The Transformation of “Sand”

12.31.2010 (George Estreich)

Traditionally a platform for extended guitar sorcery, “Sand” made the jump from TAB to Phish at The Gorge in the Fall of 1999. Adopting a similar structure as it had in Trey’s solo band, Phish’s “Sand” showcased a deep, linear groove over which the band largely improvised by adding and peeling away sonic layers and effects. Rarely veering from this structure, the song became a relic of 1999 and 2000—the millennial era—a time when Phish focused on psychedelic soundscapes and dark, rhythmic jamming. Appearing only once in the post-hiatus era as a part of 2003’s New Year’s Run in Miami, Phish doubled that output in 2009 with versions in Camden and Miami. Camden’s version added a surprise element of melody to the groove-based palette, but the song remained a rarity through Summer 2010.

8.9.10 - Telluride (W.Rogell)

A turning point for the song came in Telluride, when Mike broke form and began improvising bass leads while Trey tore into ferocious washes of sound and sustained, uncompressed phrases. Page stepped up and began playing along with Mike’s uncompromising lines before Trey drifted back into a more standard lead role. While Mike, Page and Trey engaged in a distinctly different conversation, Fishman still maintained a driving beat that kept the creativity framed in familiar style. Coming together in a crushing full-band peak, Phish capped the jam without returning to its final musical verse. This version carried something far more dynamic than previous incarnations; interplay that foreshadowed a forthcoming change.

Over the course of Fall and New Year’s, Phish dropped four “Sands”—as many versions as they had played in almost two years since their return. Over these four outings, Phish continued the shift that had begun in Telluride, from a one-dimensional piece into a jam in which all four members play an equal part. Coming off the shelf in the first set of Charleston’s finale, it was this version of “Sand” that kicked the show into overdrive; a show that would set Phish afire for the rest of the fall. Building off Telluride’s version, the entire band—including Fishman—treated the song more equitably than ever before. Trey left space for other ideas in the mix, and before we knew it, Phish was crafting a legitimate four-piece conversation amidst “Sand.” Applying their ego-less jamming that has steadily matured since their return to “Sand,” the band transformed the one-time Trey highlight reel into a dynamic show-stopper.

10.29.10 - Boardwalk Hall (J. Weber)

Phish liked what they played in Charleston so much that “Sand” was moved into the second set only two shows later in Utica, New York. Coupled with Atlantic City’s fall finale on 10.29, these two versions explored the band’s newly-discovered four-piece rhythmic gamesmanship. And both resulted in fall tour highlights that reached places previously untouched by “Sand.” Utica’s knee-buckling version featured more powerful exchanges than Charleston’s and broke into a second segment that provided a groovy bridge to “Theme From the Bottom,” while giving us a preview of the open jamming we’d hear from the song in Atlantic City. “Sand’s” curtain call of the season came in a scintillating centerpiece on the first night of Atlantic City. Following another mind-numbing and equitable excursion, Phish skirted the song’s typical ending and landed in a slowed down, melodic piece of music with a shuffle beat that, had nothing to do with the song’s structure at all. “Sand,” the ultimate contained jam, had finally broken down its doors into open, uncharted territory. Eventually leading into “Carini,” this version illustrated how far the song had come over fall tour. But we had no idea what was waiting for us on New Year’s Eve.

12.31.10 ( AJ Masthay)

As the opening of “Sand” emanated from the stage at Madison Square Garden, it felt like the theme music to a prize-fighter’s entrance. Shit was about to go down, and everybody in the building knew it. Bursting out of the gate with his signature staccato licks featured prominently over the New Year’s Run, Trey began the jam as he would any other in history. But with 2010’s improvisational transformation, the rest of the band reacted completely differently than in years past. Instead of providing a canvas for Trey’s crack rhythm licks, the band joined right in! Echoing and improvising off of Trey’s infectious lines, the band members engaged in a selfless symphony like none heard in the song’s history. Page, Mike, and Fish were all playing some form of Trey’s stacatto licks, transforming the jam into one of the danciest and most impressive jaunts of the song’s career. The band members all left space for each other to continue and finish each others’ musical ideas, and the jam quickly turned into one of the most intense high “Sand” had ever provided. And as Trey released from his syncopated patterns with a jazzy lick, the band followed right along, sailing fluidly through the second half of the song with communication just as jaw-dropping as the first. And then without wasting a moment, Phish seamlessly returned to the final chords of the song in a flawless rendition.

It is a fruitless attempt to compare “Sands” from 1999 to “Sands” of 2010, as the band’s intent for the song has now completely changed. That being said, each spin of the New Year’s version continues to floor me with its precision and perfection. Along with Big Cypress’ middle of the night romp on the other end of the spectrum, I believe these to be the song’s crowning achievements. The former version is 40 minutes and the latter is 10—timings that are signposts of vastly different eras. Cypress’ odyssey represents the peak of the original “Sands,” while MSG’s represents the peak of a whole new style. But when all is said and done, with Phish’s new focus on equitable “Sand” structures, the song’s brightest days may yet lie ahead.


Jam of the Day:

Sand” 12.31.10 II




4.27.1991 The Capitol Theatre, Port Chester, New York SBD

FLAC Torrent (via etree), Mp3 Torrent, Megaupload < Links

4.27.91 Poster

I played roulette with for today’s download. I chose a year, closed my eyes, and clicked the mouse. So here we have it—The Capitol Theatre, a very Phishy stop in 1991. This was the band’s third of seven shows at the venue between 1990 and 1992. Enjoy the Thursday SBD treat. (Note: The FLAC torrent is an AUD new to circulation.)

