Another December Holiday

Continuing our run through Decembers of legend, today I am re-posting an article originally published on December 11, 2008, called “Two Anniversaries.” Discussed are the insane shows of 12.11.97 in Rochester and 12.11.99 in Philadelphia. Had I more time, the article might as well have been called “Three Anniversaries” and included the Phish’s top-shelf stop at Portland, Maine’s Cumberland County Civic Center on the same day in 1995. Audio highlights from all three standout 12.11’s are included below in “Saturday Jams.” (Click show dates for direct download, torrent and grab a 12.11 remaster below the setlists.)


“Two Anniversaries”

Today we find ourselves on the anniversary of a couple very Phishy shows. In addition to the Cumberland County ’95 show, this date brought two monsters in 1997 and in 1999. These two nights in Rochester and Philly were both instant fan favorites of their respective tours, and both are vibrant illustrations of where the band stood at that time. Happy 12.11!

12.11.97 War Memorial Auditorium, Rochester, New York (SBD)

First, let’s circle back to a cold and dreary winter day December 1997. Phish was on the brink of finishing their now legendary fall tour. On the heels of a monumental Midwestern weekend and a stop at State College, Phish pulled into the Rochester’s War Memorial Auditorium, a room that hosted the Grateful Dead on several occasions. The show proved to fall right in line with Fall ’97’s colossal outings featuring one of the best second sets of the month.

11.24.09 (C.Garber)

The night opened up with the energetic three-song combo of “Punch, Disease > Maze.” “Punch,” one of the great openers in the band’s catalog, set the table on this night for a phenomenal “Down With Disease.” Within this upper-echelon excursion, Phish tore apart the song’s thematic jam for ten minutes before slowing down into syrupy rhythms that quickly brought the music to a far deeper place. From this juncture forwards, it grew quite apparent that Phish was tapped into greater energies on this evening. As the piece developed, Trey began to solo with a menacing musical scowl while the band dropped into a dripping groove around him. This now-famous “Disease” became a significant tour highlight mere minutes into the first set. Phish flicked the switch on early in the night, and it remained locked in position for the duration of the evening.

Phish brought “Disease’s” delicate dance patterns to a slow and winding close, as they seamlessly morphed into “Maze.” Bringing maniacal madness into the mix, Phish took the energy already in the room, and channeled it directly into their harrowing improv, creating a forty-minute set-opening segment that jumped off the stage and directly down the throats of the audience. Allowing little time for warm up, the band reserved their mellower moments for the end of the set, decelerating with “Dirt, “Limb by Limb” and “Loving Cup” before closing with an out of place “Rocky Top.”

This mind-bending improvisation continued throughout the standout second set. Phish quickly upped the ante with a twenty-minute “Drowned” opener that immediately sat among the heaviest, most creative, and darkest slices of psychedelia dropped during the tour. After jump-starting the show in shredding fashion, the band put the pedal back to the metal as soon as set two began. About halfway through “Drowned,” the band gradually moved away from the song structure into original improv. Moving from uptempo ferocity into slow and murky textures, this jaunt, all of a sudden, became a lot more interesting. For the duration of the piece, the band explored eerie musical planes with the patience and precision of a surgeon, methodically juxtaposing the two halves of the jam. As Trey layered infectious licks over a thickening groove, this jam soon tramsformed into an ambient affair with loops and effects galore.

Bittersweet Motel DVD

In a now-famous moment, this standout jam wove its way into the debut of Ween’s “Roses Are Free,” a performance made famous by the documentary, Bittersweet Motel. While few were familiar with the song on this evening, all would come to know it as sacred ground come Nassau merely four months from this debut. The ending riff to the song proved a perfect launching point for the rare “Big Black Furry Creatures From Mars.” The lights went dark with white strobes, and the band dove into the quirky Phish-metal.  Trey ran laps around the stage amidst the maddening music, lending a deranged and tone to the already standout show. A version that lasted eight minutes, full of dissonant build and distorted climax, this was not your average “BBFCFM!” As if the band had gone temporarily insane, the asylum’s soundtrack morphed into an excessively slow and heavy groove, not unlike the ending of “Axilla.” Painting a sinister musical backdrop, Phish reveled in pushing the crowd to the brink. After a two-minute ending of beatless distortion, the band dropped into a perfectly placed funk-relief in “Ghost.”

