No Flow, But Good to Go

6.18.11 - Raleigh, NC (John Crouch)

On Saturday night in Raleigh, Phish pieced together a show that didn’t necessarily add up to more than the sum of its parts—but many of its parts were quite impressive. Highlighted by an eerie and abstract exploration of “Split Open and Melt,” the second set was broken up by random songs placed in between each mini-jam sequence, a format that eliminated any overall flow to the frame. But in a set that featured ups and downs and was generally all over the place, the band played still found plenty of time for engaging improvisation.

Official Raleigh Print (J.Helton)

Opening the second half of the show with a short but sweet “Twist,” Phish got into some serious interplay as Trey ripped off a series of staccato leads amidst a jam that felt like it had the makings of something more. But instead of pushing into the unknown, the band wrapped up the tight set-opener and followed with “Rift”—so much for flow. And as the third song of the set, Trey chose an incredibly mellow route, dusting off “Prince Caspian” for the first time since tour’s opening night in Bethel. But instead of rocking out the anthemic piece, Trey laid back, using delicate licks rather than a crushing solo. As a result, the band sailed into a cerebral version that melted—unfinished—into spacious and ambient improv that found its way to near silence before merging with “Esther.” The combinations of songs was successful and seamless, if not a bit mellow for its second-set placement. When “Esther” concluded, Trey began to adjust a second microphone, leading many fans to believe a guest appearance was imminent. But in the surprise of the evening, the band tore into Jane’s Addiction’s “Been Caught Stealing” for the first time since 12.28.1998. Running an effect through the second mic to alter his voice to a high-pitched squeal like Perry Farrell’s, Trey added a new element to the cover since we’d last seen it nearly 300 shows ago. Though an exciting bustout, the song seemed completely out of place following “Esther” in the middle of the second set—another bizarre speedbump in its contour.

6.18.11 (J. Crouch)

The second jam sequence of the half came next in “Piper > My Friend, My Friend.” Wasting no time getting creative with “Piper,” the band launched into a dynamic conversation within the piece’s breakneck textures, and when the band broke things down, the music became increasingly interesting. Mike, Trey and Page joined forces in a whole-band effort that featured equitable contributions, all the while remaining glued to the beat science of Jon Fishman. Responding to each other creatively and with negligible reaction time, “Piper” took on an adventurous trajectory, though when the band seemed to be delving deeper, Trey had other ideas as he started up”My Friend.” One random second-set call was followed by another with a generic run through of “Kill Devil Falls.” By this point, the second half had lost any sense of cohesion. But in a set-saving decision, the band kicked into “Split.”

Focusing their exploratory spirit on a song already known for reaching crazy places, last night, Phish gradually built “Split” into a haunting and hypnotizing show-highlight. Taking the jam far off the deep end, the band forged through several stages of distinctly slow, dissonant and abstract playing en route to a menacing trip through the dark side. Displaying all sorts of patience in this jam, Trey blended into a four-part, psychedelic symphony that engulfed the pavilion with its ever-deepening textures. While the band had no problem getting into this gorgeous, musical lunacy, they did have a bit of trouble getting out. They had brought the jam to such an abstract plane—at one point, with no band members playing at all over a drone soundscape—that they couldn’t quite find their way back from the netherworld into the “Split’s” final build. Getting a bit lost in this attempt, the guys finally bailed on the ending of the song, popping weakly into its final riffs. But anytime the band can’t find their way back to earth because they’ve traveled so far into the cosmos, that’s one kind blemish I can handle every single time.

6.18.11 (John Crouch)

As if Trey put his internal iPod on shuffle last night, the show ended innocuously with “Golgi” and “First Tube” before an encore of “Good Times, Bad Times brought things home. The first set, however, did carry a bit more cohesion. Opening up with two bustouts—presumably from signs—in “Cars, Trucks, Buses” and Frank Zappa’s “Peaches En Regalia” (a song Trey just couldn’t handle) things got off an running in a hurry. The other highlight of the set came in a “Halley’s Comet” jam that was almost let loose. In a strange case of second guessing himself, Trey allowed the band to jam forth from the song’s normal break, getting into some infectious rhythms in a hurry. But before the piece got a chance to get anywhere significant—a jam that Trey, himself, allowed to blossom—Big Red performed a back-alley abortion on the the growing piece, inexplicably starting “46 Days” with his band fully immersed in a groove. We can ask “Why?” until the cows come home, but sometimes there are just no answers. A smoking, old-school sounding “Antelope” closed the opening set with a quick-paced exchange that underlined the band’s current connectedness.

