Fall Tour came many strands of the band’s musical roots. Churning out tightly wound jams akin to years past, Phish honed their improvisational skills with precise interplay each and every show. The four band members often engaged in equitable excursions without a clear lead player, thus the entire quartet could shine in relation to one another. In this context, Page emerged from Trey’s eternal shadow and stepped up his game, specifically, on piano. Returning to his personal roots, Page left many of his sundry keyboards aside when Phish got into serious business. If the band dipped into psychedelic seas, odds were that Page had firmly planted himself at the piano and gushed melodic styles. This trend gave even the heaviest “Sands,” “Pipers,” “Stashes,” and “Bowies” a distinctly stripped down feel, infusing an old-school layer into this new-school mixture. The late ’90s and post-hiatus represented experimental eras for Phish, and especially for Page, as he surrounded himself with more and more instruments. In juxtaposition to those eras, The Chairman of the Boards took a step backwards down the number line during Fall 2010, as his prominent piano offerings became a defining feature of Phish jams all season long.

One example of Page’s full-throttle piano assault came in the midst of Amherst’s stellar “Stash.” Playing quietly at the onset of the jam, he dotted the background with delicate melodic runs. Page comped Trey’s leads out of the gate, providing plenty of space for Red’s audacious leads; but behind the guitar narrative, he began to loosen up by interlacing piano chords with Trey’s lines. The two locked into each other’s phrases and painted the top half with sinister co-leadership. Joining Trey in a melodic switch that reached for the heavens, Page offered lead piano lines that harmonized beautifully with Trey’s melodic geyser. Moving between block chords and dizzying melodies, Page painted the music with maniacally rolling patterns. Never stepping off the piano for a moment, Page brought creative offerings to this “Stash” from beginning to end, building the final peak step-in-step with Trey.

8.10.10 (G.Lucas)

A second prime conversion of Page and his piano came in Manchester’s blistering tour-highlight, “Ghost.” The leadless quality of the band’s conversation defined this jam, as all four band members contributed equal parts for the duration. An example of an ego-less symbiosis, the band allowed plenty of room for all members other to speak, while complimenting each other’s ideas perfectly. Though Mike, Page, Trey and Fish were all at the top of their game during this segment, Page’s fluid piano leads stood out vibrantly. As the band settled into a groove, Page hopped right on piano adding sparse melodies to the burgeoning mixture. As Mike and Trey engaged in full, Page hung right with them – at first offering minimalist backing patterns and then flowing into complementary leads. For a short period he layered another keyboard atop his piano, lending a darker feel to the jam while still keeping the piano prominent in the upper-most layer of the music. As the jam picked up pace, so did Page’s offerings, and he stepped boldly into the thick of the band’s ascending path. He and Trey bounced melodic phrases off each other as they climbed into the most dramatic segment of the jam, and as they reached a furious peak, Mike, Trey, and Page rolled into a sonic ball of thunder far greater than the sum of their parts. Drifting into the ambient-groove, post-peak section, Page is the one that first hits the sublime melody that Trey echoes and turns into the theme of the jam’s denouement. Engaging in game of spiritual tag, Page wound his majestic piano phrases around his own melody that Trey hypnotically repeated, eventually blending into “Mango Song.” Contributing as much to the Manchester “Ghost” as anyone, Page, again, favored the piano for its entirety.

10.31.10 - Boardwalk Hall (Graham Lucas)

There can be no discussion of Page, piano, and Fall Tour without a mention of the band’s masterful cover of Little Feat’s Waiting For Columbus. Page’s role in the musical costume was playing the parts of Little Feat co-founder Bill Payne, considered by many contemporaries to be one of the finest rock and blues pianists of all time. And Page certainly did him justice. Anchoring many segments of Waiting For Columbus with Payne’s piano leads, Page interpreted the Americana feel of the album with authenticity. One of his personal highlights came in the piano-drenched “Dixie Chicken,” a song designed to showcase Payne’s piano chops and with an extended solo. Page seized his moment and ran with it, playing the bluesy parts with a legitimate down-home feel. The rest of the band took a back seat between verses as Page ticked the ivories like the maestro he is – and the one he was impersonating. Taking center stage, Page’s piano parts lit up the room through the middle stages of the piece, as other instruments came in with gradual support. Building from his solo into the next verse, Page slaughtered the piano parts as if they were his own. Lending a credibility to the album’s most popular song, Page stood out as the star of “Dixie Chicken.” Following the final verse, Page never missed a beat, joining the band in a seamless segue into “Tripe Face Boogie.”

10.23.10 (M. Wagner)

These are but three examples of Page’s return to piano prominence throughout the past season, and the list could continue for quite a while. As Phish moved backwards into the future, their keyboard player did the same. Playing strong piano parts in the context of heavy improvisation, Page shied from textural backing as he jumped into the fray with his bandmates on the instrument that brought him there. Though Page certainly didn’t forget his other keyboards, the resurgence of his piano mastery provided his most significant development of a transformative tour.

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Jam of the Day:

Light” 10.22.10 II

Another piano-centric fall highlight from Providence.

