Blowing Off Steam

6.4.11 -Blossom (Michael Stein)

Phish followed up their Friday night vision quest with a fire-filled, song-based affair that took a little while to truly get interesting. Until Phish debuted their newest song, “Steam,” as the third song of the second set, the band had played with precision and fire, but their song selection felt haphazard and the show had yet to elevate. But from his point on, however, the band flowed quite well for the he rest of the set and encore, crafting an engaging latter part of the night.

Official Blossom Print (DKNG)

The band began the second half with the now-elusive “Birds of a Feather,” and when it came off the shelf as a second-set opener amidst Summer 2011, many felt like we would be in for a ride. But as the band tore through standard “Birds” territory, an exploration wasn’t to be. Instead, Phish decided to drop the second, second-set “Possum” of this young tour, a decision that made a discernible bump in the flow of the show. The band, however, attacked “Possum” in a spunkier than usual outing which saw the band vocally toy with the song’s ending—one of several examples of light-hearted musical fun laced throughout the night. After “Possum,” it sounded like Trey might rev up “Seven Below,” but instead the band debuted “Steam”—a soon to be crowd favorite—in the middle of the set. A song whose lyrical verses climax with the word—and musical imitation of—steam, immediately jumped off the stage. An sparse and infectious groove that sounds like it could be a Little Feat outtake from “Waiting For Columbus,” Phish’s newest tune moves at a menacing pace and could become a centerpiece jam before the summer is out. Highly danceable and with a chunky bass pattern and interesting lyrics, the band hit a winner with “Steam’s” debut, and as the song dripped into “Piper,” Phish crafted in the first cohesive musical combo of the night.

6.4.11 (M.Stein)

When “Piper” launched, the band only briefly remained at a breakneck pace before veering away from conventional realms and into a melodic, whole-band ambient jam. It was a pleasure to see “Piper” move away from its routine, high-octane path and into something more experimental and patient. Using this jam to weave an artistic segue into “Lizards,” Phish took out the “Gamehendge” piece for the first time of the summer. But the atomic bomb of the night came next, out of left field, in the form of “Sneaking Sally.” Following the song’s vocal jam, Phish turned this version into an exercise in hyper-funk as Mike and Fish held down a tight pocket for Page, and especially Trey, to go ballistic. Weaving together crack-like lines, Trey and Page strutted out front in this four-part conversation that soon transcended the cover into an all-out throwdown. After the band touched on “Manteca’s” textures briefly, Trey began to play effected and “delayed” notes, signifying that things were about to get far more abstract. Building the jam with dissonance and effects, the band was soon amidst a grungy experiment with Fish holding down the rhythm behind the bubbling psychedelic brew. Growing in scope of sound, the band then left the groove behind for a beatless, extra-terrestrial plane that was broken with the opening dumroll to “Harry Hood.”

6.4.11 (M.Stein)

As the band flowed naturally through the opening part of the jam and were navigating gorgeous version of the classic song, Trey decided they were going to play “Have Mercy,” and pushed the band into a quasi-forced transition. My mind immediately shot back to Utica, thinking what it might sound like to hear the band jam “Have Mercy” back into “Hood,” but it wasn’t to be. As they finished the song, the band collectively dissolved right back into “Hood”—an interlude seemingly executed for setlist purposes more than natural jamming. But in the final stages of “Hood,” Trey wove in sublime “Have Mercy” lines to his melodic climb as he and the band played through an intricate final section and peak of the jam.

Phish finalized the night with a crunching “Character Zero” to close the set and a particularly delicate “Slave” that made rare encore appearance. Beginning with “Steam,” the band turned on their creative juices just in time to avoid another night of pure safety, and when they did—like most everything they attempt these days—they succeeded. Coming off a show so heavily-drenched in cosmic improv in Detroit, this one carried the feeling of a well-played Phish concert rather than a journey into center of the earth. But as Cincy awaits, something tells me Sunday night might be a different story…see you in a few hours….

