Blowing Off Steam

6.4.11 -Blossom (Michael Stein)

Phish followed up their Friday night vision quest with a fire-filled, song-based affair that took a little while to truly get interesting. Until Phish debuted their newest song, “Steam,” as the third song of the second set, the band had played with precision and fire, but their song selection felt haphazard and the show had yet to elevate. But from his point on, however, the band flowed quite well for the he rest of the set and encore, crafting an engaging latter part of the night.

Official Blossom Print (DKNG)

The band began the second half with the now-elusive “Birds of a Feather,” and when it came off the shelf as a second-set opener amidst Summer 2011, many felt like we would be in for a ride. But as the band tore through standard “Birds” territory, an exploration wasn’t to be. Instead, Phish decided to drop the second, second-set “Possum” of this young tour, a decision that made a discernible bump in the flow of the show. The band, however, attacked “Possum” in a spunkier than usual outing which saw the band vocally toy with the song’s ending—one of several examples of light-hearted musical fun laced throughout the night. After “Possum,” it sounded like Trey might rev up “Seven Below,” but instead the band debuted “Steam”—a soon to be crowd favorite—in the middle of the set. A song whose lyrical verses climax with the word—and musical imitation of—steam, immediately jumped off the stage. An sparse and infectious groove that sounds like it could be a Little Feat outtake from “Waiting For Columbus,” Phish’s newest tune moves at a menacing pace and could become a centerpiece jam before the summer is out. Highly danceable and with a chunky bass pattern and interesting lyrics, the band hit a winner with “Steam’s” debut, and as the song dripped into “Piper,” Phish crafted in the first cohesive musical combo of the night.

6.4.11 (M.Stein)

When “Piper” launched, the band only briefly remained at a breakneck pace before veering away from conventional realms and into a melodic, whole-band ambient jam. It was a pleasure to see “Piper” move away from its routine, high-octane path and into something more experimental and patient. Using this jam to weave an artistic segue into “Lizards,” Phish took out the “Gamehendge” piece for the first time of the summer. But the atomic bomb of the night came next, out of left field, in the form of “Sneaking Sally.” Following the song’s vocal jam, Phish turned this version into an exercise in hyper-funk as Mike and Fish held down a tight pocket for Page, and especially Trey, to go ballistic. Weaving together crack-like lines, Trey and Page strutted out front in this four-part conversation that soon transcended the cover into an all-out throwdown. After the band touched on “Manteca’s” textures briefly, Trey began to play effected and “delayed” notes, signifying that things were about to get far more abstract. Building the jam with dissonance and effects, the band was soon amidst a grungy experiment with Fish holding down the rhythm behind the bubbling psychedelic brew. Growing in scope of sound, the band then left the groove behind for a beatless, extra-terrestrial plane that was broken with the opening dumroll to “Harry Hood.”

6.4.11 (M.Stein)

As the band flowed naturally through the opening part of the jam and were navigating gorgeous version of the classic song, Trey decided they were going to play “Have Mercy,” and pushed the band into a quasi-forced transition. My mind immediately shot back to Utica, thinking what it might sound like to hear the band jam “Have Mercy” back into “Hood,” but it wasn’t to be. As they finished the song, the band collectively dissolved right back into “Hood”—an interlude seemingly executed for setlist purposes more than natural jamming. But in the final stages of “Hood,” Trey wove in sublime “Have Mercy” lines to his melodic climb as he and the band played through an intricate final section and peak of the jam.

Phish finalized the night with a crunching “Character Zero” to close the set and a particularly delicate “Slave” that made rare encore appearance. Beginning with “Steam,” the band turned on their creative juices just in time to avoid another night of pure safety, and when they did—like most everything they attempt these days—they succeeded. Coming off a show so heavily-drenched in cosmic improv in Detroit, this one carried the feeling of a well-played Phish concert rather than a journey into center of the earth. But as Cincy awaits, something tells me Sunday night might be a different story…see you in a few hours….

First Set Notes: The opening frame saw several songs taken off the shelf for the first time this tour, including the first rendition of Little Feat’s “Rocket in My Pocket” since Atlantic City’s Halloween extravaganza. The song was played a part of an Americana-based triumvirate with “Ocelot” and “Back on the Train.” The grooves came out a bit in return to Page’s house in “Tube” and a legitimate “Antelope” to punctuate the set. But all in all, the first stanza, though tight, fun and played with the quality of the band’s current chops, amounted to a bunch songs that carried little flow or cohesion.

I: Kill Devil Falls, Guyute, Fuck Your Face, Foam, Ocelot, Rocket in My Pocket, Back on the Train, Guelah Papyrus, Tube, Run Like an Antelope

II: Birds of a Feather, Possum, Steam* > Piper -> The Lizards, Sneakin’ Sally through the Alley > Harry Hood -> Have Mercy -> Harry Hood, Character Zero

E: Slave to the Traffic Light

*debut

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615 Responses to “Blowing Off Steam”

  1. GhostPhunk Says:

    anyone know what WW was supporting tonight?

  2. Sillywilly Says:

    Some nights tickets say show starts at 7 est some 730.

    All depends on the venue I guess

  3. Foul_Domain Says:

    Bag->Punch

  4. GhostPhunk Says:

    Isabella tonight? 🙂

  5. Sillywilly Says:

    Kinda hopin undermind comes out

    2.0 songs are welcome

  6. Mr. Palmer Says:

    stream frozen?

  7. Sillywilly Says:

    have you found a stream, Mr P?

  8. Foul_Domain Says:

    Anybody have a working stream? What are you on Palmer?

  9. Sillywilly Says:

    Someone on hoodstream mentioned peteypabs

    But I can’t get it to work on my phone

  10. BrandonKayda Says:

    Hey BB

    How was Bag?

  11. jtran Says:

    Plord and I still on the road (since 9 am)

    Following along until we lose 3g in vt

  12. Foul_Domain Says:

    peteypabs is frozen anyway Silly

    I think we’re SOL

  13. sumodie Says:

    was gonna post the local charity that Waterwheel is supporting tonite but it’s not posted

    http://www.facebook.com/thewaterwheelfoundation

  14. Sillywilly Says:

    No idea, BK. No stream. Yemblog says standard, but solid.

    Plord and Jtran

    Be safe, kids. You are warriors.

  15. negev79 Says:

    shastamonster on hoodstream is working but not great quality

  16. Sillywilly Says:

    Gin in the 3 slot gives them some options for the rest of the first set

    They can easily drop into jibboo/cities/wolfmans/crosseyed/undermind/a funky gumbo out of gin

  17. BrandonKayda Says:

    Bag->Punch made me think it was a real segue. Nevermind.

  18. Andrew Says:

    Nice looking start!

  19. sumodie Says:

    tonite’s poster

    http://tinyurl.com/68pnefj

    not gonna be a hot one me thinks

  20. negev79 Says:

    I don’t know that Gin sounded pretty good and from what I can tell from the stream, a nice transition into Taste.

  21. Sillywilly Says:

    They love doing the riverboat theme in Cinci

    The one from 09 is better I think

  22. jtran Says:

    13 min gin?

    Nice

  23. Sillywilly Says:

    Cal texted me an hour ago telling me we were due for Taste

    Kid always gets his Tastes

    If twitter is anything to go by Gin seemed fairly long

  24. Sillywilly Says:

    Beat me to it, jtran

  25. willowed Says:

    Not a huge Taste fan but that seemed like it ripped

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