The Transformation of “Sand”

12.31.2010 (George Estreich)

Traditionally a platform for extended guitar sorcery, “Sand” made the jump from TAB to Phish at The Gorge in the Fall of 1999. Adopting a similar structure as it had in Trey’s solo band, Phish’s “Sand” showcased a deep, linear groove over which the band largely improvised by adding and peeling away sonic layers and effects. Rarely veering from this structure, the song became a relic of 1999 and 2000—the millennial era—a time when Phish focused on psychedelic soundscapes and dark, rhythmic jamming. Appearing only once in the post-hiatus era as a part of 2003’s New Year’s Run in Miami, Phish doubled that output in 2009 with versions in Camden and Miami. Camden’s version added a surprise element of melody to the groove-based palette, but the song remained a rarity through Summer 2010.

8.9.10 - Telluride (W.Rogell)

A turning point for the song came in Telluride, when Mike broke form and began improvising bass leads while Trey tore into ferocious washes of sound and sustained, uncompressed phrases. Page stepped up and began playing along with Mike’s uncompromising lines before Trey drifted back into a more standard lead role. While Mike, Page and Trey engaged in a distinctly different conversation, Fishman still maintained a driving beat that kept the creativity framed in familiar style. Coming together in a crushing full-band peak, Phish capped the jam without returning to its final musical verse. This version carried something far more dynamic than previous incarnations; interplay that foreshadowed a forthcoming change.

Over the course of Fall and New Year’s, Phish dropped four “Sands”—as many versions as they had played in almost two years since their return. Over these four outings, Phish continued the shift that had begun in Telluride, from a one-dimensional piece into a jam in which all four members play an equal part. Coming off the shelf in the first set of Charleston’s finale, it was this version of “Sand” that kicked the show into overdrive; a show that would set Phish afire for the rest of the fall. Building off Telluride’s version, the entire band—including Fishman—treated the song more equitably than ever before. Trey left space for other ideas in the mix, and before we knew it, Phish was crafting a legitimate four-piece conversation amidst “Sand.” Applying their ego-less jamming that has steadily matured since their return to “Sand,” the band transformed the one-time Trey highlight reel into a dynamic show-stopper.

10.29.10 - Boardwalk Hall (J. Weber)

Phish liked what they played in Charleston so much that “Sand” was moved into the second set only two shows later in Utica, New York. Coupled with Atlantic City’s fall finale on 10.29, these two versions explored the band’s newly-discovered four-piece rhythmic gamesmanship. And both resulted in fall tour highlights that reached places previously untouched by “Sand.” Utica’s knee-buckling version featured more powerful exchanges than Charleston’s and broke into a second segment that provided a groovy bridge to “Theme From the Bottom,” while giving us a preview of the open jamming we’d hear from the song in Atlantic City. “Sand’s” curtain call of the season came in a scintillating centerpiece on the first night of Atlantic City. Following another mind-numbing and equitable excursion, Phish skirted the song’s typical ending and landed in a slowed down, melodic piece of music with a shuffle beat that, had nothing to do with the song’s structure at all. “Sand,” the ultimate contained jam, had finally broken down its doors into open, uncharted territory. Eventually leading into “Carini,” this version illustrated how far the song had come over fall tour. But we had no idea what was waiting for us on New Year’s Eve.

12.31.10 ( AJ Masthay)

As the opening of “Sand” emanated from the stage at Madison Square Garden, it felt like the theme music to a prize-fighter’s entrance. Shit was about to go down, and everybody in the building knew it. Bursting out of the gate with his signature staccato licks featured prominently over the New Year’s Run, Trey began the jam as he would any other in history. But with 2010’s improvisational transformation, the rest of the band reacted completely differently than in years past. Instead of providing a canvas for Trey’s crack rhythm licks, the band joined right in! Echoing and improvising off of Trey’s infectious lines, the band members engaged in a selfless symphony like none heard in the song’s history. Page, Mike, and Fish were all playing some form of Trey’s stacatto licks, transforming the jam into one of the danciest and most impressive jaunts of the song’s career. The band members all left space for each other to continue and finish each others’ musical ideas, and the jam quickly turned into one of the most intense high “Sand” had ever provided. And as Trey released from his syncopated patterns with a jazzy lick, the band followed right along, sailing fluidly through the second half of the song with communication just as jaw-dropping as the first. And then without wasting a moment, Phish seamlessly returned to the final chords of the song in a flawless rendition.

It is a fruitless attempt to compare “Sands” from 1999 to “Sands” of 2010, as the band’s intent for the song has now completely changed. That being said, each spin of the New Year’s version continues to floor me with its precision and perfection. Along with Big Cypress’ middle of the night romp on the other end of the spectrum, I believe these to be the song’s crowning achievements. The former version is 40 minutes and the latter is 10—timings that are signposts of vastly different eras. Cypress’ odyssey represents the peak of the original “Sands,” while MSG’s represents the peak of a whole new style. But when all is said and done, with Phish’s new focus on equitable “Sand” structures, the song’s brightest days may yet lie ahead.

