Crushing Cincinnati

6.5.11 Riverbend - (Michael Stein)

Powerhouse Phish shows come in the form of two outstanding sets—start to finish beasts that never let up for a moment. On Sunday night in Cincinnati, to close out their miniature Midwest swing, the band dropped a powerhouse Phish show. Composing their performance in halves and following the path of the summer sun, the band focused on lighter songs with uplifting jamming in the first set, while using darker-themed songs and improv to craft an intense second set journey upon nightfall. And both halves were phenomenal, with only one hiccup throughout, as Phish put on a Sunday night showcase at Riverbend Music Center.

Official Riverbend Print (Ho)

After kicking off the show with an old-school one-two punch in “Bag” and “Punch,” the thematic, summertime jamming got underway with the cathartic melodies and dance grooves of “Bathtub Gin.” Infusing their first set jamming with a tightness and fire, the guys also played with notably enhanced, whole-band creativity within their contained jams. “Bathtub” provided a smoking example of this first-set trend, while “Taste” furthered it with spectacular interplay between all four band members. Moving from the complex polyrhythms of “Tatse” into the looser grooves of “Jibboo,” Phish took the laid-back jam for a more contoured ride than usual, furthering both the creative trend and summertime feel of the opening half. In a cooled-out take on the song, all band members sat back considerably while subtly exchanging ideas in a refined conversation that shied from the straight-ahead guitar annihilation of most renditions. And in between “Taste” and “Jibboo,” the band worked in a very clean version of “Mound,” something that hasn’t been able to be said in this era. But the gem of the first set—the gem for which we waited for half a tour—came next in “Reba.”

6.5.11 (M.Stein)

Having held back on their quintessential summer jam all tour long, when the band dropped the opening “Reba” of the year, it was perfect. Nailing the song’s fugue with precision, the band proceeded to take the audience on a blissful ride as day began to turn into night. Floating atop the flowing waters of “Reba” at sunset of a summer show is one of the classic Phish experiences, and last night’s was particularly poignant. Again laying back in the jam’s onset with his calculated and more subtle leads, Trey wove his story amidst what the others’ had to say in a collaborative quilt of glory. With gorgeous phrasing—a quality of his playing all night—Trey led jams without dominating them, a pattern that has emerged as one of the best trends of tour. But when the jam got to its climax, Trey was right there to take it to the top. And when as “Reba’s ” jam slammed to its classic halt, the band started up “Fee” almost immediately.

When Phish is feeling it and drops a “Fee,” they often add an improvisational tail to the tale of the weasel. And on this evening, the band oozed into a stunning ambient excursion in which Trey picked up a beautiful, repetitive melody that became the theme to the piece, reminiscent of “Simple’s” enchanting ending on 1/1/11. Everywhere you turned, Phish had something to offer last night, and they slowly built the end of “Fee” piece into a more and more abstract plane before making a change into “Number Line” to close the set. The delicate interplay that laced the opening half also graced its finale as the band navigated a contained but climactic version that punctuated the opening half.

6.5.11 (M.Stein)

And as the band stepped on stage into darkness, out came the music of the night. Launching the set with a compact “Carini,” the band, without haltering, stepped into the type of second-set “Tweezer” that I’ve been waiting for this summer—a gooey excursion in groove with the smooth sensibilities of a band firing on all cylinders like they haven’t in ages. Like opening the door to a musical candy land, when the jam hit it felt like another world engulfed the pavilion—a world of staccato guitar leads, crunchy clav textures and chunky bass lines; a world where thoughts ceased and spirits soared. Taking their crack-laced conversation for quite a ride, the band let the segment naturally progress from one filthy groove into another in the type of throwdown that could inspire an army of Solid Gold dancers. When they finally released into the guitar-led build of “Tweezer,” Trey peaked the jam using screaming “Crosseyed” licks, foreshadowing what was just around the corner. Completely locked and loaded throughout this liquid excursion, once finished, the band wasted to time splashing into “Free” as the landing point for their infectious jaunt.

