Page and His Piano

6.22.10 (Parker Harrington)

Along with Phish’s retro-sized Fall Tour came many strands of the band’s musical roots. Churning out tightly wound jams akin to years past, Phish honed their improvisational skills with precise interplay each and every show. The four band members often engaged in equitable excursions without a clear lead player, thus the entire quartet could shine in relation to one another. In this context, Page emerged from Trey’s eternal shadow and stepped up his game, specifically, on piano. Returning to his personal roots, Page left many of his sundry keyboards aside when Phish got into serious business. If the band dipped into psychedelic seas, odds were that Page had firmly planted himself at the piano and gushed melodic styles. This trend gave even the heaviest “Sands,” “Pipers,” “Stashes,” and “Bowies” a distinctly stripped down feel, infusing an old-school layer into this new-school mixture. The late ’90s and post-hiatus represented experimental eras for Phish, and especially for Page, as he surrounded himself with more and more instruments. In juxtaposition to those eras, The Chairman of the Boards took a step backwards down the number line during Fall 2010, as his prominent piano offerings became a defining feature of Phish jams all season long.

One example of Page’s full-throttle piano assault came in the midst of Amherst’s stellar “Stash.” Playing quietly at the onset of the jam, he dotted the background with delicate melodic runs. Page comped Trey’s leads out of the gate, providing plenty of space for Red’s audacious leads; but behind the guitar narrative, he began to loosen up by interlacing piano chords with Trey’s lines. The two locked into each other’s phrases and painted the top half with sinister co-leadership. Joining Trey in a melodic switch that reached for the heavens, Page offered lead piano lines that harmonized beautifully with Trey’s melodic geyser. Moving between block chords and dizzying melodies, Page painted the music with maniacally rolling patterns. Never stepping off the piano for a moment, Page brought creative offerings to this “Stash” from beginning to end, building the final peak step-in-step with Trey.

8.10.10 (G.Lucas)

A second prime conversion of Page and his piano came in Manchester’s blistering tour-highlight, “Ghost.” The leadless quality of the band’s conversation defined this jam, as all four band members contributed equal parts for the duration. An example of an ego-less symbiosis, the band allowed plenty of room for all members other to speak, while complimenting each other’s ideas perfectly. Though Mike, Page, Trey and Fish were all at the top of their game during this segment, Page’s fluid piano leads stood out vibrantly. As the band settled into a groove, Page hopped right on piano adding sparse melodies to the burgeoning mixture. As Mike and Trey engaged in full, Page hung right with them – at first offering minimalist backing patterns and then flowing into complementary leads. For a short period he layered another keyboard atop his piano, lending a darker feel to the jam while still keeping the piano prominent in the upper-most layer of the music. As the jam picked up pace, so did Page’s offerings, and he stepped boldly into the thick of the band’s ascending path. He and Trey bounced melodic phrases off each other as they climbed into the most dramatic segment of the jam, and as they reached a furious peak, Mike, Trey, and Page rolled into a sonic ball of thunder far greater than the sum of their parts. Drifting into the ambient-groove, post-peak section, Page is the one that first hits the sublime melody that Trey echoes and turns into the theme of the jam’s denouement. Engaging in game of spiritual tag, Page wound his majestic piano phrases around his own melody that Trey hypnotically repeated, eventually blending into “Mango Song.” Contributing as much to the Manchester “Ghost” as anyone, Page, again, favored the piano for its entirety.

10.31.10 - Boardwalk Hall (Graham Lucas)

There can be no discussion of Page, piano, and Fall Tour without a mention of the band’s masterful cover of Little Feat’s Waiting For Columbus. Page’s role in the musical costume was playing the parts of Little Feat co-founder Bill Payne, considered by many contemporaries to be one of the finest rock and blues pianists of all time. And Page certainly did him justice. Anchoring many segments of Waiting For Columbus with Payne’s piano leads, Page interpreted the Americana feel of the album with authenticity. One of his personal highlights came in the piano-drenched “Dixie Chicken,” a song designed to showcase Payne’s piano chops and with an extended solo. Page seized his moment and ran with it, playing the bluesy parts with a legitimate down-home feel. The rest of the band took a back seat between verses as Page ticked the ivories like the maestro he is – and the one he was impersonating. Taking center stage, Page’s piano parts lit up the room through the middle stages of the piece, as other instruments came in with gradual support. Building from his solo into the next verse, Page slaughtered the piano parts as if they were his own. Lending a credibility to the album’s most popular song, Page stood out as the star of “Dixie Chicken.” Following the final verse, Page never missed a beat, joining the band in a seamless segue into “Tripe Face Boogie.”

10.23.10 (M. Wagner)

These are but three examples of Page’s return to piano prominence throughout the past season, and the list could continue for quite a while. As Phish moved backwards into the future, their keyboard player did the same. Playing strong piano parts in the context of heavy improvisation, Page shied from textural backing as he jumped into the fray with his bandmates on the instrument that brought him there. Though Page certainly didn’t forget his other keyboards, the resurgence of his piano mastery provided his most significant development of a transformative tour.

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Jam of the Day:

Light” 10.22.10 II

Another piano-centric fall highlight from Providence.

