The Transformation of “Sand”

12.31.2010 (George Estreich)

Traditionally a platform for extended guitar sorcery, “Sand” made the jump from TAB to Phish at The Gorge in the Fall of 1999. Adopting a similar structure as it had in Trey’s solo band, Phish’s “Sand” showcased a deep, linear groove over which the band largely improvised by adding and peeling away sonic layers and effects. Rarely veering from this structure, the song became a relic of 1999 and 2000—the millennial era—a time when Phish focused on psychedelic soundscapes and dark, rhythmic jamming. Appearing only once in the post-hiatus era as a part of 2003’s New Year’s Run in Miami, Phish doubled that output in 2009 with versions in Camden and Miami. Camden’s version added a surprise element of melody to the groove-based palette, but the song remained a rarity through Summer 2010.

8.9.10 - Telluride (W.Rogell)

A turning point for the song came in Telluride, when Mike broke form and began improvising bass leads while Trey tore into ferocious washes of sound and sustained, uncompressed phrases. Page stepped up and began playing along with Mike’s uncompromising lines before Trey drifted back into a more standard lead role. While Mike, Page and Trey engaged in a distinctly different conversation, Fishman still maintained a driving beat that kept the creativity framed in familiar style. Coming together in a crushing full-band peak, Phish capped the jam without returning to its final musical verse. This version carried something far more dynamic than previous incarnations; interplay that foreshadowed a forthcoming change.

Over the course of Fall and New Year’s, Phish dropped four “Sands”—as many versions as they had played in almost two years since their return. Over these four outings, Phish continued the shift that had begun in Telluride, from a one-dimensional piece into a jam in which all four members play an equal part. Coming off the shelf in the first set of Charleston’s finale, it was this version of “Sand” that kicked the show into overdrive; a show that would set Phish afire for the rest of the fall. Building off Telluride’s version, the entire band—including Fishman—treated the song more equitably than ever before. Trey left space for other ideas in the mix, and before we knew it, Phish was crafting a legitimate four-piece conversation amidst “Sand.” Applying their ego-less jamming that has steadily matured since their return to “Sand,” the band transformed the one-time Trey highlight reel into a dynamic show-stopper.

10.29.10 - Boardwalk Hall (J. Weber)

Phish liked what they played in Charleston so much that “Sand” was moved into the second set only two shows later in Utica, New York. Coupled with Atlantic City’s fall finale on 10.29, these two versions explored the band’s newly-discovered four-piece rhythmic gamesmanship. And both resulted in fall tour highlights that reached places previously untouched by “Sand.” Utica’s knee-buckling version featured more powerful exchanges than Charleston’s and broke into a second segment that provided a groovy bridge to “Theme From the Bottom,” while giving us a preview of the open jamming we’d hear from the song in Atlantic City. “Sand’s” curtain call of the season came in a scintillating centerpiece on the first night of Atlantic City. Following another mind-numbing and equitable excursion, Phish skirted the song’s typical ending and landed in a slowed down, melodic piece of music with a shuffle beat that, had nothing to do with the song’s structure at all. “Sand,” the ultimate contained jam, had finally broken down its doors into open, uncharted territory. Eventually leading into “Carini,” this version illustrated how far the song had come over fall tour. But we had no idea what was waiting for us on New Year’s Eve.

12.31.10 ( AJ Masthay)

As the opening of “Sand” emanated from the stage at Madison Square Garden, it felt like the theme music to a prize-fighter’s entrance. Shit was about to go down, and everybody in the building knew it. Bursting out of the gate with his signature staccato licks featured prominently over the New Year’s Run, Trey began the jam as he would any other in history. But with 2010’s improvisational transformation, the rest of the band reacted completely differently than in years past. Instead of providing a canvas for Trey’s crack rhythm licks, the band joined right in! Echoing and improvising off of Trey’s infectious lines, the band members engaged in a selfless symphony like none heard in the song’s history. Page, Mike, and Fish were all playing some form of Trey’s stacatto licks, transforming the jam into one of the danciest and most impressive jaunts of the song’s career. The band members all left space for each other to continue and finish each others’ musical ideas, and the jam quickly turned into one of the most intense high “Sand” had ever provided. And as Trey released from his syncopated patterns with a jazzy lick, the band followed right along, sailing fluidly through the second half of the song with communication just as jaw-dropping as the first. And then without wasting a moment, Phish seamlessly returned to the final chords of the song in a flawless rendition.

It is a fruitless attempt to compare “Sands” from 1999 to “Sands” of 2010, as the band’s intent for the song has now completely changed. That being said, each spin of the New Year’s version continues to floor me with its precision and perfection. Along with Big Cypress’ middle of the night romp on the other end of the spectrum, I believe these to be the song’s crowning achievements. The former version is 40 minutes and the latter is 10—timings that are signposts of vastly different eras. Cypress’ odyssey represents the peak of the original “Sands,” while MSG’s represents the peak of a whole new style. But when all is said and done, with Phish’s new focus on equitable “Sand” structures, the song’s brightest days may yet lie ahead.

