Blowing Off Steam

6.4.11 -Blossom (Michael Stein)

Phish followed up their Friday night vision quest with a fire-filled, song-based affair that took a little while to truly get interesting. Until Phish debuted their newest song, “Steam,” as the third song of the second set, the band had played with precision and fire, but their song selection felt haphazard and the show had yet to elevate. But from his point on, however, the band flowed quite well for the he rest of the set and encore, crafting an engaging latter part of the night.

Official Blossom Print (DKNG)

The band began the second half with the now-elusive “Birds of a Feather,” and when it came off the shelf as a second-set opener amidst Summer 2011, many felt like we would be in for a ride. But as the band tore through standard “Birds” territory, an exploration wasn’t to be. Instead, Phish decided to drop the second, second-set “Possum” of this young tour, a decision that made a discernible bump in the flow of the show. The band, however, attacked “Possum” in a spunkier than usual outing which saw the band vocally toy with the song’s ending—one of several examples of light-hearted musical fun laced throughout the night. After “Possum,” it sounded like Trey might rev up “Seven Below,” but instead the band debuted “Steam”—a soon to be crowd favorite—in the middle of the set. A song whose lyrical verses climax with the word—and musical imitation of—steam, immediately jumped off the stage. An sparse and infectious groove that sounds like it could be a Little Feat outtake from “Waiting For Columbus,” Phish’s newest tune moves at a menacing pace and could become a centerpiece jam before the summer is out. Highly danceable and with a chunky bass pattern and interesting lyrics, the band hit a winner with “Steam’s” debut, and as the song dripped into “Piper,” Phish crafted in the first cohesive musical combo of the night.

6.4.11 (M.Stein)

When “Piper” launched, the band only briefly remained at a breakneck pace before veering away from conventional realms and into a melodic, whole-band ambient jam. It was a pleasure to see “Piper” move away from its routine, high-octane path and into something more experimental and patient. Using this jam to weave an artistic segue into “Lizards,” Phish took out the “Gamehendge” piece for the first time of the summer. But the atomic bomb of the night came next, out of left field, in the form of “Sneaking Sally.” Following the song’s vocal jam, Phish turned this version into an exercise in hyper-funk as Mike and Fish held down a tight pocket for Page, and especially Trey, to go ballistic. Weaving together crack-like lines, Trey and Page strutted out front in this four-part conversation that soon transcended the cover into an all-out throwdown. After the band touched on “Manteca’s” textures briefly, Trey began to play effected and “delayed” notes, signifying that things were about to get far more abstract. Building the jam with dissonance and effects, the band was soon amidst a grungy experiment with Fish holding down the rhythm behind the bubbling psychedelic brew. Growing in scope of sound, the band then left the groove behind for a beatless, extra-terrestrial plane that was broken with the opening dumroll to “Harry Hood.”

6.4.11 (M.Stein)

As the band flowed naturally through the opening part of the jam and were navigating gorgeous version of the classic song, Trey decided they were going to play “Have Mercy,” and pushed the band into a quasi-forced transition. My mind immediately shot back to Utica, thinking what it might sound like to hear the band jam “Have Mercy” back into “Hood,” but it wasn’t to be. As they finished the song, the band collectively dissolved right back into “Hood”—an interlude seemingly executed for setlist purposes more than natural jamming. But in the final stages of “Hood,” Trey wove in sublime “Have Mercy” lines to his melodic climb as he and the band played through an intricate final section and peak of the jam.

Phish finalized the night with a crunching “Character Zero” to close the set and a particularly delicate “Slave” that made rare encore appearance. Beginning with “Steam,” the band turned on their creative juices just in time to avoid another night of pure safety, and when they did—like most everything they attempt these days—they succeeded. Coming off a show so heavily-drenched in cosmic improv in Detroit, this one carried the feeling of a well-played Phish concert rather than a journey into center of the earth. But as Cincy awaits, something tells me Sunday night might be a different story…see you in a few hours….

First Set Notes: The opening frame saw several songs taken off the shelf for the first time this tour, including the first rendition of Little Feat’s “Rocket in My Pocket” since Atlantic City’s Halloween extravaganza. The song was played a part of an Americana-based triumvirate with “Ocelot” and “Back on the Train.” The grooves came out a bit in return to Page’s house in “Tube” and a legitimate “Antelope” to punctuate the set. But all in all, the first stanza, though tight, fun and played with the quality of the band’s current chops, amounted to a bunch songs that carried little flow or cohesion.

