Crushing Cincinnati

6.5.11 Riverbend - (Michael Stein)

Powerhouse Phish shows come in the form of two outstanding sets—start to finish beasts that never let up for a moment. On Sunday night in Cincinnati, to close out their miniature Midwest swing, the band dropped a powerhouse Phish show. Composing their performance in halves and following the path of the summer sun, the band focused on lighter songs with uplifting jamming in the first set, while using darker-themed songs and improv to craft an intense second set journey upon nightfall. And both halves were phenomenal, with only one hiccup throughout, as Phish put on a Sunday night showcase at Riverbend Music Center.

Official Riverbend Print (Ho)

After kicking off the show with an old-school one-two punch in “Bag” and “Punch,” the thematic, summertime jamming got underway with the cathartic melodies and dance grooves of “Bathtub Gin.” Infusing their first set jamming with a tightness and fire, the guys also played with notably enhanced, whole-band creativity within their contained jams. “Bathtub” provided a smoking example of this first-set trend, while “Taste” furthered it with spectacular interplay between all four band members. Moving from the complex polyrhythms of “Tatse” into the looser grooves of “Jibboo,” Phish took the laid-back jam for a more contoured ride than usual, furthering both the creative trend and summertime feel of the opening half. In a cooled-out take on the song, all band members sat back considerably while subtly exchanging ideas in a refined conversation that shied from the straight-ahead guitar annihilation of most renditions. And in between “Taste” and “Jibboo,” the band worked in a very clean version of “Mound,” something that hasn’t been able to be said in this era. But the gem of the first set—the gem for which we waited for half a tour—came next in “Reba.”

6.5.11 (M.Stein)

Having held back on their quintessential summer jam all tour long, when the band dropped the opening “Reba” of the year, it was perfect. Nailing the song’s fugue with precision, the band proceeded to take the audience on a blissful ride as day began to turn into night. Floating atop the flowing waters of “Reba” at sunset of a summer show is one of the classic Phish experiences, and last night’s was particularly poignant. Again laying back in the jam’s onset with his calculated and more subtle leads, Trey wove his story amidst what the others’ had to say in a collaborative quilt of glory. With gorgeous phrasing—a quality of his playing all night—Trey led jams without dominating them, a pattern that has emerged as one of the best trends of tour. But when the jam got to its climax, Trey was right there to take it to the top. And when as “Reba’s ” jam slammed to its classic halt, the band started up “Fee” almost immediately.

When Phish is feeling it and drops a “Fee,” they often add an improvisational tail to the tale of the weasel. And on this evening, the band oozed into a stunning ambient excursion in which Trey picked up a beautiful, repetitive melody that became the theme to the piece, reminiscent of “Simple’s” enchanting ending on 1/1/11. Everywhere you turned, Phish had something to offer last night, and they slowly built the end of “Fee” piece into a more and more abstract plane before making a change into “Number Line” to close the set. The delicate interplay that laced the opening half also graced its finale as the band navigated a contained but climactic version that punctuated the opening half.

6.5.11 (M.Stein)

And as the band stepped on stage into darkness, out came the music of the night. Launching the set with a compact “Carini,” the band, without haltering, stepped into the type of second-set “Tweezer” that I’ve been waiting for this summer—a gooey excursion in groove with the smooth sensibilities of a band firing on all cylinders like they haven’t in ages. Like opening the door to a musical candy land, when the jam hit it felt like another world engulfed the pavilion—a world of staccato guitar leads, crunchy clav textures and chunky bass lines; a world where thoughts ceased and spirits soared. Taking their crack-laced conversation for quite a ride, the band let the segment naturally progress from one filthy groove into another in the type of throwdown that could inspire an army of Solid Gold dancers. When they finally released into the guitar-led build of “Tweezer,” Trey peaked the jam using screaming “Crosseyed” licks, foreshadowing what was just around the corner. Completely locked and loaded throughout this liquid excursion, once finished, the band wasted to time splashing into “Free” as the landing point for their infectious jaunt.

6.5.11 (M.Stein)

Upon “Free’s” ending, the band hopped right into “Crosseyed and Painless,” taking the song for a full-throttled ride. Crushing the song’s percussive patterns, the dark feel of the set continued with the fourth sinister song in row. As the band began to veer into uncharted territory, they landed on a series of collective hits that Trey used as a creative attempt to move into “Light.” Taking his mates a moment to catch on, the transition didn’t come off flawlessly, but the flow of the show wasn’t damaged. After Bethel’s contained version of “Light,” the band was back to pushing the envelope with their modern classic. As they settled out of the song’s shreddery, the guys got into some of the most progressive (and gorgeous) grooves we’ve heard all tour. Trey took a huge step back as Page began an organ pattern that led the band in a downtempo groove that was laced with a different sort of psychedelia. Having reached a golden plane of improvisation, the band patiently explored the new ground they discovered. But then came the only speed-bump to the show. As the band was immersed in this avant-garde experiment, Trey thought it would be a good time to force “Boogie On” into the mix?! A dubious call without question and a certain blemish on a show that otherwise flowed flawlessly, it’s, simultaneously, hard to knock much about last night at all.

6.5.11 (M.Stein)

Following up the intrusion with a ripping “Julius” that set up a weekend-closing “YEM” that anyone could see from a mile away, what one couldn’t foresee is how creative the band got within the song’s jam. Transcending “YEM’s” typical funk, Phish entered a whole-band conversation that veered from the song’s theme as the band got their gangsta’ lean, laying back as far as possible in a jam that brought “YEM” to another level.

