Crushing Cincinnati

6.5.11 Riverbend - (Michael Stein)

Powerhouse Phish shows come in the form of two outstanding sets—start to finish beasts that never let up for a moment. On Sunday night in Cincinnati, to close out their miniature Midwest swing, the band dropped a powerhouse Phish show. Composing their performance in halves and following the path of the summer sun, the band focused on lighter songs with uplifting jamming in the first set, while using darker-themed songs and improv to craft an intense second set journey upon nightfall. And both halves were phenomenal, with only one hiccup throughout, as Phish put on a Sunday night showcase at Riverbend Music Center.

Official Riverbend Print (Ho)

After kicking off the show with an old-school one-two punch in “Bag” and “Punch,” the thematic, summertime jamming got underway with the cathartic melodies and dance grooves of “Bathtub Gin.” Infusing their first set jamming with a tightness and fire, the guys also played with notably enhanced, whole-band creativity within their contained jams. “Bathtub” provided a smoking example of this first-set trend, while “Taste” furthered it with spectacular interplay between all four band members. Moving from the complex polyrhythms of “Tatse” into the looser grooves of “Jibboo,” Phish took the laid-back jam for a more contoured ride than usual, furthering both the creative trend and summertime feel of the opening half. In a cooled-out take on the song, all band members sat back considerably while subtly exchanging ideas in a refined conversation that shied from the straight-ahead guitar annihilation of most renditions. And in between “Taste” and “Jibboo,” the band worked in a very clean version of “Mound,” something that hasn’t been able to be said in this era. But the gem of the first set—the gem for which we waited for half a tour—came next in “Reba.”

6.5.11 (M.Stein)

Having held back on their quintessential summer jam all tour long, when the band dropped the opening “Reba” of the year, it was perfect. Nailing the song’s fugue with precision, the band proceeded to take the audience on a blissful ride as day began to turn into night. Floating atop the flowing waters of “Reba” at sunset of a summer show is one of the classic Phish experiences, and last night’s was particularly poignant. Again laying back in the jam’s onset with his calculated and more subtle leads, Trey wove his story amidst what the others’ had to say in a collaborative quilt of glory. With gorgeous phrasing—a quality of his playing all night—Trey led jams without dominating them, a pattern that has emerged as one of the best trends of tour. But when the jam got to its climax, Trey was right there to take it to the top. And when as “Reba’s ” jam slammed to its classic halt, the band started up “Fee” almost immediately.

When Phish is feeling it and drops a “Fee,” they often add an improvisational tail to the tale of the weasel. And on this evening, the band oozed into a stunning ambient excursion in which Trey picked up a beautiful, repetitive melody that became the theme to the piece, reminiscent of “Simple’s” enchanting ending on 1/1/11. Everywhere you turned, Phish had something to offer last night, and they slowly built the end of “Fee” piece into a more and more abstract plane before making a change into “Number Line” to close the set. The delicate interplay that laced the opening half also graced its finale as the band navigated a contained but climactic version that punctuated the opening half.

6.5.11 (M.Stein)

And as the band stepped on stage into darkness, out came the music of the night. Launching the set with a compact “Carini,” the band, without haltering, stepped into the type of second-set “Tweezer” that I’ve been waiting for this summer—a gooey excursion in groove with the smooth sensibilities of a band firing on all cylinders like they haven’t in ages. Like opening the door to a musical candy land, when the jam hit it felt like another world engulfed the pavilion—a world of staccato guitar leads, crunchy clav textures and chunky bass lines; a world where thoughts ceased and spirits soared. Taking their crack-laced conversation for quite a ride, the band let the segment naturally progress from one filthy groove into another in the type of throwdown that could inspire an army of Solid Gold dancers. When they finally released into the guitar-led build of “Tweezer,” Trey peaked the jam using screaming “Crosseyed” licks, foreshadowing what was just around the corner. Completely locked and loaded throughout this liquid excursion, once finished, the band wasted to time splashing into “Free” as the landing point for their infectious jaunt.

6.5.11 (M.Stein)

Upon “Free’s” ending, the band hopped right into “Crosseyed and Painless,” taking the song for a full-throttled ride. Crushing the song’s percussive patterns, the dark feel of the set continued with the fourth sinister song in row. As the band began to veer into uncharted territory, they landed on a series of collective hits that Trey used as a creative attempt to move into “Light.” Taking his mates a moment to catch on, the transition didn’t come off flawlessly, but the flow of the show wasn’t damaged. After Bethel’s contained version of “Light,” the band was back to pushing the envelope with their modern classic. As they settled out of the song’s shreddery, the guys got into some of the most progressive (and gorgeous) grooves we’ve heard all tour. Trey took a huge step back as Page began an organ pattern that led the band in a downtempo groove that was laced with a different sort of psychedelia. Having reached a golden plane of improvisation, the band patiently explored the new ground they discovered. But then came the only speed-bump to the show. As the band was immersed in this avant-garde experiment, Trey thought it would be a good time to force “Boogie On” into the mix?! A dubious call without question and a certain blemish on a show that otherwise flowed flawlessly, it’s, simultaneously, hard to knock much about last night at all.

6.5.11 (M.Stein)

Following up the intrusion with a ripping “Julius” that set up a weekend-closing “YEM” that anyone could see from a mile away, what one couldn’t foresee is how creative the band got within the song’s jam. Transcending “YEM’s” typical funk, Phish entered a whole-band conversation that veered from the song’s theme as the band got their gangsta’ lean, laying back as far as possible in a jam that brought “YEM” to another level.