First Set Notes: The opening frame saw several songs taken off the shelf for the first time this tour, including the first rendition of Little Feat’s “Rocket in My Pocket” since Atlantic City’s Halloween extravaganza. The song was played a part of an Americana-based triumvirate with “Ocelot” and “Back on the Train.” The grooves came out a bit in return to Page’s house in “Tube” and a legitimate “Antelope” to punctuate the set. But all in all, the first stanza, though tight, fun and played with the quality of the band’s current chops, amounted to a bunch songs that carried little flow or cohesion.

I: Kill Devil Falls, Guyute, Fuck Your Face, Foam, Ocelot, Rocket in My Pocket, Back on the Train, Guelah Papyrus, Tube, Run Like an Antelope

II: Birds of a Feather, Possum, Steam* > Piper -> The Lizards, Sneakin’ Sally through the Alley > Harry Hood -> Have Mercy -> Harry Hood, Character Zero

E: Slave to the Traffic Light



615 Responses to “Blowing Off Steam”

  1. Mr. Palmer Says:

    stream decent. link please?

    Whats up Willowed? Getting pumped for GW. I’m thinking about hitting MPP on sat. get up early and solo cruise it down. You and T3 are doing that , no?

  2. GhostPhunk Says:

    Not great but working.

  3. Mr. Palmer Says:

    I dig the setlist so far.

  4. negev79 Says:

    holy fucking shit no way!!!!!

  5. negev79 Says:


  6. kayatosh Says:


    nice find ghostphunk. quality is poor but it’s consistent.

  7. willowed Says:

    I like this

  8. kayatosh Says:

    was consistent

  9. negev79 Says:

    I wrote a paper about this song in college. We were studying philosphy and how someone (aristotle maybe) said plot is more important than character. Teacher challenged us to find examples that contradicted this – e.g. Seinfeld, where character was more important than plot.

    I argued in popular music, lyrics are often more important than the music itself. I explained how Phish often uses the sound of words (not just the meaning) to convey something. E.g. round a back circle, round a back realize.

    Gave my professor a tape of the song. Got an A! Fucking Mound – love it.

  10. Guyute711 Says:

    Go deep birches!! Mound rules!!

  11. BrandonKayda Says:

    Hopefully Mound was well played

  12. GhostPhunk Says:

    check the facebook stream on the from the road page, that’s where I found that last one. I gotta scoot for a bit. Show has potential to be monumental already…. wtf.

  13. BrandonKayda Says:

    Awesome – stream dies just as jam is starting

  14. Mr palmer Says:

    Still mound? Not listening.

  15. Mr palmer Says:

    Guyute711. Your at the show?
    If so, -1 for in show post.

  16. lastwaltzer Says:

    Got back a little earlier today. What a weekend, wish I was still on the road headin for another joint.

    I’m not even going to try to describe how great the music was this weekend but lets just say friday set two is why I spend my free time trying to see phish. I couldn’t ask for more.

    Met up with a lot of the bb crew who were as usual some of the nicest people you could care to meet. I really gotta give a big thanks though to Cal, AJ, Aqua and kaveh who made this weekend happen for me.

    It was great seeing everybody. August can’t come soon enough.

  17. goat Says:


  18. AintNoTele Says:

    What’s up crew?

    I’m sure this has been discussed here all day but: Steam kicks some serious ass. It’s like a tame ghost/moma hybrid AND it has the whammy loop action. Pretty hard to beat.

    If there are any dark tower fans out there the lyrics seem to allude to it. Ie the opening tower lines and references to wolves. Maybe I just love phish and the dark tower a little too much, the boundaries are blurring! Must be Ka

  19. Sillywilly Says:

    Wish I could have been with you, LW

    I’ve had some bad luck this year

  20. kayatosh Says:

    steam = the love child of ghost and spanish moon

  21. Fly Says:

    Rats, was hoping Reba would make it past this show.

    Setlist looks hawt.

  22. goat Says:

    agreed fly, still hoping Reba makes an appearance in camden…

  23. AintNoTele Says:

    the jam section is straight out of moma, same key too I think

  24. lastwaltzer Says:


    but you did make it to bethel 🙂

    I’m out. Peace

  25. GhostPhunk Says:

    Looking at this setlist tells me the home team is ahead early with a chance for a huge lead at the half.

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