6.5.11 (M.Stein)

Upon “Free’s” ending, the band hopped right into “Crosseyed and Painless,” taking the song for a full-throttled ride. Crushing the song’s percussive patterns, the dark feel of the set continued with the fourth sinister song in row. As the band began to veer into uncharted territory, they landed on a series of collective hits that Trey used as a creative attempt to move into “Light.” Taking his mates a moment to catch on, the transition didn’t come off flawlessly, but the flow of the show wasn’t damaged. After Bethel’s contained version of “Light,” the band was back to pushing the envelope with their modern classic. As they settled out of the song’s shreddery, the guys got into some of the most progressive (and gorgeous) grooves we’ve heard all tour. Trey took a huge step back as Page began an organ pattern that led the band in a downtempo groove that was laced with a different sort of psychedelia. Having reached a golden plane of improvisation, the band patiently explored the new ground they discovered. But then came the only speed-bump to the show. As the band was immersed in this avant-garde experiment, Trey thought it would be a good time to force “Boogie On” into the mix?! A dubious call without question and a certain blemish on a show that otherwise flowed flawlessly, it’s, simultaneously, hard to knock much about last night at all.

6.5.11 (M.Stein)

Following up the intrusion with a ripping “Julius” that set up a weekend-closing “YEM” that anyone could see from a mile away, what one couldn’t foresee is how creative the band got within the song’s jam. Transcending “YEM’s” typical funk, Phish entered a whole-band conversation that veered from the song’s theme as the band got their gangsta’ lean, laying back as far as possible in a jam that brought “YEM” to another level.

A feel-good “Loving Cup,” “Reprise” encore closed the book on the only shows in the Midwest until this August at UIC, and lord knows what the band will be up to at that point. But for now, a blazing weekend came to a close in the old-school environs of Riverbend Music Center with a new-school, powerhouse  Phish show that absolutely brought the house down. Enjoy the day off and we’ll reconvene at Great Woods for another episode of Phish 2011—the freshest new adventure show on the block.

I: AC/DC Bag, Punch You In the Eye, Bathtub Gin, Taste, Lawn Boy, Mound, Gotta Jibboo, Reba, Fee > Backwards Down the Number Line

II: Carini -> Tweezer > Free, Crosseyed and Painless > Light > Boogie On Reggae Woman > Julius, You Enjoy Myself

E: Loving Cup, Tweezer Reprise


753 Responses to “Crushing Cincinnati”

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  1. [Not Tom] Says:

    Looks like it was a barn burner. Hope everyone made it out safely.

  2. Boz Scagz Says:

    From one Boz to another, a total Boz of a show. Solid second set. Tweezer could have been an extra 5 minutes (I saw the Placid Tweezer). Well, back to my Lido Shufflin’. Whoz da Boz?

  3. John Says:

    Why was YEM so predictable?

  4. Sillywilly Says:

    Phish:The freshest new adventure show on the block.

    I love it!

    Happy Monday, kids!

  5. Jtran Says:

    Need to spin Friday and last night, and relisten to Saturday.

    I need more time in the day

  6. Esteban Says:

    Just grabbed a copy, and now my morning will begin! The sinister shows always bring out such amazing takes, but I would be remiss if it wasn’t the Reba that piqued my interest last night watching the setlist roll out. Glad to hear, Miner, that it held up… The description that you use, of “floating atop the flowing waters of ‘Reba’ at sunset,” is one that immediately conjures up feelings of the many summer nights from nearly twenty years ago where that tune simply set the stage for a perfect evening. I love a good Reba.

    Definitely jumping on at Merriweather now! Thanks to a fellow BBer for a Sunday ticket. If anyone has or knows of an extra pav ticket (hell, just get me in the door), drop me a line: stephen dot devoid at gmail dot com.