[audio:http://phishthoughts.com/wp-content/uploads/2010/12/ph2010-10-22t20.mp3]

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DOWNLOAD OF THE DAY:

7.8.1999 Virginia Beach Ampitheatre, Virginia Beach, VA

Mp3 Torrent, Megaupload < Links

VA. Beach Amphitheatre

Somehow this Summer ’99 gem slipped by the archive. Coming hot out of the box with a twenty-plus minute “Fee” jam, this show got going early. But Phish’s most impressive playing came in the second set sequence of “Birds > If I Only Had a Brain > Caspian.” This transcendent section of music held up as a summer highlight, and a closing combo of “Tube” and “Simple” came as a pleasant and energetic surprise. Fishman’s “Terrapin” encore gave a tongue-in-cheek nod to the stunning “Terrapin Station” encore from the previous year, and everybody went home laughing. In the midst of a great summer, this show often slips through the cracks, but it has plenty to offer. This one goes out as a reader request for Luke. Enjoy!

I: Julius, Fee > Guyute, Dirt, Nellie Kane, Stash, Cavern

II: Birds of a Feather > If I Only Had a Brain > Prince Caspian, Jesus Just Left Chicago, Saw It Again, Sleep, Meatstick, Tube, Simple

E: Terrapin > Hold Your Head Up, Character Zero

Source: Unknown

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520 Responses to “Page and His Piano”

  1. Chuck D Says:

    “I think Riley is coaching that team by the all-star break if they don’t start playing better, and soon.”

    i’m thinking this will happen right after the all star break. let them struggle a bit realize they have only themselves to rely on. eventually they’ll start winning despite spolstra’s poor leadership. then, riley steps in and takes a blossoming team to the next level by really infusing the team with his mentality. they should also get back a few pieces, like mike miller and haslem (or is he out for the year?). i’m still putting them in the eastern conference finals… they could also trade bosh for a real center at some point to really shake things up, but that might be next year if things dont go well.

  2. Leo Weaver Says:

    Hmmm…wonder if this avatar will work.

  3. Mr.Palmer Says:

    llfa…nice one Leo!

    Spinning the DOTD. Great Fee! ( yes, that is not a typo)

    On the Birds now. love me some ’99 , in all it’s tweaked out glory.

  4. Leo Weaver Says:

    There t’is…little tough to make out.

    *ting*

  5. Spasm Waiter Says:

    Best new avatar goes to Leo.
    Was *Ting* mentioned for potential BB shirt?

  6. Aquaman Says:

    Tang Ting!!

  7. angryjoggerz Says:

    Butterlyeffect/Read China. Hit me up at Angryjoggerz at g mail dot com nd we can chat China stuff, not sure peeps here would be interested. I mean, its no football.

  8. angryjoggerz Says:

    loving the tang ting

  9. Aquaman Says:

    China.

    Pfffft, the way they act you’d think they own the debt of the world’s largest economy or something.

    Oh….wait……..

  10. angryjoggerz Says:

    At least 2 of the BB are on the winning team, haha.

  11. Robear Says:

    I applied, AJ 😛

  12. beachroadbum Says:

    give scent of a mule a listen from new hampshire. page was insane!

  13. DaNcInG fOoL Says:

    “yeah I re-listened to the magical 6/24 set not long ago after @dancin fool mentioned it…that really is a remarkable AUD for ’70 and the jam is justly legendary”

    🙂

  14. EL Duderino Says:

    Nice Work Leo!!!!

  15. gavinsdad Says:

    more props on the Page love Miner. dudes the velvet hammer.

  16. EL Duderino Says:

    that’s what Liberace said 😉

  17. Leo Weaver Says:

    I sent a sketch of the avatar to Miner as a t-shirt idea (I think he liked it FWIW). I just don’t have time and skillz to do the actual artwork that’d be needed/appropriate for printing on a shirt. I’m more of a big idea and conceptual guy. Tough to make out detail on the avatar, but the shirt design would include the following:
    1) change the orange image to a footbell
    2) change “100% Natural Flavor” to “100% Cactus Approved”
    3) “Makes 12 Quarts” becomes “Makes Hot Jams” or something similar
    4) Add a http://www.phishthoughts reference in there
    5) change “orange” (flavor) to “funky” or similar

    If any of you fellas (or ladies) have the skillz to make this happen FOR THE BENEFIT OF THIS WEBSITE, I’ll send you my sketch and provide further thoughts.

  18. EL Duderino Says:

    great idea Leo…

    ting/tang dig it

  19. gavinsdad Says:

    manch ghost pwning my face right now. fucking A!!

    heft. thickness. chunkiness. burl.

    sorry i missed that show for real.

  20. Type III Jamming Personality Disorder Says:

    @aqua
    stepping back a bit, it is the “nog” part that implies the alcoholic component so calling your egg beater concoction rum nog would be like saying rum rum or nog nog. the reason is that “nog” comes from an old english word for strong ale so the commoners referred to the eggy drink as “nog” colloquially. the brit version was usually mixed with brandy or sherry but once it came over here rum and bourbon (which were cheaper and more available to the folk here) became the nogs of choice. yes, I know too much about egg nog.

    /the more you know’d

  21. Robear Says:

    nice work @ Leo.

    g’dady, love that manch ‘ghost’.

  22. goat Says:

    happy 27th to the phish from Vermont

  23. EL Duderino Says:

    egg nog latte`s are my favorite seasonal drink

  24. EL Duderino Says:

    @ robear

    Marc Benevento is playing a show in Arcata tonight if you’re lookin’ to get out for a bit.

    http://artistdata.com/a/2v8j

  25. Type III Jamming Personality Disorder Says:

    what must it feel like to be shown up by an eight year old?

    I cannot even think that fast, much less dance like that

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