Giving the crowd exactly what they needed, this “Ghost” leaped onto the top shelf of all-star versions in a standout year for the song. Providing the show with a much needed release of flowing Phish grooves, the band took liberty in precisely ripping the only “Fall ’97 funk jam” of the night – another factor that made Rochester so unique. A seamless “Disease Reprise” emerged out of this multi-dimensional odyssey, artistically closing the musical ideas sparked at the beginning of the show, and bringing the evening full circle.

I: Punch You in the Eye > Down With Disease > Maze, Dirt, Limb By Limb, Loving Cup, Rocky Top

II: Drowned  > Roses Are Free* > Big Black Furry Creature From Mars > Ghost > Down With Disease (Reprise) > Johnny B. Goode

E: Waste

*Ween cover, first time played

FLAC Torrent (SBD/AUD Matrix) < Link


12.11.99 The Spectrum Philadelphia, PA

The Spectrum - Philadelphia, PA

When Phish came back to The Spectrum for the second consecutive night in December ’99, they had a little redeeming to do. After a botched transition from “Have Mercy” back into “David Bowie” the night before, the band bailed on the idea in full and awkwardly moved into a Fishman interlude of “Cracklin’ Rosie,” all but killing the momentum of the set. The band stumbled to the finish line with low-energy versions of “Twist” and “Waste,” but what a difference a night can make!

1999’s version of December 11 presented, arguably, Phish’s strongest outing of their climactic December 1999 tour. Opening with “Harry Hood” for the first time in almost ten years (1.20.90), the twenty-minute version let everyone know they we were in for a treat! Expecting a breather to follow the intense “Hood,” Phish brought “Mike’s Groove” – ya’ gotta’ love it! Giving the “Groove” full treatment, the band migrated from the evil soup into “Simple” then “Hydrogen” before closing the segment with a smoking “Weekapaug.” After a reflective moment in “When the Circus Come to Town,” Phish leapt into Gordon’s rarity, “Scent of a Mule”- all in the first set! The Spectrum buzzed loudly during setbreak with the feeling that set two would be extraordinary. And it was.

In one of the tightest sets of 1999, Phish destroyed their classic Philly haunt with a frame of celebratory segues and pure dance madness. If you liked to move at Phish shows, then “Sally > Ghost > 2001 > Disease” provided the perfect soundtrack. Packed to the hilt with dense Phish grooves and a complex ambient build before “2001,” this sequence stood on par with any music that reared its head in ’99. “Ghost” and “2001” were both top-notch versions, and the latter space odyssey spun The Spectrum with the ease of Medowlark Lemons, Spaldings and “Sweet Georgia Brown.” The entire segment totaled 55 minutes of pure Phish crack; one of those unquestionably special sets that everyone agreed upon when it ended.

An incredibly well played show comprised of almost all improvisation, December 11, 1999 was an unforgettable night. One can hear the crowd roaring on the tapes, responding to the full-on Phish carpet bombing all night long. A night of beauty in a the City of Brotherly Love, December 11 brought, perhaps, Phish’s greatest performance in The Spectrum (with 12.15.95 as the only contender).

I: Harry Hood, Mike’s Song > Simple > I Am Hydrogen > Weekapaug Groove, When the Circus Comes, Scent of a Mule, Cavern

II: Boogie On Reggae Woman , Sneakin’ Sally Through the Alley > Ghost > Also Sprach Zarathustra > Down with Disease

E: Possum



Saturday Jams: December 11th Highlights

Drowned > Roses Are Free” 12.11. 97 II



Sally > Ghost > 2001” 12.11.99 II



Reba” 12.11.95 I



The Curtain > Bowie” 12.11.95 II

[audio:,] Tags: , ,

280 Responses to “Another December Holiday”

  1. Jtran Says:

    I’ll throw 11/26/94 (A live One) Slave into the mix too.