I: Sweet Adeline, The Asse Festival, Runaway Jim, Cavern, The Landlady, My Sweet One, Reba, Llama, The Lizards, Suzy Greenberg, Stash, Golgi Apparatus

II: The Curtain > Possum, TMWSIY > Avenu Malkenu > TMWSIY > Mike’s Song > Hydrogen > Weekapaug Groove, Fluffhead, Tweezer, The Squirming Coil > Wipe Out > Tweezer Reprise

E: Bouncin’ Around the Room, Good Times Bad Times

*Aquarium Rescue Unit opened

Source: DSBD / FLAC: akg 451eb’s

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547 Responses to “The Transformation of “Sand””

  1. butter Says:

    yea he was N’awlins originally and he came out to the bay area and made this his home a while ago……..reppin Oakland now

  2. willowed Says:

    The Intercontinental San Fran – Gorgeous place

  3. butterflyeffect Says:

    Anyone have extras for 2.20 HOB TAB? lookin’ for two…

    yetanotherfakeemail420 at gee male

  4. angryjoggerz Says:

    Listening to the first night Greek as I wait on the next two. This Joy is seriously outstanding, my favorite version. I know I am cheese for liking this song, but I love it.

  5. Type III Jamming Personality Disorder Says:

    I really dig going to their shows, though I don’t have a single one in my listening rotation and don’t seek them out specifically. The big thing is that if you aren’t one who digs the grassier side of the road, then you might as well just keep walking.

    for me, they put on a very fun show. lots of feel good newgrass-y type tunes with some solid players who like to jam. first time I saw them I had never heard of them and they were the late night set at greyfox on the first night. blew me the hell away.

    their jammed out tunes are big on the peaks and you get a bunch of rotating solos which is fairly typical for bluegrass style music, I suppose. pretty much, if you can’t figure out how to dance while at a railroad earth show… well, good luck with that.

    next time they are within striking distance, I’d say go for it. I might just do the same myself.

  6. Type III Jamming Personality Disorder Says:

    yeah, if you have extras, hook butterfly up. the more the merrier.

    it’s not 2/20 yet, but it’s less than three weeks away now. stay warm down there.

  7. kipmat Says:

    Mr. Miner, I enjoyed reading your latest post. I had put Utica’s “Sand > Theme” on the headphones just before I read it. I agree with your assessment of “Sand”‘s development over the fall tour. Which song has made a bigger comeback as a jam vehicle, “Sand” or “Bowie”? Thanks for all the worthy commentary. Please keep it up!

  8. Mr.Miner Says:

    butter. you’re making Petaluma sound like Indiana

  9. willowed Says:

    Would it be rude to sneak inside the venue and destroy all of Trza’s Martin’s only leaving him the Magic doc?

    I mean, accoustic jams are cool and all, but lets face it, the north east needs to be melted!

  10. butterflyeffect Says:

    where are you guys at on 2.20? floor?

  11. willowed Says:

    GA Muthin F$%kin’ Floor

  12. butterflyeffect Says:

    is the mezzanine alright? never been to a show there

  13. Mr. Palmer Says:

    AJ- no shame in liking Joy. You have a daughter, as do i ( 3 actually). It makes sense.

  14. Type III Jamming Personality Disorder Says:

    mezzanine is great. you get more room to breath and you are above the hassle of the floor. that said, I plan on having a blast floor stylee.

  15. willowed Says:

    I did a little virtual tour of the place the other day Fly. Check it on the website

    It looks perfect!! All spots

  16. Type III Jamming Personality Disorder Says:

    I usually try to get on the rail by one of the bars on the side, but without the wife that’s probably not as important. she’s not tall. realistically, there’s no “bad” place to be there. some places are just better than others.

  17. willowed Says:

    Hey TIII. You still have that from MSG?
    That could elevate us a bit!

  18. Type III Jamming Personality Disorder Says:

    ok. game starting. “laterz”

  19. Type III Jamming Personality Disorder Says:

    I don’t not have it…

  20. willowed Says:

    excellent (said in Burns voice)

  21. butterflyeffect Says:

    i always feel bad being on the floor because i’m so damn tall. might snag a couple mezzanines if no one has extras. will def be down to pregame at the hotel though!

  22. willowed Says:

    I think KP has a spot right across the street from the venue. We can hit up some bars then run to the hotel to get our smoke on.

    Then jam to jibboo’s, sands and cayman reviews!!!

  23. butterflyeffect Says:

    sounds damn good willowed

    hopefully trza switches it up a bit as i will also be at the portland show

  24. willowed Says:

    Bruins are not looking so good!

  25. kenny powers Says:

    so i finally just did an A/B comparison between the 6/27 MPP Kevorkian remaster and the regular SBD…yeah, they sound exactly the same to me other than the remaster being a touch louder and the high end a touch sharper. i detect no difference in stereo imaging, which is usually a main reason to do a multitrack remaster. i don’t get it. esp since i feel all the 2010 boards sound really damn good as is….seems like a money grab.

    6/27 is the only one i’ve heard, so perhaps other ones show more of a difference. i kind of doubt it.

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