The First of the Year

12.30.2010 - MSG (Graham Lucas)

On the first-ever Phish show on the first of January, Phish threw down a powerhouse performance that capped an unprecedented five-night New Year’s Run, and kicked off 2011 in style. A strong start-to-finish performance peaked with a seamless second set, as Phish punctuated the holiday season with its finest frame. Lacing together a series of improvisational selections, the band wove a non-stop tale of glory in a setlist that rolls of the tongue as naturally as it came off the stage. Without any filler and not a ballad to be seen, the band sculpted a stanza of straight fire that sent everyone home with a cornucopia of musical inspiration for the upcoming year.

1.1.11 (AJ Masthay)

With The Garden eating out the palm of their hands, Phish stepped on stage for the first second set of 2011 and promptly dropped a monster. Jump starting the party with “Crosseyed and Painless,” Phish tore into 2011 with a fire-filled excursion that showcased the well-oiled chops of a band who can once again do what they want, no questions asked. Exploring the song’s classic theme, Trey offered passionate leads over a chugging freight train of rhythm. Without pushing the boundaries of the song, the band swooped in on its jam like a predatory bird, methodically planning its attack, and executed it with precision and ferocity. Bringing “Crosseyed” to a numbing peak, Phish followed the aggressive opener with the more intricate textures of “Twist.”

Progressing into a percussive palette, the band members spun sparse, collaborative lines around each others’ offerings, while Fishman anchored the jam by alternating the tempo of his beats as well as the rhythms, themselves. Mike and Trey stepped out front of this spacious jam with their own two-way conversation that took center stage. Nuanced interplay between all band members throughout “Twist” foreshadowed the moments of the evening that were soon to follow in a transcendent “Simple” jam. Showcasing one of their summer standouts, Phish placed the anthemic vehicle in the spotlight of of the second set and came up with pure gold. A mellifluous jam gave way to an elegant section of open improv that provided the most soul-drenched moments of the entire show.

12.30.10 G.Lucas)

Slowly drifting out of “Simple’s” composed jam and into a mystical ambient soup, the band grabbed the attention of the entire building as they began to build towards the cosmos. Flowing organically, the band collectively built a emotional soundscape with a combination of spiritual guitar licks, warm piano comps, and original bass offerings. While the band navigated this piece as a musical amoeba, Trey initiated a melodic theme that the entire band connected to immediately, washing the audience away in a blissful musical tide that represented some of the most metaphysical moments of the entire Holiday Run. And just when one thought Phish might step back and drop a slower song as a late-set breather, they — instead — cranked up a filthy “Sneakin’ Sally!”

Moving through a mid-song vocal jam, Trey led the troops into the liquid groove with his now-familiar staccato leads that have been so prevalent all week long. As the band converged in rhythmic acrobatics, this swarthy dance session provided the ideal complement to “Simple’s” ethereal psychedelia. Trey wound down the jam with similar staccato picking, looped his pattern, and eased the band into “Maskisupa” with mellow reggae chords. Instead of a token late-set crowd-pleaser, Phish actually focused on this version and created something musically significant. Bringing the piece into slower and thicker territory, Mike pushed a drone bass groove while Trey looped a sparkling pattern underneath the dubbed-out experiment. The two guitarists encouraged their band mates to sculpt an abstract soundscape before sliding back into the ending of the song. Mike gave an “ting” of approval via foot bell before Fishman initiated the cymbal intro to “David Bowie.”

Only the second repeat in ten sets of music, “Bowie” brought an ominous final statement to this stellar set of Phish. Taking the jam in a unique direction, the band’s conversation favored the quiet and delicate before building the demonic intensity we have come to love from “Bowie” this year. The band responded to each others’ ideas with alacrity, leaving a musical path of comet dust behind them. Trey and Page collaborated like maestros on the top half of this piece while Fish and Mike gradually built a more forceful pocket. Popping into the final trills of the song, Phsh punctuated the Holiday Run with an impassioned exclamation point and were, subsequently, greeted with an extended ovation.

12.30.2010 Graham Lucas)

Though the second set flowed better than any of this short run, the first was also filled with great song selection, fusing a plethora of well-played old-schoolers with some post-hiatus rarities in “Round Room,” (the first of this era,) and “Walls of the Cave.” A second-song “Tube” got the show off and running with a brain-quenching hit of Phish crack, again featuring the staccato leads of Ernest the Red amidst a dynamic rhythmic exchange. Phish then rolled out the early-90s one-two punch¬† of “Jim,” “Foam;” both succinct versions that were played with notable precision. The compositional highlight of the opening half came in an ferocious “Divided Sky” that popped with far more energy than usual, while the improvisational highlights came in the raucous energy of “Walk Away,” and the liquid grooves of “Jibboo” and “Reba” — both top-shelf versions featuring locked-in, full-band exchanges.

12.30.10 (G.Lucas)

Following Halloween’s third-set version with another crushing “Jibboo,” Phish wasted no time splashing into the “Reba” that has been sitting out there all week. Framing the initial part of the jam with f rim shots, Fishman paced the music meticulously, prompting the band to follow his lead into an effortless fountain of aural pleasure. Another piece that with exquisite jamming, this “Reba” illustrated the virtuosity of the band’s listening skills while they simultaneously built to a monstrous catharsis. And to close the first half, Phish played the third “Walls of the Cave” of 2010, (which was technically the first version of 2011).

Following up a spectacular New Year’s performance, Phish dropped a legitimate beast to christen the new decade. With lock-step playing through and through, the band blasted into the new year with notable of passion, just as they wrapped¬† up the old one. Though we all must now get back to our lives away from Phish for a while, 2010 provided quite a ride…and 2011 only just begun!