  7. Beantownboy Says:

    Great review, yet again!
    Thanks, Miner!

    Looks like the Rust Belt Tour lived up to the hype from the DTE mind fuck; to the Cleveland Steamer; to the Cincy Crusher.

    Looking forward to what tomorrow brings at the “hometown” show in New England.

  8. nonoyolker Says:

    “the type of throwdown that could inspire an army of Solid Gold dancers”

    ^ Well played Miner.

    Setlist is the stuff dreams are made of. Felt more than a tinge of jealousy watching those roll in on from the road. Hoping for a likewise adventure at Great Woods. Curtain With please?

    Can’t wait to spin last night. Hope everyone had a great one!

  9. bob dylan Says:

    Hey custy crib people. Posters just got approved on ebeans.
    ^bethrl bitches variant

    Join ebeans and you can add it to your collection

  10. fat bastard Says:

    i for one loved blossum’s first set cohesion be damned.

  11. Mike in Austin Says:

    Great to hit 3 great shows in a row. Now to get on a plane back to reality this afternoon.

  12. lastwaltzer Says:

    “Need to spin Friday and last night, and relisten to Saturday.

    I need more time in the day”jtran


    Looks like I picked the wrong weekend to go tour, place got bombed and is a total mess. Wonderful homecoming 🙁

    Can’t wait to spin set two from last night when I get home, looks like the perfect was to cap the weekend.

  13. bob dylan Says:

    Miner must get inspired to write. I see a direct correlation to raging shows and well written reviews.

    Good one mr m. Can’t wait to spin this.

  14. bob dylan Says:

    Do you mean why was YEM seen a mile away? Or why was the jam predictable. I think you mean the first.

    YEM is a song pretty much on the bill once every 3-4 shows. When you have a weekend run, YEM usually punctuates it. That’s why it was easily predictable

  15. bob dylan Says:

    Kinda like slave closer on a 3 night run

  16. nonoyolker Says:

    Word Zimmerman – I would have staked my fortunes on a YEM closer last night. What, no fortunes? Ok, my reputation. No reputation either?? Ok, i would have just bet on it… Glad to hear this one got a bit out the box.

  17. butter Says:

    Yea, it’s true Bob

    Very well written review Miner

    A Hot show seems to bring out his best writing

    Haven’t spun a note of Sat yet, got 4 full sets to spin, going to be a great Monday and Tuesday of tuneage

  18. Type III Jamming Personality Disorder Says:

    I, for one, had the YEM pegged from 1,000 miles away (roughly).

    @bobby z
    the crazy thing is that YEM actually (on average) has been played every 2 shows. that’s a whole lotta vocal jams and trampolines.

  19. bob dylan Says:

    T3, geeky enough I knew it’s been every 2 shows and was gonna say every 2-4 but I hadnt recalled actually seeing 2 yems that often in recent years so I erased it and put 3-4. Think that’s one of those avgs where it’s gonna take a while for it to drop down. YEM was a staple back in the day.

  20. ThePigSong Says:

    the first few notes of the Bethel waves still gets me amped just sitting on my couch. I might have exploded if I was actually there.

    …and I actually saw the YEM coming from (exactly) 2,000 miles, just sayin’

  21. mitch Says:

    It’s my day off. Let’s keep it classic.

    There’s a law and order UK on the BBC. It’s the exact same with accents.

  22. ThePigSong Says:

    so stoked to make a video playlist of all these vimeo releases, for anyone who missed over the weekend:

    Downloads youtube/vimeo/streaming music directly to your hard drive.

  23. Type III Jamming Personality Disorder Says:

    posted without comment

    (can you tell I’m back at work from my paternity leave yet?) :mrgreen:

  24. mitch Says:

    Take it back. UK law and order is more emo. They even have the sad music in the background and the cops seem sympatico

  25. butter Says:

    French press> sat Sally > early Monday morn office to dl riverbend

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