A feel-good “Loving Cup,” “Reprise” encore closed the book on the only shows in the Midwest until this August at UIC, and lord knows what the band will be up to at that point. But for now, a blazing weekend came to a close in the old-school environs of Riverbend Music Center with a new-school, powerhouse  Phish show that absolutely brought the house down. Enjoy the day off and we’ll reconvene at Great Woods for another episode of Phish 2011—the freshest new adventure show on the block.

I: AC/DC Bag, Punch You In the Eye, Bathtub Gin, Taste, Lawn Boy, Mound, Gotta Jibboo, Reba, Fee > Backwards Down the Number Line

II: Carini -> Tweezer > Free, Crosseyed and Painless > Light > Boogie On Reggae Woman > Julius, You Enjoy Myself

E: Loving Cup, Tweezer Reprise


753 Responses to “Crushing Cincinnati”

  1. DaNcInG fOoL Says:

    That tweez was the new years run stylo of jam was it not? Sickness

  2. jdub Says:

    You know Phish is killing it when Possum actually gets respect. And well deserved. Sick little melting possum jam in there.

  3. Mr. Palmer Says:

    Trap indeed @ Bingo’s. llfa

  4. BingosBrother Says:

    That was a slow cooked possum. Turn on the smoker, put it in, and let the meat melt off the bone. Mmm…Awesome Blossum Possum.

  5. Chonz Says:

    Just got back home and can’t wait to relisten to this weekend’s shows. Phish is back to melting faces and crushing the skulls left behind. I have much to process and need to get started on that but just wanted to drop in quick and thank BTB for hosting his party. It was great to meet those that I did. OK, time to bane…

  6. jdub Says:

    You guys are a hillarious bunch. So many of these memes are giving me a good chuckle.

  7. BingosBrother Says:

    Word to that DF. Tweezer and Sally were very plinko, pong, clockwork, ?, type jamming. The goods. UIC is gonna be a tantric explosion for me. bring a poncho.

  8. Mr.Miner Says:

    “This Tweezer is sick sick sick and psychedelic as Fuck imo.” -aw

    Here, here!! I couldn’t agree more. Peak experience for me…so so sick…

  9. Leo Weaver Says:

    @Great Woods folks…I talked to Guyute711 a little while ago. He’s somewhere in PA heading towards Mass for the show and is hoping to hook up with some of you peeps. I think he’s probably looking for somewhere to crash between Jersey and Mass…any help or info/leads on good camping spots would be great. He had enough fun and did well enough on lot to jump on tour. Somebody hit him up at 704 six five one 8 two 53.

  10. Mr. Palmer Says:

    On this Tweezer now. First listen. High praise from the tweezer kidz, gotta be dope.

  11. Leo Weaver Says:

    Tweezer was indeed the heat.

  12. Mr. Palmer Says:

    oh my

  13. albert walker Says:

    Groove clinic

  14. DukeOfLizards Says:


    That is fucking awesome.

  15. Leo Weaver Says:

    Good times running into you guys for a sec in second set @aw. See ya out west for a reprise.

  16. Leo Weaver Says:

    Re: guyute @Duke? Yeah, I think so. We were talking about me going up to the Ohio shows a couple weeks ago and he said, “fuck it, I’m driving up for Blossom.” which turned into, “yeah, no reason not to go to cinci.” which turned into “fuck it, I’m investing in beer and smokes and going on tour…time to hustle.”

    So yeah, any of you guys that could help the ugly pig out, would be appreciated I’m sure. He’s been having a pretty shitty spring and this is just what the doctor ordered for him.

  17. voopa Says:

    OK, I uploaded a Q&D html doc of the BB memes…I think I got most of them, but there may be some missing from Tue-Thu of last week, and others too. Feel free to repost, and I’ll try to get them on there.

    It’s mostly chronological, but sorted by host, which I will fix. Link:

    …Does it work?

  18. angryjoggerz Says:

    @AW, I was giving aquaman and LW shit about this elaborate headfuck rouse they have going with “you” and how you obviously are not a real person. What a lot of work it must take for them to keep this up. Hope “you” had a good run!

  19. voopa Says:

    …and I already see a line break error. *sigh*

  20. DukeOfLizards Says:

    Cincy Reba is slick as hell.

    One thing I’ve noticed in A LOT of the jams this year is that Trey has traded (Treyded?) a lot of his signature (and, IMO, kind of crutch-y) licks and really pushed the limits with a lot of his lead lines. Some absolutely flithy “vertical” playing in a lot of the psychedelic excursions.

    Taste now.

  21. BrandonKayda Says:

    Reading “Candide” by Voltaire – this is hilariously dark satire.

  22. Leo Weaver Says:

    finally downloading these shows. can’t wait to listen. Back to the Tweezer, I recall Trey with a really swanky lick way up over the groove…the place went nuts. Time for this leftover Robane and headphones.

  23. halcyon Says:

    works over here Voopa! Thanks for your efforts. There are some great memes listed.

  24. William H. Bonney Says:


    Is a personal favorite. Enjoy BK.

  25. DukeOfLizards Says:

    Just hit the Tweez jam from last night.

    Ohhhhh yes. Fucking SAUCY right out of the gates.

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