[audio:http://phishthoughts.com/wp-content/uploads/2010/12/ph2010-10-22t20.mp3]

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DOWNLOAD OF THE DAY:

7.8.1999 Virginia Beach Ampitheatre, Virginia Beach, VA

Mp3 Torrent, Megaupload < Links

VA. Beach Amphitheatre

Somehow this Summer ’99 gem slipped by the archive. Coming hot out of the box with a twenty-plus minute “Fee” jam, this show got going early. But Phish’s most impressive playing came in the second set sequence of “Birds > If I Only Had a Brain > Caspian.” This transcendent section of music held up as a summer highlight, and a closing combo of “Tube” and “Simple” came as a pleasant and energetic surprise. Fishman’s “Terrapin” encore gave a tongue-in-cheek nod to the stunning “Terrapin Station” encore from the previous year, and everybody went home laughing. In the midst of a great summer, this show often slips through the cracks, but it has plenty to offer. This one goes out as a reader request for Luke. Enjoy!

I: Julius, Fee > Guyute, Dirt, Nellie Kane, Stash, Cavern

II: Birds of a Feather > If I Only Had a Brain > Prince Caspian, Jesus Just Left Chicago, Saw It Again, Sleep, Meatstick, Tube, Simple

E: Terrapin > Hold Your Head Up, Character Zero

Source: Unknown

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520 Responses to “Page and His Piano”

  1. P.S.H.S. Says:

    P.S.(since)H.S.
    ^yup

  2. SillyWilly Says:

    Just happy to share!

    TypeIII

    just wanted to give you a virtual high five. Feels good to beat USC again.

  3. P.S.H.S. Says:

    i’ve trained my ears to completely block out the other three, at times, and just listen to page “tickle the ivories” (i love this term, and wish i had more opportunities to use it.)

  4. HarryHood Says:

    Willowed,

    Just saw the new avatar. Thanks buddy. Now I’ve got to go find something to clean my computer screen with……..

  5. Type III Jamming Personality Disorder Says:

    @silly

    right back at ya, man. it’s like something has been righted that I wasn’t sure could ever come back again. not that all problems are solved, but beating the condoms is a big step in the right direction.

  6. TheSloth Says:

    great post miner. page has always been my fav. (if there is such a think of picking one) and often overlooked to trey and mike.

  7. SillyWilly Says:

    yeah.

    I was running around my apartment dancing when they finally pushed enough room out to take a knee at the very end.

    My poor roommate went to Michigan, so he adopted ND for the night to have a rivalry to feel good about.

  8. SillyWilly Says:

    sorry that’s at TypeIII^

  9. ReadChina Says:

    I’ll see your avatar switch and raise you a profile change.

    butterflyeffect is now ReadChina.

  10. Brian Frick Says:

    July of 1999 really stands out to me for some reason. It’s hard for me to describe, but the month is littered with this really interesting pattern of playing and/or sound. It’s like a high-energy, rythm, happy, spacy sound. I don’t know …. Anyway, after July this “sound” pretty much vanished, making a brief comeback in the Cypress’ “Split->Catapult” and the “DWD”.

    Here are some examples:

    • 1999/07/08 – The “Fee” and “If I Only Had a Brain”
    • 1999/07/10 – This Chalkdusk Torture->Jam is mind blowing. Serious wtf moment.
    • 1999/07/13 – Jam out of Halley’s Comet
    • 1999/07/15 – “Kung->Jam” Ok, this jam might be the sickest thing I’ve ever heard. Makes me want to run through a wall or something. Be sure to check out Collective Soul’s “Shine” tease by Mike shortly after Kung turns into the mindbending jam.
    • 1999/07/21 – “Simple->My Left Toe->Jam” This is wonderful.
    • 1999/07/25 – The middle of this “Birds of a Feather” has *the* sound

    Man what I would do to hear some SBDs of this stuff.

    Mr. Miner, would love to hear your thorough analysis.

  11. John Says:

    We need more + longer Squirming Coil solos… Thank you Mr. Miner.

  12. phoammhead Says:

    i’m also listening to Selector J’s radio show – very nice reggae show!!!

    big props to our own Selector J!

  13. Type III Jamming Personality Disorder Says:

    @silly
    all of those dropped passes by usc almost make up for the years of bad taste left in my mouth following these games. almost.

  14. Lycanthropist Says:

    morning BB

    well obv I love this write up Miner.

    Will have more to say once I get home and can really focus.

  15. Mr. Palmer Says:

    ND still has a football team? I kid I kid. My bro in law is a ND grad( grad school). It comes naturally to bust stones.

  16. SillyWilly Says:

    totally, TypeIII.

    it was about time luck swung our way.

  17. SillyWilly Says:

    whoa.

    that muscle rock radio ad was intense.

    I don’t think Im man enough to listen to it.

  18. Lycanthropist Says:

    so by new Avatar day, did we mean pick a football avatar day? 😉

  19. Spasm Waiter Says:

    Morning BB-
    Love the new avatars.
    Considering Phish fasting for the run up to New YEars but not sure…
    No Phish makes Spaz…. well, a Spaz.

  20. KfL Says:

    wow, that friday friday friday you’re a poser commercial really took me out of my groove

    totally lost the thought i was working out

  21. BingosBrother Says:

    ” it’s like something has been righted ”

    Did someone bring back Lizzy Seeburg, Declan Sullivan, and Dayne Crist’s brain matter?

  22. SillyWilly Says:

    the Irish will be back, Mr. P.

  23. KfL Says:

    llfa silly – that was some shit, huh?

  24. SillyWilly Says:

    llfa, KfL

    that ad was totally making its point.

  25. SillyWilly Says:

    I bet if we try we can post at the exact same time again

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