6.18.11 (J.Crouch)

Though I may never listen to this show from start to finish, I’ll certainly revisit the highlights, as Phish had it going last night—though they displayed it in spurts. While far from a face-melting epic, there was still plenty of standout music within Phish’s penultimate show of June to keep everyone happy. An odd show—no doubt—the unexpected, however, comes in many forms, and last night the second set was anything but predictable. But with an arsenal of heavy artillery armed and ready for tonight, something tells me we’ll walk away from nTelos Pavilion slightly more wide-eyed than Walnut Creek. As I gaze across the water towards the locale of the intimate, 7,000-person tour-closer, a blowout lingers in the air. See you on the flip side.

I: Cars Trucks Buses, Peaches en Regalia, AC/DC Bag, Guyute, Possum, Halley’s Comet > 46 Days, The Divided Sky, The Ballad of Curtis Loew, Run Like an Antelope

II: Twist, Rift, Prince Caspian > Esther, Been Caught Stealing, Piper > My Friend, My Friend, Kill Devil Falls, Split Open and Melt, Golgi Apparatus, First Tube

E: Good Times Bad Times

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708 Responses to “No Flow, But Good to Go”

  1. Henry Says:

    Post Show Report:

    First set was very nice. Nothing taken too far out of the box, but quality versions of everything and a very nice flow. Harpua was awesome to catch, and it was cool seeing all of their father’s on stage for father’s day. brother smoked. dwd seemed to pack a little extra punch that other first set versions. timber was as deep as the first set got, and it was excellent.

    Thunder Road was a peak Phish experience for me. My dad is HUGE springsteen fan, and him taking me to see springsteen altered the path of my musical interest for the first time and was the first time i got IT at a concert (albeit a very different IT). then, my first phish shows, bonnaroo, my dad took me to as a compromise of sorts because he could see the boss and i could see phish for the first time. having them play a springsteen cover on father’s day was incredibly special as i reflected on all he’s done for me and how much he has encouraged and shaped my musical interest.

    second set had excellent flow i thought. crosseyed was hot, and walls of the cave was a great bust out. i’ve always loved the song, and this version SMOKED. definitely a huge peak of the show energy wise. slave was next and it was beautiful. i was a bit surprised at the fluffhead placement, but it worked perfectly.

    sand – listen ASAP. completely original and creative jam. very page led i felt.

    sally was a great continuation of the funk, and though i was a bit surprised they didn’t take it for a little longer of a ride, i was more than excited to hear the opening chords of light. light got deep quick, although the abrupt segue into #line was the only point all night I wish they had made a different decision. the intro is so jarring! average version. suzy was a lot of fun, page really brought the house down. i was glad for a high energy shot at the end after the #line

    julius enocre was fun. all in all a great night. highlights for me are brother and timber from the first set, and crosseyed > walls, sand > sally > light from the 2nd, although it was all great. just should’ve given light another 7 mins instead of #line

  2. BrandonKayda Says:

    Glad you had a great time man!

  3. Matso Says:

    Thanks Henry. Looks like a pretty solid leg 1 closer with the usual themes continuing (super strong playing balanced by jarring #lining of jams).

    There’ll be some interesting commentary over the next two weeks given the highs and what some are perceiving as “lows” of this tour (lows being extremely relative – every show has at least one or more moments worthy of the highlights reel, which is definitely not always the case).

    The internet, of course, lends itself to grandiose pronouncements on thin evidence, but if we can keep the “this band is over/just a nostalgia act/creatively exhausted”-type eulogies to a minimum on this BB, that would be great! And, being a bunch of fluffers who wait for Dear Leader to tell us what to think, I’m sure that’s just what we’ll do ;) . (Read some of the phish.net comments on the Alpharetta 2 review – you’d think it was the end of days).

    Anyway, here’s a few questions on my mind right now –

    1. What happened to Carini and Light since last Fall?
    2. Has TTE been permanently shelved?
    3. Where does the impulse to play #line twice in 3 shows come from?
    4. Is there any new material in the wings other than Steam?

  4. st8 of mind Says:

    I think the Thunder Road was a tribute to Clarence Clemons (Springsteen’s sax player) who died yesterday. He was the man.

  5. NJsurfer30 Says:

    just listened to the thunder road cover and was really impressed. a couple lyrical rough spots, and the ending solo sounded a little different rhythmically, but quite honestly better than most of the jersey shore bar cover band versions i’ve heard. which is really pretty sad when you consider that the primary reason most of those bands exist is to play bruce covers. anyway i thought the phish version sounded great and was really impressed, especially by the singing. wish i had been there to see it. not the biggest springsteen fan compared to many others where im from, but always loved that song. need to catch up on most of the other stuff from the weekend, especially charlotte.

  6. Vahousedog Says:

    That “Split” jam was garbage…talk about a disjointed trainwreck.

  7. Spasm Waiter Says:

    Hey Gang- A quick drive by to say hello.

    Highlights form Leg One couch tour are many. Just getting through the last of it. Many good points on the board of late.

    Might be my first Phishless summer of 3.0. Still glad they are shredding and cannot wait to hear what lies ahead.

  8. MrCompletely Says:

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