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Jam of the Day:

Sand” 12.31.10 II

[audio:http://phishthoughts.com/wp-content/uploads/2011/02/ph2010-12-31t14.mp3]

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DOWNLOAD OF THE DAY:

4.27.1991 The Capitol Theatre, Port Chester, New York SBD

FLAC Torrent (via etree), Mp3 Torrent, Megaupload < Links

4.27.91 Poster

I played roulette with for today’s download. I chose a year, closed my eyes, and clicked the mouse. So here we have it—The Capitol Theatre, a very Phishy stop in 1991. This was the band’s third of seven shows at the venue between 1990 and 1992. Enjoy the Thursday SBD treat. (Note: The FLAC torrent is an AUD new to circulation.)

I: Sweet Adeline, The Asse Festival, Runaway Jim, Cavern, The Landlady, My Sweet One, Reba, Llama, The Lizards, Suzy Greenberg, Stash, Golgi Apparatus

II: The Curtain > Possum, TMWSIY > Avenu Malkenu > TMWSIY > Mike’s Song > Hydrogen > Weekapaug Groove, Fluffhead, Tweezer, The Squirming Coil > Wipe Out > Tweezer Reprise

E: Bouncin’ Around the Room, Good Times Bad Times

*Aquarium Rescue Unit opened

Source: DSBD / FLAC: akg 451eb’s

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547 Responses to “The Transformation of “Sand””

  1. Mr. Palmer Says:

    Nassau ’99. Only H2 sans mikes or week.

    Encore : Rocky top>h2> Julius … Check it. We were like WTF at the show.

  2. EL Duderino Says:

    Rice or Potato Palmer???

    What kind a veggie as well?

    Salad/Soup?

    Hot Bread?

  3. KWL Says:

    palmer

    i believe the next step is to roll another one, just like the other one

  4. Mr. Palmer Says:

    Probably dice up some shrooms as well. Broccoli and baked potato. Or I can do some dirty rice and beans?

  5. EL Duderino Says:

    Teraki… I would go with a clean steamed Jasmin rice.

    Some kind of veggie medley: Squash, zucchini, a red sweet pepper

  6. Mr. Palmer Says:

    How should I cook the meat. Pan fry, broil, or bake?

  7. EL Duderino Says:

    broil if you’re confined indoors.

    what “cut” do you have?

  8. Mr. Palmer Says:

    Loin.

    Kwl. Well, that’s a given. wIfe and I have to take shifts running into the garage for onies….

  9. EL Duderino Says:

    @ Palmer

    You cooking on a Viking/Sub-Zero indoor range?? 🙂

  10. EL Duderino Says:

    Tenderloin is a slow and low kinda deal man

  11. Mr. Palmer Says:

    I wish dude, I wish. One day when I have $$ again I need to get my house out of the 1950s

  12. Mr. Palmer Says:

    They are cut super thin though, almost cutlet style, yet still w/ bone in. Just the way she likes it. 🙂

  13. EL Duderino Says:

    you can baste at the end with honey when you uncover for 10 minutes to brown.

    350 would be my rec

  14. EL Duderino Says:

    can you get to the grill?

  15. EL Duderino Says:

    I’m kidding on the appliances …

    Yeah… that would be nice for most of us

  16. verno329 Says:

    I’m going to repeat my hope that if they ever do anything Dead related again (not saying they should) that they do a Mike’s>Slip>Week. That would be so bad ass.

  17. Mr. Palmer Says:

    No dice on grill. Not dealing with snow that is mid thigh level.

  18. EL Duderino Says:

    broil I guess… they’ll cook quick maybe 2 minutes a side

  19. EL Duderino Says:

    little more maybe

  20. Spasm Waiter Says:

    Palmer- Tenderloin is not slow and low. No fat in it. It is tender. doesn’t need slow cooking to tenderize it. You’ll do fine w a quick pan sear in a hot pan or a quick shot under the broiler.

  21. EL Duderino Says:

    he says there a very thin cutlet with bone… sounds more like a thin chop to me

  22. EL Duderino Says:

    I’m no expert on cooking…
    there a couple of people here that are truly good at this

  23. Mr. Palmer Says:

    Me neither. I usually just make it up as I go along with whatever ingredients I have at the time. This place is good for advice, regardless of topic. We even have a shit tent expert for cryin out loud.

  24. EL Duderino Says:

    Here’s something to look forward to in the coming weeks from CM and Co.

    Grateful Dead: SBD’s

    6/19/76

    6/21/76

    6/22/76

    6/24/76

    6/26/76

    6/27/76

    6/28/76

    6/29/76

  25. butter Says:

    i’ve been hearing slipknot in a lot of 2010 Phish, that second jam in Sand, the jazz licks Trey’s spittin, i hear a “slipknot” tension to them

    *could be a crazy dead head who just hears shit

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