A Five-Night Flow

12.31.2010 (George Estreich)

When digesting a Holiday Run, one must step back and take in the whole ride rather than look at each show in a vacuum. This year, Phish sculpted an artistic musical contour over five nights that possessed a natural flow from Worcester’s kick-off through Madison Square Garden’s finale. Highlighting divergent styles on different nights, and peaking the run with two of the most successful sets of the “year,” Phish not only played four out of five outstanding, individual shows, they crafted an unparallelled five-night adventure to ring in 2011.

Amidst outlandish blizzard conditions, fans fought their way to the DCU Center in Worcester, Massachusetts for an early start to 2010’s New Year’s Run on December 27th. After braving treacherous traffic and road conditions, and navigating clogged-up, east coast airports, the initial show felt like a reward for the efforts expended by all fans to reach the promise land. Worcester’s first set started off more fully invigorated than most opening sets, featuring surprise, jammed-out versions of “Cool It Down” and “Roggae,” as well as a string of inspired singles. The second set initiated the run with a smoking “Mike’s Groove” that favored a heavily-improvised “Weekapaug.” An emotive “Farmhouse” set the table for one of the pieces of the entire run — an enchanting sleigh ride through a sublime “Seven Below.” As patiently glowing, open interplay led into a mind-numbing mash-up with “What’s the Use?” this excursion quickly jumped onto the top-shelf of 2010 Phish jams. The band eased out of this defining piece into “Twenty Years Later” and an elegant rendition of “Velvet Sea,” before finishing with a triumvirate of classics — including the run’s first “Bowie.” Kicking off their their holiday celebration with a well-rounded shot of musical adrenaline, Phish welcomed everyone to the end of the year showcase.

12.28.2010 (James Reed)

The following night in Worcester was the tale of two sets — the first was strewn with upbeat improvisation and spurts of shining psychedelia, while the second became a coherent frame of delicate introspection. The opening set carried the energy from the first night in dynamic explorations of “Wolfman’s” and “Stash,” while also featuring “She Caught the Katy” and the catchy debut of Anastasio and Marshall’s newest effort, “Pigtail.” After “Carini” opened the second set with a surprisingly contained jaunt, the band ventured into more meticulous jamming around mellower, emotionally-driven selections for most of the set. In “Back On the Train > Limb,” Phish wove together two sharp, contained pieces with a seamless segue and a sense of understated eloquence. Following a notably well-played “Frankie Says > Albuquerque,” in which individual notes and the space between them were given equally attentive care, Phish dropped into — in my opinion — the jam of the entire run in “Harry Hood.” United by a selfless ethos, Phish fused precise rhythmic interplay into a blissful and futuristic collaborative canvas, resulting in a life-affirming tale of experimental triumph. Using this masterpiece to peak the set’s stylistic theme with perfection, the band then came down from the stratosphere with a scorching and extended version of “Bug.” Highlighting intricate and quiet interplay all set long, Phish created a beautiful calm before the oncoming, big-city storm.

12.30.2010 G.Lucas)

Madison Square Garden provided a stark change of scenery from snow-covered New England landscape, and Phish responded to the high-key environs by playing a largely energy-based show that also featured some, classic, 30th-style exploration in “Tweezer > Light.” Taking two of the year’s most successful songs, Phish went for it, first coming up with a fierce peak in “Tweezer” before drifting into engaging (if not totally locked-in) bass-led, atmospheric jamming during the piece’s second half. “Light,” a song that hadn’t delivered a lackluster version all year long, notched its first with an aimless exploration that never gained liftoff. On a night that traditionally enters darker realms before an upbeat party on New Year’s Eve, Phish certainly followed that vibe on the 30th, but for whatever reason, didn’t play with the same fire and fury that displayed throughout the following two nights. When “Tweezer > Light” didn’t necessarily reach the places it might have, the band took the course of energy anthems for the rest of the night in the only underwhelming show of the run. Sandwiched in the first set, however, was the show’s certain high-point in a smashing “Bathtub Gin,” followed by Little Feat’s “Fat Man In a Bathtub,” and “Timber Ho!” Thus, while the overall musical achievement didn’t reach the level of the four surrounding shows, the 30th, nonetheless, provided the darker, exploratory experience to fit the overall, five-night contour.

12.31.2010 (George Estreich)

When Phish came out on New Year’s Eve, they immediately sounded more dialed in than the night before. Even through a relatively uneventful first set, their playing was clean, crisp and refreshing. But when they came out for the second set, the New Year’s party got quite serious. Launching off the arena rock vigor of “Wilson” and “46 Days,” Phish dropped a peak version of “Sand,” and an all-time version of “Ghost” that has become an instant classic. With Trey at the top of his game for the final set of the 2010, the band showcased how far their improvisational skills have come within two years as they annihilated the peak of the show — “Disease > Ghost, YEMTeca.” Combining assassin-like precision, Phishy humor laced with musicianship, and a “Ghost” that will bring a grown man to tears, Phish peaked the entire four nights with this holiday sequence. (But the fifth was yet to come!)