Thanks for reading along this year folks! Stay tuned for a full recap of New Year’s Eve, and much more analysis of a triumphant 2010 Holiday Run to follow this week. But first, a long journey home…

I: My Soul, Tube, Runaway Jim, Foam, Guelah Papyrus, The Divided Sky, Round Room, Walk Away, Gotta Jibboo, Reba > Walls of the Cave

II: Crosseyed and Painless > Twist > Simple, Sneakin’ Sally Through the Alley > Makisupa Policeman, David Bowie

E: Fee, Frankenstein

Tags: , ,

769 Responses to “The First of the Year”

  1. butterflyeffect Says:

    this is off topic, but is there a BB fantasy baseball league? i would love to get in on it if there is, and would also like to create one if there isn’t

    @Df when we were right across from MSG on 12/30, i recall you saying “i don’t know where i am.” i was like: MSG, dude! phish is playing!

  2. poop goblin Says:

    it’s not just his speed though AJ

    trey was known for his clean tone. every note no matter fast or slow just rang true. his timing was impeccable.

    he just lost a lot of that.

    the new guitar seemed to help his tone.

    the constant use of the whale probably wasn’t helping either

    he has found a way to more tastefully shred in bunches and then drop out to more melodic stuff and then back. very nice. the Rock N Roll had some serious rock guitar stuff on it but tasteful

  3. DaNcInG fOoL Says:

    hahaha don’t remember that at all @butterfly

  4. DaNcInG fOoL Says:

    @poop, a lot of that has to do with the less compressed tone though

  5. angryjoggerz Says:

    I got a very heavy jazz fusion vibe each night, like I was watching some serious music happen

  6. DaNcInG fOoL Says:

    there was security at msg?

  7. Corey Says:

    So, PHiSH isn’t acknowledging the Manteca within YEM as a separate tune. Interesting. Guess all those zzyzxers will be messed up this week. Love the interplay though. Stop time and all…

    Is there any definitive meaning behind the Meatstick tune? It’s funny.

  8. poop goblin Says:

    a little DF

    you’re a guitarist though

    when he’s thinking to much and lagging the band he just wasn’t hitting shit cleanly. to hear that from me is one thing but from Trey was kinda brutal

    I never dug the compressed tone. in 2009 though compressed or uncompressed he’d be constantly falling out notes getting quiet when he wasn’t sure.

    he’s gotten a lot more confidence starting noticing it summer 2010

  9. DaNcInG fOoL Says:

    @corey, yes there was a meaning. you can see the meaning in the balloons.

  10. Leo Weaver Says:

    @Df…so did you get to meet Robear? Like looking into a timewarp and age-shifting mirror, huh?

    Glad all you guys got such stellar shows. Stream really helped take the sting out.

  11. Mr. Palmer Says:

    I’ll be 38 in march. You all are a bunch of kids. Can’t rage it like I used to. I try though. Sat I was tweaked good. Nj transit station post show was a trip and a half.

    poop- If I didnt drift away from your section during makisupa I might still be there. Between you and robear, jeez. Thanks

  12. Frankie Says:

    What a fun run! Great seeing you guys again and meeting some new people…

    That 1.1.11 6 song second set is the reason why I go to see Phish… they are just on fire from note 1 and never let go the entire set…

    Great sharing that with you df, the sound was great up there but sorry about the talkers… will never understand that…

    Thanks to our gracious host Mitch for everything!
    Hope that post-Phish high lasts a long time…


  13. butterflyeffect Says:

    @Df it was perfect, really put me right in the moment of how awesome it all was

    such a blast being down there with all of you guys, will never forget it

  14. Corey Says:

    Is it just a macarena slam or what? Sick reference to the overwhelming male vs. female ratio at shows? I know the story of meatsticks being the only thing left in a hotel minibar and all…

  15. DaNcInG fOoL Says:

    95 style of compression

  16. DukeOfLizards Says:

    What’s up, folks. Love that my company is observing New Years today. My whole body is still working slowly back to neutral.


    Just a thought – they would have to pay royalties on Manteca, no?

  17. DaNcInG fOoL Says:

    word @frankie, best set of my life. they started up crosseyed, one of the top 2 tunes i’ve wanted to see, and i think mitch turns around, yells “THIS IS FUCKING AWESOME”

  18. angryjoggerz Says:

    are people thinkin this Simple topped the Greek one? I would have to do side by sides on that, because Greek Simple was probably my peak moment of that run

  19. albert walker Says:

    Anytime palmer

    Nice to see you again

  20. DaNcInG fOoL Says:

    i’m never going to compare those 2 simples. so different, but both so good. though i need to hear msgs again

  21. lastwaltzer Says:

    my stream was all f’d up during the beginning of set 2 1/1, came in right as the simple jam started. That was so beautiful.

  22. Corey Says:

    @DukeofLizards, don’t know. The history is a bit convoluted with regards to who wrote it, who added lyrics (which PHiSH obviously don’t sing) and who actually gets credit. And it’s about 62 years old ta boot. Copyright limitations have run out, I think. The would’ve had to pay royalties on Nectar though…

  23. DaNcInG fOoL Says:

    haha word @leo, amazing guy that robear is

  24. DukeOfLizards Says:

    Two totally different jams, plus I was only present for one, so no judgment there.

    That being said, on our way out of MSG on 1/1, I turned to my buddy and said something to the effect of “It wasn’t in the top 20 most exciting moments of the run, but that Simple was the most impressive thing we saw.”

  25. Corey Says:

    ^TheY would have had to pay royalties for it on their album Picture of Nectar, despite the lyric differences.

Leave a Reply