I: Kill Devil Falls, Guyute, Fuck Your Face, Foam, Ocelot, Rocket in My Pocket, Back on the Train, Guelah Papyrus, Tube, Run Like an Antelope

II: Birds of a Feather, Possum, Steam* > Piper -> The Lizards, Sneakin’ Sally through the Alley > Harry Hood -> Have Mercy -> Harry Hood, Character Zero

E: Slave to the Traffic Light

*debut

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615 Responses to “Blowing Off Steam”

  1. Admiral Ackbar Says:

    COP LANDLORD!?!?

    You know the rest.

  2. Fly Says:

    Shit maybe just play Mary Had a Little Lamb at GW?

  3. BrandonKayda Says:

    Well spoken @Silly

  4. DukeOfLizards Says:

    @oldskool

    I was gonna say – obviously I haven’t heard anything yet, but given the setlist and the time stamps, this looks precipitously like PNC2 redux.

  5. BingosBrother Says:

    “He’s a cop.”

    Abort mission.

    Fuck this show looks sick.

    LIGHT!

  6. RamblinMinD Says:

    I find the intro to Light to be jarring in a way similar to Numberline. Wouldn’t mind if they just hacked off the song parts of both and combined the jams

  7. Sillywilly Says:

    I didn’t know he was a cop until a week or so ago

    Too late to move. And the rent is cheap as fuck. At least compared to Madison

    Then again. I do sleep on an airmattress with no furniture in a purple painted room with roommates who play WoW nonstop and refuse to clean the fucking kitchen

    And in the end. An unclean kitchen is unforgivable.

    ……

    Anyway, go Light go!

  8. gavinsdad Says:

    Now boogie…Pretty much agreed on setlist fire. Wonder how it really is tho?

    Friday can’t come fast enuff

  9. gavinsdad Says:

    Things got gnarly when i lived in Burlington in 1990 @silly. Our kitchen became an, um, breeding ground? I finally caved and cleaned it all then became the kitchen cleaning guy for the rest of that Summer.

  10. BrandonKayda Says:

    It seems like in 2011 whenever they try to have a huge setlist show with tons of big songs it doesn’t work as well as something like Bethel 2 or DTE. Of course, this show seems more opened up than PNC2.

  11. Sillywilly Says:

    I hope the transition to Boogie is cool

    Man, that Boogie in Bethel was fun

  12. BrandonKayda Says:

    Sounds gross @gdad. Although I’m sure those times bring some great stories.

  13. Fly Says:

    @SW Create a character and the dishes will cease to have meaning

  14. RamblinMinD Says:

    Jesus, now Sally, Crosseyed and Boogie On are all off the table for Great Woods. That’s the holy triumverate of borrowed funk grooves.

  15. nonoyolker Says:

    Oldskool, was going to say – these songs are posting quickly and it seems like they have played a lot of songs this set already, with seemingly a lot of time left.

    On paper, this shit is gold though. Tough to ask for better selection.

    Mansfield – Sample in a Jar, on repeat 11 times for the 2nd set, no encore. Wish they had saved some of these big guns for Tue night…

  16. Sillywilly Says:

    Nice Gavinsdad!

    Here I am complaining while you were being unselfish and proactive.

    You know what!? I’m gonna clean it tomorrow. You’ve inspired me.

    I just feel better about cleanliness. And unselfishness beats whining everytime

  17. DukeOfLizards Says:

    Just gonna throw out that the general trend this summer has been an inverse relationship between “hot setlist” and “hot set” this summer so far.

    Julius. Horse>Silent, YEM to close it out.

  18. gavinsdad Says:

    Big catalog kids…never fear.

    (tho someones gettin some bluegrass on Tues….just sayin)

  19. Sillywilly Says:

    I think GreatWoods might be getting the make-up Ghost

    I think Trey feels a little bad about the PNC ghost

  20. BrandonKayda Says:

    Playing GD 06-24-70 Electric set.

    This NFA->Easy Wind was the first thing I remember replaying over and over when I first started listening to GD 3 years ago.

  21. Sillywilly Says:

    Maybe they’ll revisit Waves, too

    Really hoping Waves gets some more play this summer

  22. BrandonKayda Says:

    Ripping.

  23. gavinsdad Says:

    Wish it was that kind hearted Will…was more about my Virgo neat freak self just bugging out (no pun intended) that I caved. In hindsight my roommates that summer were filthy lazy bums (says the guy who didn’t work one iota that summer before Dead tour while he awaited a “package from humboldt”)

  24. dognamedwilson Says:

    DukeOfLizards Says:
    June 5th, 2011 at 7:01 pm
    By the way, it’s cool for me to use the word “cu$ty.” I have a lot of really good friends who are cu$ties.

    ^^^sorry to barge in but that is some funny shit right there.

  25. gavinsdad Says:

    @duke – did you call that Julius before twitter? Nice.

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