12.27.2010 (A.Hill)

The third set of New Year’s Eve brought the well-documented, feel-good event of the year in the Global Meatstick Extravaganza. Following the theatrics with with a series of succinct rock songs that kept the party moving, Phish chilled briefly in a serene “Waste” before climaxing the night with”Slave.” Traditionally, this celebratory evening capped the Holiday Run with noisemakers, silly glasses and relatively innocuous third sets. But this time, we had another show! And one didn’t have to be a rocket scientist to sense that it would be the most complete effort of the run.

Building off New Year’s celebration, Phish doused their audience with two frames of musical focus, including a second, airtight set of creative interplay that went unrivaled by any other of the run. After a linear “Crosseyed” jam got the blood coursing through people’s veins, the rest of the set was chock full of original musical exchanges. “Twist” brought a meticulous conversation between all four band members that pushed the limits of “contained” jamming, while “Simple” broke into the transcendent realm, melting hearts with original improv drenched in spirIT. Never letting up within this entire set of adventure, Phish kept the pedal to the metal with a swanky “Sneakin’ Sally,” a dubbed-out “Makisupa,” and one final, magnificent “David Bowie” to end a season that featured so many incredible versions. Taking this Holiday Tour to another level with a fifth night, Phish peaked the run with its most cohesive show by a long shot, ending — and starting — the year on an incredibly high note.

But January 1st’s peak was but one part of a five-night ride that started in a winter wonderland and ended in a concrete jungle. And along the way, Phish sculpted their shows and jams with parallel direction. Starting with a spark, the band turned to the emotional and intricate side before greeting New York with energy and exploratory intent on opening night. Then, blowing out The Garden with their two finest efforts of the week, the last two nights peaked the run with notably different shows. I’m sure everyone has their favorite night and favorite jam, but when looking at 2010’s Holiday Run from a macro-perspective, it contained an organic path from beginning to end — and plenty of great music in between.

1.1.2011 (Chris La Jaunie)

Here are some recommendations:

12/27: Must Hear: Seven Below > What’s the Use, Weekapaug // Other Highlights: Cool It Down, Roggae, Mike’s, David Bowie

12/28: Must Hear: Harry Hood, Stash, Wolfman’s // Other Highlights: Kill Devil Falls, Pigtail, Back on the Train > Limb, Bug

12/30: Must Hear: Bathtub Gin, Tweezer // Other Highlights: Maze, Fat Man In a Bathtub, Timber, Boogie > 2001

12/31: Must Hear: Sand, Disease > Ghost > YemTeca // Other Highlights: Ocelot, 46 Days, Slave

1/1: Must Hear: Twist > Simple, Sally // Other Highlights: Tube, Walk Away, Jibboo, Reba, Crosseyed, Makisupa, Bowie

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Jam of the Day:

Seven Below > What’s the Use?” 12.27 II

The central sequence in Worcester’s opening night, and one of the most impressive jams of the year.

[audio:http://phishthoughts.com/wp-content/uploads/2011/01/ph2010-12-27t15.mp3,http://phishthoughts.com/wp-content/uploads/2011/01/ph2010-12-27t16.mp3]

=====

DOWNLOAD OF THE DAY:

12.27.2010 DCU Center, Worcester, Massachusetts

FLAC (via etree), Mp3 Torrent, Megaupload < Links

Official Worcester Print

I: Sample in a Jar, Funky Bitch, Cool it Down, Roggae, Heavy Things, What Things Seem, Roses are Free, It’s Ice, Mountains in the Mist, Julius

II: Mike’s Song > Mound, Weekapaug, Farmhouse, Seven Below > What’s the Use > Twenty Years Later, Wading in the Velvet Sea, Possum, Cavern, David Bowie

E: Loving Cup

Source: (FOB) Schoeps mk5> KC5> M222> NT222> Aeta PSP-3> SD 744t (@24bit/96kHz) – (taper: taylorc)

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711 Responses to “A Five-Night Flow”

  1. butterflyeffect Says:

    but maybe the above goes without saying

  2. phoammhead Says:

    i was literally “floored” on the 30th – i had a wide open dance space in the aisle on the floor next to the right front edge of the soundboard – BEK and I got down hard right there the whole show!

  3. butterflyeffect Says:

    whoop, last page’d

  4. angryjoggerz Says:

    We are pretty lucky here on the BB to have resident reggae selectors, funk experts, GD academics, bass aficionados, jazz cats and even some people with some rudimentary knowledge of phish. Diversity is king.