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Jam of the Day:

Sand” 12.31.10 II

[audio:http://phishthoughts.com/wp-content/uploads/2011/02/ph2010-12-31t14.mp3]

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DOWNLOAD OF THE DAY:

4.27.1991 The Capitol Theatre, Port Chester, New York SBD

FLAC Torrent (via etree), Mp3 Torrent, Megaupload < Links

4.27.91 Poster

I played roulette with for today’s download. I chose a year, closed my eyes, and clicked the mouse. So here we have it—The Capitol Theatre, a very Phishy stop in 1991. This was the band’s third of seven shows at the venue between 1990 and 1992. Enjoy the Thursday SBD treat. (Note: The FLAC torrent is an AUD new to circulation.)

I: Sweet Adeline, The Asse Festival, Runaway Jim, Cavern, The Landlady, My Sweet One, Reba, Llama, The Lizards, Suzy Greenberg, Stash, Golgi Apparatus

II: The Curtain > Possum, TMWSIY > Avenu Malkenu > TMWSIY > Mike’s Song > Hydrogen > Weekapaug Groove, Fluffhead, Tweezer, The Squirming Coil > Wipe Out > Tweezer Reprise

E: Bouncin’ Around the Room, Good Times Bad Times

*Aquarium Rescue Unit opened

Source: DSBD / FLAC: akg 451eb’s

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547 Responses to “The Transformation of “Sand””

  1. Selector J Says:

    (btw, this Burning Spear track = $$$$!!!)

  2. EL Duderino Says:

    “but the 2010 Sands are way better.”-SJ

    Agreed.

  3. Calpain Says:

    Rollin’ Solo at work today–must spin 3.0 Sands, very loud.

    @El Dude- I love me some yesterdays-rice-fried!

    @AJ- you dig those Shanghai soup dumplings?

  4. Robear Says:

    I did the winter ’99 ‘Sand Tour’. I’ll take MSG to the dome x 10 over any of them.

  5. Calpain Says:

    @Selecta J- wish I could stream your show, but due to internet restrictions/IP stuff I am not able. If you ever archive your shows, that would be super!

  6. Jtran Says:

    For all those hoping for a secret Phish show tonight at the Higher Ground benefit (confirmed Page and Fish)….apparently Mike is in Costa Rica right now. SLF was talking to one of Russ Lawton’s friends yesterday I guess, he said who knows if Trey would show up, but it’s a definite maybe.

    Confirmed Trey is a super great, down to earth guy, and that Fish is just awesome as well. Interestingly she was talking to another guy at the gym that knows Trey from back in the day somehow. Also confirmed he’s great.

    Good to hear our super heroes are good people too.

  7. butterflyeffect Says:

    @bear

    Thinking of you, bro. Cancer is the fucking shit tent of shit tents. Your friend will be healthy, though, I can feel it; our southern brothers will give her the good medicine.

    Damn, you’ve got me thinkin’ Chinese now too. Give me some Spicy Boiled Fish now!

  8. Calpain Says:

    positive vibes @Robear!!

  9. Mr. Palmer Says:

    dude- was gonna start with the bonus disc. should i not? 30 minute Caution sounds nice.

  10. Selector J Says:

    You might try iTunes Radio, @Calpain. I don’t know if it gets around it or not but maybe worth a shot.
    -iTunes Radio
    –>College/University
    —> KVRX-FM 91.7

  11. EL Duderino Says:

    @ Palmer

    refresh my memory? bonus disc?

  12. EL Duderino Says:

    don’t think i have the bonus disc just the four shows

  13. Mr. Palmer Says:

    Bonus disc
    June 1968, Carousel Ballroom:
    “Caution (Do Not Stop on Tracks)” (Grateful Dead)
    June 8, 1969, Fillmore West:
    “He Was a Friend of Mine” (Traditional)
    “China Cat Sunflower” (Garcia, Hunter)
    “New Potato Caboose” (Lesh, Peterson)
    February 7, 1970, Fillmore West:
    “China Cat Sunflower” (Garcia, Hunter)
    “I Know You Rider” (Traditional)
    “High Time” (Garcia, Hunter)

  14. EL Duderino Says:

    huh…

  15. EL Duderino Says:

    love Caution immensely…

  16. Selector J Says:

    Dude got scammed!

  17. Mr. Palmer Says:

    Its on the description of the release as well. according to wiki.

    http://en.wikipedia.org/wiki/Fillmore_West_1969:_The_Complete_Recordings

  18. Calpain Says:

    @Selecta- usually Itunes Radio is hit or miss (depending on the station), in this case it was a miss and just kept buffering. I will try again when I am home, it might make a difference.

  19. EL Duderino Says:

    I didn’t download the Apple Lossless version like Palmer, I did the flac one.

    What’s funny is that I don’t have any June ’68 or the 02/07/70 FE show

  20. Robear Says:

    Selie, I had the good fortune of catching the ‘Izzy Vibes’ as a trio when I first moved to Cali. such powerful music. still great as a duo.

  21. EL Duderino Says:

    or June ’69 for that matter

  22. Mr. Palmer Says:

    well, i’m sure you can just grab the bonus disc if you’d like.

  23. Robear Says:

    I’ve heard of kinky reggae, but not this.

  24. SillyWilly Says:

    selector j for president of UT.

    i’d transfer right away.

    except you have to be smart to go to UT law…

  25. ae Says:

    love it selector. fun way to kick up thursday am. thanks.

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