    And 12/31/93 Hood

  2. lastwaltzer Says:

    “a great sleeper drummer is George Hurley from the minutemen>fIREHOSE. really quirky tech and nimble. also able to viciously attack. check out the first fIREHOSE on my mediafire for some examples.”GDAD

    YES YES YES! Best punk rhythm section.

  3. garretc Says:

    Thanks Jtran!

    This is a particularly difficult task for me, cause I never really remember particularly uplifting jams, it’s always the heavy mindfuck jams that stick, or the chilled out ambient ones…

  4. Jtran Says:

    And why not for good measure.

    Greek Hood

  5. purplehumpbackwhale Says:

    uplifting jams? 11/18/96 simple. tells a fuckin story.

  6. purplehumpbackwhale Says:

    for a peaceful or uplifting jams, 99 is the best place to go.

  7. garretc Says:

    Thanks @purple, on the list…

    The bonus to jam requests like this? It’s a good excuse to download new shows!

  8. garretc Says:


    Yeah, the thing with ’99 is the jams aren’t really “happy” per se… They’re calm and beautiful and the like, but they aren’t particularly joyous, yadida? That’s how I see it at least…

  9. Mr.Miner Says:

    PUBLIC REQUEST: Does anyone have solid photos of Miami or Hampton ’09? I need images of these events for the upcoming book…shit is moving forward…very exciting…I wanted to put this out to BBers before putting it on the main page soon.

  10. Mr.Miner Says:

    uplifting jams? 11/18/96 simple. tells a fuckin story.

    ^ I couldn’t agree more.

  11. DaNcInG fOoL Says:

    @purple is it just me or did you somehow manage to round up all the youth of the BB to crash at your place? (im 21 too). gonna be a sick time

  12. garretc Says:


    Ah, nice, you’ll be there too?

    Haha, yeah, it’ll be a Miner Youth rally!

  13. DaNcInG fOoL Says:

    is there a sbd or good quality recording of that 11/18/96 simple?

  14. garretc Says:


    I downloaded the spreadsheet source just now, and after a very brief sampling, it sounds pretty good…

  15. joemeg Says:

    11/18/96 simple was released on the road to Vegas bonus CD for Vegas 96.

    The second Mikes jam from Gorge 98 is a peaceful uplifting jam.

  16. purplehumpbackwhale Says:

    the soundboard of the 11/18 simple was released on the “Road to Vegas” bonus disk for begas 96. (alongside another picture perfect phish jam, 11.7.96 bathtub)

  17. purplehumpbackwhale Says:

    yea @ DF – its you, garretc, and jtran (whos like 23 i think) so yea, BB youth chillin at my place haha. now we just need silly and BK

  18. purplehumpbackwhale Says:

    @garretc – yea the 99 jams are more peaceful rather than happy. though some are happy. like the 12.7 halleys for example. theres a bunch of happy jams on Miners Picks Dec 99 and summer 99, though like you said, its also filled with a lot of more ambient or peaceful jams

  19. DaNcInG fOoL Says:

    is that the simple on the alladin theater vegas ’96 disc or something else?

    yep that would be awesome if they were there too

  20. purplehumpbackwhale Says:

    @df – no its different. its on the bonus disk. if you cant find it i can either zip it and send it to you or just burn it for you over the msg run

  21. DaNcInG fOoL Says:

    ah thanks purple but i think i found it wooo more soundboards i didn’t know about

  22. voopa Says:

    Miner- there was a torrent floating around last year that was all sick Hampton photos. 249 photos, 96 Megs. A couple have Andee Kuroda’s copyright notice on them, but the others are uncredited. Actually, you should be able to find Andee’s at jamtopia.

  23. Mitch Says:

    i should have some legit pics from hampton. text me in case i space out.

  24. andrewrose Says:

    Agreed on 99 for the peaceful and joyful material. The 12/7/99 Bathtub I was praising yesterday is pretty perfect for this actually. Mike and Fish lay down this peaceful buoyant bed of sound, Trey soars over it with inspiration, and Page just washes it all clean.

  25. BingosBrother Says:

    Great description AR.

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