  5. Type III Jamming Personality Disorder Says:

    just waiting now to see if we’ll be getting tte’d. maybe the selecta will drop the msg makisupa on the unsuspecting hipsters today…

  6. Chuck SWE Says:

    note: being “underwhelmed” indicates that expectations were not met. what is the policy regarding expectations? ๐Ÿ˜‰

    30thst~

  7. nonoyolker Says:

    PA cutting out at MSG was bizzare. A spunion next to me was convinced they planned it as a prank. Seriously!?!

    I agree with a lot of what Butterflyeffect said. Additionally, if you are catching a full run, I think it is easier to see the show in the context of a piece in a grander puzzle. If you only see one individual show and are throwing all of your eggs in that basket, I think you have a different perspective. For example, I caught both Hartfords and SPACs last year. Harftord 1 was a bit underwhleming (to me), but i knew I still had 3 more shows to go, so subconsciously, I probably rated it higher than I would if it was the only show i was going to catch.

    It is all personal experience. Love that you raged Phoammhead! The great thing about Phish is that they cover so much ground with their talents that a group of people in the same space can all have completely different experiences. When ZZ was posting here, I thought it was so interesting to hear that he still loved seeing Divided Sky and other compositions after all these years. That just isn’t why i see phish. Literally is different strokes and everyone’s opinions are correct.

  8. angryjoggerz Says:

    bo! big up the one called Michigan. Oh damn, riddim fest too. love this shit.

  9. angryjoggerz Says:

    Selecta, what is the name of this riddim again? Love this one, love the long horn pulls, give it a cool ambience.

  10. jdub Says:

    Very nice recap @Miner! This run was indeed all about flow. The organic build up throughout the whole run was a phenomenal achievement by the band. In the macro context I kind of agree with KWL and Phoamhead about 12/30. That show works well for the first night in the big house.

    I am following the direction of others and going through this run from the top after picking my way around for a few days.

  11. Selector J Says:

    The Full Up riddim, @aj.

    Thanks for listening man. Sorry I wasn’t checking the BB during the show. Got both turntables working so played basically all vinyl and didn’t have time to chat pon the BB.

  12. angryjoggerz Says:

    nice! loving this sesh on the Full Up, my kinda party.

  13. Kaveh Says:

    Happy New Year everyone! Hope 2011 is a great year for us all…with Phish and with our lives.

    @Miner: “โ€œGhostโ€ that will bring a grown man to tears” : NICE!

  14. angryjoggerz Says:

    next i think you should run the version and chat the makisupa lyrics on top, ha.

  15. Kaveh Says:

    @mittens: Agreed…the Rock N Roll is just awesome! Best placement for the song, giving it other life than in the second set opener spot. And the strongest 3.0 performance of it.

  16. angryjoggerz Says:

    woke up this morning, i man no vex
    play the reggae music pon the kvrx

  17. nonoyolker Says:

    @ Chuck – I sincerely try not to have expectations walking in the door, but for 30th at MSG, it is really hard not to. Gave it my best shot (winky emoticon – don’t know how to do these…)

    Also, I think their is a difference between expectations and what your baseline for enjoyment and musical appreciation. You can’t blindly have a great time regardless of how the band is playing. So, on some level, I think we all have at least some expectations that the band will play at a consistent level. If they came out and dropped a Coventry type performance, I think people would be fairly “underwhelmed” (not at ALL comparing the 30th to Coventry, just an example).

    Still, 30th had some great gems (Bathtub/Bathtub, Tweezer, I dug on the 2001 and even Suzy), and I agree with others that it fits in well with the context of the run.

  18. Selector J Says:

    @aj Murrrrdah!

    hahaha!

  19. SOAM Says:

    I thought second set nye was the best since Manchester NH….

    How about that Bug-poat lyrics guitar solo from Alpine -HOLY FUCKIN SHIT

    I had no money-no tickets and no plans when I woke up on 12-31….by the time Trey machined gunned my mind with after midnite jam 1-everythin had changed….

    so -is it Watkins Glen or will there be the first spring tour in more than a half dozen years..?

  20. angryjoggerz Says:

    damn, killin it

  21. Type III Jamming Personality Disorder Says:

    @selecta
    did you ever rip that “Party Time” song? just browsed through your mediafire and couldn’t find it. but I may not be looking in the right place…

  22. Selector J Says:

    I thought the 30th was jumping. We were grooving hard at Casa de Selector. I thought they nailed it. Haven’t listened to the woostah shows, though so expectations were few.
    ===
    @t3
    Haven’t ripped that track yet. I have it with me though… ๐Ÿ˜‰

  23. KfL Says:

    bonus reggae

  24. Type III Jamming Personality Disorder Says:

    well, I hope that means it is coming up on the playlist, selecta! ๐Ÿ˜ฎ

  25. Selector J Says:

    This will be my last. (10 min left on the parking meter.)

    Pass the knowledge pon the right hand side.
    Some haffi learn

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