A feel-good “Loving Cup,” “Reprise” encore closed the book on the only shows in the Midwest until this August at UIC, and lord knows what the band will be up to at that point. But for now, a blazing weekend came to a close in the old-school environs of Riverbend Music Center with a new-school, powerhouse  Phish show that absolutely brought the house down. Enjoy the day off and we’ll reconvene at Great Woods for another episode of Phish 2011—the freshest new adventure show on the block.

I: AC/DC Bag, Punch You In the Eye, Bathtub Gin, Taste, Lawn Boy, Mound, Gotta Jibboo, Reba, Fee > Backwards Down the Number Line

II: Carini -> Tweezer > Free, Crosseyed and Painless > Light > Boogie On Reggae Woman > Julius, You Enjoy Myself

E: Loving Cup, Tweezer Reprise


753 Responses to “Crushing Cincinnati”

  1. mitch Says:

    Furthur live webcast tomorrow at BK bowl.

    NYC people come out.

    Check your local listings. Looks like it’s all over.

  2. snowbank Says:

    @tel’smuuf – the end of that video is pretty much what I imagine it will be like when phans take over darien lakes

  3. plord Says:

    Hey Snowbank, no, it’s not CDT. It’s some hoary old blues chestnut, like Hideaway or Green Onions but neither of those exactly.

  4. phoammhead Says:

    i didn’t find the steam effect objectionable on the 4 times i played the song, yesterday, and in light of some of the comments i’ve seen, i’m encouraged to hear mrminer say that he enjoyed the effect live

    no matter though, ymmv

  5. MrCompletely Says:

    “Wow Mike really does start this Have Mercy himsel-WAIT A MINUTE!”

    ^^ lulz

  6. MrCompletely Says:

    yea its not like when Steam starts up I’m going to think “o noes here comes corny sound effect,” rather more like “hellz yea here comes wicked awesome new song”

  7. MrCompletely Says:

    I mean I don’t really like the “fences are filters” or “whirling around” lines in Light either

  8. BingosBrother Says:

    He does though. That was an abrupt move. Still don’t know if I like it.

    “Furthur live webcast tomorrow at BK bowl.”

    Sweet! Wish they’d come around here soon.I need some good ol GD tunage in my soul soon.

  9. Summer98 Says:

    Sumo, just sent you mail.

  10. BingosBrother Says:

    W a x ban ks may be the snobbiest person on the internet. i almost admire it. unreal.

  11. tela'smuff Says:

    at about 8mins in, the DET Bowie gets ridiculously good. Mike and Fish layin down an meaty groove while Page hammers his flourishing keys, all along Trey is offering leads I haven’t heard in a Bowie. Miner mentioned it being the best he’s heard in years, and I’d have to agree, This Bowie is being left in the cold due to the Disease that preceded it.

    If Bethel 2 hadn’t happened, it’s clear to me Detroit would have been dropped the hottest Phish show in the last 8 years.

  12. BingosBrother Says:

    Mound was played for the 8th time in 15 years? thanks for brushin up on solo tour mike. Hope we get an Idea this tour too.

  13. Mr.Miner Says:

    There is no possible debate to a disease supreme… W a x proves to be the chump of the Internet once again. Hilarious.

    Btw. Phish owns your face. (and yours too!)

  14. phoammhead Says:

    yeah, i just listened to mound from last nite and it is well played! > sign of more incredible things to come me thinks.

  15. tela'smuff Says:

    and i mentioned that Mike started the Have Mercy this morning. that seems f’d up to me. Mike getting all reggae up in the Motor City. I like it.

  16. BingosBrother Says:

    @C diggin into Schrodingers Cat Trilogy. Weird, wild stuff. Thought you may dig this article.

  17. snowbank Says:

    @sumo – no mores shows for me till the gorge’ous. I definitely have a cold beer for you if you can make over to the wildhorse.

    @plord – I tried.

  18. Mr.Miner Says:

    Nitpicky mr C. 😉 nitpicky, I tell you.

  19. phoammhead Says:

    i like the fee>numberline from last night

  20. MrCompletely Says:

    “This Bowie is being left in the cold due to the Disease that preceded it.”

    that whole trio is a unit to me. the Bowie is still flying on the DWD jam energy

    “Mound was played for the 8th time in 15 years? thanks for brushin up on solo tour mike.”

    The Mound I heard from solo Mike tour was as schwaggy and slopped out as the prior Phish ones. So yeah kind of a big deal to finally play a decent one

  21. Mr.Miner Says:

    Everything from last night is fire.

  22. RamblinMind Says:

    @plord – just listened on the drone and could hardly hear because the speakers on my work computer are broken, but could you be talking about another Freddie King instrumental? Not Hideaway, but maybe San-Ho-Zay? That’s all i could pick up on from here

  23. MrCompletely Says:

    anyone that hasn’t read up on the Pickard missile silo chemistry story should do so (that Vice article)

  24. BingosBrother Says:

    Whole weekend was fire. Its all coming together Miner. Happiness abounds.

  25. tela'smuff Says:

    Miner is still flying on the Detroit>Blossom jam energy…. 😉

    Julius was once again a rager though. Trey steps it up the rock star energy for Julius nowadays.

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